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PLATH (SYLVIA)Pursuit. With an Etching & Drawings by Leonard Baskin, NUMBER 18 OF 100 COPIES, etched plate by Baskin signed and numbered, original green morocco by Zaehnsdorf, t.e.g., slipcase [Tabor A17], 1973; Lyonnesse. Poems, ONE OF 90 COPIES BOUND IN FULL CALF, from an overall edition of 400 copies, this copy number 50, full calf, gilt, t.e.g., slipcase [Tabor A13], 1971; Crystal Gazer and Other Poems, ONE OF 80 COPIES BOUND IN FULL LEATHER from an overall edition of 400, this copy number 23), one plate after Plath, full blue morocco gilt by Zaehnsdorf, spine age soiled, with light abrasions at lower joint, slipcase (non-matching, worn at spine) [Tabor A9], 1917; Dialogue Over the Ouija Board, NUMBER 90 OF 140 COPIES, frontispiece by Leonard Baskin, publisher's limp vellum, slipcase [Tabor A25], 1981, 4to and 8vo, The Rainbow Press (4)Footnotes:The four titles by Sylvia Plath published by The Rainbow Press.Provenance: Ted and Olwyn Hughes, of the Rainbow Press; Frieda Hughes, Ted's daughter.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[PLATH (SYLVIA)]A Winter Ship, FIRST EDITION OF THE AUTHOR'S FIRST BOOK, ONE OF APPROXIMATELY 60 COPIES, title within an ornamental border, stitched in original stiff card with marbled wrappers, title printed in black on label pasted on upper cover [Tabor A1], Edinburgh, Tragara Press, 1960; Three Women. A Monologue for Three Voices, second (first published) edition, NUMBER 167 OF 180 COPIES, frontispiece by Stanislaw Gliwa, publisher's pictorial cloth gilt [Tabor A3b.1], 1968; Ariel, publisher's cloth, dust-jacket (very small tear at lower margin of upper cover, but otherwise very good) [Tabor A5a], [1965]; Uncollected Poems, [LIMITED TO 150 COPIES], THIS COPY 'M OF 13 COPIES' SIGNED BY TED HUGHES inside upper cover, a few light spots to covers [Tabor A6, not mentioning this 'lettered' limited variant], Turret Books, 1965 [but 1966]; Wreath for a Bridal, LIMITED TO 100 COPIES, this number 13 [Tabor A7], Frensham, Sceptre Press, 1970; Crystal Gazer and Other Poems, NUMBER 105 OF 400 COPIES, publisher's quarter cloth, slipcase [Tabor 9], Rainbow Press, 1971; Fiesta Melons, LIMITED TO 150 COPIES, this numbered '8/30', publisher's cloth, dust-jacket [Tabor A10], Exeter, Rougemont Press, 1971; Crossing the Water, publisher's cloth, dust-jacket [Tabor A11], Faber, 1971; Lyonnesse. Poems, ONE OF 90 COPIES BOUND IN FULL CALF, from an overall edition of 300, this copy number 35, publisher's calf gilt, slipcase [Tabor A13], Rainbow Press, 1971; Million Dollar Month, NUMBER 49 OF 150 COPIES, [Tabor A14], Frensham, Sceptre Press, [1971]; Winter Trees, publisher's cloth, dust-jacket [Tabor A15], Faber, 1971; Child, LIMITED TO 325 COPIES, this copy not numbered [Tabor A16], Exeter, Rougemont Press, [1971]; Pursuit, NUMBER 22 OF 100 COPIES, WITH ORIGINAL ETCHING SIGNED BY LEONARD BASKIN, 4 full-page illustrations by Baskin, full morocco by Zaehnsdorf, t.e.g., slipcase [Tabor A17], Rainbow Press, 1973; Two Poems, NUMBER 68 OF 75 'ESPECIAL' COPIES, from an overall edition of 300 [Tabor A22], Knotting, Martin Booth at Sceptre Press, 1980; Two Uncollected Poems, NUMBER 4 OF 450 COPIES, [Tabor A23], Anvil Press, 1980; A Day in June. An Uncollected Short Story, NUMBER 162 OF 160 COPIES, [Tabor A24], Ely, Embers Handpress, 1981; A Dialogue Over a Ouija Board, NUMBER 127 OF 140 COPIES, illustration by Leonard Baskin, publisher's limp vellum, slipcase [Tabor A25], Rainbow Press, 1981; The Green Rock, NUMBER 11 OF 160 COPIES [Tabor A28], Ely, Embers Handpress, 1982; The Magic Mirror, NUMBER 127 OF 226 COPIES, a few light spots, publisher's cloth-backed boards, dust-jacket, Rhiwagor, Embers Handpress, 1989, unless otherwise stated publisher's stiff wrappers (with additional dust-jacket where required), FIRST EDITIONS, FINE COPIES, 8vo and 4to; and 3 others relating to Plath (22)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
