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Lot 316
King Pitt A Cut Purse of the Empire by Marc Antonio after Michael Angelo etching with aquatint printed in dark brown 440 x 320mm. slight spotting trimmed just in the lower platemark inset within paper support [BM Satires 7388] Mr Bradshaw and Mrs Humphrey 1788 § Rolla`s Address to the Peruvian Army Pitt in Peruvian costume addressing a group of chieftains original hand-coloured aquatint 275 x 470mm. letterpress text panel above repaired tears [BM Satires 9407] W. Holand 1799 § Hogarth (William) The Five Orders of Perriwigs third state engraving 300 x 220mm. trimmed on or occasionally just within the platemark laid on thin card support [BM Satiree3812; Poulson 209] 1761 or later; with another by “Veritas” [Williams] Green Turned Yellow original hand-coloured engraving 350 x 245mm. trimmed at sides [BM Satires 11758] [1811](4)
Lot 325
Cruikshank. Monstrosities of 1819 & 1820 absurdly costumed characters in Hyde Park including the Persian Ambassador original hand-coloured engraving 250 x 350mm. some browning framed and glazed [B.M. Satires 13445A] G. Humphrey c.1820 § Heath (William) “Paul Pry”. Modern Peeping Tom`s who Deserve to be sent to Coventry!!! etching with original hand-colouring 235 x 370mm. some browning framed and glazed T. McLean c.1829(2)
Lot 327
Heath (Henry) The New Master of the Crown Inn William IV seeing off Lady Conyngham original hand-coloured etching 245 x 345mm. a cut within the image framed and glazed [BM Satires16178] Fores 1830 § Heath (William) Lork What a Long Tail Your Cat Has Got Grey as the cat with the fish of Treasury in its mouth original hand-coloured engraving 240 x 340mm. framed and glazed [BM Satires 16578] McLean 1831(2)
Lot 348
Rembrandt Harmensz. van Rijn. Self Portrait second state etching 95 x 60mm. narrow margins top and bottom trimmed just on the platemark at sides and inset within the image into front free endpaper of a copy of Philip Gilbert Hamerton`s Etching and Etchers Macmillan 1876 (opposite title illustrated with the same image) F.H. Gall`s copy with his pencil ownership inscription upper left a pencil note of purchase from the Heywood Collection Sotheby`s December 1879 below and his collector`s inkstamp on verso of plate [Lugt 2935] some showthrough of stamp on recto also with the earlier collector`s inkstamp of Charles Scarisbrick [Lugt 522] slight spotting a printer`s crease not apparently affecting printing [Bartsch 26] c.1642.
Lot 397
Haden (Seymour) Hic Terminus Hæret etching printed in black and sanguine on wove paper 100 x 120mm. signed in pencil below [H.43] 1863; Brig at Anchor etching with drypoint on white wove paper 140 x 210mm. signed in the plate [H.147] 1870; with an etching of North European harbour by Mortimer Menpes and a view of St Malo by Louis C. Rosenberg(4)
Lot 405
Shannon (Charles) Shepherd in the mist lithograph on cream laid paper 195 x 205mm. issed for The Dial 1892 § Cope (Charles West R.A.) Milton`s Dream etching on chine appliqué 120 x 120mm. signed in the plate numbered 24 in pencil below § Broel (Georg) Woodland Scene lithograph 420 x 285mm. signed and dated in the stone framed and glazed 1917(3)
Lot 416
Farrell (Frederick) The Law Courts etching 265 x 330mm. signed in pencil lower right Fine Art Trade Guild blindstamps lower left framed and glazed § Abbé (Salomon van) Portrait of a judge etching with drypoint 260 x 255mm. signed in pencil lower right numbered 5/50 lower left framed and glazed early 20th century(2)
Lot 424
Lacey (Edward Hill) Self Portrait etching with drypoint and monochrome ink wash on BFK cream wove paper 195 x 155mm. signed in pencil below captioned and dated at lower sheet edge 1929; with another self portrait from the following year etching with aquatint on white wove paper 265 x 200mm. signed and dated in the plate 1930(2)
Lot 465
Ian Strang, RE (British, 1886-1952), Allotments, War Time, signed lower right "Ian Strang 1942", pencil, 28 x 39cm (10.92 x 15.21in). Ian Strang was an etcher, draughtsman, illustrator and painter of architecture, landscape and figures in oils and watercolour. He was the son of William Strang, and studied at the Slade under Brown and Tonks between 1902 and 1906, and then at the Academie Julian under J P Laurens. He travelled extensively in Europe and held his first solo exhibition at the Goupil Gallery in 1914. Shows followed at the Chenil, Leicester and Lefevre Galleries. He exhibited at the New English Art Club, the Royal Society of Painter-Etchers and Engravers, and at the Royal Academy between 1923 and 1951. Ian Strang`s work is represented in collections including the Tate Gallery. Strang was a Rome Scholar at the Faculty of Engraving at the British School in Rome, and published `The Student`s Book of Etching` (1938). His etched work used dry-point to produce tonal, pictorial effects whilst his later prints used a pure etching technique.
Lot 344
AFTER REMBRANDT - Figure with camel, etching, 7 1/4" x 7 1/2"; two further after the same hand; J. Gottlieb Prestel (1739-1808) - Classical scene - possibly representing Neptune presiding over Laocoon and his sons being strangled by sea serpents, etching dated Frankfurt 1783, 10 1/4" x 15" (laid down); and two further probably also after Rembrandt (6) (all unframed).
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71174 item(s)/page