We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 198
* Legrand (Louis, 1863-1951). Apr?s le tub, drypoint etching, signed with initials, numbered 37/50, with Gustave Pellet publisher`s circular ink stamp in red to lower right, sheet size 41 x 31.5cm (16 x 12.25ins), together with La Toilette, drypoint etching on japon, signed in the image only, sheet size 30.5 x 22.3cm (12 x 8.75ins), mounted, plus Nude washing by a tub, etching on Louis Legrand watermarked paper, numbered 21/30 in pencil, with Gustave Pellet publisher`s circular inkstamp in red to lower right corner, plate size 18 x 22.5cm (7 x 9ins), sheet size 44 x 28.5cm (17.25 x 11.25ins), mounted (3)
Lot 201
* Legrand (Louis, 1863-1951). Matinee, etching with drypoint, plate size 14.5 x 15cm (5.75 x 6ins), on Pellet et Legrand watermarked paper, signed in pencil, numbered 42/50, and with publisher`s small circular stamp to lower right corner, the full sheet, 44 x 30.5cm (17.25 x 12ins), mounted, together with La Toilette, etching with drypoint, signed in the image only, plate size 20 x 14cm (8 x 5.5ins), plus Gin, colour etching with drypoint, 1894, with signature to top left, a wiped proof, signed in pencil to lower margin, 13.5 x 28.6cm (5.25 x 11.25ins), some toning and surface flecking (3)
Lot 202
* Legrand (Louis, 1863-1951). Marchee aux Pommes, Des vertes et des blettes, etching with aquatint, second state (of five), plate size 17.2 x 11.7cm (6.75 x 4.4ins), the full sheet 47.5 x 31cm (18.75 x 12.25ins), together with the rare first state of the same print, sheet size 31 x 23.5cm (12.25 x 9.25ins), each with stamped L to lower right corner, plus Epaves de Famille, etching with drypoint, a proof on japan, with remarque, signed and dedicated to Felix Buhot in pencil, 22 x 15cm (8.75 x 6ins), with full margins (3)
Lot 205
* Nevinson (Christopher Richard Wynne, 1889-1946). The Connoisseur, or In The Studio, etching and drypoint, 1922, signed in pencil to lower margin, plate size 30.5 x 22.8cm (12 x 9ins), with margins, a very good impression, framed and glazed. Guichard 72. Provenance: From the collection of Kenneth Guichard, with his ownership stamp to verso. (1)
Lot 214
* Taylor (Charles William 1878-1960). Early Morning, Essex, etching, signed in ink in lower margin, 16 x 22cm (6.25 x 8.75ins), mounted, together with Thomas (Percy 1846-1922),London River Scene,etching with pencil signature in lower right margin, small ink mark in border, 10 x 14.5cm (4 x 5.75ins), mounted, with Burridge (Frederick Vango, 1869-1945),English Landscape,etching, signed in pencil in lower margin, 14 x 21cm (5.5 x 8.25ins), mounted, with two others similar (5)
Lot 216
* Whistler (James Abbott MacNeill, 1834-1903). Fulham, 1879 (Kennedy 182), etching, second state (of 2), published by the Fine Art Society in 1879 , trimmed to plate mark, plate size 13.2 x 20.2cm (5.25 x 8ins), together with another small etching, possibly by Whistler, but unrecorded by Kennedy, depicting some lightly sketched seated figures beside a river, with rowing boat nearby, and several windows of a building behind, plate size 8.2 x 12.3cm (3.25 x 4.8ins) with margins, plus other various etchings by Whistler, including a reprinted issue of The Little Putney, No. 1 (Kennedy 179), with some soiling and vertical crease across the image, six small-format etchings reprinted from original plates by the Folio Society, c. 1965 (3 copies of A Sketch on the Embankment, Kennedy 260, 2 copies of Boats, Dortrecht, Kennedy 244, & 1 copy of Little Dortrecht, Kennedy 243), and several other reproductive etchings after Whistler (14)
Lot 258
* Bawden (Richard, 1936-). `The Parlour`, colour etching, signed, titled and marked A/P to lower margin, plate size 41.3 x 59cm (16.25 x 23.25ins), framed and glazed. With autograph letter by the artist on two sheets of headed paper, dated July 1998, giving a detailed description and key illustration of the pictures and other items shown in this etching, together with gallery label of Sally Hunter Fine Art. (1)
Lot 304
* Belcher (George Frederick Arthur, 1875-1947). `Two old ladies`, pencil and wash drawing on paper, signed lower right, 30.5 x 23cm (12 x 9ins), framed and glazed, together with a soft-ground etching with aquatint by the same artist, signed in pencil, and inscribed, plate size 23 x 15cm (9 x 6ins), mounted and laid down on card. With pencil caption to the mount for the drawing: `1st Lady: I looked `er up & down & I say / Good morning Mrs Brown and I sez / 2nd Lady: And serve `er - well right`. (2)
Lot 143
*Jose Ramon Alejandro (Italian b. 1943) Abstract construction Signed numbered 45/50 and dedicated Pour Rudolf Nureyev avec mon amitie Etching unframed 63 x 45cm; 24¾ x 17¾in (sheet size) With a lithograph titled Du Cabinet de M. Le Brun after Bouchardon unframed (2) 1. Some light staining and creasing around the margins ink stain top right 2. quite a bit of marginal damage especially on the right hand margin partially trimmed and grubby.
