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Lot 250

Gaston de Latenay, Beach scene, etching, signed in pencil and numbered 20/50, 31 x 15cm, a print `The Graves at the Head of the Harbour of Balaklava`, a print of a girl with wheatsheaf, another of Shakespeare scene, one of `A Garden House`, and a Scottish print

Lot 261

William Lionel Wyllie, The Thames, etching, and a Baxter print

Lot 519

After George Morland. Country folk and a dog, a soft ground etching, republished by Orme Conduit Street, 54cm x 40cm.

Lot 321

Dorsey Potter Tyson (20th century American school), polychromatic drypoint etching on paper, 'The Sword Dance', signed in pencil to margin and numbered 3/100, H. 30 cm, W. 25 cm.

Lot 445

After Gainsborough R.A., a 19th century monochrome etching, study of pastoral children in a romantic landscape, with verre eglomise mount, H. 9.5 cm, W. 8 cm.

Lot 809

A gouache study of a gazebo at Bradley Court, Wotton-under-Edge by George Melly (jazz musician), signed bottom right George, dated 71, with presentation inscription, 60 x 45 cm together with a pen and ink drawing of the porch at Bradley Court, signed Taggart, a gouache study, still life with fruit, signed bottom right Sue Wales and a signed limited edition etching of Valterra, an Italian village, signed bottom left Briat

Lot 815

A large early 20th century continental coloured etching by Henri Jourdain showing a water mill, signed in pencil bottom right with watercolour remarque study of a water mill to the lower margin, edition number 21 and embossed blind stamp - Cercle Librairie, with Frost & Reed label verso Original Coloured Etching Henri Jourdain, The Fairy Mill, limited to 25 remarque artist`s proof impressions, with date 12 2 13, 71 x 85 cm in wide gilt frame

Lot 834

An early 20th century coloured etching by Emil Singer showing an Austrian street scene, signed bottom right Emil Singer and dated 1917, inscribed Wien - Kirche bei der Alten Universitat 221, 44 x 56 cm in gilt frame

Lot 721

A Geo V 1897 pattern infantry officer’s sword, blade 32” etched with GVR cypher and foliate panels, engraved “W A Smith”, in its steel dress scabbard GC (slight wear to scabbard plating and blade etching, light pitting to hilt)

Lot 736

An Ed VII 1897 pattern infantry officer’s sword, 32½” blade, etching worn away, surface pitting on guard, in its leather FS scabbard (leather mostly removed)

Lot 748

An 1821 pattern light cavalry officer’s prize sword, slightly curved, fullered blade 34½” by Reeves, Maker, Birmingham, etched with crowned VR cypher, trophy and “Presented by B. Watson Esq to. (unclear) Wainwright Kitson of Captain Taylor’s, or H Troop, 1st W.Y.Y.C, as the best swordsman at the competition held at Doncaster, 16th May 1878”, regulation triple bar steel hilt with sideloop, stepped pommel, plain backstrap, wirebound fishskin grip, in its steel scabbard with 2 rings. Basically GC with a dark patina to hilt and scabbard (blade worn and pitted, the etching generally faint)

Lot 755

A Vic 1827 pattern Rifle officer’s sword, faint etching with “London Rifle Brigade” to blade 32”, regulation hilt; an Austrian M1861 infantry officer’s sword, blade 34”; 3 infantry sword blades. FC to QGC (5)

Lot 1181

1845 Pattern Infantry Officers sword by C. Webb, 23 Old Bond St. London, VR cypher. Blade 33"" with faint etching visible. Wirebound fishskin grip (G.C.) blade stained but not pitted. No Scabbard

Lot 2200

SALVADOR DALI [1904-1989], ETCHING & MIXED MEDIA, #193/250, 16" X 10" IMAGE, `UNIVERSE OF MAN`: Pencil signed lower right, under glass and framed, with a Park West Galleries certificate on the reverse [see additional photo].

Lot 2201

SALVADOR DALI [FR/ES, 1904-`89], MIXED MEDIA PRINT WITH ETCHING, H 12", W 20", "COMBAT DE CAVALIERS": 12 1/2" x 20 1/2"; plate 2 from "Folge Calderon"; #61/225; pencil signed; framed. Reference Michler/Lopsinger #516.

Lot 2219

JEAN FRANCOIS MILLET [FRENCH 1814-1875], ETCHING, H 9 1/4", W 13 1/4", "LES BECHEURS" [THE DIGGERS]: Framed. Reference: Delteil 13; Melot 13. Etched in the lower right, "Paris Imp par --- Rue St. Jacque." Date that this print was pulled is unknown.

