D Taylor, British late 20th/early 21st century- "Tailor Made"; mixed technique screenprint in colours, signed, titled and numbered 80/120 in pencil, 77.5x56cm: Neil Bassant, British mid/late 20th century- "The Road Through Cuxton"; mixed technique etching with aquatint, signed, titled, dated `65 and numbered 8/10 in pencil, 50x60cm: together with another print by the same artist titled "Chatham: Night", signed, titled, dated `65 and numbered 1/10 in pencil, 45x57cm: together with a quantity of prints and reproductions by and after various contemporary hands including two Oriental prints, a number of unframed original works and reproduction prints in colour by and after Paul Mann, British 1907-1994, (a lot), (may be subject to Droit de Suite)
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Valerie Thornton, British 1931-1991- "St Margaret`s Kings Lynn"; etching with aquatint printed in colours, signed, titled, dated `78 and numbered 45/50 in pencil, 58x40cm: together with another etching with aquatint by the same artist entitled "Estella", signed, titled, dated `76 and numbered 31/70 in pencil, 44x29cm, (2) (may be subject to Droit de Suite)
British School, late 20th century- "Northern Spring"; mixed technique print with embossing, signed, titled, numbered 47/100 and dated 1976 in pencil, 71x54cm: together with two other similar prints entitled "Dawn" and "Clouds over Hills" by the same artist: Wilkinson, British late 20th/early 21st century- "Fellside in Winter Sunlight of January"; etching with aquatint printed in colours, diptych on two sheets, signed on one sheet, titled and numbered 45/80 in pencil on the other sheet, ea. 40x48cm: together with another diptych by the same artist titled "Sunlight and rain across Nab scar/Rydal, winter morning", ea. 39.5x50cm, (5 in 7 frames)
European School, late 19th/early 20th century- Standing draped male nude; black chalk heightened with white on buff paper, 67x34cm: European School, early-mid 20th century- Group figure study; etching with drypoint, unsigned, 34.5x34.5cm: Mid-Late 20th Century- Sunbathers; watercolour, signed with monogram and dated 72 in pencil on the mount, 49x32cm: (3) (part unframed)
Frederick Landseer Griggs/Fen Monastery/signed and numbered 24/44/etching Condition Report: There are a few marks on the paper which show in the image otherwise in good condition, comes from the collection of the late John Limbrey, who was chief designer to Robert Welsh of Chipping Campden, he was steeped in the Arts and Crafts and the Guild of Handy Craft movements
![James McIntosh Patrick [ARR]/Highland Landscape/signed and numbered, 15/75/etching/18 x 25.5cm (7" x 10")/ARR - Artist's Resa](http://lot-images.atgmedia.com/SR/1804/2871318/221-2013712155433_468x382.jpg)
Renoir, Pierre Auguste RENOIR - ORIGINAL ETCHING OF BERTHE MORISON Berthe Morisot (Stella 4). Original drypoint, c. 1892 of Ms. Morisot, a contemporary impressionist artist. Signed in the plate. This drypoint was first published in Duret`s Renoir in 1924. It was the only original etching in this work. This copy is framed and has not been examined out of the frame, but appears in good state. Image size: 108x91mm. Framed size: 290x240mm. Publication Date: 1924 Condition: Good Size: 290X24mm. Framed. Category: Art & Art Reference Reserve: $600 Click here to view further details and images
A rare early.177” Webley Mark I air rifle, number 85, stamped.177” on the barrel pivot bracket; the barrel port turret etched with winged bullet trade mark over “W & S”; the air chamber estched on the left side “Webley Air Rifle Mark I” and on the right side with British and foreign patent dates; the trigger block stamped “Manufactured by Webley & Scott Ltd, Birmingham & London” on the left side and serial number “85” on the right; the trigger adjuster is through the front of the trigger block, GWO & C, retaining some original blued finish overall, the etching clear but a little faint. Plate 10
Dame Laura Knight (1877-1970) ``Bank Holiday``, 1923 Signed in pencil, black and white etching, 28.5cm by 22cm (pl) Looks to be in good order and has a good impressed plate mark. In a very wide outer grey partially washlined mount and inner white card fillet mount, plain outer wooden frame with silver finish, under glass. 240513
Norman Ackroyd RA, CBE (b.1938) ``Derwent Water`` Signed and dated 19(82), inscribed, black and white etching, 34.5cm by 54.5cm (pl) In excellent state of preservation, no damages. Does not appear to have been laid down or glue down as ripples in the paper. Small crease just to left of centre, and above artist`s name. In a plain outer black wooden frame and cream acid free mount, under glass. 170513
After Paul Cézanne (20th/21st century) Portrait of the artist Jean-Baptise-Armand Guillaumin, seated, his arms folded Inscribed on an authentication label verso, posthumous impression, black and white etching, 14.5cm by 12cm Provenance: Templeton & Rawlings Ltd, 56 Kendal Street, London Does not appear to have been glued down as the paper is rather wavy. In good undamaged and unfaded condition. In a good quality washline and partially gilded cream card mount. Thunder flies and dirt under glass. In a good quality outer gilt plaster and wooden frame. 230513
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