Charles Frederick Tunnicliffe OBE RA (British, 1901-1979), The Sitting Hare, signed in the margin lower right and numbered '56/75', etching on laid paper, 13.5cm x 18.5cm (I)Provenance: consigned from a signficant private collection of wildlife art.Loaned by the vendor to Oriel Mon for the Charles Frederick Tunnicliffe exhibition 2019-2020Condition report: The print is an etching on laid paper, framed under glazing, not examined external to the frame. It has full margins with visible platemark. The sheet appears in good condition, there is a minor tear visible in the upper left margin extending to the edge of the platemark but not into the actual plate. The surface appears stable. It is mounted and framed, the frame being of good condition with solid joints.
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Charles Frederick Tunnicliffe OBE RA (British 1901-1979), Herding Sheep at Kemps Croft Farm,1928, signed in pencil bottom right, titled and numbered 44/75 bottom left, etching, measurements 18.7 x 37.8 cm (PL), frame 47 x 64 cmsigned in pencil in the margin bottom right and numbered '73/75' bottom left, titled verso, etching, 18.5 x 37.7cm (PL), frame 47 x 64 cmConsigned from a significant private collection of wildlife artCondition report: Ok.
John Ruskin (British, 1819-1900) after J M W TurnerThe Pass of Faido (2nd Turnerian Topography), 1856signed in pencil 'John Ruskin' (lower right)etching, possibly unique proof printed in red ink11 x 17 pl.Provenance: P & D ColnaghiFootnote: Literature:John Ruskin, Modern Painters, vol. IV, London, 1860, plate 21 The present plate is based on Turner's watercolour The Pass at Faido, St Gotthard, now in the collection of the Morgan Library and Museum. Ruskin himself travelled to Faido in 1845 to make his own sketches and was surprised to discover that "the mountains, compared with Turner's colossal conception, look pigmy & poor." (see Letter dated 15th August 1845, Ruskin in Italy: Letters to his Parents, 1845, H.I.Shapiro ed., Oxford University Press, 1972, p. 172). This plate and its companion, The Pass of Faido (1st Simple Topography) which was more closely based instead on Ruskin's own on-the-spot drawing of the scene, were both etched for Ruskin's Modern Painters to demonstrate the difference between a topographical and an imaginative vision of a landscape.Condition report: Small foxing spots mostly in the margin, one to the image in the upper right quadrant above the mountains. Otherwise the image is good and clear. Not examined out of frame. Small chips to the frame.30 x 35cm framed
Lieut. General The Hon. Henry Beauchamp Lygon, Colonel of the 10th Hussars, in uniform, on horseback (1784-1863) hand-coloured aquatint, publ. 1843 by Ackermann, 48 x 37cm; J Harris after Henry de Daubrawa (British, fl. 1825-1860), A mounted officer of the Xth (The Prince of Wales' own) Royal Regiment of Lt. Dragoons, aquatint, 35 x 25cm; and Robert Dighton, An officer of the 10th, or Prince of Wales's Hussars taken from life, publ. by Dighton, etching, 33 x 18cm. Three in the lotProvenance:HRH Prince Henry, Duke of Gloucester (1900-1974)Footnote: Prince Henry was Colonel of the 10th Hussars from 1937 until his death in 1974.
2nd Life Guards Officers state sword of Lt. Col. Sir Morgan Crofton Bt. A scarce Edward VII period example. The single edged 36 1/2 inch blade with etched decoration, The obverse depicting crowned EVIIR Cypher, the reverse with the regimental device and battle honours, the last being Egypt 1882. Etched to the forte, the retailers details of Hawkes & Co. the blade is numbered 6298. The polished steel guard is mounted with entwined gilt metal letters L.G , with 2 to the centre, surmounted by a crown and bearing gilt metal stud decoration. Shagreen grip with twist wire binding and complete with original brown leather lining to the guard. Housed in original steel scabbard with gilt metal mounts, chape and loose rings. The blade remains in good clean condition, etching clear. GC
3rd Bn Rifle Brigade attributed Victorian Officers Levee Pattern Sword by Wilkinson. A scarce example with a 1/2 inch wide 31 inch blade, with etched decoration of a crowned VR cypher, the reverse with the title 3rd Bttn Rifle Brigade and Battle Honours of the Regiment the last being Lucknow. Also an armourial crest and initials E.H.C. The forte with the cutlers details of Wilkinson and the blade is numbered 19946 (1875). The hilt of the regulation pattern with shagreen grip and housed in metal scabbard. Etching clear GC. Attributed to Captain Edward Hugh Crofton, The Rifle Brigade (1854-.82)
British Army 1847 Infantry Pattern Victorian Officers Sword. A good example retailed through Hawkes & Co of London. Single edged 33 inch fullered, slightly curved blade decorated with a VR entwined cypher surmounted by crown. Gilt metal hilt with crowned VR cypher, shagreen grip and copper twist wire binding. Housed in brass scabbard fitted with two loose rings. Blade clean, etching remains clear. Dent to scabbard otherwise GC
Lancashire Fusiliers attributed Victorian Officers Levee Pattern Sword. A good example with a 3/4 inch wide 32 inch blade, with etched decoration of a crowned VR cypher and tittle LANCASHIRE FUSILIERS Also initials. The forte with the retailers details of Stone Edward of London, the spine numbered 100616 The hilt of the regulation pattern with shagreen grip and housed in metal scabbard. Etching clear GC. Attributed to Sir Morgan George Crofton, 6th Baronet of Mohill Castle, Co. Leitrim, Ireland. (27.11.1879-8.12.1958). whilst seving as a 2nd Lieutenant, 2nd Bn. Lancashire Fusiliers in 1899. Served in South Africa 1899-1901
Edward VII Indian Army Officers Sword. A good clean example retailed through Holt & Co. The straight single edged blade with etched decoration of a crown ERI cypher. This is repeated to the regulation guard, which encloses a shagreen grip with twist wire binding. Housed in polished steel scabbard. Etching to blade clear and clean.
