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Click here to subscribe* Bellmer (Hans, 1902-75). Anamorphic Figure, etching, signed in pencil, and marked Epreuve d’essai, plate size 25 x 16.5cm, together with a copy of Hans Bellmer, Vingt-Cinq Reproductions 1934-1950, Textes de Nora Mitrani, Gisele Prassinos, Jehan Mayoux, Jean Brun ..., Paris, 1950, original printed wrappers, slim 4to, limited edition of 300 copies (2)
* Gris (Juan, 1887-1927). Two lithographs from Ne Coupez pas Madamoiselle ou les Erreurs des P.T.T., by Max Jacob, pub. Paris, Galerie Simon, 1921, printed in an edition of 120 copies, entitled La Cartelettre and L’Apero, both badly frayed to margins, 30 x 22cm, together with four lithographs from Denise, by Raymond Radiguet, published Paris, Andre Simon et Cie, 1926, printed in an edition of 112, plus three lithographs from A Book concluding with As A Wife Has a Cow, Paris, Andre Simon et Cie, 1926, with colophon signed by Gertrude Stein and Juan Gris, plus twelve pages of text only from another published work illustrated by Gris, including one full page etching, and one etched illustration to text by the artist, and colophon dated 1925, signed by the artist, sheet size 19 x 12cm (7.5 x 4.75ins) Provenance: By descent from Anthony Bell, Chairman of the publishing house Lund Humphries. (11)
* Pasmore (Victor, 1908-1998). Untitled (Mark Rothko Memorial Portfolio), 1972, etching, signed with initials, dated, and numbered 15/75, sheet size 63.5 x 51cm (25 x 20ins), framed and glazed. From a set of prints by Patrick Caulfield, Adrian Heath, Patrick Heron, John Hoyland, Allen Jones, Henry Moore, Bridget Riley, William Scott, and others, published by the Mark Rothko Memorial Trust in 1973. (1)
* Rego (Paula, 1935-). Tilly in Kensington Gardens, 1989, etching with aquatint, signed and numbered 48/100 in pencil, plate size 29.4 x 32.5cm (11.5 x 12.75ins), with margins, framed and glazed. Issued at the time of an exhibition of the artist’s work at the Serpentine Gallery, London. (1)
* Smith (David H., 1947-). Storm I, 1977, monochrome watercolour, signed and dated lower left, 13 x 10.5cm (5 x 4ins), framed and glazed, with Fischer Fine Art label to verso, together with Palm Tree and Cliffs, etching, signed and dated ‘79, numbered 28/250, plate size 15 x 13cm (6 x 5ins), with margins, framed and glazed (2)
Bryan Organ, abstract with geometric shapes and movement. Acrylic on canvas, signed and dated 1966 together with an Artists Proof by the same hand dated 1975, a framed and glazed charcoal study of a nude retrieving pearls from a broken necklace on the floor of well furnished apartment, an oil on canvas of the same subject and a limited edition coloured etching "Sunshine Village" after John Hawley.
Sydney Robert Jones - `The Mansion House E.C.`, monochrome etching, circa 1927, signed and inscribed `2nd State Trial Proof No 3` in pencil, plate size approx 32.5cm x 21cm, within a titled mount, together with two further etchings by Jones, `Lloyds, E.C.` and `Port of London Authority, E.C.`.
Sydney Robert Jones - `St Magnus the Martyr, London Bridge`, monochrome etching, circa 1922, signed, titled and inscribed `3rd State Final Trial Proof (Steel) Exhibition Specimen`, plate size approx 27.5cm x 16.5cm, within a titled mount, together with seven further etchings by Jones, Views of London.
Gillray (James). The French Invasion; - or - John Bull bombarding the Bum-Boats, pub. H.Humphrey Nov. 5th 1793 but H.G.Bohn edition of 1849, uncoloured etching, slight overall toning, 350 x 250mm. A gloriously rude cartoon which depicts a stylised map of England and Wales complete with the face of King George III, defecating on France. The king’s faeces gradually evolve into warships which threaten the French coast. One of Gillray’s most vulgar cartoons which brilliantly captures the beligerent spirit of `John Bull’ in the face of the tyranny of France and Napolean. (1)
* Hold-To-Light. `Netley Abbey’, `Funeral by Moonlight’ and `A Village destroyed by an Avalanche’, pub. Reeves & Sons, n.d., c.1860, three lithographs with original hand colouring, two examples tipped onto contemp. card which is partially excised on verso, framed, mounted and double glazed, one example backed with contemp. tissue paper partially excised on verso, each approx. 200 x 160mm, together wih a mixed collection of approx. 400 engravings, etching and book plates, mostly 19th & 20th century, various sizes and condition (approx.400)
* Macbeth (Robert Walker, R.A., R.E., 1848-1910). ÒLa CoquilleÓ, W.R. Howell & Co., 1904, etching of an oyster girl, signed in pencil to lower margin, 420 x 347mm (16.5 x 13.75ins), mounted, framed and glazed, together with ÒChristmas EveÓ, W.R. Howell & Co., 1904, etching of a snowy scene depicting a mounted figure delivering a letter to a girl outside a rambling old house, watched by figures in the doorway, signed in pencil to lower margin, 360 x 525mm (14 x 20.75ins), mounted, framed and glazed, plus Read (Arthur Rigden, 1879-?), ÒNasturtiumsÓ, colour-printed woodblock, of nasturtiums in a bowl, limited edition 51/75 copies, signed by the artist, 372 x 278mm (14.75 x 11ins), mounted and framed, plus a mounted, framed and glazed colour-printed woodblock of a tree by Russ Abrams dated 1967-8, limited edition 19/24 copies signed by the artist (4)
Sandby (Paul). A view of a cathedral city, possibly Hereford, c.1790, aquatint etching printed in sepia, after Paul Sandby, trimmed to image and laid on later paper, 321 x 507mm (12.75 x 20ins), mounted, framed and glazed, together with Lorrain (Claude), A river landscape with figures, animals, and classical ruins, no. 82 from Liber Veritatis, pub. John Boydell, 1775, sepia mezzotint by Richard Earlom after Claude Lorrain, scratched letter title to lower margin, 223 x 271mm (9 x 10.75ins), mounted, framed and glazed, plus three hand-col. engravings of shells, eng. by Andreas Hoffer, pub. Nuremburg, 1766-67, approx. 208 x 165mm (8.25 x 6.5ins), mounted, framed and glazed (5)
Frank Lewis Emanuel (1865-1948), Down Along; St Ives, signed bottom left F. Emanuel, oil on board, 35 x 24cm. Frank Lewis Emanuel (1865-1948); Born in London and studied at the Slade School under Legros and at the Academie Julian in Paris. Exhibited at the R.A. and Paris Salon from 1886. Travelled extensively in South Africa, Ceylon and Europe. Became an instructor of etching at the Central School of Arts & Crafts 1918-1930.
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