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Click here to subscribeBritish Sporting Prints, an album of coloured prints featuring Henry Pollard, George Stubbs, et al, with introduction by John Cadfryn-Roberts, published by Ariel Press, in card sleeve, and two 19th Century racing prints, (af), an early 20th Century coloured etching, Westminster school, indistinctly signed in pencil and dated 1905, 29 x 48cm, and J. Turner, oil on canvas, view of canal with barges, signed, 35 x 45cm.
AN ANTIQUE HAND COLOURED ETCHING FRAMED AND GLAZED DEPICTING IGHTHAM COURT, SEVENOAKS KENT, THE SEAT OF WILLIAM JAMES ESQ,THE PRINT FROM THE BOOK DR HARRIS`S HISTORY OF KENT, VOLUMN 1 PG 163 WITH LETTER OF PROVENANCE. SCULPTOR I.KIP 43 CM`S X 35 CM`S TOGETHER WITH FIVE CERAMIC TILES DEPICTING VINE LEAVES, THE TILES WERE RESCUED FROM THE HOUSE AFTER THE FIRE.
Dartington Printmakers (pubs.). A Printmakers` Flora, 1996, title printed in yellow & black, addn. half title, dedication and index, thirty orig. prints by twenty artists in various mediums including lithographs, linocuts, wood engraving, etching, collograph and card intaglio, each on uncut hand made paper, signed by all twenty artists at rear, pubs. blue silk with blind stamped title to upper board, bound under the direction of Mary Bartlett of the Dartington Bindery, oblong folio, contained in pubs. cloth book box with printed card label to spine. Five years in the making this large and luxurious book focuses on British wild flowers. The edition consisted on thirty-seven with one additional Artists` Proof copy. Twenty-three of these were given to the participants, one was purchased by the V & A, and one by the Dartington Hall Trust. The remaining twelve were offered for sale. Supplied with the original promotional material, newsletters and bookmark. As far as we are aware, no copy has ever appeared on the open market. (1)
* Butchery. A collection of eight caricatures and broadsides relating to butchers and meat sellers, mostly 18th & 19th century, including Jarvis T. (pubs.), The Wretched Shoe-Boy, n.d., c.1780,uncoloured engraved broadside showing a starving shoe boy in front of a butchers shop, sixteen lines of verse below image, trimmed to neat line and laid on later card, 310 x 195mm, mounted, framed and glazed, with Gillray (James), The British Butcher Supplying John Bull with a Substitute for Bread..., pub. John Miller, Edinburgh, n.d., c,1825, uncoloured etching, 250 x 160mm, mounted, framed and glazed, plus Darby (M. pubs.), The Butcher Macaroni, 1772,uncoloured etching, 175 x 125mm, mounted, framed and glazed, and Rowlandson (Thomas), Butcher, c.1810 [but later impression],hand coloured etching, 130 x 70mm, mounted, framed and glazed with Townsend (T.H.), Saturday Night - Scene in a Butcher`s Shop, c.1890,hand coloured etching with four lines of dialogue on mount, 265 x 210mm, mounted, framed and glazed, and three others similar (8)
* Caricatures. Roberts (P.). The Raw Meat System, or Gentlemen in training for Pedestrian Exercises, pub. P.Roberts, n.d., c.1810, etching after Woodward with contemp. hand colouring, 270 x 350mm, mounted, framed and glazed, together with Fores (S.W. pubs.),Prize Beef or Luxury in the Nineteenth Century, 1801,etching with bright contemp. hand colouring, trimmed to neat line along upper horizontal margin, 265 x 390mm, framed and glazed, plus Williams (Charles),The Smithfield Parliament i.e. Universal Suffrage - the New Speaker addressing the Members, pub. T.Tegg, 1819,etching with contemp. hand colouring, 235 x 325mm, mounted, framed and glazed (3)