1822 / 46 Pattern Sword for General and Staff Officers. A good example, the single edged slightly curved blade bearing etched decoration of a crowned entwined VR cypher and floral decoration; on the reverse is a General Officers device. To the forte of the blade the retailers details of Buckmaster & Co London. Gilt brass three bar open guard again with General Officer device and folding guard. Shagreen grip with twist wire binding. Housed in polished brass scabbard with two loose rings. Etching to the blade remains very clean and clear.
Royal Navy George V Period Officer Sword A good example of the regulation pattern. The straight blade with etched decoration of a crowned GVR cypher. The reverse with a crowned fouled anchor and title Royal Navy. The forte with the cutlers details of Fenton Brothers of Sheffield. The hilt of the regulation pattern with solid guard, shageen grip and a lion head pommel. Housed in brass mounted black leather scabbard. Overall GC etching to the blade clear. Folding guard locking button to the top mount of the scabbard absent.
19th Century Gladius Short Sword with Etched Decoration to the Blade An unusual example with a 21 inch double edged spearpoint blade with double fuller. The blade with half length etched decoration depicting stand of arms and floral decoration. To the forte, a cutlers mark of a C within a circle. The solid brass grip with ring turned grip. Housed in black leather and brass mounted scabbard. Sword in good clean condition, etching clear. Scabbard with repairs.
Royal Navy George V Period Attributed Officer Sword A good example of the regulation pattern. The straight blade with etched decoration of a crowned GVR cypher. The reverse with a crowned fouled anchor and title Royal Navy. The forte with the retailers details of Gieves. The hilt of the regulation pattern with solid guard, shageen grip and a lion head pommel. The folding rear guard engraved with the name A.J. PETRIE-HAY. Housed in brass mounted black leather scabbard. Overall GC etching to the blade clear and clean. Lieutenant Commander A.J. Petrie-Hay is noted as a Paymaster Midshipman serving at HMS Barham in 1935 and was serving at the Admiralty in 1946
RAMC Victorian Officer Sword By Wilkinson. The 32 inch blade is decorated with a crowned reverse entwined VR cypher and a panel with the original owners initials L.G.J.R. To the forte the cutlers details of Henry Wilkinson London and the blade is numbered 31332 (1892). The hilt with open guard incorporating a Crowned VR cypher. The shagreen grip with twist wire binding. Housed in brass scabbard. A good clean example etching clear
1st Life Guards Officer state sword of Robert Lindsay Lloyd OBE MC A scarce George V period example by Wilkinson of London. The single edged 37 1/2 inch blade with etched decoration, The obverse depicting crowned GvR Cypher, the reverse with the regimental device and battle honours, the last being Paardeberg. Etched to the forte, the cutlers details of Henry Wilkinson, Pall Mall; the blade is numbered 58227. The polished steel guard is mounted with entwined gilt metal letters L.G , with 1 to the centre, surmounted by a crown and bearing gilt metal stud decoration. Shagreen grip with twist wire binding and complete with scarlet and buff leather lining to the guard. Housed in original steel scabbard with gilt metal mounts and loose rings. The blade remains in good clean condition, etching clear. Near VGC Major Robert Lindsey Lloyd was educated at Eton and was commissioned into the 16th Lancers in 1911. He served during the Great War with the Regiment in France landing in August 1914. He was awarded the MC in 1916 and the OBE 1919. Remaining with the Army after the end of the war he exchanged to the 1st Life Guards 1919 and in 1930 held the rank of Major. He also saw service during WW2 as second I/C 152nd Officer Cadet Training Unit. The sword was purchased from Wilkinson on the 12th July 1920 by Captain R Llloyd 1st Life Guards
WW1 Period Turkish Officer Sable Sword. This example, closely follows the Imperial German pattern. The single edged slightly curved blade with etched decoration which includes the crescent and star. This device is repeated to the langets. The hilt with single brass bar guard. Housed in steel scabbard. Etching to blade clear, some overall age wear.
