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Lot 769

Fred Banbery (British, 1913-1999), Paddington Bear in a deck chair, hand coloured etching, No.170/500, 6.8 by 6.5cm, framed

Lot 144

David Hockney R.A. (born 1937)The Blue Guitar (Title Page), from 'The Blue Guitar', 1976-77 signed and numbered 147/200 in penciletching and aquatint printed in colours52.2 x 45.1cm (20 9/16 x 17 3/4in).printed by Petersburg Studios and published by Petersburg Press, London and New YorkFootnotes:LiteratureD. Hockney, David Hockney Prints 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co, Tokyo, 1996, no. 178D. Hockney, Midland Group (Nottingham, England) and Scottish Arts Council, David Hockney prints, 1954-77, Petersburg Press for the Midland Group and the Scottish Arts Council, London, 1979, no. 199This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 178

Grayson Perry (born 1960)Reclining Artist (small), 2017 signed in pencil recto, and numbered 30/58 versoetching in colours70.5 x 102.5cm (27 3/4 x 40 3/8in).(unframed)Published by Paragon Press, LondonThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 161

Italian Grand Tour, Rome - Acquaroni (Antonio, illustrator), Nuovi punti delle più interessanti vedute di Roma disegnate ed incise a contorno da Antonio Aquaroni e da altri buoni artisti, Roma: Presso Deodato Minelli, 1838, trimmed title-page and tipped-in to pastedown, illustrated with 60 topographical views, each line-etching has been trimmed to the platemark, finely hand-coloured in sepia by a contemporary hand, and tipped-in on blue paper leaves, contemporary Roman binding of gilt morocco over textured papered boards (chipped), oblong 4to, [1]

Lot 177

Literature - Shakespeare (William) & Robinson (William Heath, illustrator), Shakespeare's Comedy of A Midsummer-Night's Dreams, first edition thus, London: Constable & Co. Ltd., 1914, pictorial half-title and title-page, tipped-in colour plates, contemporary pictorial cloth, top-edge trimmed only, 4to, (1); La Fontaine (Jean), Buning (J.W.F. Werumeus, editor), & Oosting (Jeanne Bieruma, illustrator), De Krekel En De Mier/En Andere Fabels, number 79 from a limited edition of 1000, numbered and signed by the editor and illustrator, first and only edition thus, Amsterdam: A.J.G. Strengholt, [n.d., 1945], printed in French and Dutch, title-page and colophon printed in red and black, red initials, each French fable with explanatory Dutch commentary to verso, and illustrated with a drypoint etching, contemporary gilt-lettered vellum over blue papered board, trimmed edges, large 8vo, (1), [2]

Lot 420

[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]

Lot 427

Bernard Picart (1673-1733), after Eustache Le Soeur (1616-1655), Fleuve accompagné d'une Nayade, peint dans le fond d'une niche à l'entrée de l'escalier [River God with Nayade], [Paris]: [n.p., n.d., early 18th century], copper-plate etching and engraving, the lower-right margin numbered 6 in ink MS, 37.5cm x 42.5cm, ebonised frame, (1); Grand Tour, Giuseppe Longhi (1766-1831), after Antonio da Correggio (1486-1534), La Maddalena del Correggio [...], Mannheim: Pubblicata [...] da D: Artaria, 1810, etching and engraving, 34.5cm x 40.5cm, contemporary rosewood frame with gilt inset, (1), [2]

Lot 441

Roman Grand Tour - two portraits of Pope Pius VI, bust-length, in profile, in the Neoclassical within a Roman fresco: 1) Marco Carloni (1742-1796), Pio. Sexto. P.M./Bonarum. Atrium.Patrono, Rome: [...], 1787; 2) another, Alex Mochetti (1760-1812), Rome: 1790, each a copperplate etching and engraving, 62cm x 44.5cm, (2); Pietro Felix (fl. c. 1782-1807), after Domenico Pronti (1750 - ca. 1815), [The Statue of The River Nile and other Classical marbles in the collection of the Vatican Palace], [probably from 'Il Museo Pio-Clementino Descritto', n.p., Rome: probably Ludovico Mirri Mercante Di Quadri Incontro Il Palazzo Bernini, n.d. ?1782-1807], copper-plate engraving, 62cm x 44.5cm, (1), [3]

Lot 445

William Hogarth FRSA (1697-1764), by, a satirical caricature, 'Datur vacuum' (Leisure time is given for...), second state, [London]: Publish'd by W Hogarth March 3d. 1736/Price Sixpence, copperplate etching and engraving, trimmed with a slight-OK margin, 24.1cm x 21cm, [1]The reader is intended as a portrait of Henry Fisher, Registrar of Oxford University, who had agreed to be drawn by Hogarth.

