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Lot 2
* Bowles & Carver (publishers). ‘Quarrelsome Taylors or two of a Trade Seldom Agree’, n.d. c.1790, mezzotint ‘droll’ with original watercolour and gouache hand colouring, trimmed to margins, 340 x 250mm, contemp. carved frame, together with, Black Eyed Susan, n.d. c.1810, uncoloured stipple engraving, trimmed to image, lacks title and letters, 315 x 305mm, near contemp. frame, with, Bretherton (Charles), The Sailors Return from Portsmouth to London, pub. J.Bretherton, March 2nd. 1772, [but later impression], uncoloured etching, 220 x 320mm, framed and glazed (3)
Lot 3
* Bunbury (Henry William). The Damnation of Obadiah, pub. W.Bunbury , 1798, etching with original hand colouring, engraved by J.Bretherton, trimmed to image, 255 x 380mm (10 x 15 inches), framed mounted and glazed. One from the series of illustrations to ‘Tristram Shandy’.Not examined out of frame. (1)
Lot 4
* Cruikshank (George). The Hobby Horse Dealer, pub. G.Humphrey, July 25th 1819, etching with original hand colouring, trimmed to image and laid on later paper, 250 x 355mm, together with, Pyall (Henry), The Cut Celestial, pub. Thos. McLean, 1827, aquatint on wove after ‘M.E.’, original hand colouring, seven lines of humorous verse below image, two closed marginal tears not affecting image, 345 x 250mm, with, Mr. Mathew’s “At Home”, “I Like fun - Let’s have some fun”. pub. Thos. McLean, 1826, aquatint engraving with original hand colouring, laid an an album page, 300 x 200mm, with two others similar (5)
Lot 6
* Cruikshank (Isaac Robert, 1786-1856). Johny Bull giving Boney a Pull, pub. Ackermann’s Gallery, August 7th. 1803, etching with original hand colouring, 240 x 340mm, mounted, framed and glazed, together with Gillray (James), Temperance enjoying a Frugal Meal, pub. H.Humphrey, July 28th 1792 [but later state], hand coloured etching, trimmed to image and laid on card, 355 x 280mm, mounted framed and glazed (2)
Lot 11
* Rowlandson (Thomas attrib.). “How came you thus?”, n.d. c.1800, pen and watercolour drawing, signed in lower right corner, 205 x 175mm (8 x 6.75 inches), framed mounted and glazed, with caption in later brown manuscript on mount. Sold with etching on wove with early hand colouring, titled “How came you so?” inserted in sleeve on verso of frame. This image not recorded in Grego. (1)
Lot 14
* Rowlandson (Thomas). A Trip to Gretna Green, pub. T.Rowlandson October 25th 1811, etching with original hand colouring, occ. spotting, two marginal closed tears, repaired, 345 x 230mm (13.5 x 9 inches), framed, mounted and glazed. A pretty young girl and an army officer are married in the open air outside the Blacksmith’s shop at Gretna Green. The elderly snaggle-toothed presiding cleric with wig askew, pince-nez and frayed top coat is in direct contrast to the very handsome couple. The drama is witnessed by a grinning coachman, who is possibly a faithful servant who has driven the eloping couple to this hurried matrimonial rendezvous. (1)
Lot 52
* The Duke of Rutland Alais (Alfred Clarence). Untitled shooting engraving, pub. Henry Graves & Co., January 13th. 1879, hand coloured mixed method engraving on india wove after Francis Grant, proof before title, 625 x 795mm, together with, Smith (Alfred), The Egg Gatherers, n.d. c.1870, etching before mezzotint on india wove after James Clarke Hook, proof before title, 760 x 540mm (2)
Lot 66
MARIAN KRATOCHWIL (Polish, 1906-1997) `Don Quixote and Sancho Panza`, signed in pencil lower right and inscribed `Warszawa 1936` lower left, drypoint etching, 14 1/2" x 19 1/2" This and a dozen other prints on similar subjects were made by the artist in London 1961, from plates he had designed in Poland before the war.
