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Lot 409
John Brunsdon (1933-2014) - North Norfolk: 060T John D. Hammer arriving at Weybourne Station, etching and aquatint printed in colours, signed, titled and numbered AP (artists proof) 3/4 in pencil to the lower margin, visible sheet dimensions 48 x 66cmGentle surface rippling to paper.Perhaps some slight fading to colours, however appears in generally very good and original condition throughout.
Lot 364
Richard Bawden (b.1936) - River Stour at Nayland, etching and aquatint printed in colours, signed, titled and numbered 25/75 in pencil to the lower margin, visible sheet dimensions 52 x 42cmGlazed front recently damaged and removed for safety; this has caused some scarring to surface of image mostly towards 11 o’clock area.Paper rippled throughout.Some darkening also visible.
Lot 94
δ Robyn Denny (1930-2014)Graffiti 19Etching with aquatint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 40, printed by JC Editions, London, published by Bernard Jacobson Gallery, London, on Arches wove paper, with full margins, sheet 700 x 567mm (27 1/2 x 22 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 17
Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, a good impression of New Hollstein's second state (of three) with the faint scratch on David's cloak present, on cream laid paper with indiscernible partial watermark, plate 141 x 91mm (5 5/8 x 3 5/8 in), sheet 155 x 100 mm (6 1/8 x 4 in), numbered '40' in the lower right margin (unframed)Provenance:Unidentified collector's ink stamp verso 'PL' [Not in Lugt]Literature:Bartsch 41; New Hollstein 268 ii/iii
Lot 10
Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving AlmsEtching and drypoint, 1648, but a later impression of New Hollstein's third state (of five), printing before later rework on laid paper without watermark, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 170 x 134 mm (6 3/4 x 5 1/4 in), small split to upper left, faint diagonal crease, which is only visible to verso, minor surface dirt (unframed)Literature:Bartsch 176; New Hollstein 243 iii/vTogether with:Collection of eight etchings after Rembrandt, including a copy of Christ Preaching, called "a Petite Tombe", Young man in a velvet cap (Petrus Sylvius?), Portrait of Jan Six, and five landscapes, all unframed (9)
Lot 170
** δ Peter Doig (b.1959)Untitled (Canoe)Etching with aquatint printed in colours, 2008, signed in pencil, numbered from the edition of 500, on wove paper, the full sheet printed to the edges, sheet 590 x 745mm (23 ¼ x 29 3/8 in)This lot is currently stored in Europe and shipping quotes will be from there rather than from the U.K.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 16
Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, but a later impression of New Hollstein's final state (of four) on thick cream laid paper, platemark 93 x 143 mm (3 5/8 x 5 3/4 in), sheet 102 x 152 mm (4 x 6 in) (unframed)Literature:Bartsch 113; New Hollstein 263 iv/iv
Lot 6
Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and wiping marks, the dots present but before further re-work, platemark 113 x 67 mm (4 1/2 x 2 5/8 in), sheet 116 x 69 mm (4 5/8 x 2 3/4 in), thread margins, some spotting and surface dirt (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:Bartsch 179; New Hollstein 49 iii/iv
Lot 58
δ Salvador Dalí (1904-1989)Rembrandt (Field 68-4K; Michler & Löpsinger 292)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof numbered from the edition of XII, as included in 'Quinze Gravures', printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union Anstalt, Basel, with the Orangerie/Colonge blindstamp, on Japon nacré, with full margins, sheet 380 x 277mm (15 x 10 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 15
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good impression before too much wear in the densely cross hatched areas, probably an 18th century impression of New Hollstein's sixth state (of eight) on laid paper without watermark, sheet 520 x 403 mm (20 1/2 x 15 3/4 in), trimmed within the platemark lacking lettered section underneath, tipped onto old papers support, handling creases, some repaired tears, surface dirt (unframed)Literature:New Hollstein 119 vi/viii
Lot 56