Lot 156
Dame Elisabeth Frink, CH, DBE, RA (1930-1993). Anthony and Cleopatra, 1982. Colour etching. Signed lower right. Numbered A/P VII/XXV lower left. 75cm x 56cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Visit www.dnfa.com for condition reports.
Lot 163
Mike Wells (20th/21st century). Facade I, 1988. Colour etching with aquatint. Signed lower right. Inscribed lower centre. Numbered 19/200 lower left. 86cm x 60cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Please note this lot may be subject to Droit de Suite. Visit www.dnfa.com for condition reports.
Lot 425
* Piranesi (Giovanni Battista). Veduta dell"avanzo de Castello, c. 1780, double page uncoloured etching, 400 x 605 mm together with another three double page and six single page etchings of capitals, columns and architectural reliefs, very occ. marginal soiling. The etching is "signed" Piranesi Architetto, others are signed Cavalier Piranesi. The paper is laid and the watermark appears to indicate paper made in Rome in c.1762. Good dark impressions with no sign of re-working to the plates. (10)
Lot 783
Circle of Jean François Millet 1814-1875- "La Bouillie"; black chalk heightened with white on buff paper, bears signature, backboard (now detached) bears labels for The Leicester Galleries, London attached to the reverse, 36x26cm., (unframed). Provenance: Exhibited, item no 12, `Paintings, Drawings and Sculpture from the Collection of the Late Hugh Blaker`, The Leicester Galleries, London, March 1948. It is traditionally held that Millet made an etching based on this subject circa 1861. A photocopy of part of the original catalogue is available with this lot
Lot 854
Sir John Everett Millais Bt PRA HRCA HRI 1829-1896- "The Young Mother", publ for the Etching Club, 1857; etching, signed with monogram, inscribed and titled within the plate; etching, 14x18cm: together with one other etching by the same hand titled "Going to the Park", publ for The Etching Club, 1872; etching, signed with monogram, inscribed and titled within the plate, 18x13cm: British School, early 19th century- The Baptism; mezzotint, in an oak frame of plain form, 60.5x46cm., (3)
Lot 914
Patrick Prockor RA 1936-2003- Orchids; lithograph in colours, signed and numbered 8/150 in pencil, 77x57cm: Richard Beer b.1928- "West Pier at Brighton"; lithograph in colours, signed, titled and numbered 2/150 in pencil: Terrence Millington b.1942- Fireplace; etching with aquatint, signed, numbered 20/60 and dated 74 in pencil: Alan MacKenzie-Robinson, late 20th century- Two waistcoats and a suit; lithograph in colours, signed and numbered 77/150 in pencil: de Sanctis, European late 20th century- Standing surreal figure; etching in colours, signed, numbered 1/15 and dated 75 in pencil: Lawrence Mynott b.1954- Flowers in a vase; lithograph in colours, signed and numbered 28/150 in pencil: Richard Walker b.1954- Portrait; coloured crayon and collage, signed and dated 77 in pencil: together with a other artists prints, reproductions and watercolours by and after different hands, all late 20th century, (a lot), (unframed)
Lot 924
Charles Conway Plumbe b.1881 exh 1926-1927- Landscape; oil on canvas board, signed and dated 1934, bears label for he Medeci Society Ltd., London attached to the reverse, 34x49.5cm: Percy Robertson RE 1869-1934- Beached vessels; etching, signed within the plate, signed in pencil: Frederick Marriott ARE 1860-1941- "A Court Yard, France`, publ by Alfred Bell & Co 1918; etching printed in colours, signed and titled in pencil: together with other etchings including: E Mary Shelly, (2), Frederick Marriott ARE 1860-1941, (3), and others, (3), (10)
Lot 672
Sir Henry George Rushbury RA RWS RE 1889-1968- "Les Baux, Provence"; etching, signed in pencil, bears inscription on the margins, 23.7x34.2cm: together with two other etchings by the same hand, "Canal de la Dounne, Marseilles" and "St Victoire, Marseilles", the latter signed in pencil, 21.7x23 and 18.5x22cm: Gwen Mary Raverat 1885-1957- Artist painting at an easel by a canal; woodcut, signed in pencil: together with a wood engraving of a steam engine by the same hand, unsigned: Derrick Harris 1919-1960- "Handy Spandy Jack-a-Dandy..."; hand-coloured woodcut, signed in pencil, (6), (unframed)
Lot 287
Edward J. Cherry The view across Thames towards the Tower of London, etching, signed by the artist in pencil, 5 1/4" x 3 3/4"; two Oriental pictures of flowers painted on rice paper and further decorative pictures and prints, together with an Arts and Crafts letter holder with embossed Art Nouveau decoration in copper (8)
Lot 635
Five Le Blond prints including "Good News", "The Village Spring", "Moonlight" 17cm long, four small Baxter prints including the Victorian royal family, a pair "Evening/Morning", two Chinese figure studies on rice paper, a coloured etching "Old Chelsea Church" and a watercolour titled verso "Roseneath Castle,a sketch from nature 1953", (13).
Loading...-
71174 item(s)/page