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Lot 382

William Lionel Wyllie (1851-1931) a drypoint etching, 'Windy Day, Cowes Week' signed in pencil 'W L Wyllie' to margin on left hand side, 6¼in x 14¾in (16cm x 37.5cm), framed and glazed, paper browned along lower edge of overmount.

Lot 380

William Lionel Wyllie (1851-1931) a drypoint etching, depicting the Royal Yacht at Cowes, signed in pencil 'W L Wyllie' to margin on left hand side, 4in x 14in (10cm x 35cm), framed and glazed.

Lot 114

Ebonised tea caddy depicting a Royal Procession H12cm, Haddon Hall etching by Willie Rawson and two others and lithographic print after Frank Meadow Sutcliffe (5)

Lot 94

'Winter', drypoint etching by George Soper (British 1870-1942) signed in pencil 22cm x 34cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 555

Tito Caldspoil, 'Andy and Mick', Portrait of Andy Warhol and Mick Jagger, etching, numbered 1/4, signed and dated 2002, 34cm x 24cm

Lot 559

Axel Haig, Troubadours crossing the bridge, etching, dated 1887, 64cm x 92cm

Lot 518

M Rudge, Limited edition etching, Wind and Rain, pencil, signed lower right, 15cm x 17cm

Lot 218

Gilles Demarteau (1722-1776) after Francois Boucher, Jeune fille se Lavant les pieds dans un ruisseau, sanguine engraving, 13.5cm x 15.5cm.; together with a 20th century colour etching highlighted in gold of Madonna and child, indistinctly signed.(2)

Lot 216

Louis Icart (1888-1950), Lady with vase, colour etching, signed, unframed, 44cm x 30cm.

Lot 1018

WIMBLEDON TENNIS / RACKET SPORTS: a collection of twenty loose and framed prints, The Championships Wimbledon, 2005 poster, Montebello (Champagne) French menu, ca. 1910, and two related collectables. the prints include, 'At Last' after Sydney Cowell, inset title, 18.4cm x 12.5cm within mount, framed and glazed; 'Lawn Tennis', four limited edition prints, after Sir Robert Posenby Staples Bt., loose sheets, Schotten Collection blindstamp, printed Saunders & Williams, limitations 71/750, 72/750. 74/750 and 75/750, 26.3cm x 61cm; 'The Debutante', after Henry Mayo Bateman, signed in black ink lower r.h. margin, 32cm x 44cm; 'An Afternoon Bout at Tennis', after Edwin Austin Abbey, etching printed on ivorine, 9cm x 11.4cm within velvet mount, in ornate gilt frame: Wimbledon Collection, large size Wedgwood plate, titled 'The Championships Wimbledon, Monday 20th June - Sunday 3rd July 1994, limited edition of 250, 31cm diameter; together with a late 17th century Dutch Delft tile, spider corner motiffs, 13cm x 13cm.

Lot 162

George Soper (1870-1942), In the Barn, etching with aquatint, signed and numbered 15/50, 28.5cm x 33.5cm.

Lot 81

David Young Cameron (1865-1945), Dutch Canal scene, etching, signed, 25cm x 30cm.

Lot 200

M** Seeck (20th century), a wooded lane, watercolour, signed and dated 1934, 32cm x 23cm.; together with a colour etching signed Bloomer.(2)

Lot 127

A group of three, including a monochrome study of Peregrines attacking Red Kite, by Donald Watson, a 'Spy' print of Tom Cannon, and an etching of horses by J. Friedman.(3)

Lot 130

Peter Carreras (1921- ), The Dome, Worthing, colour etching and aquatint, signed, inscribed and numbered 3/50, 20.5cm x 18.5cm

Lot 1107

Anthony Gross (1905-1984), Rounded Hills, etching, signed, inscribed and numbered 14/50, 37cm x 49cm. ARR

Lot 572

WILLIAM WALCOT Piccadilly Circus, signed, etching, 10 x 16cm Condition Report: Available upon request

Lot 571

TOM MAXWELL West Kilbride, signed, etching, 20 x 26cm, and two others (3) Condition Report: Available upon request

Lot 603

GEORGE D GUTHRIE Windy Ha, Saltcoats, signed, etching, 19/50, 18 x 23cm Condition Report: Available upon request

Lot 529

JAMES SPENCE Forth Bridges and Queensferry , signed, artists proof. etching, 30 x 50cm Condition Report: Available upon request

Lot 547

WILLIAM WALCOT An Egyptian Palace, signed, etching, 26 x 30cm and three other etchings and a watercolour (5) Condition Report: Available upon request

Lot 565

EDGAR DEGAS (1834-1917) - 'Degas Danse Dessin', etching, published by Ambroise Vollard, Paris, 1936, framed, 27cm x 20cm.

Lot 1325

James Gillray, 'The Fashionable Mamma...', hand-coloured, etching, I.32 x 22.5cm.

