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Lot 1442
Three 19th Century Victorian etchings depicting scenes of London to include a coloured View of Hampton Court after T. Allom, engraved by T. A. Prior, a coloured etching entitled ' London From Greenwich Park ' engraved by T. A. Prior and published by J & W Robins and Westminster Abbey & Bridge - The Debarkation on Lord Mayor's Day, dated 1844, engraver and publisher faded. Measures: 33cm high x 41cm wide.
Lot 386
Harland Miller (British b.1964), 'Tonight We Make History', 2018, etching with silver chine colle, signed in pencil front, numbered from an edition of 50 in pencil verso, published by Manifold Editions; sheet: 104 x 73cm ARR This work is in excellent condition There are no tears, creases, knocks or folds to the sheet This work has never been framed and has been stored flat
Lot 376
Kathleen Caddick: an artist's proof etching, "Hillfarm", in a gilt frame, a Tissot etching, figures in a house, three signed photographs of mid 20th century stars, in wooden and gilt frames, a James Bond "Golden Eye" poster, in gilt frame, a "Tom and Jerry" print, a picture of dogs, in strip frame and other pictures
Lot 315
* Cricket. Ireland's Royal Brighton Gardens, published C & R Sicklemore, Brighton, circa 1820, aquatint by George Hunt after H. Jones with contemporary hand colouring, shows a cricket match in progress, 185 x 305 mm, mounted, framed and glazed, together with, Teignmouth, The Den, published H. Besley, Exeter, circa 1860, hand coloured engraving, some spotting, 115 x 195 mm, mounted, framed and glazed, with, Seymour (Robert), Out! So don't fatigue yourself, I beg sir?, circa 1830, hand coloured etching, slight staining, 175 x 120 mm, mounted, framed and glazed , plus, A Long Stop, circa 1850, hand coloured lithograph, repaired closed tears, some surface abrasion, 180 x 260 mm, mounted, framed and glazed, with another five prints all relating to cricket and one to boxing, all framed and glazed, various sizes and condition (Qty: 10)
![* Cricket. Ingamells (Andrew), The Pavilion of Marylebone Cricket Club at Lord's, Martin Village and Anthony Cohen, [2004], t](https://cdn.globalauctionplatform.com/a55e7a67-fc3e-49b2-89c2-aa1f0109b0e2/e427f034-aced-4ade-a46b-aa1f012bf9cc/468x382.jpg)
Lot 316
* Cricket. Ingamells (Andrew), The Pavilion of Marylebone Cricket Club at Lord's, Martin Village and Anthony Cohen, [2004], tinted etching with notes on the construction of the building below image, signed by artist in pencil to lower right, pencil limited edition of 104/195 to lower left, 340 x 600 mm, mounted, framed and glazed (Qty: 1)
Lot 380
* Heath (William, pseud. Paul Pry). Parish Characters in ten plates by Paul Pry, Pl. 6th. Master Dogberry the Parish Watchman, Thos. McLean, Jun. 12th 1829, etching with contemporary hand colouring, 350 x 235 mm, mounted, framed and glazed, together with The Cad to the Man wot drives the Sovereign, T. McLean, April, 1829, etching with contemporary hand colouring, 330 x 230 mm, mounted, framed and glazed, with, Gars (S. publisher), The Three Virtues, Faith Hope Charity, Dec. 5th, 1829, etching with contemporary hand colouring, trimmed to printed margin and laid on later paper, 250 x 360 mm, mounted, framed and glazed (Qty: 3)
Lot 382
* Kitchens. Rowlandson (Thomas), Kitchin Stuff, Thomas Tegg, 1810, etching with contemporary hand colouring, 340 x 235 mm, framed and glazed, together with Carington Bowles (publisher), When stomach's itching the Fat Kitchin is bewitching. Here the contrast is seen between Fat and Lean, Guts stiching in the Lean Kitchin cause Platter twitching, 1771, two uncoloured engravings on one sheet (as published), 285 x 175 mm, mounted, framed and glazed, with, Bunbury (H. W.), The Kitchen of a French Post House, published M. Darley, 1771, hand coloured engraving, title repeated in French, 245 x 350 mm, mounted, framed and glazed (Qty: 3)
Lot 386
* Rowlandson (Thomas). Recovery of a Dormant Title or a Breeches Maker becoming a Lord, T. Rowlandson, July 14th 1805, etched caricature with contemporary hand colouring, 350 x 240 mm, together with Williams (Charles). Tameing a shrew, or Petruchio's patent family bedstead, gags & thumbscrews, Thos. Tegg, 1815, etched caricature with contemporary hand colouring, 345 x 245 mm, with Stadler (Joseph Constantine & Lewis Frederick Christian). Inn yard at Calais, published William Holland, 1802 [but later impression], hand coloured aquatint after Frederick George Byron, slight staining and dust soiling, largely confined to margins, 430 x 610 mm, plus Rowlandson (Thomas). [Inn Yard on Fire, published T. Malton, Aug. 1st. 1788], aquatint by T. Malton with contemporary hand colouring, trimmed to image with loss of title, 345 x 465 mm, mounted, and Gillray (James). Market Day, S. W. Fores, 1788, uncoloured etching, trimmed to neatline and tipped on to later paper, with explanatory manuscript paper labels above and below the image, some dust soiling and slight staining, 320 x 450 mm, with two others similar, various sizes and condition (Qty: 7)
