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Lot 491

Anthony Gross Children and Wheelbarrow etching 19 Anthony Gross Children and Wheelbarrow etching 1956 signed and titled in pencil in margin 450 x 540mm. numbered 19 of 50 unframed Condition report: surface dirt in margins.

Lot 492

Anthony Gross Chaivari Village Musicians etching Anthony Gross Chaivari Village Musicians etching c.1960 400 x 460mm. signed and titled in pencil in margin numbered 4 of 50 unframed Condition report: taped at edges into mount.

Lot 493

Anthony Gross Procession etching c.1960 380 x 45 Anthony Gross Procession etching c.1960 380 x 450mm. signed and titled in pencil in margin numbered 3 of 4 unframed Condition report: taped at edges into mount.

Lot 498

Kim Lim Small Etching artist`s proof signed and d Kim Lim Small Etching artist`s proof signed and dated 1969 lower right irregular plate etching with tone 85 x 105mm. the full sheet 230 x 285mm. *** A copy of this plate is held in the Tate Gallery collection.

Lot 148

Delny Goalen (Scottish 20th century) Harvest at B Delny Goalen (Scottish 20th century) Harvest at Balmore oil on board signed lower left 20 x 20 cm (7 3/4 x 7 3/4 in) Linda Norris (20th century) Wet June Coast acrylic on paper signed lower right 17.5 x 17.5 cm (6 3/4 x 6 3/4 in) Sheila Jackson (20th century) Terrapins mixed media on paper signed lower left 11 x 10 cm (4 1/2 x 4 in) Barbara Herrmann Curled Figure 4 etching . signed titled and numbered 6/10 below 190 x 120mm (4). IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.

Lot 183

Charles W. Cain Cairo street scene etching with d Charles W. Cain Cairo street scene etching with drypoint signed in ink lower right numbered 80 of 90 at lower left 170 x 125mm. Robert Goff. A Cairo caf‚ scene etching with drypoint signed in pencil lower right slight browning 180 x 265mm. F. Petitjean. A view of Jerusalem etching signed in pencil lower right Fine Art Trade Guild blindstamps lower left 140 x 210mm.; with a Tunisian street scene by A.L. Simpson and a coloured etching titled `In an Eastern Bazaar` (5)

Lot 198

William Walcot RBA RE Babylon etching with drypoin William Walcot RBA RE Babylon etching with drypoint signed in pencil lower right artist`s address and date 1918 in the plate lower left Fine Art Society label dated 1919 on backboard 350 x 550mm; with The Caravan a camel train passing before an Egyptian temple etching with drypoint signed lower right 180 x 230mm. (2) Condition report: the second plate The Caravan with browning and two slight surface cuts.

Lot 417

Claude Allen Shepperson, "Barnard Castle", etching, 12/75

Lot 428

After Hunt, "Northampton Grand National Steeple Chase 1840", engraving, pub. 1841, tog. with etching of a horse

Lot 402

William Lionel Wyllie (1851-1931), Dreadnoughts, etching, signed in pencil, 18cm x 30cm.

Lot 493

A group of four, including a watercolour of Heligom, Holland, indistinctly signed; a gouache of boats by moonlight signed K. Shipperlee; an etching of Tower Bridge signed J. W. Jackson, and a charcoal caricature.(4)

Lot 234

After Harold Wyllie: "HMS Foudrouant Training Ship in Portsmouth Harbour", artist signed etching, 6¼" x 10", framed and glazed

Lot 270

Catherine Gruze, etching "Tsarina", signed and dated 1970, 18.5" x 13.25", mounted, framed and glazed

Lot 280

After William Wyllie: "Yorkshire Cobbles", artist signed etching, 5¼" x 14¼", framed and glazed

Lot 281

After William Wyllie: Lakeland scene with rowing and sailing boats, artist signed etching, 7" x 16½", framed and glazed

Lot 151

Sir Francis Seymour Hayden, 1818-1910, A Lancashire River, etching, signed in pencil to the margin and dated 1881, bearing a paper label for James Connell & sons, Glasgow, 28 x 40cm

Lot 13

GEOFFREY GARNIER Lamorna Cove. Etching. Signed and inscribed. 24 x 28cm.

Lot 17

GEOFFREY GARNIER A song of Old Cathay. Etching aquatint. Signed and inscribed. 26 x 18cm.

