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Lot 72
A Collection of Items Relating to Lord Kitchener, comprising a bronze roundel cast with his bust head, mounted on an oak plaque,39cm square; a portrait etching in an oak frame; a wood plaque pierced and carved with the hull of a boat and inscribed IN MEMORY OF LORD KITCHENER H.M.S HAMPSHIRE 1916, 18cm by 24cm, together with a 1926 published Admiralty Official White Paper describing the loss of H.M.S. Hampshire on 5th June 1916 and the death by drowning of Lord Kitchener; two pottery plaques printed with Lord Kitchener, one titled The Sirdar; a Carters of Poole pottery portrait plaque; a green pottery tile portrait plaque; and four related books
Lot 80
After Francis Barlow Chickens in a farmyard, with a hog looking out through the door of the sty; and A cock, hen and three chicksplates 42 & 44 from Birds & Fowles of Various Species Drawn after the Life in their Natural Attitudes, published by John Bowles in 1755 one with an armorial watermarkengraving and etching on laid paper14.5 x 18cm; 11 x 17cm (2)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshire20.5 x 24.5cm; 16.5 x 22.5cm framed
Lot 81
Wenceslaus Hollar (1607-1677) after Francis Cleyn Putti crowning a lionetching on paper4.5 x 18.5cm; together with two other putti prints by other hands10 x 19.5cm; 8.5 x 27cm (3)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, OxfordshireFramed 14.5 x 28.5cm; 25 x 34.5cm; 23.5 x 39.5cm
Lot 362
Edward Bawden CBE RA, (1903-1989)The Pagoda (Kew Gardens), etching on paper, unframed, 'Southcliff Beach' by Edward Bawden, and a collection of prints by various artists including; 'Near Ullswater' by James Bostock, 'Canada Family and Perch' by Colin See-Paynton, Spring Morning by Marcus Bowen, 'West Highland Breakfast' by Sue Scullard, 'Storm Landscape' by George Tute, 'Low Tide Maine Coast' by Herbert Waters,main signed in the print E.Bawden, Southcliff Beach unsigned.37.7 x 28.3cm (Bawden print), (8) Catalogue notesThis print, The Pagoda at Kew, originally etched in 1927-1929 was reprinted in 1988 to celebrate Bawden's 85th Birthday.
Lot 253
Theodor Eduard Scharf (1899-1987) A Folio containing unframed etchings, a full set of the 'Night in the City' series and a near set (17/20) titles include Saturday Evening; Prize Fight; Dusk; Promenade; Railway Station; Restaurant; Cinema; Music Lovers; Theatre; all signed, and inscribed, some numbered, varying plate sizes, a number c,12 x 17cm; and smaller; and one other unframed etching by the artist titled 'Rainy Day'; thirty eight (38 total )Theo Scharf was born in Melbourne, Australia in 1899, the son of a concert pianist. From an early age he was encouraged to become an artist.In 1914 he travelled with his mother to Munich where he enrolled in the Academy of Fine Arts. After the end of The Great War, in the following years Scharf eked out a precarious existence living in Schwabing, the city's lively artistic and intellectual quarter. It was at this time that he produced some of his most interesting work, including his 'Night in the City' series of prints, which depicted City Llfe in the early 1920s. The prints are etchings on paper, unframed within a folio. They have full sheets and margins, with pencil signatures and hand-written titles and numbers. They are in generally good condition, with visible plate marks and no losses or major evidence for deterioration to the plates. There is some general ageing/yellowing to the sheets, including some around the edges from handling. A few sheets have creasing to the edges, two examples have some minor faint foxing which does not extend into the plates. One example of the Street Girl has a tear to the left edge, one has a stain to the upper-right margin. some of the plates have some cockling including Closing time, restaurant 1 x1, restaurant 2 x1, Cabaret x1, after the concert x 1, restaurant III x 1Titles of the prints are as follows: no 1 - Dusk (1), no 2 - Saturday Evening (2), no 3- Promenade (2), no 4 - Closing Time (1), no 5 - Railway station (2), no 6 - Restaurant 1 (2), no 7 Restaurant 2 (2), no 8 - Cinema (2), no 9 - Music lovers (2), no 10 (1), no 11 Prize Fight (2), no 12 - Theatre (2), no 13 - Burglars (2), no 14 - Cabaret (2), no 15 - After the Concert (2), no 16 - Restaurant III (2), no 17 - Street Girl (2), No 18 - Lovers (2), No 19 - Revellers (2), No 20 - Dawn (2). Plus Rainy Day (1) (total 38)
