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Lot 1805
•FRANCIS EDGAR DODD, RA, RWS (1874-1949) THE MONUMENT AND FISH STREET HILL Etching with drypoint, 1912, the 5th state (of 8), signed in pencil, unframed 27.5 x 14.5cm. * A margin inscription in the artist's hand, reads "the distance was afterwards scraped down & the foreground darkened/ FD" ++ Needs a light clean
Lot 1806
•JAMES McBEY (1883-1959) THE MOONLIGHT ATTACK, JELIL Etching, with plate tone, 1920, signed in ink and numbered XVIII, unframed 22.5 x 39cm. * This etching shows the Highland troops of the 7th Division concealed among the crops in No Man's Land, close to wired Turkish defences. They lie ready and alert, in preparation for the surprise attack of Jelil before dawn on the morning of September 19th, 1918 ++ Foxing; grubby in margins; a few very slight surface nicks
Lot 1808
JOB NIXON, RWS (1891-1938) THE TABLES, DIEPPE Etching with drypoint, 1925, the third and final state, signed in pencil, from the edition of 60, unframed 33 x 51.5cm.; with the pencil preparatory drawing for the same subject, 31.5 x 51cm. (2) Exhibited: an impression of the etching was exhibited in London, The Royal Academy, 1925, no.963 ++ The etching a little grubby with handling marks in the margins; the drawing with unobtrusive tear upper left, very small losses at lower corners and in need of a clean
Lot 1809
•STANLEY ANDERSON, CBE, RA (1884-1966) BY-PRODUCTS Etching, 1922, signed, titled and inscribed Edition, 50 proofs in ink, unframed 15.5 x 19.5cm. * On the bench alongside these two destitute men, possibly `by-products` of burgeoning industrialisation, are the initials L loves S (Lilian and Stanley Anderson) ++ Very good condition
Lot 1813
•STANLEY ANDERSON, CBE, RA (1884-1966) BEER AND SKITTLES Etching with drypoint, 1933, signed and inscribed Edition 32 in pencil, unframed 18 x 22cm.; with Anderson's Bookplate for Margaret Grindley Ferris, engraving, 1941, signed and inscribed one of 18 signed prints, 10.5 x 7.5cm. (2) * The principal item shows the Golden Heart pub, Painswick, Glos. In 1941, Miss Ferris was a medical student living in Johannesburg. She later specialised in psychiatry. The choice of a cluttered bookshop has been seen as a respectful nod to history coupled with a pioneering spirit. ++ (Beer..) Laid down on board, evident crusted gum stains in margins; (Ferris) very good condition
Lot 1816
•STANLEY ANDERSON, CBE, RA (1884-1966) TIMMS' SMITHY, THAME Etching with drypoint, 1934, signed, titled, inscribed Drypoint, Edition 60 prints and only 38 prints were pulled before this plate was lost in a London "blitz"! in pencil, unframed 24 x 18cm. * A scene at Ralph and Rupert Timms's workshop, not far from Anderson's home. In the artist's final drypoint, Anderson is demonstrating his proficiency at atmospheric printmaking rather than admiring the blacksmiths' skills. His seeming nonchalance about the loss of the plate during the War thus becomes all the more surprising. ++ Some foxing; slightly grubby
Lot 75
NO RESERVE France.- Prestel (Maria Katharina, female engraver and painter from Nuremberg, active in London, 1747-1794) A View of the Town of Nice and its Environs taken from the road to Villa Franca, after a drawing by Mary, Countess Harcourt (1750-1833), etching and aquatint on wove paper, platemark 410 x 595 mm. (16 1/4 x 23 1/2 in), with good margins albeit with some old repaired tears, not into image, light browning and minor surface dirt, unframed, [ca. 1780]; together with Jean-Jacques Champin's large hand-coloured lithograph Vue d'une partie de la Ville de Nice, sheet 605 x 880 mm. (23 3/4 x 34 3/4 in), some spotting and surface dirt, light exposure lines, unframed, [first half of the 19th century] (2).