Lot 387
* Rowlandson (Thomas). Rum Characters in a Shrubbery, circa 1815, aquatint with contemporary hand colouring, 330 x 255 mm, mounted, framed and glazed, together with Williams (Charles), The genius of caricature and his friends celebrating the completion of the second volume of the Caricature Magazine in the Temple of Mirth, Thos. Tegg, 1808, etching with contemporary hand colouring, old folds, 235 x 335 mm, mounted, framed and glazed, with, Woodward (George Moutard) , A Long Headed Election, published T. Tegg, circa 1810, etching with contemporary hand colouring, 255 x 360 mm, mounted, framed and glazed, plus, Rowlandson (Thomas), The Secret History of Crim Con, Thomas Tegg, circa 1810, etching after G. M. Woodward, contemporary hand colouring, 225 x 335 mm, mounted, framed and glazed, with another seventeen etched and engraved caricatures, including examples by W. Heath, H, Heath, Gillray, Schmidt and Grant, various sizes and condition (Qty: 21)
Lot 389
* Sailors. Roberts (Piercy), A Sailor sitting for his Miniature, Thomas Tegg, circa 1820, Nautical experience, published T. Tegg, 1818 [and] The Sailor and the Judge, circa 1820, together three etchings with contemporary hand colouring, 'The Sailor and the Judge' trimmed to image, each approximately 260 x 330 mm, together with Elmes (William), Jack Jolly steering down Wapping in Ballast trim, Thos. Tegg, [1813 or slightly later], etching with contemporary hand colouring, 245 x 345 mm (Qty: 4)
Lot 460
Group of assorted furnishing pictures to include; watercolour study of an undercroft, after Henry Williamson Clumber Spaniels an etching, coloured print, topographical scenes, study of Oystermouth castle Mumbles, Swansea by David Hawkings, ?? Walker cartoon study etc. (8)(B.P. 24% incl. VAT)
Lot 24
*Julian Trevelyan (British, 1910-1988) LA TURBIE Soft ground etching and aquatint printed in navy, 1974, signed, inscribed with title and numbered 15/52 in pencil, printed by Studio Prints, London, published by Waddington Graphics, London, on T H Saunders wove paper, with full margins sheet 78 x 58cm, unframed *Artist's Resale Right may apply to this lot.
Lot 27
*Julian Trevelyan (British, 1910-1988) WALLINGTON, CLOCK TOWER (TURNER 317) Etching with aquatint printed in colours, 1975, signed and titled in pencil, printers' proof, aside from the edition of 52, printed by Studio Prints, London, published by Waddington Graphics, London, on wove paper, with full margins plate 35 x 48cm, framed *Artist's Resale Right may apply to this lot.
Lot 89
*Joe Tilson (British, b.1928) OAK ORACLE Aquatint and etching in colours with photographic collage and brass eyelets, 1980, signed, dated and inscribed 'A/P 6/20' in pencil, inscribed with title in pencil verso, printed at Kelpra Studio, published by Stuyvesant Foundation, on wove paper, the full sheet printed to the edges sheet 80 x 56.6cm, unframed *Artist's Resale Right may apply to this lot.
Lot 104
*Gillian Ayres (British, 1930-2018) SIKAR II Etching with aquatint and carborundum printed in colours with extensive hand colouring in acrylic paint, 1993, signed, dated and numbered 25/100 in pencil, on heavy wove paper, with full margins image 85.5 x 84.5cm, framed *Artist's Resale Right may apply to this lot.
Lot 141
*Paula Rego (Portuguese, b.1935) GOOSEY GOOSEY GANDER Etching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, published by Marlborough Graphics, London, on wove paper, with full margins plate 20.7 x 22.5cm, framed *Artist's Resale Right may apply to this lot.
Lot 17
*Salvador Dalí (Spanish, 1904-1989) BUTTERFLIES OF ANTI-MATTER Etching and lithograph printed in colours, 1974, signed and inscribed E/A in pencil, an artist's proof aside from the edition of 585, from the suite 'La Conquête du Cosmos I', printed by Bellini, published by Jean Lavigne, Paris, on BFK Rives wove paper, with full margins plate 75 x 55.5cm, framed *Artist's Resale Right may apply to this lot.
Lot 448
VICTOR PASMORE.* A Limited Edition book by Victor Pasmore 'The Man Within', No.16/75 (Deluxe Edition). Including the signed & numbered etching, also 16/75. Note: This book has been inscribed 'To Jenifer with love from Patrick, April 97', (the vendor believes this may have been Patrick Heron). Accompanying the lot is ephemera from Marlborough Graphics who printed the book, a catalogue of Victor Pasmore etchings & a catalogue of his prints.
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71082 item(s)/page