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Lot 378
After Linda le Kanff, 'The Orchid', colour print, 63cm x 43cm, limited edition, No.80/200, with certificate, andAfter Renee Halpern, Assiette de Fruit, colur print, 47cm x 45cm, limited edition No.21/200, with Christie's Contemporary Art certificate, and After Carl March, 'Flowers for Adelaide', etching with aquatint, 34cm x 47cm, pencil signed, limited edition No.15/150, with Christie's Contemporary Arts certificate, (3).
Lot 1012
Percy Robertson A.R.E (1868-1934) ''Stirling Castle, Scotland'' signed and inscribed, etching, 21cm by 36cm (sh) together with three other unframed etchings entitled ''Stirling Castle'', ''Holyrood Palace'' and ''Strathtay, Perthshire'', 23cm by 29cm, 28cm by 38cm and 36cm by 28.5cm (sh) respectively (4)
Lot 1055
William Strang (1859-1921) ''Madness of Don Quixote'', signed in pencil, etching, together with an etching entitled ''The Farmyard'' by William Strang, an artist's proof by Guy Worsdell entitled Driver's View, a woodblock print after Eric Ravilious entitled ''Boy Bird Nesting'' and an etching, The Three Trees, after Rembrandt van Rijn, 21cm by 21cm and various other sizes (5)
Lot 1001
Percy Robertson ARE (1868-1934) ''The Tower Bridge'', signed and inscribed, etching, unframed, together with three further unframed etchings entitled ''The Tower of London'', ''National Gallery'' and ''Westminster Abbey'' , 29cm by 36cm, 19.5cm by 29cm, 29cm by 23cm and 23cm by 29cm respectively (sh) (4)
Lot 1002
Percy Robertson ARE (1868-1934) ''The Royal Exchange'' signed, inscribed with the title and 5Gns, etching, unframed together with three other etchings entitled '' Buckingham Palace'', ''Windsor Castle'' and ''The Long Water, Hampton Court'' by the same artist 30cm by 36cm, 22.5cm by 29cm, 22cm by 29cm and 29cm by 41cm respectively (sh) (4) unframed
Lot 1007
Percy Robertson A.R.E (1868-1934) ''Scarborough Harbour'' signed and inscribed, etching, 20cm by 24.5cm together with a further three unframed etchings by the same artist including ''At Whitby, Yorkshire'', Beached fishing vessels in Whitby Harbour and ''Richmond, Yorkshire'' 27cm by 24cm, 19.5cm by 29cm and 33cm by 32cm (sh) (4)
Lot 1016
Percy Robertson A.R.E (1868-1934) ''Dawn over the city'' signed and inscribed, etching, together with three other unframed etchings entitled ''The Customs House'', ''On Holborn Bar'' (circa 1900) and ''St Martins Lane'' , 26cm by 33cm, 26.5cm by 39cm, 28cm by 38.5cm and 29cm by 23cm respectively (sh) (4)
Lot 1013
Percy Robertson A.R.E (1868-1934) ''Piccadilly'' signed and inscribed, etching, unframed together with four other unframed etchings entitled ''Trafalgar Square'', ''The Guildhall'', ''At Hyde Park Corner'' and ''The Horse Guards'', 22cm by 27.5cm, 23cm by 29cm, 26.5cm by 19cm, 29cm by 23cm and 22cm by 29cm respectively (sh) (5)
Lot 1017
Percy Robertson A.R.E (1868-1934) ''The Harbour Entrance, Aberdeen'', etching, together with three other unframed etchings by the same artist entitled ''The Bass Rock'', ''A year ago a wild storm made/The sands a grave where it was laid'' and a busy harbour view, reputedly ''The Pool of Liverpool'' or ''Southampton'', 16.5cm by 33.5cm, 19.5cm by 26.5cm, 18.5cm by 35.5cm and 35cm by 49.5cm (sh) respectively (4)
Lot 1009
Percy Robertson A.R.E (1868-1934) ''Edinburgh'', signed and inscribed, etching, unframed, together with three other unframed etchings by Percy Robertson entitled ''Edinburgh Castle'', ''Edinburgh'' and ''Old Edinburgh'', 23.5cm by 17cm 30.5cm by 21.5cm, 29cm by 19cm and 21cm by 26.5cm respectively (sh) (4)
![A COLLECTION OF YORKSHIRE PRINTS Thomas (R.K.) St. Mary's Chantry on Wakefield Bridge, [c.1850], London, Ackermann & Co., lar](https://cdn.globalauctionplatform.com/cce7398a-cacb-48b3-9d40-a6e100a6fa92/b3b33e2b-2392-4f61-d150-ff7573248589/468x382.jpg)
Lot 783