Lot 117

Rembrandt Harmensz van Rijn (1606-1669) - Etching - Self Portrait In A Cap And Scarf With The Dark Face, a dark later impression, 12cm x 10cm Currently framed and mounted so unable to tell how tightly the etching is trimmed, foxing/staining to right side of image which can be clearly seen in our photographs - ** General condition consistent with age

Lot 214

Two 19th Century coloured engravings - Kings Weston, Near Bristol, after C.V. Fielding, engraved and published by R. Havell 1816, 20cm x 29cm and Portishead Point From The Vista In The Grounds Of Blaize Castle after M.H. Holmes, published by George Davey, 20.5cm x 29.5cm together with Edward Burrow - Etching - Avonmouth From Penpole Point, 15.25cm x 24.25cm ** General condition consistent with age

Lot 625

Murray: a signed etching, view of St Mark`s Venice interior, in gilt frame

Lot 696

Stanley Anderson: a pencil signed drypoint etching, harvesters in a field and a windmill, 6 1/2" x 13"

Lot 718

Louis Baumer: an etching, "Trials of a lady of fashion", 6" x 8", and a 19th Century engraving, "Procession of the Flitch of Bacon", 12" x 30"

Lot 378

*H.A. FREETH. ‘Headrest and Handstand’, signed, and inscribed, etching, unframed, Pl. 12 x 9 in; one other unframed etching by Freeth; two (2)

Lot 1377

Graham Clark, signed limited edition 135/200 coloured etching 'Steamers' from the History of England series, 44 x 37 cm.

Lot 1378

H G R Hook quantity of watercolours and etchings including Venice, Germany etc, F Robson etching 'The Town Hall, Abingdon' together with a signed print after Anne Cotterill.

Lot 1461

Late Victorian / Edwardian etching with aquatint, of Amiens Cathedral, signed J Aephage Brewer, 68 x 48 cm, published 1918

Lot 1492

Signed etching of a young gentleman.

Lot 1584

Julian Celos coloured etching of Arras Cathedral, 40 x 33 cm.

Lot 444

Hayden Kirkpatrick, a pencil signed etching of Snape Bridge, limited edition, 40/100, image size 25.5cm x 36cm; and another study of "Venture" at Pin Mill, 14/150, 38cm x 27.5cm, (2)

Lot 474

Etching of a sea scape & a watercolour

Lot 486

Countryside pond scene etching signed by C Law

Lot 1075

TERENCE MILLINGTON - `Grapes I`, an etching of fruiting vine, signed in pencil in the margin and marked AP, together with `Grapes II`, an etching by the same artist, 37cm x 33cm (2)

Lot 1076

CITY RATRACE - Humorous etching, signed in pencil in a margin and numbered 143/150, 11cm x 30cm

Lot 1278

AN ETCHING OF MAIDENHEAD ON THAMES indistinctly signed 24cm a 20cm, a print of the meat market, Smithfield at 2 in the morning and three further pictures (5)

Lot 8404A

JULIAN TREVELYAN (1910 - 1988) : A framed and glazed coloured etching "Near Miss", artists proof. Signed in pencil, 48cm x 34cm

Lot 8413

PATRICK PROCKTOR (1936-2003): A framed and glazed etching portrait of Roger Bevan. Pencil signed and numbered 24/98. 42cm x 27cm

Lot 8435

JOHN KIKI (b1943): A framed and glazed etching, circus series, pencil signed artists proof 30cm x 24cm

Lot 8449

DAVID HOCKNEY (b1937) (ARR) : A framed and glazed etching and aquatint on paper, pencil signed and number 71/100, from the Grimm's Fairy Tales Series "Enchantress with the baby Rapunzel". 27cm x 23cm

Lot 8455

GLYNN THOMAS (XXI): A framed and glazed coloured etching of "Orfordness" pencil signed and No. 141/150, 29cm x 42cm

Lot 50

A H. Godfrey etching, Alert, framed

Lot 1832

A Rembrandt etching 'The Three Trees' unframed 11 1/2" x 9 1/2" approximately

Lot 348

Leo Brown (19th/20th century), A study of a macaw and fruit, signed in pencil, coloured etching, 38 x 26 cm CONDITION REPORT: Some discolouration and surface damage

Lot 1223

VALERIE DANIEL. Framed, signed and numbered in pencil 27/75, `Lilies`, coloured etching, together with a framed, indistinctly signed, 20th Century oil on canvas, town landscape, and VOLT. Framed, signed, etching, showing a reclined semi nude female figure. 36cm x 56cm, 44cm x 63cm and 29cm x 49cm, (3).

Lot 1030

NORMAN CLIFFORD JAQUES (b. 1922) Framed, signed, dated, numbered and titled in pencil to margin, ‘Half Demolished, All Saints M/C, ’68, 2/50’, etching on paper, abstract composition of a Manchester church, 32cm x 24.5cm.

