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Lot 1

Cecil Charles Windsor Aldin - 'Bell Inn, Waltham St. Lawrence'; etching with drypoint, signed and numbered 56/75 in pencil, 24.7x35cm

Lot 1

WILLSHIRE (W H) - An Introduction to the Study and Collection of Ancient Prints, 2 vols, 1877; DAVENPORT (C) - Mezzotints, 1904; EMMANUEL (F L) - Etching and Etchings, 1930 and 13 other vols on prints.

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BULL (H. J) - The cruise of the 'Antarctica', 1896; WYLLIE (W. L) and WREN (M. F) - Sea Fights of The Great War, 1918; EMANUEL (F. L) - Etching and Etchings, 1930 and 3 other vols (6 vols).

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'Portsmouth' Signed in pencil, inscribed 'Portsmouth' and published 1911 by W R Howell & Co. 34.25cm x 57cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'Glasgow' - quayside with moored vessels and barges Signed in pencil and inscribed 26.75cm x 42.5cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'The Houses of Parliament from Lambeth' Signed in pencil, label verso 14cm x 34.5cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'HMS Natal' Signed in pencil and inscribed 26.75cm x 41.25cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching Sailing boats and barge on an estuary Signed in pencil 23.5cm x 51cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching Battle cruisers at full steam ahead Signed in pencil 12cm x 33cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'The Highway of the Nations' Signed in pencil 28.5cm x 45.75cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching 'The Upper Pool' Signed in pencil and inscribed 'To his friend Mrs Ball' 25.5cm x 38cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching HMS Victory afloat in Portsmouth Harbour, sea scouts in the foreground on the shore Signed in pencil 16.5cm x 25.5cm

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William Lionel Wyllie, RA (1851-1931) Drypoint etching (proof) 'Swan Song', on the reverse is a memorial letter/Christmas card from the artist's widow dated 21st Dec 1931. Signed in pencil 17.75cm x 19cm

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After Sir D Y Cameron Black and white etching 'Perth Bridge', signed in pencil, 19cm x 27cm; and another etching, Sonning Bank after Sir Francis Haden, 13cm x 18cm

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WILLIAM LIONEL WYLLIE Fishing boat of the coast in a becalmed sea, etching, signed in pencil, 3.5in. x 13.5in. (9 x 34cms)

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HAUS TERI (?) 'Ortwidea', girl with flowers, ***Silvia Rose, ballerina, hand tinted etching, signed and titled in pencil, 11in. x 8.25in. (28 x 21cms)

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AXEL HERMAN HAIG (1835-1921) Pool of London with anchored shipping, St. Paul's in the distance, black and white etching, signed in pencil, 6.5in. x 9.25in. (16.5 x 23.5cms)

Lot 1

SALAMAN (MALCOLM C.). MODERN MASTERS OF ETCHING, J. L. Forain No. 4 1925; Frank Brangwyn, R.A., second vol. No. 30 1932; Laura Knight, D.B.E., A.R.A. No. 29 1932 light spotting orig. paper on card, paper title label; Holme (Charles). Corot And Millet with Critical Essays By Gustave Geffory & Arsene Alexandre, London, special winter number 1902/3 paper boards, 'The Studio' publications (4)

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School of Rembrandt Harmensz. van Rijn (1606-1669) Esau and Jacob signed lower right "Rembrandt f", etching, 28 x 20cm

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Peggy Sutton (British, 20th Century) The Young Ballerina, signed lower right "Peggy Sutton", etching, 22 x 26cm

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Frank Brangwyn, “Old Houses at Gwent”, dry point etching, pencil signed on mount, Fine Art Society label verso, 56cms x 60cms, 22” x 24”.

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Henry Rushbury, Continental harbour scene, dry point etching, pencil signed on mount, 18cms x 38cms, (7” x 15”).

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Sir Frank Brangwyn (1867-1956) etching, Figures beneath trees, signed in pencil, 18 x 20 ins

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Samuel Palmer (1805-1881) etching, Lonely Tower, signed in pencil, stamped 16 in the margin, 190 x 252 mm

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Willaim Lionel Wyllie (1851-1931) etching, 'On The Scheldt', signed in pencil, 5 x 12 ins

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Herbert Dicksee etching, 'Dandie Pup', signed in pencil, 10 x 14 ins

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Charles Watson and others. etching, 'Chelsea', 7 x 11 ins. a Maxime Lalanne view of London and 7 other prints

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Andre Dunoyer de Segonzac etching, Farm landscape, signed in pencil, 44/50, 4 x 5.25 ins

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Salvador Dali - A signed black and white original etching of the head of a man (self portrait?) with heightened white shirt and laurel wreath crown, a smaller profile study of a head with halo near the lower right of the picture, the plate also with wording (indistinct) 'Le come L'empereur Salvador Dali', plate size 11.5 in by 14.5in, signed by the artist lower right below the plate in pencil and also inscribed A/B 1/200, framed.

