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A gouache study of a gazebo at Bradley Court, Wotton-under-Edge by George Melly (jazz musician), signed bottom right George, dated 71, with presentation inscription, 60 x 45 cm together with a pen and ink drawing of the porch at Bradley Court, signed Taggart, a gouache study, still life with fruit, signed bottom right Sue Wales and a signed limited edition etching of Valterra, an Italian village, signed bottom left Briat
A large early 20th century continental coloured etching by Henri Jourdain showing a water mill, signed in pencil bottom right with watercolour remarque study of a water mill to the lower margin, edition number 21 and embossed blind stamp - Cercle Librairie, with Frost & Reed label verso Original Coloured Etching Henri Jourdain, The Fairy Mill, limited to 25 remarque artist`s proof impressions, with date 12 2 13, 71 x 85 cm in wide gilt frame
An 1821 pattern light cavalry officer’s prize sword, slightly curved, fullered blade 34½” by Reeves, Maker, Birmingham, etched with crowned VR cypher, trophy and “Presented by B. Watson Esq to. (unclear) Wainwright Kitson of Captain Taylor’s, or H Troop, 1st W.Y.Y.C, as the best swordsman at the competition held at Doncaster, 16th May 1878”, regulation triple bar steel hilt with sideloop, stepped pommel, plain backstrap, wirebound fishskin grip, in its steel scabbard with 2 rings. Basically GC with a dark patina to hilt and scabbard (blade worn and pitted, the etching generally faint)
Rembrandt Harmensz van Rijn (1606-1669) - Etching - Self Portrait In A Cap And Scarf With The Dark Face, a dark later impression, 12cm x 10cm Currently framed and mounted so unable to tell how tightly the etching is trimmed, foxing/staining to right side of image which can be clearly seen in our photographs - ** General condition consistent with age
Two 19th Century coloured engravings - Kings Weston, Near Bristol, after C.V. Fielding, engraved and published by R. Havell 1816, 20cm x 29cm and Portishead Point From The Vista In The Grounds Of Blaize Castle after M.H. Holmes, published by George Davey, 20.5cm x 29.5cm together with Edward Burrow - Etching - Avonmouth From Penpole Point, 15.25cm x 24.25cm ** General condition consistent with age
VALERIE DANIEL. Framed, signed and numbered in pencil 27/75, `Lilies`, coloured etching, together with a framed, indistinctly signed, 20th Century oil on canvas, town landscape, and VOLT. Framed, signed, etching, showing a reclined semi nude female figure. 36cm x 56cm, 44cm x 63cm and 29cm x 49cm, (3).
NORMAN CLIFFORD JAQUES (b. 1922) Framed, signed, dated 1948, and indistinctly titled in pencil to margin, etching on paper, cottage kitchen interior of a kettle and range, together with a framed, unsigned, dated 1954, pen, ink and wash on paper, monochrome sketch also by Jacques, inscribed, `The Fountain of All Saints,` Manchester, and a small sketch book inscribed in front cover in artist`s hand, `Please return to N. C. Jacques, Regional College of Art, All Saints, M/C`, containing various pencil and ink sketches, 20cm x 16cm x 20cm x 16.5cm and 14.5cm x 10.5cm (3).
ARR BY AND AFTER JOHN REGINALD BRUNSDON (British b.1933), 'Rose' colour etching, signed, titled and numbered 36/75 in pencil to the margin, 30cm x 22.5cm (plate) together with another by the same hand 'Moonshine', colour etching, signed, titled and no.14/100 in pencil to the margin, 29.5cm x 22cm (2)
AN EARLY 20TH CENTURY AUSTRIAN .925 SILVER-GILT & BAISSE TAILLE ENAMEL BOX, rectangular, the hinged lid inset with a miniature, painted on ivory, of The Lady and the Unicorn, after a 15th century French tapestry, depicting 'Hearing', within a baisse taille enamel border, painted with flowers, internally the lid is inset with a sepia etching, 'Musical party in open air', probably on ivory, after the original, at the Musée des Arts, Paris, import mark of Stockwell & Co, 1930, 10cm x 12.5cm x 2.75cm. See illustration

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78388 item(s)/page