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Click here to subscribeA large Victorian etched glass goblet inscribed within a roundel "A present from EPA to Mary Palmer, Southwold 1854" with opposing panel depicting a clipper in full sail on the high seas inscribed "Isabella" within scrolling vine and tendril borders on a waisted stem to a circular foot, 16.5 cm high CONDITION REPORTS Overall with wear and scuffs, small chip to rim, scuffs and scratches to base, some roughness to the etching of the inscription.
F.M. (?). 20thC School. A portrait of a young woman, pastel, signed to l.r., oil painting of an old Arab man signed G. Chuzltai, dry point etching, portrait of a young man wearing a hat, D. Headley oil on board of a young girl by a tree and a small oil painting of an alpine scene with church. (5).
*DS Emma Stibbon (b.1962) Stair Hole Lulworth Colour woodcut Initialled and dated 99 in pencil, lower right, numbered 4 from an edition of 5, 109 x 120cm (43 x 47 1/4in). Exhibited: Royal Academy, Summer Exhibition, 1999. With an abstract etching and aquatint by Hugh O`Donnell, with an indistinctly signed screenprint, by John Ichel, and the frontispiece to the Paragon Press`s The London Portfolio (4)
AUGUSTUS EDWIN JOHN, OM, RA, RP (1878-1961) A GIRL`S HEAD - J. WEARING A HAT [DODGSON 134] etching, a rich impression with tone on Strathmore cream laid paper with watermark, signed by the artist in pencil, 15 x 10cm (s.27 x 20cm), unframed In fine condition, lightly hinged on card window mount
DAVID HOCKNEY, OM, CH, RA (1937-) HE ENQUIRED AFTER THE QUALITY FROM FOURTEEN POEMS BY C P CAVAFY [MCA TOKYO 49] etching with aquatint on Crisbrook handmade paper 1966, signed by the artist in pencil, dated `66 and numbered 7/75, published by Editions Alecto London, 35 x 22.5cm (s. 38.5 x 25cm) Undisturbed in the original c1960s silvered frame, lightly mount stained in the upper part but apparently not laid down and in generally good condition, unexamined out of the frame
VALERIE THORNTON (1931-1991) VICTORIA TOWER WESTMINSTER etching with aquatint in colours on wove with margins, signed by the artist in pencil, dated 1958 and inscribed Artist`s proof, 46.5 x 23cm In good condition undisturbed in the original Rowley Gallery`s frame, c1958, the green window mount stained, the print unaffected, unexamined out of the frame
WENCESLAUS HOLLAR (1607-1677) BYRSA LONDINENSIS VULGO THE ROYALL EXCHANGE OF LONDON etching, mounted to image, 29.5 x 39cm, J C Stadler (fl late 18th/early 19th c) after J Farrington, RA (1747-1821) Putney Bridge; View of Black Fryers Bridge from Somerset Place, aquatints and Henry Dixton (Photographer) (1820-1892 - Canonbury Tower, carbon print numbered in the negative 25, on the original light blue paper mount, published by The Society for Photographing Relics of Old London, 1879 (4) All in good condition, the pair of aquatints in non-matching frames, the carbon print a fine vintage print
GEORGE GRAHAM (FL LATE 18TH/EARLY 19TH C) AFTER JOHN RISING (1753-1817) POVERTY mezzotint, mounted to within platemark, 1792, 32.5 x 39cm, T Cook (1744-1818) after William Hogarth (1697-1764) Before; After engravings with margins, 1798 and c and an etching of John Wilkes by Hogarth, 1763 (4) All in modern gilt frames and in good condition, unexamined out of the frame
JOHN BLUCK (FL 1791-1819) AFTER AUGUSTUS CHARLES PUGIN (1762-1832) TRINITY COLLEGE CHAPEL hand coloured etching with aquatint mounted to platemark from Ackermann`s History of Oxford, 1813, 23.5 x 28cm, English School, early 19th c, military subjects, a pair, watercolour and two decorative prints (5) The pair of watercolours stained and faded but all uniformly mounted in orange silk and ebonised frames by or for Henry Sotheran Ltd, London, a decorative group
JAMES GILLRAY (1756-1815) LUBBER`S HOLE ALIAS THE CRACK`D JORDAN hand coloured etching, mounted to or within the platemark, 1791, printed later, 16.5 x 22cm, two other caricatures, John Leech - A Cavalier and thirteen various other decorative prints (17) As a lot in good condition, Lubber`s Hole caricature with small creased tear extreme upper centre and cleaned, unexamined out of the frame
BY AND AFTER FRANCIS NICHOLSON, OWS (1753-1844) NO 4 [ROBINS HOOD`S BAY YORKSHIRE] hand coloured etching with aquatint, first state before the title from the scarce folio of twelve plates A Selection of Fac-Similes of Water-Colour Drawings from the Works of the Most Distinguished British Artists, 1825, 26.5 x 34cm, contemporary maple frame
BY AND AFTER JAMES GILLRAY (1756/7-1815) MORE PIGS THAN TEATS hand coloured etching on wove, No IV upper right, 1847, trimmed to or within the plate mark, creased where folded, c25.5 x 33.5cm, another, The Genius of Literature presenting her pupils to Minerva by Chapman after Dodd and a hand coloured etching of The Pig-faced Lady of Manchester Square [1815] (3)
A VICTORIAN OFFICERS 1874 PATTERN SWORD having a pierced and engraved hilt and shagreen grip, the curved and fullered single edge blade with remains of etching, manufactured by Jones, 6 Regent street, London, scabbard lacking. 94cm(L) Condition Report: Tarnishing to blade, some knocks and bending to hilt.