Lot 1326

James Gillray, 'La Baiser a La Wirtembourg', hand-coloured etching, I.31 x 23.5cm.

Lot 1666

A collection of seven early 19th century satirical cartoons, to include: attributed to William Heath, 'The Artist', hand-coloured etching, I.31 x 21.5cm; together Giles Grinaigain, 'Fresh Arrivals at Chelsea', and Alexander Beugo, 'A Decamp or Exit'. (7)

Lot 1434

Hedley Fitton, Chichester Cross, signed in pencil, etching, pl.40.5 x 33.5cm. 

Lot 1364

An early 19th century satirical cartoon, of 'The March of Honesty!!! or, old Nick humbugging...', hand-coloured etching, pl.22 x 39cm.

Lot 1744

Charles Napier Hemy and Willie Heydemann, 'Barbary Pirates', signed in pencil, etching, I.30 x 61.5cm.

Lot 22

* EDGAR JAMES MAYBERY (A SIMES) (BRITISH 1877 - 1966), PETER PAN'S STATUE etching, signed "A Simes" and titled in pencil 20cm x 16cm Mounted, framed and under glass

Lot 152

SCOTTISH SCHOOL, SHEPHERD WITH HIS FLOCK etching 17cm x 25.5cm Mounted, framed and under glass

Lot 91

War of 1812.- British caricaturist in America.- Charles (William) Johnny Bull and the Alexandrians, political caricature after the British Army's 1814 occupation of Washington and the burning of the White House, mocking the alleged cowardice of the local citizens of Alexandria Virginia, etching and aquatint on laid paper with watermark of Strasbourg lily, sheet 245 x 245 mm. (9 5/8 x 9 5/8 in), small inck n the upper right corner, trimmed on or just within the platemark at upper and lower edge, small margins to the left and right edges, unframed, Philadelphia, [1814].⁂ No copy in BM or Copac. WorldCat locates copies at University of Michigan and Library of Congress.

Lot 95

George IV.- [Sams (William)] Panorama of the Coronation of George IV, 19th July 1821, hand-held panorama reel of the coronation presented in one long pictorial strip, numbered sections, lacking the first part with the King's Herb Woman at the head as well as other herb maidens, but begins at section 5 with musicians, George IV appears at section 102, etching and aquatint with hand-colouring on wove paper, approx. 78 x 11000 mm. (3 x 433 ins.), small loss to upper extremity between section 30 and 31, and three repaired splits, other small nicks and tears, some surface dirt and browning, near contemporary ink inscription verso of section 5, rolled, presented in chagrin presentation box, Abbey Life 483, [1822].

Lot 135

Piranesi (Giovanni Battista, 1720-1788) Veduta del Ponte Salario, etching and engraving on thick laid paper with watermark and a double-encircled fleur-de-lis, a good impression of Hind's second state (of five), platemark 405 x 620 mm. (16 x 24 1/2 in), sheet 520 x 745 mm. (20 1/2 x 29 1/4 in), central vertical fold, with some minor spotting and browning, unframed, [1754].Literature:Hind 31 ii/v

Lot 162

Greece.- Kogevinas (Lykourgos, Greek impressionist and artist-correspondent during the Balkan Wars, 1887-1940) A good group of 10 miscellaneous etchings and lithographs, including a colour printed soft-ground etching of Notre-Dame, another of a Parisian scene along the Seine, five etchings of churches, each signed in pencil, and a colour-printed lithograph of the Acropolis, various sizes, largest 270 x 210 mm. (10 5/8 x 8 1/4 in), scattered minor spotting and surface dirt, unframed, [circa 1910-1915]; together with 5 photo-etched views of Paris, unsigned, possibly by Kogevinas, all unframed, [circa 1910-1915] (15)Provenance:Private collection, France (until 2019)

Lot 115

SONIA ROLLO (BRITISH, CONTEMPORARY) 'Sparring partner', coloured etching, limited edition 11/160, signed lower right, 52cm x 32.5cm.

Lot 29

James Gillray (British, 1756-1815) 'Lullaby! - Sooth him with a lullaby! 'Etching with hand-colouring, inset into paper mount Published by Hannah Humphrey, 1798. 21 x 25cm Together with a hand-coloured etching, 'Ars Musica', 1800, 26 x 36cm, and 'Robert Seymour's Grand New Method of Writing Music', 26 x 35cm, published by Thomas McLean, 1828, all unframed (3)

Lot 312

William Lionel Wyllie (1851-1931), yachts sailing off Ryde, Isle of Wight, etching, signed in pencil, 10cm by 34.5cm

Lot 311

William Lionel Wyllie (1851-1931), Brighton chain pier, etching, signed in pencil, 20cm by 36cm

Lot 322

Rowland Langmaid (1897-1956), harbour view, Old Portsmouth, etching, inscribed and signed in pencil, 9.5cm by 33.5cm, unframed