* Zundt (Mathis, 1498-1572). The Siege of Gotha (Large Plate), etching, trimmed to plate margin, encroaching on border to left hand margin, 26.7 x 36.5cm (10.5 x 14.5ins), corner-mounted, together with Amman (Jost, 1539-1591). A collection of five military etchings, including "various military ranks`,`the semicircular camp by a river`, "an army on the march with a burning castle`, "the entrenched camp`, "ballistic diagram`, each hinge-mounted and captioned in pencil, to mount, 275 x 370mm (11 x 14.5ins) The first work formerly in the Drugulin Collection. (6)
Louis Icart (1888-1950 French) ``Eve``, 1928, signed in pencil lower center: Louis Icart, with pencil number lower left: A/266, colored etching on paper under glass, oval plate size: 13.75`` H x 19.25`` W Note: W.R. Holland, ``Louis Icart: The Complete Etchings``, Atglen, PA, 1990, p. 166 fig. 353. Note: Printed upper left: Copyright 1928 by L. Icart, Paris, and with Icart`s `Windmill` embossed seal lower left. Condition: Visual: Toning to the paper. In the original non-archival mat. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
LeRoy Neiman (1921-2012 New York, NY) ``RFK Memorial``, 1972, signed in pencil lower right: Leroy Neiman, numbered in pencil lower left: 203/250, colored etching on paper under glass, plate size: 20`` H x 17`` W Provenance: Estate, West Los Angeles, CA. Condition: Visual: Generally good condition. The paper slightly toned and with a few scattered soft handling creases in the margins. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Marino Marini (1901-1980 Italian) ``Spartaco (G. A184)``, 1975, signed in pencil lower right: Marino, numbered in pencil lower left: 86/175, publishers` blindstamps lower left, colored etching on paper, plate size: 14.25`` H x 19.25`` W Literature: Published by Crommelynck Freres Imprimeur, Paris, in conjunction with Transworld Art. Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Hinged to the back mat and framed floating. With full margins. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Helen Wills (1905-1998) SELF PORTRAIT signed in pencil, an etching exhibited in the 1932 Olympic Arts Competition and Exhibition in Los Angeles, exhibition label verso, mounted together with a cut signature HELEN WILLS MOODY dated from the same year 1932, the etching 15 by 10cm., 6 by 4in.; sold together with an official daily program for the 1932 Los Angeles Olympic Games, 6th August, carrying two advertisements for the Olympic Arts Competition and Exhibition and map (2) Helen Wills, known as Helen Wills Moody after her marriage to Frederick Moody in 1929, won a total of 19 Grand Slam singles tennis titles between 1923 and 1938, comprising four wins in the French Open, eight at Wimbledon, and seven in the US Open, with twelve doubles and mixed doubles, a total of 31 Grand Slams. Wills also won two Olympic gold medals in Paris in 1924 (singles & doubles), the last time lawn tennis was included in the Olympic programme until its revival in 1988. Disappointingly, therefore, when the Olympic Games came to her native California in 1932 she was unable to compete even though she was still very much at the peak of her powers winning the French and Wimbledon titles earlier in the year. Helen Wills’s participation in the Games, however, was achieved through her artistic talent. In 1928 Helen Wills had illustrated her own book ‘Tennis’ with a series of etchings of tennis players which included a self portrait head on the frontispiece with three of her demonstrating strokes of play. In 1932 her artistic exploits extended to entering her work in the Olympic Arts Competition and Exhibition. The world renowned artist Diego Rivera (1886-1957) was introduced to Helen Wills in November 1930 and later asked her to sit for the head of the central figure of ‘California’ for the fresco in the San Francisco Stock Exchange.