Royal Army Medical Corps WW1 Officer sword. A good George V period example retailed through Hawkesworth of Sheffield. The blade is with etched decoration, with GVR crowned cypher. The brass open guard is also with cypher, and shagreen grip with twist wire binding. Housed in polished brown leather field service scabbard. Near VGC Etching clear
Victorian / Edwardian RAMC Officers Sword. An unusual transitional example. The 32 1/2 inch blade is decorated with a crowned reverse entwined VR cypher and to the forte the retailers details of Hawkes & Co. London. The hilt with open brass guard incorporating a Crowned EVIIR cypher. The shagreen grip with twist wire binding. Housed in polished brown leather field service scabbard. A good clean example etching clear
Victorian 1885 Liverpool Rifle Brigade Presentaion Sword. An example of the Light Infantry pattern, the blade with etched decoration of crowned VR cypher, strung bugle and a presentation panel PRESENTED TO Cr SERGT E STEWARD ON HIS PROMOTION TO QM SERGEANT FROM THE OFFICERS AND MEMBERS OF B COMPANY LIVERPOOL RIFLE BRIGADE. The hilt of the regulation pattern incorporating a strung bugle device. Scabbard absent. The sword has been professionally restored showing some service pitting. etching faint to parts.
Royal Navy Sword of Commander R.G. Liveing Comprising: Royal Navy George V period Levee pattern sword, a scarce narrow blade example of the regulation pattern. The blade with etched decoration of a GVR crowned cypher and to the forte the retailers details of Gieves. The hilt with shagreen grip, surmounted by a lionhead pommel. The folding locking guard with engraved name R.G.LIVEING RN. Complete with scabbard. Small rust spots to the blade, otherwise etching clear and clean. The leather is dry and with a part break. ... Commander Robert George Liveing entered Royal Navy service in January 1919 and was appointed a Sub Lieutenant 1926 with Lieutenant 1929. He served with the Submarine Service and in 1928 was posted to the Submarine L3 on the China Station. He transferred to the Emergency list in 1931 and was recalled for service during WW2. The Royal Navy list of 1968 shows him as the Senior Command Naval Auxiliary Officer Royal Naval Auxiliary Service.
Bob Dylan (American 1941-), 'Box Set Of 10', 2008, a complete box set of ten giclee prints on 350gsm Hahnemuhle Museum Etching Paper, all signed and numbered from an edition of 295 in pencil, published by Washington Green Fine Art; sheets: 70 x 56cm each (10) Titles: Sidewalk Cafe Sunday Afternoon Woman On A Bed Vista From Balcony Lakeside Cabin Cassandra Statue Of Liberty Dad's Restaurant Two Sisters Bragg Apartment, New York City
*Norman Ackroyd RA (b.1938)'Chateau Cheval Blanc'etching and aquatint, signed 'N... A...' in pencil l.r., also bears signature by a different hand l.l., inscribed as titled and numbered 23/15035 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, sheet is stuck down to the mount, there is a slight stain below title, and a similar stain upper centre which creates two patches on the image. Please refer to images. There is some dirt to the glass, otherwise sheet is clean and white.
Peter LANYON (1918-1964)Beast, 1959EtchingSigned and inscribed by Sheila Lanyon also stamped PLInscribed 'Beast 1959 - one of 6 prints made for family before plate destroyed S m Lanyon - Jo Lanyon - June 1983' to versoPlate size 25 x 18cm Condition report: This rare etching has not been examined out of the frame but it appears to be in excellent condition
FITTON E. HEDLEY [1859-1929] - Chateau des Comtes, Ghent,:- etching, signed in pencil in the margin, image 37 x 39cm, [With Frost & Reed 1935], together with one other signed etching by the same hand of The Clock Tower, Amboise, an etching by Sidney Tushingham of The Church of St. John and St. Paul, Rome and one other by Albany Howarth of Ponte St Pierre, Auxere. [4]
‡Eileen Soper RMS, SWLA (1905-1990) Stop Thief; Black Puss-cats; Cricket Three, each signed Eileen A. Soper (in pencil to margin) Each etching, 1926, 1925, c.1926 (respectively) Largest 11.4 x 19cm; Smallest 11.1 x 17.4cm (plate) (3) Exhibited: 'Stop Thief', London, Chris Beetles Ltd, The Art of George and Eileen Soper, 3-30 June 1995
‡Eileen Soper RMS, SWLA (1905-1990) Follow My Lead; The Giant Stride; The Sands Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1923, 1921, 1921 (respectively) Largest 12.2 x 18.5cm; Smallest 11 x 17cm (plate) (3) Provenance: 'The Sands' with The Rembrandt Gallery, Liverpool and London (according to label)
‡Julian Trevelyan RA (1910-1988) Game Park Signed, numbered and inscribed 2/125 Game Park Julian Trevelyan (in pencil to margin) Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Frink and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Frink and Alex Csaky.
‡Patrick Procktor RA (1936-2003) The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APIII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; One 14.9 x 22.5cm (plate) Unframed (4)
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71174 item(s)/page