§ John Brunsdon, ARCA (British, 1933-2014) Harvest, signed lower right "John Brunsdon" and numbered 62/100, 57 x 79 cm; Cliff Walk, signed lower right "John Brunsdon" and numbered 52/100, 79 x 57cm (31 x 22.5in); Yorkshire Dales, signed lower right "John Brunsdon" and numbered 6/100, 57 x 79cm (22.5 x 31in); Pass near Cader Idris, signed lower right "John Brunsdon" and numbered 7/100, 80 x 58cm (31.5 x 23in); and Sharpenhoe Clappers, signed lower right "John Brunsdon" and numbered 68/100, 56 x 79cm (22 x 31in) etching with aquatint printed in colours (6) - five unframed Five unframed. Quite dirty. Discoloured cream edges. "Harvest" is framed
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§ Pablo Picasso (Spanish, 1881-1973) Le Repos du Sculpteur devant le petit Torse, 1933; plate 53 from La Suite Vollard (B. 162; Ba. 315 Bd), from the edition of 250 published by A. Vollard, Paris, 1939 signed lower right in pencil "Picasso" etching on Montval laid paper watermarked "Vollard", unframed 34 x 45cm (13 x 18in) Provenance: Purchased by the vendor's late grandfather at Casa d'Arte Bragaglia, Rome, in 1952
§ Valerie Thornton (British, 1931-1991) Bodiam Castle, Sussex, signed lower right "Valerie Thornton '77", numbered 97/250, etching, 47 x 60cm; and Winchester College Chapel, signed lower right "Valerie Thornton" and numbered 54/100, etching, 47 x 57cm (2) Provenance: Christie's Contemporary Art, London Winchester - paper a bit crinkled, edges slightly discoloured.
§ Pablo Picasso (Spanish, 1881-1973) Le Repos du Sculpteur IV, 1933; plate 65 from La Suite Vollard (B. 174; Ba. 327), from the edition of 250 published by A. Vollard, Paris, 1939 signed lower right in pencil "Picasso" etching on Montval laid paper watermarked "Picasso", unframed 34 x 45cm (13 x 18in) Provenance: Purchased by the vendor's late grandfather at Casa d'Arte Bragaglia, Rome, in 1952 Other Notes: The present etching together with the following two lots come from the celebrated Vollard Suite of a hundred etchings produced by Picasso between 1933 and 1937. The theme of the Sculptor's Studio permeates this series and captures Picasso's engagement with classical sculpture at a time when he was working at his new studio at the Château de Boisgeloup, outside Paris. Inspired by his model and muse, Marie-Thérèse Walter, with whom Picasso had a passionate affair at this time, the features of the female protagonists in this series bear striking resemblance to those of his lover.
§ Pablo Picasso (Spanish, 1881-1973) Modèle contemplant un Groupe sculpté, 1933; plate 66 from La Suite Vollard (B. 175; Ba. 328 Bd), from the edition of 250 published by A. Vollard, Paris, 1939 signed lower right in pencil "Picasso" etching on Montval laid paper watermarked "Picasso", unframed 34 x 45cm (13 x 18in) Provenance: Purchased by the vendor's late grandfather at Casa d'Arte Bragaglia, Rome, in 1952.
Josep Guinovart (Spanish, 1927-2007), L'Espelema, etching, printed in colours on wove paper, signed, dated '89, numbered 67/75, 57 by 21cms; and another by the same artist Cap I Camp, signed, dated '89, numbered 67/75, 21 by 57cms (2).Please note that this lot is subject to VAT on the hammer
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