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David Hockney R.A. (born 1937)The Blue Guitar (Title Page), from 'The Blue Guitar', 1976-77 signed and numbered 147/200 in penciletching and aquatint printed in colours52.2 x 45.1cm (20 9/16 x 17 3/4in).printed by Petersburg Studios and published by Petersburg Press, London and New YorkFootnotes:LiteratureD. Hockney, David Hockney Prints 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co, Tokyo, 1996, no. 178D. Hockney, Midland Group (Nottingham, England) and Scottish Arts Council, David Hockney prints, 1954-77, Petersburg Press for the Midland Group and the Scottish Arts Council, London, 1979, no. 199This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Grayson Perry (born 1960)Reclining Artist (small), 2017 signed in pencil recto, and numbered 30/58 versoetching in colours70.5 x 102.5cm (27 3/4 x 40 3/8in).(unframed)Published by Paragon Press, LondonThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Italian Grand Tour, Rome - Acquaroni (Antonio, illustrator), Nuovi punti delle più interessanti vedute di Roma disegnate ed incise a contorno da Antonio Aquaroni e da altri buoni artisti, Roma: Presso Deodato Minelli, 1838, trimmed title-page and tipped-in to pastedown, illustrated with 60 topographical views, each line-etching has been trimmed to the platemark, finely hand-coloured in sepia by a contemporary hand, and tipped-in on blue paper leaves, contemporary Roman binding of gilt morocco over textured papered boards (chipped), oblong 4to, [1]
Literature - Shakespeare (William) & Robinson (William Heath, illustrator), Shakespeare's Comedy of A Midsummer-Night's Dreams, first edition thus, London: Constable & Co. Ltd., 1914, pictorial half-title and title-page, tipped-in colour plates, contemporary pictorial cloth, top-edge trimmed only, 4to, (1); La Fontaine (Jean), Buning (J.W.F. Werumeus, editor), & Oosting (Jeanne Bieruma, illustrator), De Krekel En De Mier/En Andere Fabels, number 79 from a limited edition of 1000, numbered and signed by the editor and illustrator, first and only edition thus, Amsterdam: A.J.G. Strengholt, [n.d., 1945], printed in French and Dutch, title-page and colophon printed in red and black, red initials, each French fable with explanatory Dutch commentary to verso, and illustrated with a drypoint etching, contemporary gilt-lettered vellum over blue papered board, trimmed edges, large 8vo, (1), [2]
[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]
Bernard Picart (1673-1733), after Eustache Le Soeur (1616-1655), Fleuve accompagné d'une Nayade, peint dans le fond d'une niche à l'entrée de l'escalier [River God with Nayade], [Paris]: [n.p., n.d., early 18th century], copper-plate etching and engraving, the lower-right margin numbered 6 in ink MS, 37.5cm x 42.5cm, ebonised frame, (1); Grand Tour, Giuseppe Longhi (1766-1831), after Antonio da Correggio (1486-1534), La Maddalena del Correggio [...], Mannheim: Pubblicata [...] da D: Artaria, 1810, etching and engraving, 34.5cm x 40.5cm, contemporary rosewood frame with gilt inset, (1), [2]
Roman Grand Tour - two portraits of Pope Pius VI, bust-length, in profile, in the Neoclassical within a Roman fresco: 1) Marco Carloni (1742-1796), Pio. Sexto. P.M./Bonarum. Atrium.Patrono, Rome: [...], 1787; 2) another, Alex Mochetti (1760-1812), Rome: 1790, each a copperplate etching and engraving, 62cm x 44.5cm, (2); Pietro Felix (fl. c. 1782-1807), after Domenico Pronti (1750 - ca. 1815), [The Statue of The River Nile and other Classical marbles in the collection of the Vatican Palace], [probably from 'Il Museo Pio-Clementino Descritto', n.p., Rome: probably Ludovico Mirri Mercante Di Quadri Incontro Il Palazzo Bernini, n.d. ?1782-1807], copper-plate engraving, 62cm x 44.5cm, (1), [3]
William Hogarth FRSA (1697-1764), by, a satirical caricature, 'Datur vacuum' (Leisure time is given for...), second state, [London]: Publish'd by W Hogarth March 3d. 1736/Price Sixpence, copperplate etching and engraving, trimmed with a slight-OK margin, 24.1cm x 21cm, [1]The reader is intended as a portrait of Henry Fisher, Registrar of Oxford University, who had agreed to be drawn by Hogarth.
