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WIMBLEDON TENNIS / RACKET SPORTS: a collection of twenty loose and framed prints, The Championships Wimbledon, 2005 poster, Montebello (Champagne) French menu, ca. 1910, and two related collectables. the prints include, 'At Last' after Sydney Cowell, inset title, 18.4cm x 12.5cm within mount, framed and glazed; 'Lawn Tennis', four limited edition prints, after Sir Robert Posenby Staples Bt., loose sheets, Schotten Collection blindstamp, printed Saunders & Williams, limitations 71/750, 72/750. 74/750 and 75/750, 26.3cm x 61cm; 'The Debutante', after Henry Mayo Bateman, signed in black ink lower r.h. margin, 32cm x 44cm; 'An Afternoon Bout at Tennis', after Edwin Austin Abbey, etching printed on ivorine, 9cm x 11.4cm within velvet mount, in ornate gilt frame: Wimbledon Collection, large size Wedgwood plate, titled 'The Championships Wimbledon, Monday 20th June - Sunday 3rd July 1994, limited edition of 250, 31cm diameter; together with a late 17th century Dutch Delft tile, spider corner motiffs, 13cm x 13cm.
War of 1812.- British caricaturist in America.- Charles (William) Johnny Bull and the Alexandrians, political caricature after the British Army's 1814 occupation of Washington and the burning of the White House, mocking the alleged cowardice of the local citizens of Alexandria Virginia, etching and aquatint on laid paper with watermark of Strasbourg lily, sheet 245 x 245 mm. (9 5/8 x 9 5/8 in), small inck n the upper right corner, trimmed on or just within the platemark at upper and lower edge, small margins to the left and right edges, unframed, Philadelphia, [1814].⁂ No copy in BM or Copac. WorldCat locates copies at University of Michigan and Library of Congress.
George IV.- [Sams (William)] Panorama of the Coronation of George IV, 19th July 1821, hand-held panorama reel of the coronation presented in one long pictorial strip, numbered sections, lacking the first part with the King's Herb Woman at the head as well as other herb maidens, but begins at section 5 with musicians, George IV appears at section 102, etching and aquatint with hand-colouring on wove paper, approx. 78 x 11000 mm. (3 x 433 ins.), small loss to upper extremity between section 30 and 31, and three repaired splits, other small nicks and tears, some surface dirt and browning, near contemporary ink inscription verso of section 5, rolled, presented in chagrin presentation box, Abbey Life 483, [1822].
Piranesi (Giovanni Battista, 1720-1788) Veduta del Ponte Salario, etching and engraving on thick laid paper with watermark and a double-encircled fleur-de-lis, a good impression of Hind's second state (of five), platemark 405 x 620 mm. (16 x 24 1/2 in), sheet 520 x 745 mm. (20 1/2 x 29 1/4 in), central vertical fold, with some minor spotting and browning, unframed, [1754].Literature:Hind 31 ii/v
Greece.- Kogevinas (Lykourgos, Greek impressionist and artist-correspondent during the Balkan Wars, 1887-1940) A good group of 10 miscellaneous etchings and lithographs, including a colour printed soft-ground etching of Notre-Dame, another of a Parisian scene along the Seine, five etchings of churches, each signed in pencil, and a colour-printed lithograph of the Acropolis, various sizes, largest 270 x 210 mm. (10 5/8 x 8 1/4 in), scattered minor spotting and surface dirt, unframed, [circa 1910-1915]; together with 5 photo-etched views of Paris, unsigned, possibly by Kogevinas, all unframed, [circa 1910-1915] (15)Provenance:Private collection, France (until 2019)
James Gillray (British, 1756-1815) 'Lullaby! - Sooth him with a lullaby! 'Etching with hand-colouring, inset into paper mount Published by Hannah Humphrey, 1798. 21 x 25cm Together with a hand-coloured etching, 'Ars Musica', 1800, 26 x 36cm, and 'Robert Seymour's Grand New Method of Writing Music', 26 x 35cm, published by Thomas McLean, 1828, all unframed (3)
CAMILLE ARTHUR FONCE (1867-1937), RIVER SCENES, a pair, etching and drypoint in colour on Japon, signed by the artist in pencil, published by Arthur Tooth & Sons 1907, 49 x 64cm (2)++Good condition undisturbed in the original good quality Edwardian and gilt frames with the printed label of the publisher Arthur Tooth & Sons on the boackboard
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