Lot 317

Karólína Lárusdóttir (1944 - 2019)- A framed and glazed signed etching titled 'The Angels Order Coffee', edition 27/200. Signed by artist. Accompanied by artists bio. H.34 x W.38cm

Lot 72

Félix Buhot (French, 1847-1898)La Place Pigalle en 1878 Etching, aquatint and drypoint, 1878, on laid paper, signed by Sir Michael Caine on the frame versoSheet 27.7cm x 37cm (10 7/8in x 14 1/2in)For further information on this lot please visit Bonhams.com

Lot 73

After John Alexander Harington Bird (British, 1845-1936)The leading road coaches leaving the White Horse Cellars XI A.M. Etching and aquatint with hand colouring, 1889, on wove paper, published by F.C. McQueen & Sons, 1890, framedSheet 76.5cm x 112.7cm (30in x 44 1/4in)For further information on this lot please visit Bonhams.com

Lot 102

Stephen Gooden (British 1892-1955) six etchings each signed in pencils Mr W H, Robert Acres, John Raymond Danson, Triton Astride a Seahorse, a sleeping cat and a cockerel perched on a key, largest, 17.5cm x 12.5cm, a Christmas card etching dated 1947 and letter to John Deacon

Lot 116

Stephen F Gooden (1892-1955) a mouse eating cheese, on a leaf, limited etching 10/50 signed and dated 1940 in pencil, 7.5 cm x 5.5 cm, framed and glazed

Lot 117

Gerald Leslie Brockhurst (1890-1978) 'Study for a Decoration', model Anais Brockhurst, half length portrait etching signed in pencil, 15 cm x 12 cm, framed and glazed

Lot 118

Gerald Leslie Brockhurst (1890-1978) 'Young Womanhood', half length portrait in a landscape etching, signed in pencil, 23 cm x 17.5 cm, framed and glazed

Lot 119

Gerald Leslie Brockhurst (1890-1978) 'Elizabeth' a half length portrait, the model was Anais Brockhurst etching signed in pencil, 14 cm x 10.7 cm framed and glazed

Lot 1402

A LARGE QUANTITY OF GLASS WARE TO INCLUDE CUT GLASS WINE AND SHERRY GLASSES, TANKARDS AND A PAIR OF BOXED BRANDY GLASSES WITH HEAVY HORSE ETCHING ETC

Lot 922

A FRAMED REMBRANDT PRINT - A SELF PORTRAIT ETCHING

Lot 163

Fashion. A collection of 48 fashion plates, mid 19th century, French, German and English engravings and lithographs with contemporary hand-colouring (two uncoloured), a few printed on both sides, including examples originally published in La Mode Illustrée, La Saison, Illustre Frauen-Zeitung and The Queen, each approximately 370 x 260 mm, together with a drawing sketchbook containing 27 amateur pencil drawings of costume and fashion through the ages, slim folio, with Gillray (James). La Belle Assemblée, H. Humphrey, 1787 [but H. G. Bohn edition, circa 1850], uncoloured etched caricature with an additional etching on the verso, slight staining, 250 x 355 mm, plus (Woodward G. M. after). The Comforts of a Modern Gala..., published Thomas Tegg, circa 1810, etching with contemporary hand colouring, slight marginal dust and finger soiling, laid on later paper, 240 x 345 mm,Qty: (approx. 50)

Lot 162

Glynn Thomas, 'King's Shadows', pencil signed copperplate etching, 33/200, housed in a wooden and glazed frame, 11.5cm wide x 22cm high

Lot 168

Glynn Thomas, 'Kings', pencil signed etching, 36/175, housed in a modern glazed frame (AF), 14cm wide x 37cm high

Lot 169

John Brunsden (1933-2014), 'Yorkshire Moors', pencil signed coloured etching, 1/150, housed in a glazed frame, 46cm high x 30cm wide