After John Alexander Harington Bird (British, 1845-1936)The leading road coaches leaving the White Horse Cellars XI A.M. Etching and aquatint with hand colouring, 1889, on wove paper, published by F.C. McQueen & Sons, 1890, framedSheet 76.5cm x 112.7cm (30in x 44 1/4in)For further information on this lot please visit Bonhams.com
Fashion. A collection of 48 fashion plates, mid 19th century, French, German and English engravings and lithographs with contemporary hand-colouring (two uncoloured), a few printed on both sides, including examples originally published in La Mode Illustrée, La Saison, Illustre Frauen-Zeitung and The Queen, each approximately 370 x 260 mm, together with a drawing sketchbook containing 27 amateur pencil drawings of costume and fashion through the ages, slim folio, with Gillray (James). La Belle Assemblée, H. Humphrey, 1787 [but H. G. Bohn edition, circa 1850], uncoloured etched caricature with an additional etching on the verso, slight staining, 250 x 355 mm, plus (Woodward G. M. after). The Comforts of a Modern Gala..., published Thomas Tegg, circa 1810, etching with contemporary hand colouring, slight marginal dust and finger soiling, laid on later paper, 240 x 345 mm,Qty: (approx. 50)
Giovanni Battista Piranesi (Italian 1720-1778) Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de' Brevi e della Sacra Consulta (Wilton-Ely 175); Veduta del Castello dell'Acqua Felice (Wilton-Ely 187) Two, both etching, from 'Vedute di Roma' (Roman edition) 40.6 x 61.4cm; 16 x 24¼in (plate); 43.3 x 65.8cm; 17 x 26in (sheet) (2)
19th century British school - Study of landscape with figures and castle, possibly Chepstow, watercolour and bodycolour on paper, no signature visible, 11.5 x 16cm approx, in moulded gilt frame, together with a small coloured etching after Claude Rowbotham, A Wet Evening Winchester, signed, 11 x 8.5cm approx, visible sheets size, also together with a 19th century circular convex mirror with beaded gilded frame, 35 diameter (3)
J F Lewis (19th century British school) - Etching of the monkey Jacko after a sketch in the possession of Robert Holford Esq. together with further etchings by the same hand including horses ploughing, a German wild boar, etc, some dated 1836, 38 x 27.5cm approx sheet size, two coloured prints after H Brittan Willis of a carthorse, a further similar print after Edward Duncan also showing a horse, both published by George Rowney & Co, 36 x 46cm approx sheet size, CE Holloway, monochrome etching of a war ship off the coast, various sizes all unframed (10)
Anning Bell, Robert (Illus.). A Midsummer Night's Dream, by William Shakespeare, London: J. M. Dent & Co., 1895, small quarto, publisher's gilt illustrated cloth, top edge gilt (remainder untrimmed), contents good, cloth binding worn/discoloured. Together with Memoirs of the Life and Writings of Lord Byron, [by George Clinton], London: [Robins & Co.], 1824, incomplete, half-calf; Down the Bright Stream, by 'BB', Watkins-Pitchford, London: Eyre & Spottiswoode, no date, green cloth, lacking jacket; The Complete Works of William Shakespeare, Art-Type Edition, 1947, school prize labels, and a late-18th century etching of Newstead Park, seat of Lord Byron, 12cm by 20cm, framed & glazed. Condition varied, sold as found with all faults (5)
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71174 item(s)/page