Lot 80
MARIAN KRATOCHWIL (Polish, 1906-1997) Don Quixote and Sancho, signed lower right and inscribed `Warsawa 1936` lower left, drypoint etching, 5" x 7", together with two silk screen prints in red of scenes from Don Quixote, each signed and dated `Marian 1951` lower right, unmounted and unframed (3)
Lot 337
EDGAR WILSON (British, 1861-1918) `Thames from the Monument`, 7/30, signed and numbered in pencil lower left and titled lower right, etching, 6" x 11 1/2"; Edwin Charles Pascoe Holman (British, 19th/20th Century), Moonlit Pines, Dorset, signed lower right and titled lower left, etching, 5" x 6 3/4" and two further prints (4)
Lot 94
Prout (Samuel). [Picturesque Delineations in the Counties of Devon and Cornwall, pub. T. Palser, 1812], lacks title page at front, twenty-three plates (containing seventy illusts.) in soft-ground etching, mostly picturesque and rustic subjects, including castles, cottages, views in Devon and Cornwall, river scenes, boats and shipping, without letterpress, occn. minor marks and soiling, mostly to margins, short closed tear to fore-margin of final plate, not affecting image, orig. calf backed plain boards, soiled and marked, some wear to edges, large oblong folio (1)
Lot 252
* Paton (Frank, 1856-1909). ÒThe Good Old DaysÓ, 1888, etching of a hunting scene surrounded by numerous etched vignettes, signed in pencil by artist in lower left corner, 200 x 255mm, mounted framed and glazed, together with,ÓA Meeting of the UnemployedÓ, 1886,etching of a hunting scene surrounded by numerous etched vignettes, signed by artist below image in pencil, 205 x 255mm, mounted, framed and glazed, with,ÓOur Grandfathers” HobbiesÓ, 1898,etching of a hunting scene surrounded by numerous etched vignettes, signed in pencil by artist in lower left corner, 210 x 260mm, together with another eight hunting related etchings by Frank Paton, various sizes and condition. Not examined out of frames. (11)
Lot 253
* Paton (Frank, 1856-1909). ÒThey Wont Be Happy Till They Get “EmÓ, 1889, etching of two dogs surrounded by numerous humorous etched vignettes including one of a cricket match, signed in pencil by artist in lower left corner, 280 x 355mm, mounted, framed and glazed, together with,Ó3 to 1 on the FieldÓ, 1890,etching of three dogs surrounded by numerous humorous etched vignettes, signed in pencil by artist in lower right corner, 270 x 340mm, mounted, framed and glazed, with,ÓGone AwayÓ, 1897,etching of terriers chasing a cat, surrounded by numerous humorous etched vignettes, signed in pencil by artist in lower left corner, 195 x 240mm, framed and glazed, together with another seven etchings of dogs by Frank Paton, various sizes and condition, all framed and glazed. Not examined out of frames. (10)
Lot 262
* Robins (William Palmer, 1882-1959). Near Potter-Heigham, Norfolk, etching, signed and dated 1921 in pencil, with margins, plate size 173 x 277mm, mounted, together with Mesham (Isabel B.), Cockatoos on a Branch, uncoloured etching with aquatint, signed in pencil, plate size 227 x 175mm, plus Hayes (Gertrude), Dolceaqua, etching with drypoint, with margins, signed and titled in pencil, plate size 200 x 145mm, and other various etchings and prints, including W. Renison, Birket Foster, 25 x Calendarium Londinense 1969-2005, each with etched view of London to upper portion, by Harry Eccleston, Lawrence Josset, Anthony Dyson, Jason Hicklin, etc. (36)
Lot 453
James Gillray 1757-1815- "Promis`d Horrors of the French Invasion, or Forcible Reasons for negotiating a Regicide Peace", publ Oct 20th 1796 by H Humphrey, New Bond Street; hand-coloured etching, 32.5x43cm: James Gillray 1757-1815- "Britannia between Death and the Doctor`s. Death may decide when Doctor`s disagree"; hand-coloured etching, 25x38cm: James Gillray 1757-1815- "The Dagger Scene: or The Plot Discover`s", publ Dec 30th 1792 by H Humphrey N18 Old Bond Street, 37.5x30cm., (3)
Lot 455
Henry Thomas Alken 1785-1851-"Symptoms"; published by Thomas McLean, Hay Market 1822, hand-coloured soft ground etching, four plates from the suite "Symptoms of being Amused"; in matching verre églomisé, frames, 20x24cm: After G M Woodward, George Moutard 1760-1809- Cut out caricatures from "Political Hoaxing"; hand-coloured engraving, and others, (a lot)