Lot 288
A T. LANE MUSKET, the 40" barrel octagonal at the breech, with foliate etching and grotesque mask front sight, signed action converted from flintlock to percussion, rear barrel tang with sight groove, walnut stock with brass furniture, shell carving to the tang rear and wood ram, 55 1/2" long (Est. plus 21% premium inc. VAT)Trigger guard broken and loose (parts all present), Cracks to stock. General wear throughout. Very interesting piece, has been very high quality
Lot 306
AN 1897 PATTERN INFANTRY OFFICER'S SWORD, the 32 1/4" blade etched with ER cypher amid foliage, maker's mark for G. Parker & Co. Birmingham, typical hilt with VR cypher, shagreen grip and leather scabbard, 40 1/2" long (Est. plus 21% premium inc. VAT)Generally good, oxidation staining to blade and wear to etching
Lot 440
WILLIAM LIONEL WYLLIE RA (1851-1931) "Liverpool from Cammell Lairds", first state drypoint etching, signed in pencil, Robert Dunthorne label to reverse inscribed and dated April 1941, 9 1/2" x 15 1/4", oak frame (Est. plus 21% premium inc. VAT)Very minor foxing otherwise very good with probably its original frame
Lot 94
Jim Dine (American, b. 1935). Lithograph and etching titled "The Sky in Madison, Wisconsin" depicting tools detailed and outlined in black with splashes of blue above them, 2004. On two sheets of paper. Pencil signed, numbered 13/22, and dated along the lower margin across both sheets.Dine is often associated with the Neo-Dada, Abstract Expressionism, and Pop Art movements. His works are held in the collections of prestigious institutions such as the Art Institute of Chicago, the Fogg Art Museum, the Museum of Modern Art (MoMA), the Minneapolis Institute of Arts, the Guggenheim, the Tate Gallery, the Whitney, and the Stedelijk Museum.Unframed, each; height: 43 in x width: 30 1/2 in. Framed; height: 49 in x width: 67 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 209
Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica of St. Paul Outside the Walls and its vicinity from Mount Aventino and the River Tiber)" depicting a grand view of Rome, ca. 1771. It shows the magnificence of both ancient (Campo Vaccino) and modern (the Vatican) Rome.Literature: Harper, James G., and James Tice. "Giuseppe Vasi's Rome: Lasting Impressions from the Age of the Grand Tour." (Eugene, Oregon: University of Oregon Press, 2010) page 103.Height:42 1/2 in x width: 30 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 58
Ryohei Tanaka (Japanese, b. 1933). Etching print on paper depicting a scene of a harbor lined with houses. Pencil signed and dated 1989 along the lower right; numbered 34/150 along the lower left.Sight; height: 9 in x width: 10 in. Framed; height: 15 in x width: 15 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper is lightly toned. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 70
Richard Smith (British, 1931-2016). Color etching on two sheets of paper titled "Large Blue," each sheet depicting half of a blue rectangle, 1977. The sheets are stapled together - one staple on the top and one staple on the bottom - original to the artistic process. The work is pencil signed, dated, and numbered 42/60 along the lower left.Height: 27 1/2 in x width: 28 in.Condition: The item is in good condition with no visible tears or losses, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Light creases throughout, particularly along the right margin. There is very light foxing along the upper left quadrant and to the upper left corner. Very light wear along the four margins; however, it appears that it is original to the artistic practice. Along the verso, there are a few scattered light handling marks; there is light skimming to the upper right corner; along the upper left corner, there are light brown accretions, possibly from old framer's tape.
