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Lot 230
A FINE GERMAN MITTEN GAUNTLET FOR THE RIGHT HAND, CIRCA 1520, PROBABLY AUGSBURG, formed of a flared tubular cuff decorated over the ulna with a small almond-shaped boss, tubular metacarpal plate embossed in imitation of four lames on the outside, knuckle-plate with a transverse rib, two finger-plates and three thumb-plates, the lowest embossed with a matching almond-shaped boss at the base, the edge of the cuff decorated with two concentric roped bands framing an etched panel of scrolling foliage, and the remaining borders etched with dentil ornament (the etching worn, some small holes, releathered by William Robinson in 1959), 24.5 cm ¦¦Provenance¦Raymond Bartel, armourer to William Randolph Hearst¦A. B. Bradley, Canterbury ¦¦Exhibited ¦Meyrick Society, Armourer~s Hall, 3rd May 1960¦The Victoria and Albert Museum, The Art of the Armourer, 19th April - 5th May 1963, no. 13¦¦Literature¦Sir James Mann, ~Gauntlets and the Meyrick Society~, Connoisseur, October 1960, pp. 97-102¦¦The double roped bands and the simulated metacarpal plates suggest a possible attribution to Kolman Helmschmied (1471-1532). These features, accompanied by similar etching in the manner of, or by, Daniel Hopfer, are seen on the armour of Kaspar von Frundsberg dated 1527 preserved in the Kunsthistorisches Museum, Vienna (inv. no. A377) and a part armour dated 1524 in the Metropolitan Museum of Art, New York (acc. no. 29.150.3). Similar features can also be seen on another armour made for von Frundsberg around two years earlier, also in Vienna (inv. no. A375). ¦¦Property from the Collection of a Distinguished Scholar and Collector¦¦
Lot 181
A Victorian 1827 Pattern Royal Irish Constabulary Sword, one side of the 84cm single edge steel blade faintly etched with the crowned VR cypher, the opposing side with a crowned garter inscribed ROYAL IRISH CONSTABULARY enclosing a harp, flanked by foliage, with maker's mark for Ireland & Son, Ellis Quay, Dublin, the steel gothic hilt pierced and engraved with a crowned harp, with wire bound fishskin grip, stepped pommel and chequered thumb rest, lacks scabbard, 98cm; a British No.5 Mk.I Submachine Gun (SMG) Knife Bayonet, the blade stamped P within a circle and 1946, with blackened steel scabbard and nylon webbing frog (2)1 - Etching on blade is very faint, tip is broken, pitting to hilt. Lacks scabbard.2 - Some wear to the blackening on the blade. Spring button is missing from the pommel.
Lot 293
Samuel Palmer (British, 1805-1881), Moeris and Galatea, '1880/1883', label verso 'Ref:- Lister:- E17 ii/iv', foxed, 9.8 x 15cm (I),13.2 x 18.8cm (plate) (unframed)Mike Hope collection.This etching was designed to accompany Samuel Palmer's translation of....Virgil's verse: Then, to our goats at milking-time return...'Scattered foxing, particularly across bottom right. Mounted but unframed.
Lot 10
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Thirst', two tigers drinking, signed in pencil in the margin lower left, artist's proof, serpent blindstamp, etching on vellum, 'Copyright 1911 by Frost and Reed Ltd (of Bristol England) in the United States of America', 'Published at 8 Clare Street, Bristol by Frost and Reed Ltd Printsellers of Bristol and London May 1st 1911. Berlin...old & Co No 40...', glazed using conservation glass, 42 x 65.5cm (I), frame 73 x 96cm Lindsey Knapp (Victoria Gallery).Some faint discoloration/staining on the botton of the mount, otherwise ok.
Lot 11
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Maternal Care', lion and cub drinking from a river, signed in pencil in the margin lower left, artist's proof, 'YC' blindstamp, etching on vellum, published by Frost and Reed, 'Publishers 8 Clare Street, Bristol. Frost & Reed Printsellers of London. Bristol. May 1st 1899', original oak frame and glazing, 40 x 65cm (I), frame 72.2 x 97cmLindsey Knapp (Victoria Gallery)Staining visible on right side of image and all over mount, particulary on the bottom.Frame scratched and with scuff marks. Slip with some marks and lacking 3cm of edge on upper right.Unexamined out of frame.
Lot 12
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Peace', lioness and two cubs taking a drink, signed in pencil in the margin, artist's proof, 'JO' blindstamp, etching on vellum, 'Published at 8 Clare Street, Bristol by Frost & Reed Printsellers of Bristol, Clifton and London. November 30th. 1906. Berlin...& Co, No 25....Copyright registered', original oak frame and glazing, 32.5 x 54.3cm (I), frame 63.5 x 83.2cmLindsey Knapp (Victoria Gallery)Some small spots of staining on mount.Frame scratched and dented. Most patinated.Unexamined out of frame.