Walter Edwin Law, British, early 20th century- "Westminster Abbey"; etching, signed, titled and inscribed `Exhibitor RA` in pencil, 14x19.5cm: together with one other etching by the same hand titled "Old Houses in Holborn", signed, titled and inscribed in pencil, 11.5x13cm: John Bluck, British fl.1791-1831- "Clewer near Windsor", after G F Angelo; hand-coloured aquatint, 16.5x23cm: After Augustin Heckel, British c.1690-1770- "View of ye Countess of Suffolk`s House near Twickenham", publ by R Sayer; hand-coloured engraving, arched mount, 16x26cm: John Bowles, British c.1701-1779- "View of Dr Batty`s House at Twickenham", publ by R Sayer; hand-coloured engraving, arched mount, 16x26cm: Miss Louis Thomson, British 1883-1962- "St James` (sic) Park"; etching, signed and titled in pencil, 10.5x8.5cm: together with three hand-coloured engravings of London scenes after Thomas Hosmer Shepherd in matching glazed frames, 11.5x16cm., ea., (9) (may be subject to Droit de Suite)
Robert Issac Cruikshank, British 1789-1856- `Panoramic View - Her Majesty Queen Caroline going in State to St. Paul`s Cathedral` , `Coronation of Queen Caroline - Addresses to Her Majesty at Brandenburgh House` , `A Correct Representation of Her Majesty Queen Caroline - Returning from the House of Lords` , publ G. Humphrey, St James 1821; hand coloured aquatints, three, ea. approx 20.5x40.5cm: George Cruikshank, British 1792-1878- `The Allied Bakers or the Corsican Toads in the Hole`, publ H. Humphrey 1841; hand coloured etching, all in similar frames, 25x35cm, (4)
Nathaniel Sparks, British 1880-1957- `London Bridge` 1910; etching, signed, 38x25cm: Robert Havell Snr, British 1769-1832- `Blackfriars Bridge, London` 1820; hand coloured aquatint, 34x47.5cm: Matthew Dubourg, British act. 1808-1838- `The Coronation of his Majesty King George IV taken at the time of the Recognition` July 19 1821, after Stephanoff; hand coloured aquatint, 35.5x48cm: J Bailey, British 19th century- ` The Mail arriving at Temple Bar`, after C B Newhouse, publ. 1834, J Watson, London; hand coloured aquatint, 33x44cm., (4), (may be subject to Droit de Suite)
Martin Taylor, British b.1954- "Big Ben from St James` Park"; etching with aquatint printed in colours, signed, titled and numbered 40/150 in pencil, 40x55cm: Albany Wiseman, British b.1930- "Horseguards"; lithograph printed in colours, signed, titled and numbered 231/250 in pencil, 54.5x70.5cm: together with two further lithographs printed in colours by the same artist, "Hatchlands" and "The Royal Institute of Chartered Surveyors", both signed, titled and inscribed `Artist`s Proof` in pencil: Paul Bisson British b.1938- "Rowing Boats, Greenwich"; etching and aquatint printed in colours, signed, titled, numbered 37/250 in pencil, 12.5x14cm: David Bowyer, British late 20th/early 21st century- "Windsor Castle"; etching with aquatint printed in colours, signed, dated `85, titled and numbered 133/150 in pencil, 29.5x42.5cm: together with three other etchings with aquatint in colours by the same artist entitled "Tower of London", "Greenwich" and "Embankment", all signed, titled, dated and numbered, ea. approx 29.5x42.5cm, (9), (unframed), (may be subject to Droit de Suite)
W F Sedgwick, 7 Great New St, London, publ. early/mid 20th century- "Old Cheapside"; etching, signed and titled in pencil beneath the plate by the publisher, 22x15.7cm: together with four other etchings published by W F Sedgwick depicting scenes of Temple Bar, Ludgate, Charing Cross and St James` Palace, all signed and titled by the publisher, (5)
* Michael Wright, British, late 20th century- "Regent Street"; pastel, signed, titled and dated `78, 73.5x66cm: Rebecca Campbell, British, 20th century- `Kew Gardens`; etching/aquatint in colours, signed, titled and numbered 10/10, 37.5x29.7cm., (2) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals. VAT charged on hammer price