Lot 356

20th century school, view of a large house through trees, metal railings and lamppost in the foreground, etching, unsigned, inscribed verso Reid '78, 24cm by 30.5cm

Lot 338

Miranda Phillimore, Continental street scene with figure seated beside a cat, 'Chioggia', etching, numbered 17/30, inscribed and signed in pencil, 17cm by 13cm

Lot 308

Frank Henry Mason (1875-1965), ships off a harbour, etching, signed in pencil, 14cm by 18.5cm

Lot 305

Arthur John Trevor Briscoe (1873-1943), figures on the mast of a ship, 'Calm', etching, inscribed and signed in ink, paper label for The Fine Art Society verso, inscribed and dated July 1949, 30cm by 39cm

Lot 409

A black and white photograph of Salisbury Cathedral, an etching of Salisbury Cathedral, and three pencil sketches

Lot 646

ARR BY AND AFTER NORMAN WILKINSON CBE PRI ROI (1878-1971) The First of the Grain Fleet, black and white etching, signed in pencil to the margin 23.5cm x 31cm

Lot 648

ARR KURT MEYER-EBERHARDT (German 1895-1977) Fleeing Hare, study of a hare, etching in colours, signed in pencil to the margin 35.5cm x 44cm. see illustration

Lot 1073

Giovanni Battista Piranesi (1720-1778), by and after, Veduta degli Avanzi di due Triclini che appartenevano alla Casa aurea di Nerone, presi erroneamente per i Templi de Sole, e della Luna, o d'Iside e Serapide [...], No. 19, [Rome 1758], etching, 43cm x 57cm

Lot 39

A Keeling & Co Ltd Losol Ware Shanghai bowl, decorated with a bird of paradise in foliage, approx. 30cm diam, together with a white glass oil lamp, Wedgwood Jasperware plant pot and an etching after JMW Turner entitled 'Petworth Park', mounted, glazed and framed (4)

Lot 441

MALCOLM OSBOURNE, LOCHES CASTLE, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 20 X 35CM AND STUDIO PUBLISHER, LITHOGRAPHS, ETCHINGS AND COLOUR PRINTS, ETCHING PICTURED ON PAGE 57

Lot 456

WILLIAM MONK, RE (1863-1937) STAPLE INN HOLBORN, etching, 17 x 25cm, a pair of etchings by John Thistlewhaite, 1944, one signed and Den Haag by Hendrikus Elias Roodenburg, signed (4)++As a lot in good condition

Lot 458

CAMILLE ARTHUR FONCE (1867-1937), RIVER SCENES, a pair, etching and drypoint in colour on Japon, signed by the artist in pencil, published by Arthur Tooth & Sons 1907, 49 x 64cm (2)++Good condition undisturbed in the original good quality Edwardian and gilt frames with the printed label of the publisher Arthur Tooth & Sons on the boackboard

Lot 472

VERRALL KING P.R.A. R.I.(active 1910-1930); a limited edition etching with drypoint medium wove paper, signed in pencil by the artist, 'No.8 from Fifty Etchings (1990), no.22/30 Old Folkestone c1925, 24 x 20cm, framed and glazed.

Lot 474

Frédéric Pierre (1951-); a limited edition coloured etching, signed lower left, written in lower mount 'Zanzibar, Oh! Zanzibar! La Dernièr Nuit de Bonne Fortune', 52 x 43cm, framed and glazed.

Lot 471

SIR FRANCIS SEYMOUR HADEN P.R.E. (1818-1910); an original etching with drypoint 'A Brig at Anchor (At Purfleet), 1870', signed in pencil to the margin, 15 x 22cm, framed and glazed.

Lot 473

CHRISTOPHER LE BRUN (1951); a limited edition etching with aquatint, no 8/50, 17.5 x 13cm, framed and glazed.

Lot 742

George Vernon Stokes (1873-1954), "Mallards in Flight", Limited Edition coloured etching, signed in pencil, 61/75. Plate 25 cm x 31.5 cm.

Lot 828

Jackson Simpson, etching "Setters". 16 cm x 24 cm, framed, signed in pencil.

Lot 820

Sir Seymour Haden, a signed etching "Cardigan Bridge", 13 cm x 16 cm, together with an antiquarian print "Miles Templarius" and "Partridge Shooting" after Henry Alken.

Lot 535

TERRY FROST (1915-2003), Sun Blow, etching in colours, limited edition 28/50, signed, inscribed and dated (20)02, plate size 11 3/4" x 23 1/2", white painted frame (Illustrated) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

Lot 538

PIERS BROWN (b.1942), "And Overhead the Aspen Heaven ...", A.E. Houseman, coloured etching artist's proof, signed and inscribed in pencil and dated (19)81, plate size 11 3/4" x 9", blond wood frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

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