Lot 170

John Brunsden (1933-2014), 'Covehithe', pencil signed coloured etching, 9/150, housed in a wooden and glazed frame, 62cm wide x 29cm high

Lot 199

John Brunsden (1933-2014), 'The South Parterre, Waddesdon Manor', limited edition coloured etching, 1/150, pencil signed to margin, housed in a limed wood and glazed frame, 47cm wide x 32cm high

Lot 148

James Harris Senior (British 1810-1887) 'Worms Head, Gower', etching, signed in the plate. 20 x 31cm approx. Framed.(B.P. 21% + VAT)

Lot 147

James Harris Senior (British 1810-1887), Mewslade Bay, Gower, with fishing smacks, etching, signed in the plate. 20 x 31cm approx. (B.P. 21% + VAT)

Lot 533

4 PICTURES OF WINCHESTER CATHEDRAL. ONE DOROTHY SWEET PENCIL SIGNED ETCHING OF THE WEST FRONT OF WINCHESTER CATHEDRAL TOGETHER WITH TWO DRAWINGS WITH POEMS WRITTEN BENEATH AND OLD PHOTOGRAPH OF WINCHESTER CATHEDRAL [4]

Lot 569

COLOURED ETCHING OF A SAIL BOAT MOORED BESIDE A TOWN QUAY, INDISTINCTLY INSCRIBED IN PENCIL BELOW AND SIGNED K TWEED

Lot 9

Albrecht Dürer (1471-1528)-graphic, The Crossing, etching on paper, monogrammed in the stone; 39x28cm.

Lot 11

Albrecht Dürer (1471-1528)-graphic, The Mocking of Christ, etching on paper, laid down on paper, framed, under glass; monogrammed in the stone; 39x27.5cm.

Lot 194

William Lionel Wyllie RBA (1851-1931) - A 19th Century etching depicting sailing boats moored up in the docks with figures to the right. Signed in pencil to the bottom left. Set within a silvered frame and being glazed. Measures approx; 36cm x 40cm. 

Lot 488

Leonard Russell Squirrell (1873-1979) - A hand signed engraving ./ etching depicting a scene of Durham. Features a church building among bare trees and similar foliage. Signed by Artist. Framed & glazed. Measures approx; 36cm x 40cm.

Lot 3028

Thomas Rowlandson; coloured etching duck shooting after the original by George Morland, 56 x 46 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 3045

Alice Barnwell coloured etching, St Marys Church, Warwick, 15 x 27 cm, signed and stamped as artists group. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 3046

E Sharland coloured etching, Eastgate tower, 14 x 32 cm, signed in pencil. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 3066

A map of The Country Palatine of Lancaster after Robert Morden, 38 x 45 cm, together with a coloured etching book plate and a Victorian print (3). Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 177

Giovanni Battista Piranesi (Italian 1720-1778) Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de' Brevi e della Sacra Consulta (Wilton-Ely 175); Veduta del Castello dell'Acqua Felice (Wilton-Ely 187) Two, both etching, from 'Vedute di Roma' (Roman edition) 40.6 x 61.4cm; 16 x 24¼in (plate); 43.3 x 65.8cm; 17 x 26in (sheet) (2)

Lot 178

Giovanni Battista Piranesi (Italian 1720-1778) Sezione del serraglio delle fiere fabbricato da Domiziano (Wilton-Ely 525); Del Castello dell'Acqua Giulia (Wilton-Ely 541) Two, both etching 34.6 x 23.6cm; 13½ x 9¼in; 36.2 x 24.5cm; 14¼ x 9¾in (plate) (2)

Lot 181

Gaetano Zompini (Italian 1700-1778) after Giovanni Benedetto Castiglione (Italian 1609-1664) The flight into Egypt Etching, 1759, from 'Varii capricci e paesi' 27.2 x 41cm; 10¾ x 16¼in

Lot 205

After Jacques Callot Peasant woman with basket, seen from behind Pen and brown ink 18.7 x 10cm; 7¼ x 4in After an etching (Lieure 201).