Lot 287
An antique yellow gold mourning brooch. The brooch of curved rectangular form having an unfilled centre panel surrounded by etched foliate design surrounded by a further boarder of hatched etching to a C clasp verso. Unmarked, test indicate gold. Measures approx 2m. Total weight approx 3.7g.
Lot 290
An antique Scottish gold, citrine & antler brooch. The brooch having a thorned antler / horn specimen together with an oval cut fancy prill set citrine, all mounted in gold with scrolling floral etching throughout to a C clasp verso. Unmarked but surface tests as 9ct gold to mount & C clasp. Total weight approx 7.1g. Measures approx 5.5cm.
Lot 395
A .22” BSA Airsporter Mk I underlever air rifle, number G13693 (1948-54), with automatic tap port opening, no telescopic sight groove, and with patent number in front of the trigger guard. GWO & C (no cylinder etching visible, small split in the stock). £80-100 Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction
Lot 936
Signed by Willy Pogany In Fine Binding: Fitzgerald (Edward) Rubaiyat of Omar Khayyam, Lg. 4to Lond. (Geo. C. Harrap & Co.) 1930. Lim. Edn. No. 395 of 750 Copies, Signed, and with orig. frontis etching Signed also by Pogany. With 12 tipped-in cold. plts., other inset illustrations in bl.& white, & text decorations, uncut, in fine full blue mor. with small, tooled gilt and coloured medallion. (1)
Lot 67
THE STUDIO : Modern Masters of Etching. James McNeill Whistler - (second volume), Intro. Malcolm C. Salaman, No. 32. 32 plates, org. paper covered boards with printed paper label on the upper cover, 1932. With 12 others in the same series some with damage to spines. With 7 others on ceramics, 9 other reference works on English Artists, and Snaffles, 'Osses and Obstacles', 1935.(a lot)
Lot 2267
Geständnisse einer Dame von gutem Ruf. Aus dem Französischen. München, Eros-Gesellschaft, 1920. W. 10 tipped-in orig. etching, some signed 'G. '19'. Printed in 400 numb. copies for subscribers only. Calf, ribbed spine w. git lettering. Rare. (2) Das Mädchen in dem Porzellanturm. Eine Chinesische Arabeske nach H. de Régnier. Berlin, 1922. W. 8 signed etchings by Martin E. Phillipp. Printed in 60 numb. copies. Dec. boards. Lacks spine. -and 1 more. (total 3)
Lot 2002
Various sizes, 9 signed in pencil, all under passepartout, 13 w. stamp "Martin E. Philipp Dresden" and 4 w. same text in pencil on inside passepartout. -and Hanns Heeren. Martin E. Philipp und seine Gebrauchsgraphik. Article of 2 p., "Sonderduck aus: Lachendes Leben IV. Jahrgang, heft 10 (1928)". A few titles: "Prosit 1952. Heitz-Zimmerli Aarburg"; "Juwelen, C. Heisler, Mannheim"; "Else und Martin Philipp haben ein Kind'l Bekommen" (very nice etching of cacti); "Glückauf für 1926! M.E. Philipp und Frau"; "Ex libris Alice Mayer"; "Ex libris Dr. Alfred Bader"; "Menü zum Hochzeitsfeier Dr. Med. P.W. Philipp Dore Blechschmidt Leipzig 27 XI 1909". (total 17)
Lot 6098
Etching, 76 x 88 cm. From a set of sixteen etchings in black on etching paper. Framed in glass, 90 x 103 cm. Signed, dated and numbered to lower right 53 /75 Judd 78’. From the intended edition of 75 (according to Schellmann it was never realized) printed by Styria Studio, New York and published by the artist. Literature: Schellmann 105.
Lot 1088
Vue de la Ville de Haerlem du coté de la Riviere du Noorder Spaarne. Copper engr. view by A. Cardon after an etching by A. Claterbos, ca. 1790. 25.9 x 36.2 cm. Sl. soiled. In passe-partout under glass. In the background from left to right the Bakenessertoren, windmill De Adriaan, the Catharijnebrug w. the Klokhuistoren in the back and the Grote Kerk or Sint-Bavokerk.
Lot 1847
Col. silkscreen on very thin paper, leaf size 65 x 48.5 cm, signed, titled, dated 1982 and numbered 5/XII in pencil in lower blank margin, mounted at upper margin.(2) 'Aurel'. Etching and aquatint, 10.5 x 26 cm, signed, titled, dated 1974 and numbered 10/10 in pencil in lower blank margin. Sl. superficial dam. Remnants from former passepartout and some creases in blank margins. -and a watercolour landscape by the same. (total 3)
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78388 item(s)/page