Lot 39

EDWARD JACKSON STODART Two mezzotints. Both signed. Together with an etching after Thomas Worledge dated 1751 and a landscape watercolour. Signed O.F. Cason.

Lot 127

FREDERICK MARRIOTT Etching aquatint. Signed. Together with an etching by Axel Hague.

Lot 131

Early 19th century English School. St Michael`s Mount. Watercolour. Initialled JB and dated 1815. Together with an etching Edinburgh by Louis Whirter.

Lot 132

HOWARD HODGKIN Two`s company. (Colour variation A) Aquatint and carborundum etching. with hand painting. Rives Somerset paper. Initialled HH and numbered XXII/XL. 37.5 x 46cm. (See illustration)

Lot 189

My sister. Drypoint etching. Indistinctly signed. Together with a woodcut By Sarah Young.

Lot 212

PAUL ALBERT BESNARD Motherhood. Etching. Signed. 31 x 24cm.

Lot 221

FREDERICK GOULDING Marine etching. Together with a marine etching by Douglas Smart.

Lot 274

BRYAN PEARCE The Parish Church and harbour. Etching. Signed, dated `72 and No. 4 from an edition of 30. 20 x 15cm.

Lot 288

SIR TERRY FROST R.A. Escargot. Etching, aquatint. Signed, dated 1991 and No. 18 from an edition of 25. 38 x 51cm. (See illustration)

Lot 306

A St. Ives etching by Louis Stant and a Newlyn etching by Reginald Green.

Lot 369

THOMAS WAY Lithograph. An etching by Lucy Hutin. Together with an ink drawing by Frank Illingworth.

Lot 399

CLAUDE ROWBOTHAM Two small etching aquatints. Cornfield above St. Mawes and blackberrying, Castle Drive, Falmouth. Each signed.

Lot 231

HENRY WILKINSON Gun dog. Etching aquatint. Signed and No. 92 from an edition of 150. 26 x 35cm.

Lot 386

GEOFREY GARNIER The end of the chase. Etching aquatint. Signed.

Lot 142

JEAN AUGUSTE VYBOUD (1872-1944) A kneeling female nude, drypoint etching, 5" x 4 1/2"

Lot 147

(BOOKS) Henry Moore Sculpture and Drawings, published by Zwemmer, Collingwood (W G) Northumbrian Crosses of the Pre-Norman Age, three other books and a framed etching

Lot 191

DOROTHY F SWEET An etching of the market place St. Albans, and a collection of prints

Lot 208

WILLIAM WALCOT `The Decadence of the Roman Empire, etching, signed in pencil, 7 1/2" x 9 1/2"

Lot 866

An etching-canal scene, signed proof by T.C. Farrer, 1886 and a similar etching, signed proof, by Albert Auster, published 1894 (2).

Lot 899

A dry point etching `Venice`, signed proof, by J. Hamilton Mackenzie.

Lot 900

An etching, by W.W. Pybus, after T.M. Richardson `Part of the Black Friars, Newcastle`, published circa 1827; together with an antique engraving `A Highland Cottage` (2).

Lot 61

Maud Parsons: Etching King St Bristol" (signed to margin)"

Lot 292

John Northcote Nash, R.A. (1893-1977) Study of Nicotina and butterflies signed with initials 'JN' (lower right) and inscribed 'From John & Christine' (lower centre) etching 4 x 4½ in. (10.2 x 11.4 cm.) View on Christie's.com

Lot 536

André Dunoyer de Segonzac (French, 1884-1974) The garden signed 'A. Dunoyer de Segonzac' (lower right), further signed and dated 'A.Dunoyer de Segonzac/16 sept. 1959' (lower right) and variously inscribed (lower left) etching 12¼ x 9 1/8 in. (31.2 x 23.2 cm.); and one etching of studies at Scheveningen by Walter Sickert and two lithographs of landscapes by Roger Fry (4) View on Christie's.com

Lot 260

Gordon House (1932-2004) HIGHBURY QUADRANT signed in pencil, titled and dated `75, numbered XXIV coloured etching and aquatint 45 x 28cm

Lot 315

Peter Howson, (b.1958) BARKING Signed in pencil and dated 98, Artist`s Proof, etching 30 x 25cm