Lot 475
* Christopher Turnbull, late 20th century- "Untitled" etching with mixed technique, on cream wove the full sheet with margins, signed, dated 95 and numbered 1/1, 76x110cm, label for the Mall Galleries, verso: Abstract school, late 20th century- Untitled; lithographs, a pair, each initialed `KA` and dated 99, numbered 11/95 in pencil, in matching frames, (3) Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 554
After James Gillray 1757-1815- "Hounds In Full-Cry"; hand-coloured etching, originally published April 8th, 1800 by H Humphrey, James Street, London, 26x38cm: together with three further plates from the same suite to include Coming in at the Death, Hounds Finding, Hounds Throwing Off; all in matching mounts and frames; (4)
Lot 588
Felix Meseck, German 1883-1955- Dancing figures with donkey, (L.97); etching with dry point, printed with tone on cream wove, the full sheet with margins, deckled edges; together with three further states of the same plate on various papers; each signed, titled and inscribed 16.6x11.6cm; Old men with goat in foreground and cockerill behind, (L.29); etching with dry point on cream wove, the full sheet with margins, deckled edges; together with three further states of the same plate on various papers, each signed, titled and inscribed 16.5x11.6cm; together with further etchings by the same hand, from the same or similar suite, on various papers, each signed, titled and inscribed. (unframed) (a lot)
Lot 697
Pierre Charles Baquoy 1759-1829- "Ceremonie Religieuse, "; engraving after Le Barbier Laine, 34x50cm; "Chapelle Sepulchrale"; engraving, by the same hand, 43x52cm: Gottfried Engelmann I 1788-1839- "Interieur d`un Jardin a Constantinople"; soft ground etching, after Constant Bourgeois 1767-1841, Note: Pierre Charles Baquoy, French painter and engraver, known mainly for his depictions of famous historical characters. Baquoy was born and died in Paris. he was considered an eminent artist-engraver and among other things professor of drawing and an employee of the Musee Royal. He was the illustrator of the Kehl edition of Voltaire.
Lot 708
Jacques Villon 1875-1963- "L` Enlevement or Le Ravisseur" (G./P. 80 II) 1903, published by Editions Sagot, Paris, etching, soft ground etching and aquatint printed in colours, 1903, the second state of three, signed in brown crayon, numbered 12/25, with blindstamp, on wove paper with full margins, 50x40cm, (unframed)
Lot 712
Jacques Villon 1875-1963- "La mere and Portrait De Madame R" (G./P. 493 and 497) one engraving and one etching, 1945-47, each signed in pencil, numbered 96/108 and 27/40 respectively, the first with blind stamp for Peintres-Graveurs, both on cream and buff wove papers, with full margins, in good condition, the first example with minor staining to the margin, (2) (unframed)
Lot 737
Jacques Villon 1875-1963- "Mes Petites Amies, les Deux Seurs and Les Poupeepes De Minnie" (G./P. 101 and 193) one drypoint printed with tone and one etching and aquatint, 1904-07, each signed in pencil, the first one of only a few trial proofs in black aside from the edition of 50; the second numbered 11/30, on wove and Japan papers, respectively, 37.5x29.2cm and 23.5x16.5cm, (2) (unframed)
Lot 742
Jacques Villon 1875-1963- "La famille Zemgani"; (G./P. 159) published by Editions Sagot, Paris, etching and aquatint printed in brown, 1906, signed in pencil, inscribed etat 6 probably the sixth state of eight, (there where 30 impressions of the final state) with blindstamp, on Japan paper, with full margins, overall good condition, minor scattered foxing to the margin, 22.5x28.5cm, (unframed)
Lot 744
Jacques Villon 1875-1963- "Les Femmes D`Ouessant" (G./P. 81) aquatint and etching printed in colours, 1903, the first state of three, signed in pencil, a rare unrecorded impression (Gineset and Pouillon only recorded two proofs one in blue and one in black, aside from the total edition of 68) on wove paper, full margins, overall good condition, apart from handling marks and creasing to the margins, pin hole far right, (within the image) 27.5x37.5cm, (unframed)
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71174 item(s)/page