A COLLECTION OF YORKSHIRE PRINTS Thomas (R.K.) St. Mary's Chantry on Wakefield Bridge, [c.1850], London, Ackermann & Co., large lithograph with hand colouring printed by Day & Son, image 310 x 435mm, light age toning, tatty extremities; Rooker (M.A.) The New Gateway at the Archbishop of York's Palace... 1773, hand-coloured engraving by Edward Rooker, image 285 x 520mm, margins with tears; Lee (J.H.) York Cathedral. The Choir. [c.1840s], York, H. Smith, hand-coloured lithograph by W. Monkhouse, 375 x 275mm, foxing to margins [&] another by Monkhouse, a tinted lithograph of the Chapter House; Mason (Frank H.) Scarborough, [railway carriage print], coloured etching; Chambers (R.) Casine du Lord Bruce dans ses jardins de Tanfield-Hall. Province de York, engraved plan and elevation from an architectural folio; Knyff (L.) Sprotbrough near Doncaster, hand-coloured double-page etching by J. Kip from 'Britannia Illustrata', in modern Hogarth frame; Carlyle (R.) Six Views of The Ruins of Furness Abbey, Lancashire, 1857, Ulverston, D. Atkinson, 5 (of 6) zincographs printed by Day & Haghe, loose in publisher's scuffed printed green wraps, folio, one letterpress leaf, foxing; large hand-coloured aquatint View of Doncaster, from the North West; trimmed litho of the interior of Brough Hall; two lithos of Yorkshire churches; an 8vo booklet of chromo views of Scarborough, lacking wrappers; and a plan of eastern ports (14)
Lot 361
Wallis (Edward), 'Wallis's New Game of Wanderers in the Wilderness', a geographical race game over the continent of South America, with eighty four playing spaces laid out in a circular direction, the map featuring wild animals, mountains, figures and ships off the coast, a title vignette lower right, etching with extensive hand-colouring 68 x 50cm (27 x 20in)
![Edmonds (Harfield H.) and Lee (Norman N.) Brook and River Trouting. A Manual of modern North Country methods, [1916], Bradfor](https://cdn.globalauctionplatform.com/a91258f8-b4cd-43e6-a448-a6e100b36857/9ba7bd61-590b-4597-9eef-990ff23e6d32/468x382.jpg)
Lot 85
Edmonds (Harfield H.) and Lee (Norman N.) Brook and River Trouting. A Manual of modern North Country methods, [1916], Bradford, Privately Published by the Authors, thick 4to, Edition de Luxe numbered 41 (of 50 copies) and signed by both authors to limitation leaf. pp. 106, photogravure frontispiece plus six photogravure plates and one etching of natural flies, 22 samples of coloured silks displayed in thick mount, and specimens of flies by Hardy Bros. of Alnwick mounted within 39 sunken ovals to rectos and versos of ten mounts. Original blue coth gilt, marbled endpapers, a.e.g; boards lightly rubbed with light edge ware, otherwise a good copy, well preserved in felt-lined cloth slipcase (1).
![Burrow (Edward J.) The Giggleswick Portfolio. Five Etchings by Edward J. Burrow. [1905], Cheltenham, W.H. Benyon & Co. Obl](https://cdn.globalauctionplatform.com/a91258f8-b4cd-43e6-a448-a6e100b36857/bb936f0d-6632-4c28-8f9b-579d8072eac5/468x382.jpg)
Lot 15
Burrow (Edward J.) The Giggleswick Portfolio. Five Etchings by Edward J. Burrow. [1905], Cheltenham, W.H. Benyon & Co. Oblong folio, titlepage and five etched plates of the School signed in pencil, complete as list. Publisher's blue cloth printed boards, rubbed and stained, decaying parchment spine; plates with some marginal foxing, generally good, clean impressions. Presentation inscription for (schoolboy?) 'E.C. Burnup Christmas 1905' to f.f.e.p. With older etching of the Free Grammar School, Giggleswick loosely inserted. Burrow (1869-1935) was known for his etchings of Public Schools. In 1900 he founded a publishing business in Cheltenham.
![Kip (Jan) The South Prospect of the Cathedral Church of St. Peter in York, [c.1700], London, P. Tempest, large folio etching](https://cdn.globalauctionplatform.com/a91258f8-b4cd-43e6-a448-a6e100b36857/9c26fc74-23d6-4eb3-b554-ee9985c4f3f5/468x382.jpg)
Lot 110
Kip (Jan) The South Prospect of the Cathedral Church of St. Peter in York, [c.1700], London, P. Tempest, large folio etching on laid paper, sheet 485 x 660mm, trace of folds, some closed tears [together with:] [Anon.] A plan of the City of York [c. 1740s], hand-coloured etching with inset key on laid paper, folds [&] Smith (Alfred, Surveyor) York [a plan], 1822, Leeds, E. Baines, hand-coloured engraving by Neele & Son, coat of arms and vignette of bridge, folds and false margin lower left (3).