Lot 385

Peter le Cave act 1769-1816- "Figures and Cattle by a Stream"; watercolour, 18x24cm: William Blake 1757-1857- "Beggar`s Opera, Act III...", after William Hogarth, publ July 1st 1790 by J & J Boydell Cheapside & at the Shakespeare Gallery Pall Mall London; etching and copper engraving, 44.5x56cm., (2)

Lot 416

John Latham, British, early 20th century exh 1926- Portrait of Sir George Frampton, RA, PRBS; oil on canvas, 43x32cm: together with two other paintings by the same or similar hand of Sir George Frampton`s mother and father; oil on canvas, in matching frames, 46x36.5 and 46.5x36.4cm: John Seymour Lucas, British 1849-1923- Portrait of Sir George Frampton; red chalk on paper, signed, dedicated to Sir George Frampton and dated July 27 1903, 28x25cm: Rowland Langmaid, British 1897-1956 exh 1924-1930- `Peter Pan in Kensington`; etching, signed in the plate and in pencil, 17x8.6cm., (5) (a lot)

Lot 427

* Bryan Poole, 20/21stth Century- "Magnolia Grandiflora"; hand-coloured aquatint etching, artists proof, signed, 57x41cm Provenance: Paintings in Hospitals cat. no 4887 NB for further information about the artist please visit: http://www.etchart.co.uk/ (may be subject to Droit de Suite)

Lot 429

* Christopher Penny, British 1947-2001- `Late October`; etching, aquatint in colours, artists proof, signed, titled, 47x34.5cm: Angela Newberry, 20/21st Century- `Fish Pond`; etching in colours, proof, signed, titled, 44.2x37.5cm., (2) Provenance: Paintings in Hospitals cat. no 10790 & HS0147 (may be subject to Droit de Suite)

Lot 433

Leonard Russell Squirrell RE RI RWS, British 1893-1979 exh 1913-1940- "Stoke by Nayland, Suffolk"; aquatint on paper, signed, titled, 21.6x33cm: together with `Bridgemount`; pencil sketch on paper, signed L.R.Squirrel, and titled, dated 28.7.34, 11.6x17.5cm: and a Church in Winter; etching, signed Leonard Squirrel, numbered 4/20, mounted, 10x7.1cm., (all by the same hand) (part unframed) (3)

Lot 463

William Lionel Wyllie RE 1851-1931- "London Bridge"; etching, signed in pencil, bears label for Robert Dunthorne & Son, The Rembrandt Gallery, 28 Castle Street, Liverpool, attached to the reverse, 16x37.2cm

Lot 466

Frederick Carter ARE 1885-1967- `Le Dons Du Diable`; etching, signed and dated 1908 within the plate, signed and dated 1909 in pencil, 21x13.4cm: together with two other etchings by the same artist, `Two Dancers`, signed and dated 1909 in pencil and `Will o` the Wisp`, signed and dated 1909 in pencil, 8x5.5cm and 9.7x12.6cm, (3)

Lot 467

Attributed to Henry Percy Huggill ARE 1886-1957- A French Cathedral, publ by The Gainsborough Galleries, Albert Building, Pressons Row, Liverpool Copyright 1919; etching, signed in pencil, bears blind stamp `Artist`s Proof`, 32x23cm: together with one other etching of a Northern European town square by the same hand, similarly signed in pencil, bears blind stamp `Artist`s Proof`, 21x26cm: Camille Foncé 1867-1938 exh 1896-1909- "Leon Cathedral" and "Rheims Cathedral", publ 1918 by Arthur Tooth & Sons 155 New Bond Street, London W, imp Ad Valcke Paris; etchings printed in colours, a pair, both signed in pencil, both bear labels for Grindley Palmer Exchange Street West Liverpool attached to the reverse of the frame, 40x35cm., ea: William Henderson exh 1886-1914- Sol del Venezia, publ by The Gainsborough Galleries Fine Art Publishers Liverpool copyright 1923; mezzotint printed in colours, signed in pencil, bears bind stamp `Artist`s Proof`, 29x40cm: George Sydney Hunt exh 1880-1917- "The Laughing Cavalier"after F Hals, publ 1915 by G J Howell& Co 26 Museum St London WC; mezzotint printed in colours, signed in pencil, 39.5x32cm., (6)