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A. McD Maiden, 1923: watercolour of Dunoon, Argyll, Scotland; oil on board of Loch, Dunoon, depicting lake and mountains to rear, initialled WBP; and a coloured etching Holy Mittet's House (three)

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Henry Moore Mother suckling child Etching Limited edition 6/10 Signed in pencil, (impression reversed) 19cm high x 15cm wide (image 12cm high x 10cm wide)

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A 19th Century Dutch glass rectangular Decanter with floral etching, and two glass lobed Scent Bottles, A/F

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P. Kerr, On the Clyde, etching, 6 1/2in x 9in (16.5cm x 23cm)

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Durer (Albrecht, 1471 - 1528). Landscape with soliders and cannon, 1518 [but later], b&w etching, a modern impression, approx. 230 x 335 mm, framed and glazed (1)

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Whistler (James McNeill, and others, illust.). Passages from Modern English Poets. Illustrated by the Junior Etching Club, William Tegg, [1862], forty - seven etchings on forty - five plates, most foxed in the extreme borders, orig. red cloth, blocked in gilt and blind, slightly soiled and rubbed, a.e.g., 4to (1)

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Tatton Winter, William. "The Market Place" Salisbury. Etching, 10in. x 11.75in. Signed in pencil by the artist. Published by The Museum Galleries, 1928. Mounted, framed and glazed.* With label on verso of frame "The Museum Galleries, 53 Short's Gardens. London."

Lot 1

J C WILLIS: An etching of silver birches, signed in pencil, 9"x 6" and a French coloured print Madam Bouverie, a reproduction map of Cadiz and three further prints. (6)

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Edward Sharland St Mary Redcliffe, Bristol Etching Pencil signed 40cm x 22.5cm; Three others by the same hand. (4)

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AN ETCHING OF MADAM JACOBS BAS, after Rembrandt, etched by P J Arendson, 23" x 16 1/2"

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W Douglas Macleod, Camels on a North African landscape, etching, signed, 23x35cm, unframed.

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AFTER J G WOOD, ENGRAVED BY W GREEN, COLOURED AQUATINT, 'Fredville in Kent', 13" x 15"; BENJAMIN WILLIAMS LEADER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Surrey Fir Wood, 12" x 19" and AFTER T M WHICHEL, ENGRAVED BY T MILTON, '...this view of Windsor Castle...', 14" x 17", (3)

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20TH CENTURY JAPANESE SCHOOL COLOURED PRINT, mythological river scene with figures, 9" x 18" and FRANCIS S WALKER, COLOURED ETCHING AND AQUATINT, a galleon at sea at sunset, 13" x 19", (2)

Lot 1

EDWARD M SYNGE, SIGNED IN PENCIL TO MARGIN, DATED 1907, BLACK AND WHITE ETCHING, 'Cordova', (see further details verso), 7" x 10" and DERKEN VON ANGEUEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, Shipping in the Channel, 8" x 11", (2)

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TATTON WINTER, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Canterbury Cathedral..., 13" x 17"

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AXEL H HAIG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Capela Palatina Palermo', (see old label verso), 26" x 17"

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HARRY ROUNTREE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Old Grumpy', (Field Mouse), 4" x 6"

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J DUDLEY HAYNES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Corfe Castle from the South-West', 8" x 11"

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AFTER J FARINGTON, COLOURED PRINT, 'Rochester Bridge and Castle', 7" x 11"; CLAUDE ROWBOTHAM, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, 'The Estuary of the Severn and the Gorge of the Avon', 5" x 8" and two further framed Prints, (4)

Lot 1

AFTER J M A WHISTLER, BLACK AND WHITE ETCHING, a bridge over the Thames, 5" x 8"

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FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Notre Dame, Poutiers', 10" x 8", mounted but unframed

Lot 1

FRANCIS M BROWN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE AQUATINT, landscape with cottages, 4" x 7" and AFTER D LAW, BLACK AND WHITE ETCHING, Houses of Parliament from River Thames, 9" x 7", (2)

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SEYMOUR HADEN, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, riverbank, 6" x 5"

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INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, river estuary scene, 3" x 9" and AFTER C VESPER, BEARING PRESENTATION INSCRIPTIONS TO MOUNT, DATED 1940, PAIR SOFT GROUND ENGRAVINGS, 'Ecstasy', 'A Pastoral Symphony', (comical pigs), 7" x 6", (3)

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WILLIAM LE-HANKEY, BLACK AND WHITE ETCHING WITH BLIND STAMP, circa 1930, 'Mother and Child', (see further details verso), 8" x 6"

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FRANK H MASON, SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, 'Venice', 4" x 5 1/2"

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LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING AND DRYPOINT, 'Brig O' Balgowrie', 9" x 13"

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EILEEN SOPER, Young Girl Sitting on a Wall and Holding a Kitten, etching, signed in pencil, 9 1/2" x 7", gilt frame

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ROWLAND GREEN, Mallard Duck about to Land on a Lake, etching signed in pencil, 11 1/4" x 8 1/4", ebonised frame

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AXEL HERMAN HAIG, A Cathedral Interior with figures, etching, pencil signed " Axel H Haig"; generally in good condition, Pl 17 1/2in x 22 1/4in

Lot 1

SYDNEY R JONES, A Country House by a River, pencil signed, etching, Pl 9 1/2 x 15in

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