Lot 1035

NORMAN CLIFFORD JAQUES (b. 1922) Framed, signed, dated 1948, and indistinctly titled in pencil to margin, etching on paper, cottage kitchen interior of a kettle and range, together with a framed, unsigned, dated 1954, pen, ink and wash on paper, monochrome sketch also by Jacques, inscribed, `The Fountain of All Saints,` Manchester, and a small sketch book inscribed in front cover in artist`s hand, `Please return to N. C. Jacques, Regional College of Art, All Saints, M/C`, containing various pencil and ink sketches, 20cm x 16cm x 20cm x 16.5cm and 14.5cm x 10.5cm (3).

Lot 179

Etching David Michael Itchkawich, born 1937 (American) "Mr Prens' is Leaving", No.6/100, signed in pencil, 15cm x 15cm

Lot 193

Etching George Grainger Smith "The Black Bear in Tewkesbury", signed another of black and white half-timber building and two copper engraving plates by George Grainger Smith, Clifton Suspension Bridge and Stonehenge, Provenance of Life and Work of George Grainger Smith (3)

Lot 1426

* ELYSE ASHE LORD (BRITISH 1900-1971), THE ROSE GARDEN OF SADI hand-coloured etching, signed and numbered 11/100 in pencil 30cm x 18.5cm Mounted, framed and under glass Label verso: W.B. Simpson, Glasgow

Lot 1432

Edward Sharland - `Bits of Old London`, etching, edition of 300

Lot 581

ARR BY AND AFTER CHARLES BARTLETT (British b.1921),' Harbour Wall', colour etching, signed, titled and no.25/60 in pencil to the margin, 54cm x 42cm (image)

Lot 582

ARR BY AND AFTER CHARLES BARTLETT (British b.1921),' The Lighthouse', colour etching, signed and no.25/60 in pencil to the margin, 37cm x 46cm (image)

Lot 583

ARR BY AND AFTER CHARLES BARTLETT (British b.1921),' Nets Drying', colour etching, signed and titled and no.47/150 in pencil to the margin, 36cm x 44cm (image)

Lot 588

ARR BY AND AFTER JOHN REGINALD BRUNSDON (British b.1933), 'Rose' colour etching, signed, titled and numbered 36/75 in pencil to the margin, 30cm x 22.5cm (plate) together with another by the same hand 'Moonshine', colour etching, signed, titled and no.14/100 in pencil to the margin, 29.5cm x 22cm (2)

Lot 589

ARR BY AND AFTER JOHN REGINALD BRUNSDON (British b.1933),' Church on La Digue', colour etching, signed, titled and no.18/35 in pencil to the margin, 32.5cm x 22cm (plate)

Lot 590

ARR BY AND AFTER JOHN REGINALD BRUNSDON (British b.1933),'Ramsey Island', colour etching, signed, titled and no.4/75 in pencil to the margin, 44cm x 58cm (plate). See illustration

Lot 591

ARR VALERIE THORNTON (British 1931-1991), 'Corme Royal', etching with aquatint, signed and dated '74, titled and no.12/75 in pencil to the margin, 53cm x 44cm. See illustration

Lot 599

ARR AFTER DAVID HOCKNEY R.A. (British b.1937), 'An Etching and a Lithograph for Edition Alecto 1973', signed and inscribed rep. proof and dated '73 on the plate, published by Cotswold Collotype from an edition of 200, 76cm x 49cm (image)

Lot 20

SMITH (PERCY) - Sixteen Dry Points and Etchings by Percy Smith, one of twenty two special copies containing an original signed etching, no. III of 167 copies (overall), red linen, in slip case, 1930

Lot 353

AN EARLY 20TH CENTURY AUSTRIAN .925 SILVER-GILT & BAISSE TAILLE ENAMEL BOX, rectangular, the hinged lid inset with a miniature, painted on ivory, of The Lady and the Unicorn, after a 15th century French tapestry, depicting 'Hearing', within a baisse taille enamel border, painted with flowers, internally the lid is inset with a sepia etching, 'Musical party in open air', probably on ivory, after the original, at the Musée des Arts, Paris, import mark of Stockwell & Co, 1930, 10cm x 12.5cm x 2.75cm. See illustration

Lot 566

AXEL HERMAN HAIG (Swedish 1835-1921), Notre Dame Cathedral and the Pont de Archeveche, Paris, river barges and figures to the foreground, black and white etching, signed in pencil to the margin, dated 1900 with monogram in the plate, 58cm x 79cm

Lot 567

ARR KENNETH STEEL (British 1906-1973),'Lincoln', etching, signed in pencil in the margin, 31cm x 36.5cm. See illustration

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