RAINBOW PRESS - HUGHES, PLATH, ETC.The remaining stock of several Rainbow Press publications, from the collection of Ted and Olwyn Hughes, including: PLATH (SYLVIA) Lyonnesse. Poems, 29 copies, LIMITED TO 400 COPIES, INCLUDING 6 COPIES OF THE SPECIAL LIMITATION OF 90 COPIES BOUND IN FULL CALF, of these one copy unnumbered, the others publisher's cloth, all but 8 in original slipcases [Tabor A13], 1971; Pursuit, NUMBER 100 OF 100 COPIES, lacks the etching by Baskin, illustrations by Baskin, publisher's full morocco, t.e.g., slipcase [Tabor A17], [1973]; Dialogue Over a Ouija Board, 2 copies, LIMITED TO 160 COPIES, these number 136 and 140, publisher's limp vellum gilt, slipcase [Tabor A25], 1981; Crystal Gazer and Other Poems, 25 copies, LIMITED TO 300 COPIES in quarter buckram, from an overall edition of 400, frontispiece after Sylvia Plath, publisher's quarter buckram over handmade Japanese boards, slipcase [Tabor A9], 1971--HUGHES (TED) Moortown Elegies, 2 copies, LIMITED TO 175 COPIES SIGNED BY THE AUTHOR, one plate by Leonard Baskin, publisher's limp vellum gilt, blocked with an illustration of a bull on upper cover, slipcase, 1978; GUNN (THOM) Mandrakes, 7 copies, LIMITED TO 150 COPIES SIGNED BY THE AUTHOR, illustrations by Leonard Baskin, publisher's vellum-backed cloth, slipcase, [1973]--FAINLIGHT (RUTH), TED HUGHES AND ALAN SILLITOE. Poems, 7 copies, LIMITED TO 200 COPIES, SIGNED BY THE AUTHORS, except one out-of-series copy signed by Hughes only, publisher's green pictorial calf gilt, slipcase, [1971], 8vo and 4to, The Rainbow Press; and a collection of disbound proof sheets of Crystal Gazer, Remains of Elmet, Dialogue Over a Ouija Board, and miscellaneous other materials, including a loose stack of 50 copies of the print by Sylvia Print as the frontispiece to Crystal Gazer (collection)Footnotes:The Rainbow Press was a small press established by Ted Hughes and his sister, Olwyn, in 1971 with the publication of Sylvia Plath's Crystal Gazer. Both siblings were very involved in the production throughout the process, from choosing of the texts, the choice of handmade papers, the printer (notably Sebastian Carter of the Rampant Lion Press), and binder.Provenance: Ted and Olwyn Hughes; Frieda Hughes, Ted's daughter.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Meister der rheinischen oder niederländischen Schule des 15. JahrhundertsAUFERSTEHUNG CHRISTI Öl auf Holz. Parkettiert. 89 x 62,5 cm. Ungerahmt.Die Altartafel zeigt Jesus, der dem Sarkophag entsteigt, während die geharnischten Wächter schlafen. Die Grablege als Steinsarkophag wiedergegeben, auf dessen beiseite geschobenen Deckel ein Engel betet. Im landschaftlichen Hintergrund links ein hochziehender, grün bewachsener Berg mit bekrönender Burg. Rechts hinten ein gotischer Turm mit Fialen, nach damaliger Vorstellung der Tempel von Jerusalem. Dem kräftigen Rot in Schild und Gewändern der Wächter steht ein zartes Rot im Umhang Jesu gegenüber, das Haupt von einer goldenen Nimbusscheibe hinterfangen.Der Bildtypus mit Darstellung von Sarkophag, des bereits heraustretenden rechten Fußes, der Felserhöhung links sowie Kreuzstab mit Fahne findet sich ebenso in einem Kupferstich von Martin Schongauer (1430-1491). So dürfte das vorliegende Gemälde unter dem Einfluss dieser Grafik stehen. (11506016) (11)Rhine or Dutch School, 15th centuryTHE RESURRECTION OF CHRISTOil on panel. Parquetted.89 x 62.5 cm.Unframed.The altar panel shows Jesus stepping out of the sarcophagus while the armour-clad guards are sleeping. An etching by Martin Schongauer (1430-1491) also shows this image type and the painting on offer for sale in this lot may be influenced by it.