WILLIAM HOGGARTH (R.I.) SMALL WATERCOLOUR DRAWING Coastal scene at sunset signed 2 3/4" x 3 1/2" (7cm x 8.9cm) N. WARD SIGNED LIMITED ORIGINAL ETCHING `Breydon Bridge` under construction m 1986 5 1/2" x 18" (13.9cm x 45.7cm) and TERRY KILLAGAN LIMITED EDITION COLOUR PRINT `Henley` 5 1/4" x 7 1/4" (13.3cm x 18.4cm) (3) EST 40-60
Gerard Dillon (1916-1971) GIRL AT WELL etching with artist`s name, title and medium in the lower margin; with inscribed Taylor Galleries label on reverse 10 by 13.25in., 25.4 by 33.655cm. Taylor Galleries, Dublin; Where purchased by Jim O`Driscoll SC Jim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented in his collection, although some, for example those by Evie Hone and Gerard Dillon, come from an earlier generation. "
Sean Scully (b.1945) A FLOWER GIVEN TO MY DAUGHTER, FROM THE PORTFOLIO POMES PENYEACH, 1993 etching, aquatint, sugarlift, and spitbite on paper; (no. 20 from an edition of 33) signed and dated in the margin lower; numbered lower left 3 by 9in., 7.62 by 22.86cm. Sheet size: 22 by 16ins. An example from this edition can be found in the Smithsonian American Art Museum, Washington D.C. Pomes Penyeach refers to James Joyce`s collection of thirteen short poems published between 1904 and 1924. "
A 1796 pattern light cavalry officer’s sword, curved, shallow fullered blade 32½”, marked Richd Turner on backstrap, and finely etched with pre 1801 R Arms, mounted Hussar, flying angel, pavilion and trophies within elaborate panels, steel stirrup hilt with langets, facetted guard, pommel and backstrap with ears, leather grip (most wire missing), in its steel scabbard (tip dented) with 2 rings. GC for age (blade sharpened, some wear and light pitting overall, etching faint in places)
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![AUGUSTUS EDWIN JOHN, OM, RA, RP (1878-1961) A GIRL`S HEAD - J. WEARING A HAT [DODGSON 134] etching, a rich impression with to](http://lot-images.atgmedia.com/SR/10086/2851316/962-2012111611527_468x382.jpg)
![DAVID HOCKNEY, OM, CH, RA (1937-) HE ENQUIRED AFTER THE QUALITY FROM FOURTEEN POEMS BY C P CAVAFY [MCA TOKYO 49] etching with](http://lot-images.atgmedia.com/SR/10086/2851316/963-2012111611529_468x382.jpg)
![BY AND AFTER FRANCIS NICHOLSON, OWS (1753-1844) NO 4 [ROBINS HOOD`S BAY YORKSHIRE] hand coloured etching with aquatint, first](http://lot-images.atgmedia.com/SR/10086/2851316/974-2012111611557_468x382.jpg)
![SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) CARAVAN ALBI [GAUNT 264] etching on off white wove with margins, signed b](http://lot-images.atgmedia.com/SR/10086/2851316/975-2012111611559_468x382.jpg)