Lot 9
THREE ILLUSTRATIONS FOR THE RUBAIYAT OF OMAR KHAYYAM Chesworth (Frank) signed ink and watercolour, 135 x 80mm, unexamined out of modern gilt frame; Moore (Cecil) ink, watercolour and bodycolour mounted on card, signed and dated 1929, 245 x 150mm; [with:] Pogany (Willy) signed etching, frontispiece to a c.1930 4to edition limited to 750, plate 170 x 125mm, with pencil note to verso by the artist's son, some discolouration of paper, sheet taped at upper and lower edge to inside of mount window (3).
Lot 109
PRINTS AND PLANS, YORKSHIRE INTEREST Dunning (R.) South View of Ripon Minster, 1813, Ripon, hand-coloured aquatint engraved by R. & D. Havell, green mount, wrapped in cellophane; Walmsley (Thomas)? Castle Acre Priory, Yorkshire, 1811, London, J. Deeley, hand coloured aquatint, unexamined out of thin Hogarth frame, Parker Gallery label verso, image 270 x 375mm; Couse (John) ...View of Wentworth House in Yorkshire, [c.1760], vignette etching on laid paper, sheet 225 x 400mm, folds; [Anon.] High Harrogate, c.1830s, hand-coloured lithograph on india paper, sheet 280 x 380mm; A Visit to Harrogate, [c.1880s], one folio sheet mounted, hand-coloured vignette wood engravings [with:] [Anon.] Plan of the Intended Navigable Canal from Leeds to Selby... 1774, hand-coloured folding engraving for the Gentleman's Magazine, with inset antiquities; Fowler (Charles) Plan of several Turnpike Roads between Leeds and Doncaster..., 1822, Leeds, hand-coloured engraving by Neele & Son, vertical fold crease; large folio chromolithograph Plan of Leeds [c.1880]; Dewsbury (New Borough), Proposed Parliamentary Boundary 1868, Ordnance Survey zincograph map with companion letterpress sheet; also three sheets of Yorkshire town plans by R. Creighton; a Plan of Ports and Harbours on the East Coast of England pub. Fullarton, Edinburgh; and two illustrations of Yorkshire public buildings from The Building News c.1890 (15).
![NAPOLEON TRANSFORMATION PRINT Canu (Dominique Étienne) Il s'en-va cette fois pour tout de bon. [He goes this time for good.]](https://cdn.globalauctionplatform.com/a91258f8-b4cd-43e6-a448-a6e100b36857/89c15727-101a-4109-cf85-2c9632eda799/468x382.jpg)
Lot 108
NAPOLEON TRANSFORMATION PRINT Canu (Dominique Étienne) Il s'en-va cette fois pour tout de bon. [He goes this time for good.] [Paris, c.1815.] Hand-coloured etching dissected into eight strips, showing Napoleon Bonaparte at a quayside with his back turned to the viewer, about to board a ship. This image disappears into slits when a tab (here lacking) at the verso is pulled, revealing a portrait of the restored King Louis XVIII; the caption, purposely ambiguous, becomes 'Vive le Roi'. The Fleurs-de-lys and crown of the Bourbon dynasty in a frame below. Napoleon escaped from his first exile and after final defeat at Waterloo in June 1815 was sent to the remote Atlantic island of Saint Helena (where he remained until he died). Canu was the publisher of some Bonapartist propaganda prints. He is responsible for a series of figures of the Bourbon restoration on moving parts in the collection of the Bibliotheque Nationale de France (see notice no. FRBNF40359956). A little soiled and stained, otherwise in very reasonable condition.
Lot 42
Clare Leighton, The Farmer's Year, A Calendar of English Husbandry, Second Impression, January 1934, with full page wood engravings, green cloth soiled; Clare Leighton, Wood-engraving and Woodcuts, London and New York, 1932; William Rothenstein, Twenty-four Portraits, London (1920), from and edition of 2000; Naomi Mitchison, Beyond This Limit, illustrated by Wyndham Lewis, Jonathan Cape, 1935; and Four editions from The Modern Masters of Etching series (No.1 Frank Brangwyn, No.2 James McBey, No12 F.L. Griggs, No.25 Robert Austin) (8).
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71174 item(s)/page