MARGARET KEMP-WELCH, ARE (1874-1968) - EXMOOR PONIES; EXTENSIVE LANDSCAPE, TWO, WATERCOLOUR, 26 X 36CM AND 32.5 X 55CM AND THREE PRINTS, BY THE SAME, COMPRISING A SHEEPFOLD (TWO SUBJECTS) AND A MOUNTAINOUS LANDSCAPE, ETCHING AND AQUATINT WITH MARGINS, VARIOUS SIZES, EACH SIGNED BY THE ARTIST IN PENCIL, TWO UNFRAMED (5) Both watercolours in good condition, the smaller work with some tiny spots of foxing. This is non reflective glazing. The two unframed prints with slight mount stains, the smallest a little creased and slightly foxed
Jan Van Ryne, 'Bombay on the Malabar Coast', coloured engraving, I.23.5 x 39cm; together with another antique coloured etching of 'The City of Lisbon as before The Dreadful Earthquake'; and three other bird's eye maple framed engravings. (5)
Edward King, 'Rotten Row'; 'The Embankment', a pair, each signed by the artist and engraver in pencil, colour etching, pl.27.5 x 37.5cm.Provenance: The Museum Galleries, Drury Lane, London.
Geertjan van Oostende (1941-)titled; Letter as an opportunity to learn to perceive your own reality again, etching dated 23-10-1976 and numbered 11/14, 49x37 cm
Etching by Josseaud with Westerkerk Amsterdam, etching by Marius Jansen with Stroomarkt Amsterdam, etching by A. Vermeulen with Lage Vuursche and unclear signed, nude study, mixed media
Signed Gerdie, entitled Human hassle, color etching dated 1991, 21x21 cm, Anonymous, Dry bouquet, watercolor dated 1994, 50x35 cm and signed, A. Groot, Landhuis, watercolor dated 1996, 45x60 cm
THREE PRINTS, comprising an Art Deco photo-etching 'Five O'Clock' depicting a female figure having afternoon tea, size approximately 38cm x 25cm, a Pears 'Playmates' print and a print of a young girl reading a book, (Condition: Pears Print has small holes and creases)
ROBERT ARNESON (American 1930-1992) A PRINT, "Brick," 1979, etching and aquatint in colors on paper, signed and dated in pencil L/R, numbered L/L 5/20. 10 1/2" x 14" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Slight crease in U/L corner, torn backing paper, overall good to excellent condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
ED PASCHKE (American 1939–2004) A PRINT, "Pump," 1989, etching on Arches paper, signed and dated in margin in pencil L/R, numbered 49/50 L/L, and titled bottom center. Published by Landfall Press. 23" x 17 3/4" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good to very good condition, some discoloration, commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HEIDI KOENIG (German b. 1964) A PRINT, "Hana," aquatint etching with colors on paper, signed in pencil L/R in margin, "Heidi Koenig," titled center and L/L, marked artist proof and special edition number, "AP II/X." 21" x 20 1/2" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JANNIS KOUNELLIS (Greek/Italian 1936-2017) A PRINT, "Untitled (Image D)," FROM THE SERIES, "Frammenti di Danza," 1982, photo-etching with drypoint in black and blue on wove paper, signed in pencil in margin L/R, numbered 22/75, published by Edition Schellmann and Klser, verso paper tags. 29" x 36" Provenance: Christie's New York, East, Sale 8269, 20th Century Prints, Photographs & Fine Arts - Intl. Corp., lot 287, May 19, 1999, sold; Viart Corporation: Art Management, New York, New York; Jerry Solomon Enterprises, Los Angeles, California. Estate of David E. Brauer, Houston, Texas. Condition: Some smudges in the lower right margin corner, and minor handling and surface wear, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA 1880, etching & drypoint on paper, signed in pencil L/R. 7 1/4" x 5 3/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Wind + Lightning," 1978, etching on paper, signed and dated L/R in margin in pencil, "Rosenquist," titled and numbered 63/78 2nd state L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JAMES ROSENQUIST (American 1933-2017) A PRINT, "For Gene Swenson," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 77/78 State II. Published by M. Goodman, New York. 17 3/4" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Saint Fred," 1978, etching and aquatint on Pescia Italia paper, signed and dated L/R in margin in pencil, numbered 30/78 2nd State L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Hot Lake," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 29/78 State II. 18" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
