NO RESERVE Whymper (Charles) Salmon Fishing, etching by H.R. Robertson, on thick wove paper, platemark 650 x 410 mm (25 1/2 x 16 1/8 in), full margins, some toning from previous mount visible, other minor surface dirt and browning, unframed, Fine Art Society, 1890; together with 3 other large Salmon Fishing prints, including Francis S Walker's Salmon Fishing, 375 x 620 mm (14 3/4 x 24 1/4 in), and a pair by George Earl, Salmon Fishing and Salmon Poacahing, each approx. 550 x 300 mm (21 3/4 x 21 3/4 in), all unframed, [late 19th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 192, 193, 195, and 196
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NO RESERVE Staniland (Charles Joseph) [Enthusiasm and Misery], etching, printed chine collé, on cream wove paper, signed in pencil by the artist, with Printseller's Association blindstamp, platemark 410 x 670 mm (16 1/8 x 26 1/4 in), under glass, good margins, framed, published by Arthur Ackermann, 1897; together with 2 others similar, including a photogravure after a Trout fishing scene by Heywood Hardy and Frank Walton, and an etching by Brunet-Debaines, signed in pencil, 550 x 360 mm (21 3/4 x 14 1/4 in) and 370 x 500 mm (14 3/4 x 19 3/4 in), respectively, framed and glazed, 19th century (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 218 and 320 [the Brunet-Debaines not recorded]
Angling's Age of Romance.- Dighton (Robert), After. Fair Emily, mezzotint with etching, platemark 350 x 250 mm (13 3/4 x 9 7/8 in), under glass, minor surface dirt, framed, published by Haines & Son, 1796; together with 3 others, including a hand-coloured mezzotint published by Carrington Bowles after Dighton, 'August / Aout', a mezzotint by Thomas Burford 'August', and a stipple engraving printed in colours by John Pierson of an angling couple, each between 310 x 220 mm (12 1/4 x 8 1/2 in) and 370 x 270 mm (14 1/2 x 10 1/2 in), all under glass, framed, [late 18th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 41, 46, 47, and 55
Fishing Portraits.- Zoffany (Johan), After. Master James Sayer, at the age of 13, mezzotint with etching by Richard Houston, scratch letter proof on laid paper, platemark 505 x 360 mm (19 3/4 x 14 1/8 in), under glass, wide margins, minor surface dirt, framed, 1772.Literature:Chaloner Smith 109 i/iiBeazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 225
NO RESERVE Sadler (Walter Dendy), After. Habet!, etching by L Muller, signed in pencil by artist and engraver, platemark 540 x 390 mm (21 1/4 x 15 1/4 in), marginal abrasion, surface dirt and browning, unframed, published by LH Lefevre, 1906; together with four further prints after Walter Dendy Sadler, including a hand-coloured impression of WH Boucher's etching after 'Thursday', Oswald Burne's 'The Angler's Rest', and two photogravures after 'Thursday' and 'Friday', various sizes, all unframed, circa 1900-1920 (5) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 276, 281 and cf. 274-275
NO RESERVE Sadler (Walter Dendy), After. Izaac Walton and His Pupil, etching by RB Parkes, with Printseller's Association blindstamp, platemark 530 x 690 mm (20 7/8 x 27 1/4 in), under glass, even toning, surface dirt and browning, framed, published by LH Lefevre, 1885; together with 2 others after Sadler, including L'Huillier's etching 'The Disappointed Anglers', James Dobie's 'The Time-Honoured Guest', and with a large photogravure by Sadler's contemporary, Frank Hyde (1849-1947), 'Hook, Dine and Finger', various sizes between 340 x 470 mm (13 1/4 x 18 1/2 in) and 560 x 710 mm (22 x 28 in), surface dirt and browning, all framed, [late 19th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 277-280
NO RESERVE Slocombe (Fred) Trout Fishing, etching on thick wove paper, platemark 420 x 610 mm (16 1/2 x 24 in), sheet 545 x 730 mm (21 1/2 x 28 3/4 in), minor spotting and surface dirt, unframed, published by The Fine Art Society, 1889; together with 7 others similar, including Colin Hunter's etching 'The Gareloch', etchings and engravings, various sizes, all unframed, [19th century] (8)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 285, 301
NO RESERVE Simpson (Jackson) The Burnside; The Ghillie; Fishing No. 1, three works, etchings, each signed in pencil, the latter mentioned with watercolour, each platemark between 145 x 220 mm (5 3/4 x 8 3/4 in) 200 x 250 mm (7 7/8 x 9 3/4 in), under glass, minor surface dirt, framed, [circa 1920s]; together with 2 others, including an etching of a fisherman in a landscape by Fred Slocombe, and the other by John Fullwood, etchings, signed in pencil, framed, late [19th century] (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 297-299
NO RESERVE Simpson (Joseph) The Border Angler, etching and drypoint, signed in pencil, an excellent impression printing with plate tone on cream laid paper, platemark 302 x 212 mm (12 x 8 1/4 in), sheet 450 x 285 mm (17 3/4 x 11 1/4 in), hinged into mount, expsoure lines visible with browning, unframed, [circa 1927]Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 300
NO RESERVE Short (Sir Frank) The Angler's Bridge on the Wandle, etching with plate tone, signed in pencil, platemark 150 x 200 mm (5 7/8 x 7 7/8 in), sheet 195 x 270 mm (7 7/8 x 10 5/8 in), unframed, 1898; together with 4 other etchings by various hands, including Jackson Simpson, William Henry Urwick, David Law and Fred Burridge, various sizes, unframed, [late 19th or early 20th century] (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 291-293
NO RESERVE Himely (Sigismund) Trout, after a painting by S. Elmer, etching and aquatint, on wove paper without watermark with extensive hand-colouring, heightened with gum arabic, sheet 505 x 400 mm (19 3/4 x 15 3/4 in), minor handling creases and surface dirt, unframed, published by Alfred Compan, Paris, [mid- to late 19th century]; together with an uncoloured duplicate impression without the Parisian imprint, unframed, [mid- to late 19th century] (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, [not included]
Eduardo Paolozzi R.A. (Scottish 1924-2005) Homage to Michaelangelo, 1975, signed, dated and numbered XXX/200 in the margin, published by the Foundation Bruckmann Stiftung, Munich, from portfolio to celebrate the 500th anniversary of the birth of Michaelangelo, on BFK Rives paper, intaglio colour etching.80cm x 59.5cm (31.5in x 23.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is unframed.