Lot 771

Allan Gwynne-Jones CBE, RA (1892-1982) - Lambs on a Hillside, black and white etching on paper, signed and with further inscription verso and Eastleach address details, 24cm x 31cm approx visible sheet size, framed (together with further details about the artist)

Lot 813

19th century British school - Study of landscape with figures and castle, possibly Chepstow, watercolour and bodycolour on paper, no signature visible, 11.5 x 16cm approx, in moulded gilt frame, together with a small coloured etching after Claude Rowbotham, A Wet Evening Winchester, signed, 11 x 8.5cm approx, visible sheets size, also together with a 19th century circular convex mirror with beaded gilded frame, 35 diameter (3)

Lot 311

Tom McGuinness (1926-2006), Pit Head, limited edition etching, signed and dated 1980, number 30/40, image 11cm by 16cm, framed.

Lot 312

Tom McGuinness (1926-2006), Women in the Pit Yard, limited edition etching, signed and dated 1993, numbered 14/50, image 21cm by 15cm, framed.

Lot 313

Tom McGuinness (1926-2006), Meeting Station, limited edition etching, signed and dated 1976, number 35/50, image 11cm by 14cm, framed.

Lot 314

Tom McGuinness (1926-2006), The Caller, limited edition etching, signed and dated 1987, numbered 48/50, image 15cm by 11cm, framed.

Lot 315

Tom McGuinness (1926-2006), Women at the Colliery Gates, limited edition etching, signed and dated 1986, numbered 16/50, image 14cm by 15cm, framed.

Lot 316

Tom McGuinness (1926-2006), Market Day, limited edition etching, signed and dated 1996, numbered 50/80, image 19cm by 26cm, framed.

Lot 828

J F Lewis (19th century British school) - Etching of the monkey Jacko after a sketch in the possession of Robert Holford Esq. together with further etchings by the same hand including horses ploughing, a German wild boar, etc, some dated 1836, 38 x 27.5cm approx sheet size, two coloured prints after H Brittan Willis of a carthorse, a further similar print after Edward Duncan also showing a horse, both published by George Rowney & Co, 36 x 46cm approx sheet size, CE Holloway, monochrome etching of a war ship off the coast, various sizes all unframed (10)

Lot 765

Agnes Bowman (20th century school) - Still life with vegetables, oil on board, signed, 34 x 43cm, together with Janet King (20th century) Catcher - Bird of Prey, signed limited edition black and white etching, number 4/20, 62 x 48cm, both framed (2)

Lot 301

Hungarian schoolAssorted pictures and prints to include:-Lajos Marko (1872-?)Etching Rozsa Bertalan Oil on canvasWoman sewing, initialled lower right, etc 

Lot 489

Limited edition Etching of Eton College Chapel, indistinctly signed lower right together with After Joshua Reynolds Two prints of the RT Hon. Countess Spencer and the Hon. Miss Bingham and one further print (4) 

Lot 200

FRAMED SIGNED LIMITED EDITION ETCHING FONTHILL REVISITED BY NORMAN ACKROYD12/90 APP.SIZE: 57cm x 50cm

Lot 15

After James Gillray (British, 18th Century), A set of Sporting prints: 'Hounds Finding'; 'Coming in at the Death' and 'Hounds in Full-Cry', published by Henry Humphery, 1800. Hand-coloured etching and aquatint9.5 x 13.5ins

Lot 245

After Richard Dighton, 'A view of Devonshire', coloured etching, published by T MacLean, 1820, 31 x 18cm

Lot 281

Charles Henry Baskett (1872-1953), 'HMS Victory', black and white etching, signed and inscribed with title in pencil to lower margin, 20 x 28cm

Lot 222

Anning Bell, Robert (Illus.). A Midsummer Night's Dream, by William Shakespeare, London: J. M. Dent & Co., 1895, small quarto, publisher's gilt illustrated cloth, top edge gilt (remainder untrimmed), contents good, cloth binding worn/discoloured. Together with Memoirs of the Life and Writings of Lord Byron, [by George Clinton], London: [Robins & Co.], 1824, incomplete, half-calf; Down the Bright Stream, by 'BB', Watkins-Pitchford, London: Eyre & Spottiswoode, no date, green cloth, lacking jacket; The Complete Works of William Shakespeare, Art-Type Edition, 1947, school prize labels, and a late-18th century etching of Newstead Park, seat of Lord Byron, 12cm by 20cm, framed & glazed. Condition varied, sold as found with all faults (5) 

Lot 1611

After Rembrandt Van Rijn, etching, 6.5 x 12.5cm

Lot 1675

William Monk (1863-1937), etching, London River, inscribed in pencil, 17 x 25cm

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