SALVADOR DALÃ (Spanish 1904-1989) A PRINT, "Don Quixote Man of La Mancha, Le Legacy," 1980, etching and aquatint on Japon Paper, signed in pencil L/R, marked A/P and numbered 35/50. 30" x 22" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MARC CHAGALL (French/Russian 1887-1985) A PRINT, "Vision d'Apocalypse," 1967, etching and aquatint on paper, signed in margin in pencil L/R, numbered L/L 28/35. 14 1/2" x 13 1/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
SONIA DELAUNAY (Ukrainian 1885-1979) A PRINT, "Le Rythm IV," 20TH CENTURY, etching in colors on paper, signed in margin in pencil and signed in monogram in plate special edition number 70/100, and verso a paper gallery label. 25" x 17 3/4" Provenance: Harris Gallery, Houston, Texas; Estate of David E. Brauer, Houston, Texas. Condition: Mild expected surface wear, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
IVAN M. BARR, LINGERING MIST ON BEN LOMOND, etching, titled and signed, 11.5cm x 23.5cm Mounted, framed and under glass, along with another etching by the same artist (2)
A.SIMES, PETER PAN, KENSINGTON GARDENS etching on paper, signed and titled 20cm x 15cm Unframed, along with another by John Fullwood, Woodland Landscape, 26.5cm x 10.5cm (2)
E W Tally (Early 20th C), fishing boats in a continental harbour, water colour heightened with white, indistinctly signed 13cm x 18cm, a small monochrome Victorian etching signed in pencil Tristram Elis, two French coloured etchings indistinctly signed, other decorative prints (7)
Louis Icart (French 1880-1950), Study of a seated female reclining on a sofa, ltd.ed coloured etching 33/150, Copyright Les Graveurs Modernes, 194 Rue de Rivoli, Paris, 1923, signed in pencil, 33cm x 44cm
Early 20th Century, J A Brewer, etching of St Pauls Cathedral in early morning signed lower right J A Brewer inscribed lower left and on stamped paper, 60cm x 78cm frame damaged
*Michael Oelman (b.1941) 'The Great Flood IV' etching and aquatint in colours, signed, inscribed and numbered 59/100 in pencil 36.5 x 43.5cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of frame. Perspex on frame is scratched and is dusty, mount appears to be acidic. Area of print visible under mount does not appear to have any condition problems.
*Lucy Willis (b.1954) Juhu Beach etching and aquatint in colours, 1991, signed, dated, inscribed with title and numbered 150/175 in pencil, on wove paper plate 49 x 73cm *Artist's Resale Right may apply to this lot.Condition report: A light vertical bend down the centre of the work. A few very light smudges of dirt in lower margin. No other obvious flaws. Not seen outside of glazed frame.
*Patrick Procktor RA (1936-2003) 'Marcus and a Pink' etching and aquatint, signed and numbered 450/500 in pencil sheet 79 x 59cm *Artist's Resale Right may apply to this lot.Condition report: Faded and browned throuhout image. In a simple aluminium frame. Tape shadow visible to the paper. No glass.
*Julian Trevelyan RA (1910-1988) 'Before the race' etching and aquatint, signed, titled and numbered 1/50 in pencil image 38 x 50cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. 5 cm dent visible from lower right margin into print. 1cm dent to centre right edge of margin. Indentations in lower right of print. A spot of foxing to right of title in margin.
*Lord Elyse Ash (1900-1971) Swallows and Prunus hand-coloured drypoint etching, signed and numbered 75/75 plate 32 x 28cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, paper light brown in colour.
![MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA](https://cdn.globalauctionplatform.com/8eb25fc0-b153-4d1d-8d3f-acb6012015bc/15979a50-cb4d-46bb-a8b4-acb7013168c4/468x382.jpg)