PABLO PICASSO (1881-1973)Le Repos du Sculpteur III, from La Suite Vollard (Bloch 173; Baer 326.Bd) Etching, 1933, on Montval laid paper with Picasso watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges on three sides, with mount and backboard staining, framedPlate 194 x 267mm. (97 5/8 x 10 1/2in.); Sheet 340 x 450mm. (13 3/8 x 17 3/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Minotaure mourant, from La Suite Vollard (Bloch 198; Baer 366.Bd) Etching, 1933, on Montval laid paper with Vollard watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges left and right, with mount and backboard staining, framed Plate 195 x 268mm. (7 5/8 x 10 1/2in.); Sheet 340 x 445mm. (13 3/8 x 17 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Le Repos du Sculpteur II, from La Suite Vollard (Bloch 172; Baer 325Bd) Etching, 1933, on Montval laid paper with Vollard watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges left and right, with mount and backboard staining, framedPlate 194 x 267mm. (97 5/8 x 10 1/2in.); Sheet 340 x 445mm. (13 3/8 x 17 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pablo Picasso (1881-1973)El Arrastre, avec Écuyère et Putto, from Series 347 (Bloch 1509; Baer 1525 B.b.2.) Etching, 1968, on BFK Rives wove paper, signed and inscribed Epreuve d'artiste in pencil, one of 17 artist's proofs aside from the edition of 50, printed by Crommelynck, published by galerie Louise Leiris, 1969, Paris, the full sheet, with a deckle edge below, in very good condition Plate 314 x 416mm. (12 3/8 x 16 3/8in.); Sheet 452 x 565mm. (17 3/4 x 22 1/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)L'Aigle et la Femme la Nuit (Dupin 22) Etching and drypoint, 1938, on Arches wove paper, signed and numbered 19/30 in pencil (there were also a few artist's proofs and hors commerce impressions), published by P. Loeb, Paris and P. Matisse, New York, the full sheet with a deckle edge below, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, in good condition, framedPlate 225 x 295mm. (8 3/4 x 11 1/2in.); Sheet 330 x 443mm. (13 x 17 3/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Mobles Juncosa (Dupin 987) Etching and aquatint in colours, 1977, on wove paper, signed and numbered 'H.C 10/11' in pencil, one of some hors commerce impressions reserved for collaborators (there were also seven on Japan paper numbered in Roman numerals and 17 on Arches numbered in Arabic numerals), printed by Atelier Robert Dutrou, Paris and Son Abrines, Palma de Mallorca, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, the full sheet, with deckled edges at right and below, in good conditionSheet 340 x 270mm. (13 x 10 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Le Coq de Bruyère (Dupin 736) Etching and aquatint in colours, 1975, on wove paper, signed and numbered 40/50 in pencil, printed by Morsang, published by Maeght, Paris, the full sheet, in good conditionPlate 432 x 178mm. (17 x 7 in.); Sheet 705 x 457mm. (27 3/4 x 18in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Le Roi des Ombres (Dupin 975) Etching in colours, 1977, on Rives wove paper, signed and numbered II/XIII in pencil, an hors commerce impression aside from the edition of 50, printed by Arte Adrien Maeght, published by Maeght, Paris, the full sheet, in good conditionPlate 275 x 190mm. (10 3/4 x 7 1/2in.); Sheet 425 x 310mm. (15 x 11in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Le Puisatier (Dupin 516) Etching, aquatint and carborundum in colours, 1969, on Arches paper, signed and inscribed HC in pencil, an hors commerce impression aside from the edition of 75, printed by Morsang, published by Maeght Editeur, Paris, the full sheet, with a deckle edge above, authenticated by Rosa Maria Malet in pencil verso, Fundació Miró, Barcelona, with creases to the