Frank Vernon Martin (British 1921-2005) "Atlantique", signed and titled in pencil in the margin, numbered 64/100, etching with aquatint.plate size 34.5cm x 54.5cm (13.5in x 21.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Signed and dated 1927 in pencil in the margin, numbered 47/50, etching.plate size 15cm x 10cm (6in x 4in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition. The paper has browned universally across the sheet and there is some time staining and browning around the edges of the paper near the mount board. The print is framed and glazed.
* Military Prints. Dighton (Richard, 1795-1880). Triumph of the British Flag over the French Eagles & Colours, taken by our brave soldiers in different actions, as they appear'd in the park, May 18th, 1811, hand-coloured etching, published by Deighton, Spring Gardens, May 1811, plate size 20.5 x 28 cm (8 x 11 ins), with margins, framed and glazed, together with 12 other various early 19th century hand-coloured engravings of military costume, including: Cornet of the Horse Guards, circa 1820, hand-coloured copper engraving (sold at Suffolk St., Dublin), plate size 14.5 x 9.5 cm (5.75 x 3.75 ins) with margins, gilt frame, glazed; 5 hand-coloured prints by G. E. Madeley (1798-1858): Fifth Foot 1688, Sixteenth Regiment of Foot, Twenty Second Regiment, Royal Regiment of Horse Guards, 1828 & Eighth or King's Regiment of Foot; H. Ridley, 5th Dragoon Guards, hand-coloured aquatint, circa 1825; E. Howell, Royal Artillery Officers, circa 1830, hand-coloured lithograph; 14th Light Dragoons, hand-coloured wood engraving, circa 1860s; and two others, similar sizes, all framed and glazedQty: (13)
Hilda E. BonseyFountain Courtetchingsigned in pencil and numbered 36/10021 x 14 cm, mounted onlyan etching after Edgar Chahine inscribed Saint Germain L'Auxerrois (with invoice from William Weston Gallery dated 1976)and an engraving of Lower Bridge Street, Chester, after George Pickering (William Weston Gallery label on the back of the mount) (3)
REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST DRIVING THE MONEY CHARGERS FROM THE TEMPLE (BARTSCH 69) Etching, 1635, a good impression of the first state of two, on paper with an 'Arms of Amsterdam' watermark(the sheet 14.5cm x 17.5cm (5.75in x 7in), unframed)Footnote: Provenance: Purchased by the current vendor's father at Sotheby's, 29.6.99.
A German Forestry or Hunting Hanger. A most beautiful example of a forestry hanger, 33cm blade, 54cm overall. The blade is maker stamped E.F. & F Horster, Solingen. Good deep etching to both sides of the blade, virtually the full length with the tip area being plain, showing hunting and forestry scenes including the flat back edge of the blade being spiral etched. The fittings to the dagger, which include the upper pommel cap, lower grip ring, cross guard, clamshell and both scabbard mounts are very finely chased in chiselled decoration, even including the frog stud, which is adorned by a central bird. The grip of stag totally undamaged, the scabbard leather good with slight creases to the centre, very good condition £600-£800 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
After William Hogarth (1697-1764),Etching on paper,'The Bruiser, C. Churchill (once the Revd:!) in the Character of a Modern Hercules, Regaling himself after having Kill'd the Monster Caricatura that so Sorely Gall'd his Virtuous friend, the Heaven born Wilkes/ ' But he had a Club this Dragon to Drub,/Or he had ne'er don't I warrant ye: -' Unsigned, dated 1763, but probably the version published by London, Baldwin, Cradock & Joy in 1822, 59.5cm x 46cm, UnframedThe print narrates the quarrel between Hogarth and the clergyman Charles Churchill (1731-1764), following Hogarth's depiction of the radical John Wilkes as a demonic figure, which led Churchill to publish 'Epistle to William Hogarth', a poem accusing Hogarth of vanity and hypocrisy. Hogarth depicts Churchill as a drunken bear hugging a club made of lies, while Hogarth's dog urinates on the Epistle.
Herbert Thomas Dicksee RE (1862-1942)'A Place in the Sun'etching, dated 1924, published by Frost & Reed, with blind stampplate 36.5 x 57cm, unframed;together with a mezzotint engraving after Fred Morgan, 'Babes in the Wood', unframed (2)Condition report: A place in the sun - some time staining and discolouration to the paper, some water staining on the mount.Babes in the Wood - full sheet, laid down onto card. some time staining.
*John Stanton Ward (1917-2007)'San Marco Piazzetta, Venice'etching, signed and dated 1984 in the plate, signed in pencil and numbered 12/250plate 34.5 x 55.5cm*Artist's Resale Right may apply to this lot.Condition report: In apparently good original condition, unexamined out of frame, please contact the department for a full condition report.

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78391 item(s)/page