δ Salvador Dalí (1904-1989)Leonardo da Vinci (Field 68-4L; Michler & Löpsinger 287)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof numbered from the edition of XII, as included in 'Quinze Gravures', printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union Anstalt, Basel, with the Orangerie/Colonge blindstamp, on Japon nacré, with full margins, sheet 377 x 277mm (14 7/8 x 10 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7
Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, a good impression of New Hollstein's second state (of two), on thick Arches laid paper with partial watermark, platemark 157 x 130 mm (6 1/4 x 5 1/8 in), sheet 162 x 133 mm (6 1/4 x 5 1/8 in), even toning to sheet, small loss and nick to upper right corner, small stain to lower edge, other minor stains and surface dirt (unframed)Literature:Bartsch 34; New Hollstein 224 ii/ii
Lot 8
Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, an excellent impression of New Hollstein's second state (of two), on cream laid paper without watermark, sheet 105 x 48 mm (4 1/8 x 1 7/8 in), trimmed to or just within the margin, minor spotting (unframed)Literature:Bartsch 168; New Hollstein 40 ii/iiProvenance:Property of a Lady, Gloucestershire, UK
Lot 108
NO RESERVE δ Elizabeth Blackadder (1931-2021)Orchid Paphiopedilum (Allan 103)Etching with aquatint printed in colours, 2000, signed and dated in pencil, numbered from the edition of 60, printed and published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, sheet 600 x 350mm (23 5/8 x 13 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 66
δ Salvador Dalí (1904-1989)From Les Amours Jaunes (Field 74-15J; Michler & Löpsinger 693)Etching with gold ink, 1974, signed in pencil, a proof aside from the edition of 300, on Arches paper, with wide margins, sheet 377 x 280mm (14 7/8 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 59
δ Salvador Dalí (1904-1989)Chagall (Field 68-4J; Michler & Löpsinger 293)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof numbered from the edition of XII, as included in 'Quinze Gravures', printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union Anstalt, Basel, with the Orangerie/Colonge blindstamp, on Japon nacré, with full margins, sheet 375 x 277mm (14 3/4 x 10 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 57
δ Salvador Dalí (1904-1989)Van Gogh (Field 68-4M; Michler & Löpsinger 288)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof numbered from the edition of XII, as included in 'Quinze Gravures', printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union Anstalt, Basel, with the Orangerie/Colonge blindstamp, on Japon nacré, with full margins, sheet 380 x 280mm (15 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 9
Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a good impression of New Hollstein's second state (of two) printing with tone, the upper right quadrant slightly slipped, the dark hatching within the doorway showing some signs of wear, on laid paper mounted on support, sheet 145 x 114 mm (5 3/4 x 4 1/2 in), trimmed within the platemark (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:New Hollstein 190 ii/ii
Lot 108
SALMON WILLIAM. Polygraphice or The Arts of Drawing, Engraving, Etching ... Beautifying & Perfuming. Worn calf backed marbled brds., lacking final leaf of advert at end and possibly frontis and pictorial title. Browning & foxing. 1685.N.B. - 'F1-8' bound in before 'E1-8' in main text. Incomplete. Lacking final leaf of advert at end and possibly frontis and pictorial title. Browning & foxing.
Lot 245
Rembrandt van Rijn (1606-1669), 'Christ seated disputing with the Doctors', etching, 1654, a good but probably later impression, 9.5x14.5cmProvenance: from the estate of Professor James Griffin, formerly White's Professor of Moral Philosophy at Oxford University and an Emeritus Fellow of Corpus Christi college, Oxford
Lot 3045
A John Reader photographic art piece depicting Schoolchildren in Lagos Nigeria 1968 - 27cm x 16.5cm. Along with a print of cows in a yellow field by Peter Strachan, 23.5cm x 11.5cm, An etching of Venice from the Lagoon by WF Clough 1981, 11.3cm x 31.3cm, and an unframed watercolour of a Windmill, 36cm x 26.5cm. (4)
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71174 item(s)/page