left and right margins, otherwise the image in good conditionPlate 985 x 595mm. (38 3/4 x 23 3/8in.); Sheet 1057 x 675mm. (41 3/4 x 26 5/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Rupestres II, Cave Paintings II (D.1036) Etching in colours, 1979, on Arches wove paper, signed and numbered 'H.C XI/XV', one of 15 hors commerce impressions aside from the edition of 30, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with deckle edges at left and right, in very good conditionSheet 760 x 563mm. (29 7/8 x 22in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Gaudi XIX (Dupin 1078) Etching and aquatint in colours, 1979, on Arches wove paper, signed and numbered HC XI/XV in pencil, one of 15 hors commerce impressions aside from the edition of 50, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with a deckle edge at right, in very good conditionSheet 676 x 915mm. (26 3/4 x 36in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)La Commedia dell'Arte V (Dupin 1110) Etching in colours, 1979, on Arches wove paper, signed and numbered HC. XIII/XV, one of 15 hors commerce impressions aside from the edition of 30, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with deckle edges above and below, with pale foxing verso, otherwise in good conditionSheet 560 x 758mm. (22 x 29 7/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eduardo Chillida (1924-2002)Bi-Aizatu (Koelen 88011) Etching with aquatint, 1988, on wove paper, signed and inscribed 'P.A.' in pencil, one of three artist's proofs aside from the edition of 50 (there were also 10 artist's proofs numbered in Roman numerals), printed by Taller Hatz, San Sebastián, published by Galerie Lelong, Zurich, printed to the edges of the full sheet, in very good condition, framedSheet 1400 x 970mm. (55 1/8 x 38 1/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Richard Diebenkorn (1922-1993)Spreading Spade, from Clubs and Spades Spit-bite aquatint and etching with drypoint in colours, 1981, on wove paper, signed with initials, dated and inscribed 'AP' in pencil, one of 11 artist's proofs aside from the edition of 35, published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in very good condition, framedImage 458 x 482mm. (18 x 19in.); Sheet 927 x 775mm. (36 1/2 x 30 1/2in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Sam Francis (1923-1994)Pioggia d'Oro (Golden Rain) (Lembark I.97; SFE-069 RC) Etching and aquatint in colours, 1988, on Fabriano wove paper, signed and numbered IX/X in pencil, one of 10 artist's proofs aside from the edition of 30, published by 2RC Edizioni d'Arte, Rome, the full sheet, in good conditionImage 984 x 1994mm. (38 3/4 x 78 1/2in.); Sheet 1159 x 2413mm. (45 5/8 x 95in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Sean Scully (born 1946)Liliane #3 Sugarlift, spitbite and hard ground etching, 2010, on wove paper, signed and numbered 28/40 in pencil, the full sheet, in very good conditionSheet 860 x 710mm. (34 x 28in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sean Scully (born 1946)Liliane #1 Sugarlift, spitbite and hard ground etching, 2010, on wove paper, signed and numbered 28/40, the full sheet, in very good conditionSheet 860 x 710mm. (34 x 28in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
LUCIAN FREUD (1922-2011)A Couple (Hartley 7) Etching, 1982, on wove paper, signed with initials and numbered 24/25 in pencil (there were also 10 artist's proofs), published by Thames and Hudson, London at the occasion of the publication of Lawrence Gowing's book Lucian Freud (deluxe edition), the full sheet, in very good condition, framedImage 114 x 114mm. (4 1/2 x 4 1/2in.); Sheet 276 x 216mm. (10 7/8 x 8 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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78411 item(s)/page