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Lot 1760
A group of five prints including an engraving of a river scene in a mill town, an etching of a girl in an interior signed Marcel Jacque, a river scene by Bryce Walker, a street scene and a study of snipe, together with English School modern, Downland landscape, oil on canvas, 44 x 60 cm (6).
Lot 928
James Gillray 1757-1815, (Carlo Kahn)- "Wife & no Wife- or -A Trip to the Continent', publ by William Holland No 66 Drury Lane, London March 27 1785; design'd by Carlo Khan, etching on laid, bears inscriptions in pen lower margin, 36.5x47cm. Note: James Gillray Started life by learning letter-engraving, at which he soon became an adept. This employment, however, did not keep his interest and he wandered about for a time with a company of strolling players. After a very checkered experience he returned to London and was admitted a student in the Royal Academy supporting himself by engraving, and probably issuing a considerable number of caricatures under fictitious names. This etching depicting the marriage of the Prince of Wales and Mrs Fitzherbert.
Lot 1019
Jilly Edwards, late 20th/early 21st century- "Deviant Series"; etching with aquatint, printed in colours, signed, titled, inscribed 'A/P' and dated 1991, 55x49.3cm. Christopher White late 20th/early 21st century- "Bermondsey Tuesday"; etching printed in mauve, signed, titled, inscribed 'A/P IV/IV' and dated 1995 in pencil, 44x32.8cm., (2) (may be subject to Droit de Suite)
Lot 1021
William Monk RE 1863-1937- Buckingham Palace from St James's Park; etching with aquatint, signed within the plate, 17x25cm: Frederick Pegram 1870-1937- "Bedtime", etching, signed in pencil: Percy Lancaster ARE 1878-1951- "The Stairway"; monogrammed within the plate and signed in pencil: Harry Banks 1869-1947- the Estuary, Bristol; etching with aquatint, signed in pencil, together with other 19/20 century etchings after various hands, (7) (unframed)
Lot 1162
Ernest Sargieson b.1947- "Pitt Stop Stage 2"; etching with aquatint and working out with pen and black ink, 29.5x24.5cm: together with stages three and four of the same/similar plate, each numbered in pencil: "A Station Barrow", etching with aquatint, signed, titled and numbered 14/15 in pencil, after the same hand, (4) (part unframed) Note: Ernest Sargieson began working on the railways immediately after leaving school. He moved between several British Rail offices before being promoted to Divisional Control at King's Cross. Over the next eight years, he worked on seven of the nine positions in the control. Sargieson left British Rail after obtaining a place in the City and Guilds of London Art School, which in turn led to a place at the Royal Academy Schools. In 1981, he remarked that switching careers had 'put me in my present position, which remains as much of a mystery to me as anyone else!'
Lot 1179
Norman Stevens 1937-1988- "Stonehenge"; etching with aquatint, signed, titled, numbered 56/83 and dated 74 in pencil, 44x46cm: After Fleur Cowles, 20th century- "Bunch of Flowers"; published by the Adam Cavendish collection Ltd, 1978, signed dated 78 and numbered 145/451 in pencil, reproduction print, (2)
Lot 271D
Levon West (American 1900-1968) Noon Etching on laid paper, signed titled and numbered 83/100 in pencil 22.5cm x 27cm Note: West gained international recognition as an artist upon the publication of his etching "The Spirit of St. Louis" as CHarles Lindbergh arrived in Paris. His etchings were soon in great demand. He was made Guest Artist by the State of Colorado in 1932 and completed a series of etchings (including "Noon") on western ranch life
Lot 303C
William Strang RA (Scottish 1859-1921) Portrait of Robert Louise Stevenson (1850-1894, Novelist, poet and essayist) Etching with monogram 15cm x 11cm Note: Auction records reveal the two most desirable etchings by Strang are those of Rudyard Kipling and Robert Louise Stevenson. At Bonhams, London in 2005 examples achieved prices of £2000 and £800 respectively. This etching of R. L. Stevenson was later published as the frontispiece of 'Vailima Letters' the book detailing the correspondence between Stevenson and Sir Sidney Colvin (1845-1927) Slade Professor of Fine Arts at Cambridge and keeper of Prints at the British Museum, he was also a friend of Stevenson, whose works and letters he edited.
Lot 103
AFTER T.F. WILSON OF NEWCASTLE "To Sir William Blackett, Bart.", study of an ox in the grounds of a country house, coloured etching by Robert Pollard of London, also inscribed "This specimen of an improved breed of cattle is respectfully inscribed by his humble servant Thomas Bates ...", 50.5 x 62 cm
Lot 116
C Stanley Pollitt (British, d.1926) richmond Bridge signed lower right "C Stanley Pollitt" etching 20 x 28cm; donald Crawford (Scottish, 20th Century) glamis Castle, the Home of Her Majesty the Queen signed lower right "Donald Crawford" drypoint etching 12 x 16 cm; havas view of a Venetian Canal with a Gondola signed lower right "Havas" etching 14 x 19 cm; and another small etching of the Charles Bridge, Prague,17 x 10cm (4)
Lot 118
C R W Nevinson (British, 1889-1946) Suburbia, circa 1924 (Summer Afternoon in the Garden) signed lower right "C R W Nevinson" etching (trimmed) 18 x 13cm provenance: private collection, East Sussex this good print by Nevinson is often found unsigned, as Nevinson only signed proofs which had already been printed, as and when they were ordered. It is usually printed on F J Head and Company cream laid paper. literature: suburbia, circa.1924, cat.ref. Guichard 80.
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