Lot 208
Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "The Descent from the Cross" depicting Christ being lowered from the cross after his crucifixion, 1633. Second plate, sixth state printing.Literature: Hollstein, B.81 II, pg. 46-47 (text), 79 (plate); New Hollstein, plate 119, pg. 189-191 (text), 217 (plate).Provenance: Titus Fine Art, Beverly Hills, California; Private Minnesota Collection.Unframed; height: 22 in x width: 16 in. Framed; height: 33 in x width: 28 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 107
Mimmo Paladino (Italian, b. 1948). Etching, aquatint, and chine colle titled "Con Musica (With Music)," depicting an abstract composition, 1980. Pencil signed along the lower right; numbered 11/35 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 2421 3/4 in. Framed; height: 33 3/4 in x width: 31 3/4 in.Condition: The artwork is in great condition with no visible tears, creases, or losses. All four margins are visible; the paper is floating in the frame. There is light undulation along the upper margin. The paper is very lightly toned. No visible sign of restoration. Not inspected out of frame; framed under plexiglass. Very light wear to the frame.
Lot 120
A. H. Puller : The Falls of Jummel, Perthshire, watercolour, 26 cm x 36 cm, unframed, together with a pair of topographical watercolour drawings also depicting Scottish scene, as well as a fascinating album from the 1920's containing watercolour sketches, an etching, a pencil sketch, poetry, quotations, etc, and finally a collection of vintage black & white unframed photographs depicting wedding subjects, etc. (Q)
Lot 21
A GOOD .22 BSA AIRSPORTER MKI UNDER-LEVER AIR-RIFLE, serial no. GB7241, for between 1956-58, with blued, tapering 18 1/2in. barrel, ramp and blade fore-sight retaining its original flat-topped tunnel protector, elevating standing notch rear-sight, automatic loading tap at breech, plain air-chamber not grooved for a telescopic sight and etched with 'THE BIRMINGHAM SMALL ARMS CO. LTD' over 'AIRSPORTER .22 AIR RIFLE' (bisected by the 'piled arms' trademark) over 'MADE IN ENGLAND' (all etching bright and sharp), sloping enamelled trigger unit housing, three-piece laminated walnut half-stock and concealed under-lever in the fore-end, fine condition with just light marks to trigger unit housing, complete with a later nylon slip.
Lot 28
A .22 BSA 'STANDARD' UNDER-LEVER AIR-RIFLE, serial no. S45493, for 1929, with expertly reblued 19 1/4in. barrel, dove-tailed fore-sight, elevating rear-sight, tap-action breech, plain air-chamber expertly reblued (no etching present), three-hole trigger unit, walnut saw-handled butt-stock with pressed chequered grip and ribbed heel, pressed trigger guard, no provision for fore-end and push-button release catch for under-lever
Lot 201
A PRESENTATION OFFICER'S SWORD TO WORCESTERSHIRE RIFLES, dated 1864, with 32in. slightly curved single-edged nickel-steel blade with single fuller ending 9in. from the point, the last 9in. of the blade being double-edged, finely etched with foliate design, Queen's crown and stand-of-arms and a bugle with '39' in the tube loop, with foliate etching over and a central presentation panel with the inscription 'PRESENTED TO CAPTAIN PARKER BY THE OFFICERS / NON-COMMISSIONED OFFICERS, AND MEMBERS OF THE XIVth COMPANY OF / WORCESTERSHIRE RIFLES, IN TOKEN OF THE HIGH ESTEEM WHICH / HE IS HELD AND FOR HIS UNIFORM KINDNESS AND LIBERALITY / Worcester May 23rd 1864', ricasso with brass 'PROVED' plug, nickel-steel gothic hilt with crowned bugle with '39' in the tube loop, black fish-skin grip bound with copper wire, together with its nickel-steel scabbard with two suspension loops, a little staining to the blade, a little wear to the grip, scabbard with smoothed shallow pitting, a few rust stains and minor denting. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
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78411 item(s)/page