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Lot 8
SARAH BALL (B. 1965)Untitled 2018 signed and numbered 18/25polymer etching43.5 by 34 cm.17 1/8 by 13 3/8 in.This work was executed in 2018 is number 18 from an edition of 25.Footnotes:ProvenanceCourtesy of the artist; Stephen Friedman Gallery, London and Paupers Press, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 7
SARAH BALL (B. 1965)Untitled 2018 signed and numbered 18/25polymer etching43.5 by 34 cm.17 1/8 by 13 3/8 in.This work was executed in 2018 is number 18 from an edition of 25.Footnotes:ProvenanceCourtesy of the artist; Stephen Friedman Gallery, London and Paupers Press, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1105
•LEONARD ROBERT BRIGHTWELL FZS (BRITISH 1889-1962) TEA ON THE TERRACE; THE BABES IN THE WOOD Drypoint etching, signed and inscribed with title, 25 x 20cm (9 3/4 x 8"), 30.5 x 22.5cm (12 x 9") (2) Condition Report: On inspecting 'Tea on the Terrace' there is a light yellow/brown discolouration ring-stain on the paper located in the lower left quarter section and on close inspection there is very light discolouration at the edges of the mounts where they meet the margins on both etchings.
Lot 1119
WILLIAM LIONEL WYLLIE RA, RI, RE (BRITISH 1872-1945) THE FORTH RAILWAY BRIDGE AND SHIPPING Drypoint etching, signed, 16.5 x 38cm (6 1/2 x 15") JAMES MCBEY (SCOTTISH 1883-1959) BUCHAN Drypoint etching, signed, inscribed JMB, D, and signed, inscribed Buchan (and on label verso) and dated 1914 in plate, 13 x 30cm (5 x 11 3/4") (2) Condition Report: WILLIAM LIONEL WYLLIE:. On close inspection there is mild light brownish discolouration in the paper noticeable over areas of the sky. . JAMES MCBEY:. Sizeable foxing spot located in plate top edge right middle and another located top margin left. Light discolouration lower edge left in plate, light foxing spot right of centre in plate. Fine debris on surface of image left hand section from the 5 wormholes visible in the mount above, and to a lesser degree light debris right hand section on surface of plate. Two very light crease lines located top of plate image on left. Paper very slightly wavy.
Lot 136
DICKENS (CHARLES)Mr. Nightingale's Diary: a Farce. In One Act, first American edition, advertisements on endpapers, publisher's red cloth decorated in black and lettered in gilt [Eckel p.164; Gimbel B215], 16mo, James R. Osgood and Company, 1877--[Reading Editions:] A Christmas Carol, Bradbury & Evans, 1860; The Chimes, Chaman & Hall, n.d.; The Story of Little Dombey, Bradbury & Evans, 1858; idem, another edition, 2 copies, Chapman & Hall, n.d.; The Poor Traveller: Boots at the Holly-Tree Inn: and Mrs. Gamp, 2 copies, [Dickens & Evans for] Chapman & Hall, n.d., together 7 vol., publisher's printed wrappers, 2 of the Dombeys soiled and with spines chipped, 12mo; David Copperfield. A Reading, in Five Chapters, reprint of 1866 edition, portrait, publisher's half calf with gilt panelled spine, Henry Sotheran, 1921--On the Origin of Sam Weller and the Real Cause of the Success of the Posthumous Papers of the Pickwick Club... with a facsimile reprint of the Beauties of Pickwick... Embellished with a choice etching of Mr. Samuel Weller composing his love letter, by F. W. Pailthorpe, etched frontispiece, title printed in red and black, publisher's printed wrappers, J.W. Jarvis, 1883--OSBORNE (E. ALLEN) The Facts About a Christmas Carol, publisher's red cloth, Bradley Press, 1937, 8vo (11)Footnotes:A group of theatrical, reading and bibliographical editions including Mr. Nightingale's Diary, a farce first performed in 1851 and privately printed for Dickens. It is known in only a few copies worldwide, making this the first obtainable edition.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 442
A black and white etching titled 'The Inauguration of Robert Burns, as Poet Laureate of the Lodge Canongate Kilwinning Edinburgh, 1st March 1787', presented by James Burns to the Grand Lodge of Scotland 1862, the etching after the original painting by Stuart Watson, 38 x 49cm, framed and glazed, frame size 75 x 87cm.
Lot 447
A late 18th/early 19th century black and white engraving titled to the mount 'Perspective View of Liverpool, in Lancashire', 17 x 27cm, framed and glazed and an etching of the Lord Mayor of the City of London, the Right Honourable Rob Clayton, titled to the mount and further inscribed 'I. Riley PINX and I. Smith FEC', 40.5 x 29cm, framed and glazed (2) CONDITION REPORT Perspective view - There is a slight tear and small section missing to the lower right corner of the image and there are further creases through the title in the mount. Further light foxing throughout the image and detritus between the glazing and the mount. There are some minor losses to the beading on the frame as well.
Lot 465
ERICH WOLFSFELD (German, 1884-1956); a black and white etching 'Joseph Being Sold into Slavery', 57 x 96cm, unframed (af). CONDITION REPORT There are several areas of tears that have been repaired, most notably a vertical tear just left of centre at the top, which comes down into the image, approx 13cm, and then appears to run across the image horizontally 33cm. Other creases are visible, unframed On board…It is the third of four states of this etching. …It is an etching with drypoint. …It was created c. 1925-1939 (during which period Wolfsfeld served as esteemed Professor of Painting and Etching at the Berlin Academy of Arts).
Lot 527
ANDREW FAIRBAIRN AFFLECK (1877 -1936). A Venetian scene with figures and gondolas. Signed in pencil lower right, etching on paper, unframed, 30 x 45 cm, together with ALBANY E. HOWARTH (1872 - 1936), a river landscape with anglers, village and hill top ruins, signed in pencil lower right, etching on paper, unframed, 41 x 55 cm (2)
Lot 3570
ETCHING. - William HOGARTH. The Analysis of Beauty. Written with a view of fixing the fluctuating Ideas of Taste. London: J. Reeves, 1753. First edition, 4to (253 x 200mm.) Title with woodcut vignette, 'Contents' leaf with errata verso and frontispiece etching of Colombus's Egg with contemporary manuscript description mounted verso the frontispiece. (Frontispiece loose, front blank loose, lacking the 2 engraved plates, toning, spotting to title-page margins and rear leaves.) Contemporary calf (upper cover detached, rubbing). Provenance: 'Doctor Fry' (ink inscribed on front blank); 'Lady Paul' (gift inscribed to on the front blank); Rev. John Taylor Allen (bookplate to the front pastedown). - And a further five volumes relating to art (including David Croal Thomson's 'Life and Labours of Hablot Knight Browne 'Phiz'', 1884, 4to) (6).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 1664
Book- Folio Society, Kenneth Grahame, The Wind in the Willows, Centenary Edition, illustrated by Charles van Sandwyk, limited edition numbered 789 of 1000, with copperplate etching signed by the artist, London: The Folio Society, 2008. Centenary Edition, printed on Cordier Wove paper, illustrated with tipped-in colour plates, hand bound in vellum blocked in 22-carat gold, vellum tips and Oxford paper sides, bound by The Fine Book Bindery, Wellingborough, Northants. Housed in green clamshell boxCondition report: As new condition
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