Lot 488

Late 20th/Early 21st Century- Portrait; mixed technique on paper, signed indistinctly and dated 84 in pencil, 61x45cm: Late 20th/Early 21st Century- "The Quintet"; etching with drypoint and aquatint printed in colours, signed, titled, numbered 2/50 and dated 88 in pencil, 43x30cm: After Judy Boyes b.1943- "After Rain in Torriden"; colour reproduction print, signed, titled and numbered 414/750 in pencil, 36x27cm., (3) (may be subject to Droit de Suite)

Lot 520

Tristram Ellis ARE 1844-1922- "Kensington Gardens: The Palace", publ January 25th 1882 by Field & Teur, Ye Leddenhalle Presse; etching, signed and dated 1881 within the plate: A J Meyer act.1937- "The Reindeer Inn, Banbury"; etching, signed and numbered 10/120 in pencil, 19.8x27cm., (2)

Lot 543

John Wright II c.1770-1820- Hunting Scene, after George Morland, publ Nov 20th 1800, Random, Stainbank & Sayer, 17 Old Bond Street; hand coloured soft ground etching, 29.5x37.7cm: together with four other hunting scenes from the same series, in matching frames (one missing glazing): together with a number of other prints, (a lot)

Lot 563

* Johannes Sadeler I 1550-1600- "Boni et Mali Scientia.."; c.1585, engraving, good impression, minor scattered staining and other defects, trimmed into the platemark, 20.4x25.5cm: After Antonio Lafrery, (Lafrerei) 1512-1577- Allegorical scene; c.1655, engraving, good impression, trimmed on the platemark, some staining and other defects: Quirinus Boel 1622-1686- "St Jerome"; engraving, after D. de Feraero, etching and engraving, fairly good impression , laid down, trimmed into the platemark: Giovanni Battista Galestruzzi 1618-1661- Bacchanalian fresco; etching and engraving, and others, (a lot) (unframed)

Lot 590

* After Jean Francois Millet 1814-1875- "Depart Pour le Travel"; c.1863, etching, this possibly a example a later impression, unidentified state, signed within the plate, on cream wove with margins, overall good impression, thin spot top right, handling marks and other minor defects, 45x35cm, (unframed)

Lot 613

Late 20th/Early 21st Century- Man drinking alone in a bar; oil on canvas, 60.3x76.2cm: French Surrealist School, late 20th century- `L`oiseau Jaune IV`; etching with aquatint, signed, numbered 14/73 and dated 80, 25.1x33.3cm: After Jean-Michel Folon 1934-2005- `Le Nid`; reproduction printed in colours, 53x45.8cm: together with a further quantity of other prints and reproductions, (a lot)

Lot 616

Alistair Grant 1925-1997- "Green Glass"; etching with aquatint and embossing printed in colours, signed, titled and inscribed `Artist`s Proof` in pencil, 35x49.5cm

Lot 630

Ann Hewson b.1933- Cat on a chair; pastel, signed and dated 1990, 40x30cm: Elizabeth Duncan Meyer b.1942- "Lands End"; pastel, signed, titled and dated 97, 38.5x47cm: Tanya H, British, late 20th century- "Mother Nature Wants You"; watercolour, signed, bears inscription on the reverse `"Mother Nature Wants You, Stephen Bartley Gallery, 62 Old Church Street, London SW3 Dec 1989 Exhibited", 76x60cm.:Dawn Matthews, British late 20th century- Untitled composition; monotype, 120x89cm: Elizabeth Duncan Meyer b.1942- "Homage to V+A Pisa Doors"; etching with aquatint, signed, titled and numbered 1/10 in pencil, 56.5x57cm: Gabriela Zalewska, Polish late 20th/early 21st century- Untitled composition with figures; woodcut printed in colours on two sheets of buff paper, signed, inscribed `A/P` and dated 2002, 39x49cm: After Jock Leyden 1908-2000- Cartoons, composite group; reproduction prints/collage in shared frame, 69x69cm: Late 20th/Early 21st Century- Figure, untitled; mixed technique print with mixed media, 75x60cm.: Stewart MacKinnon b.1948- Untitled; pencil, signed and dated 72, 48.5x36cm: Anne Dunn b.1929- Untitled composition; watercolour, signed and dated 1989, 43x58.5cm., (10) (may be subject to Droit de Suite)

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