John August Swanson, American b.1938- `Circus Bicyclist`; serigraph in colours, signed and dated 1982, titled & numbered 34/260 in pencil, blindstamp `Aurora Serigraphs`, 68x49cm: John August Swanson, American b.1938- `Rainy Day`; serigraph in colours, signed and dated 1981, titled and numbered 110/150, 69x88cm: John August Swanson, American b.1938- `Circus Horses`; lithograph in colours, signed and dated 1982, titled, numbered 32/100 in pencil, blindstamp, 44x56cm: John August Swanson, American b.1938- `Circus Gallop`; etching in colours, signed, titled and numbered 7/100, blindstamp, 24.5x27cm: John August Swanson, American b.1938- `Flying Trapeze`; etching in colours, signed, titled and numbered 22/150 in pencil, blindstamp, 25x27.5cm: John August Swanson, American b.1938- `Acrobats`; etching in colours, signed, titled and numbered 24/100 in pencil, blindstamp, 27.3x20.4cm., (6) (unframed)
Enoch Henryk Enrico Glicenstein, Polish 1870-1942- Three journeymen on donkey, camel and elephant; drypoint etching, signed and inscribed below plate in pencil, 19.7x24.6cm: together with two other prints by the same artist- Musicians and Old lady with man and child: drypoint etching, signed in pencil below plated, one numbered 3/10, 15x20.2cm & 12.6x14.7cm., (3) (may be subject to Droit de Suite)
Valerie Thornton, British 1931-1991- "Sanguesa"; etching with aquatint printed in brown and red, signed, dated `82, titled and inscribed `A.P`, 64.5x42cm, (may be subject to Droit de Suite) Provenance: with Anthony Dawson, 41 Lillian Road, SW13 9JF according to the label attached to the reverse
Dolf Rieser, South African/British 1898-1983- "Still Life", circa 1932; watercolour on buff paper, signed in pencil, 40x28cm Provenance: with Lumley Cazalet Ltd., London, according to label attached to the reverse of the frame: John Bulloch Sauter, Scottish 1890-1972- Portrait of Miss Duncan in a shawl; etching, signed and inscribed in pencil, bears stamp on the margin, 12x10cm: Baldwin & Cradock, 47 Paternoster Row, April 1st 1834, Publ.- "Eastern Division of Paris" and "Western Division of Paris"; hand-coloured engraved maps, two, 41x31.8cm., ea., (4) (may be subject to Droit de Suite)
After Sir William Russell Flint RA RE ROI RSW PRWS, British 1880-1969- "Retreat form the Sun"; reproduction, printed in colours, signed in pencil, bears publisher`s blind stamp, 49x63.5cm: Fritz Rudolf Hug, Swiss 1921-1989- Two Lionesses; lithograph printed in colours, signed, dated 67 and numbered 213/250 in pencil, 37.7x54cm: After Pierre-Auguste Renoir, French 1841-1919- Parisian boulevard scene; colour reproduction print, 48x58cm: After Pietro Annigoni, Italian 1910-1988- Portrait of a lady; reproduction print, 47x32cm: Dorothy Sweet, British exh 1925-1929- "St Magnus the Martyr London Bridge"; etching, signed and titled in pencil, 24.5x14cm: Allen Ray, British, early 20th century- "St Paul`s" and "Tower Bridge"; hand-coloured etchings, a pair, both signed and titled in pencil, 9.5x14.5cm., ea: H Melville, British, mid 19th century- "Buckingham Palace: The Yellow Drawing Room" and "St James`s Palace: Birthday Drawing Room", after Gilbert and MacManus; hand-coloured engravings, 15.5x19cm., ea: New Guinea/Aboriginal School, late 20th century- Figures and animals; print in white on black paper, 58.2x70.6cm., (10) (may be subject to Droit de Suite)
Anthony Benjamin, British 1931-2002- `Covering of Solids 2 "Cones"`; serigraph in colours, signed, numbered 81/100, dated 78, blindstamp, 48x60cm: together with an etching in colours by the same artist entitled `Borderline Images`, signed, dated 79 and numbered 48/100, 46x36cm: Michael Hale, British b.1934- `Serenade`; serigraph in colours, signed and dated `80, numbered 14/40, 48x37cm (3) (may be subject to Droit de Suite)
JOAN MIRO [SPANISH 1893-1983], COLOR ETCHING & AQUATINT, 59.5 CM X 98.5 CM, "L`INVITEE DU DIMANCHE": Numbered 41 of 75; pencil signed lower right; 23 1/2" x 39"; Maeght Editeur publisher; reference Dupin no.482; framed. Purchased from Barna Art Galleries, Forest Hills, NY 11375, March 1974 [bill of sale in customer file].
AFTER J.S. ADAMS "Billing Mill, Northants", black and white drypoint etching, inscribed, signed and dated 1924 in margin, monogrammed "WB", "Black retriever with cock pheasant in mouth", lithograph, monogrammed lower right, BARBARA RINGROSE "Thailand dancers", watercolour, unsigned, inscribed on label verso, together with two further by the same artist,various botanical prints and assorted pictures
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