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Lot 327
A 6 shot .31” Massachusetts Arms Co SA percussion revolver, number 1113, 9” overall, round barrel 3¼” which hinges upwards to allow removal of the cylinder, the top strap stamped “Mass Arms Co. Chicopee Falls”, traces of etching on cylinder, scroll engraved frame and back action lock, fitted with Maynard’s tape primer bearing eagle and “Maynard’s Patent Sep 22 1845”, plain walnut grips. WO & GC (action weak, lightly cleaned dull finish overall). Plate 8
Lot 328
A 6 shot .31” Warner’s Patent Springfield Arms Co SA percussion revolver, 10¾” overall, round barrel 5” marked on top strap “Springfield Arms Co”, the scroll engraved frame marked “Warner’s Patent Jan 7 1851”, etched cylinder, plain walnut grips. GWO & C (slightly worn, etching and markings faint). Plate 8
Lot 72
JAMES MCBEY (1884-1959) The Critic 1926 drypoint with etching, signed 34cm x 22cm Note: The subject is Duncan MacDonald, a director of Alex Reid and Lefevre. He visited Venice with McBey in 1924 and the Venice set of prints was exhibited at Reid and Lefevre in 1926. Alex Reid and Lefevre was formed in 1926-the directors were Lefevre, AJ McNeill Reid (Alex Reid`s son), Etienne Bignoux and Duncan MacDonald. MacDonald had formerly been a private dealer in Glasgow and before that with Aitken Dott. Honeyman moved from Alex Reid`s Societie des Beaux Arts Gallery in Gallery to join Reid and Lefevre in London until 1939 when he was appointed director of Glasgow Art Galleries. From 1926 to 1931 Reid and Lefevre presented in London one man shows of Seurat, Degas, Derain, Modigliani, Ben Nicholson, Hunter, Peploe, and Fergusson. Their clients included Burrell, Samuel Courtauld, the Cargills and William McInnes. Duncan MacDonald died in 1949. This McBey comes from the collection formed by Lord Rowallan. Provenance: Ewan Munday Fine Art Limited label verso. Private Scottish Collection. Copy of the purchase receipt accompanies this lot.
Lot 76
SIR DAVID YOUNG CAMERON RSA RS RSW RWS (1865-1945) Exhibition of watercolours by Alice MacCallan Swan, catalogue cover etching, signed 15.5cm x 12.5cm Exhibition held at Craibe Angus Gallery, December 1884 Provenance: Ewan Mundy Fine Art Limited label verso Private Scottish Collection. Copy of purchase receipt accompanies this lot.
Lot 87
* KEN CURRIE The Ludicrous Situation etching, signed in pencil, limited edition 8/40 58cm x 71cm Provenance: Glasgow Print Studio Gallery label verso Private Scottish Collection. Copy of purchase receipt accompanies this lot. Copy of Ken Currie, The Age of Uncertainty catalogue accompanies this lot.
Lot 92
IAN FLEMING RSA RSW RGI LLD (Scottish 1906-1990) Gilsochill, Glasgow etching, signed and inscribed "2nd printing 9/12" 28cm x 34cm Provenance: Roger Billcliffe Fine Art label verso Note: Fleming studied at Glasgow School of Art and in Paris. He was a Senior Lecturer at GSA 1931-47. He exhibited 1927 onwards at GI, MCAG, RA, RSA and elsewhere. Private Scottish Collection. Copy of purchase receipt accompanies this lot.
Lot 145
JAMES MCINTOSH PATRICK RSA ROI ARE LLD (b.1907-) Carcassone, The Ramparts etching, signed in pencil, dated 1927, limited edition 33/75 20cm x 16cm Provenance: The Fine Arts Society, 4822, February 1991 label verso Private Scottish Collection. Copy of the purchase receipt accompanies this lot.
Lot 203
* CAROLYN BOYD Crossing the Border (Takacs Szabolics) etching, 3/17, signed and dated Boyd `90 29cm x 23cm; Urban landscape: SE Europe etching, 3/15, signed and dated Boyd `90 21cm x 17cm; *STUART DUFFING, Eight Saints, signed etching, A/P III depicting the Santa Croce church in Florence; and a limited edition print (4) Private Scottish Collection. Copies of purchase receipts for Crossing the Border, Urban Landscape, and Eight Saints accompany this lot.
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