Lot 370
§ Charles Bartlett, RCA (British, 1921-2014) Stones signed lower right "Charles Bartlett", numbered 10/40 and with Gorner and Millard blindstamp etching with aquatint 57 x 77cm (22 x 30in) Provenance: Gorner and Millard, 58 Kenway Road, Earls Court, London, SW5 Charles Bartlett was a highly regarded painter and printmaker. Born in Grimsby, as a child he lived in Eastbourne, later attending Eastbourne School of Art. As an outstanding student, he gained a scholarship to the Royal College of Art where he trained as a painter and etcher following his time in the Guards Armoured Division during the Second World War. From 1960-1970 he taught printmaking at Harrow School of Art. His works - both prints and watercolour paintings - are held in many public collections. Loose in its frame.
Lot 189
JOHN BRUNSDON ARCA (1933-2014); a signed limited edition artist's proof etching 'Gardale Scar', signed, titled and numbered 12/15, 44.5 x 58.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 191
JOHN BRUNSDON ARCA (1933-2014); a signed limited edition coloured etching 'Wilby Church, Suffolk', signed, titled and numbered 16/150, 44.5 x 60cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 353
GRAHAM SUTHERLAND for Stuart; a large clear glass bowl decorated with textured cut swirls, stencil etched to base, diameter 36cm. CONDITION REPORT: Generally good, but with numerous very tiny nibbles along the edges of etching lines to underneath, areas of scratching and general minor surface wear. 'Designed by Graham Sutherland' to underside.
Lot 480
GEORGES BRAQUE (French, 1882-1963); a black and white etching, 'Eros and Eurybia' (from Hesiod's Theogony), bearing authentication label from the Collector's Guild, New York, verso, 36 x 29cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 490
JAMES JACQUES JOSEPH TISSOT (French, 1836-1902); a black and white etching, a study of woman wearing a hat with blind stamp lower left, 25 x 16cm, framed and glazed. CONDITION REPORT: Badly brown stained throughout with areas of foxing particularly in the lower half of the portion and the margin.
Lot 503
LEO KUNDAS (Russian, born 1953); a signed black and white etching 'The White Angel in Central Park', dated '07 and inscribed and signed to mount, 20 x 25cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 517
DAVID HOCKNEY (British, born 1937); etching with aquatint, 'Figures with Still Life' (SAC 208), signed and numbered 97/200 on woven paper, circa 1976-77 as included in the portfolio 'The Blue Guitar' published by the Petersburg Press, London and New York, 16.5 x 13.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 524
HENRY SPENCER MOORE OM CH FBA (British, 1898-1986); a signed etching, study of three faces, 12/75, 10.5 x 15.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk - Image appears to be in good order.
Lot 525
HENRY SPENCER MOORE OM CH FBA (British, 1898-1986); a signed limited edition coloured etching 'Sculptural Ideas Portfolio #3', 37/50, image 21.75 x 23.75cm, mounted but unframed. (D)Purchased from the Van Straaten Gallery, Chicago, Illinois. CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk - Signed in pencil, paper is rippled, dirt and foxing throughout.
Lot 527
JOHN BRUNSDON ARCA (British, 1933-2014); a signed limited edition coloured etching 'Summer Grey', signed in pencil lower right, titled lower left, 95/100, 45.5 x 60cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 528
JOHN BRUNSDON ARCA (British, 1933-2014); a signed limited edition coloured etching, 'Edale', signed in pencil lower right, titled lower left, 126/350, 35 x 60cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 529
JOHN BRUNSDON ARCA (British, 1933-2014); a signed limited edition coloured etching, 'Hillside Farm', signed in pencil lower right, titled lower left, 96/150, 60 x 45cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 530
JOHN BRUNSDON ARCA (British, 1933-2014); an artist's proof coloured etching 'Derwent water by Moonlight', signed and titled, 44.75 x 60.5cm. (D)Provenance: The Howard Mason Collection. CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 609
BERNARD LEACH (1887-1979) for Leach Pottery; a limited edition etching of a Japanese landscape, 2/25, published by The New Craftsman's Gallery, St Ives, signed and dated 1924, 15 x 11.5cm, framed and glazed. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 93
NO RESERVE Incisione. Acquaforte. Lotto di 2 opere.Engravings. Etching. Lot of 2 works.Il lotto comprende:The lot includes:Melis-Marini F. L'Acquaforte. Manuale pratico. Milano: Hoepli, 1924.Bailly-Herzberg Janine. L'eau-forte de peintre au dix-neuvieme siecle. Parigi: 1972. Opera in due volumi. Two volumes.
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71174 item(s)/page