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Horace Brodzky, Australian/British LG 1885-1969- Woman with clasped hands; etching, signed and dated 1925 in pencil, 14x12.5

Rosebery's

Lot 904

Horace Brodzky, Australian/British LG 1885-1969- Woman with clasped hands; etching, signed and dated 1925 in pencil, 14x12.5cm: together with three other etchings by the same hand to include 'The Aviary", signed and dated 1912 within the plate, inscribed '1st State final proof' beneath the mount, 12.5x15cm; "Church of St John the Divine, New York", signed in pencil, 10x12.4cm; "Ruined Cathedral, Messina", signed and dated 1912 in pencil, 11x13.5cm., (4). Provenance: John Brodzky, the artist's son

Live Auction

After Albrecht Durer 1471-1528- "The Last Supper"; (Bartsch 13, Strauss 199, Meder 184a). woodcut, originally published 1523

Rosebery's

Lot 925

After Albrecht Durer 1471-1528- "The Last Supper"; (Bartsch 13, Strauss 199, Meder 184a). woodcut, originally published 1523, 19.3x29.2cm., (trimmed within the plate): After Joseph Mallord William Turner RA, 1775-1851- "Mill Near the Grand Chartreuse Dauphiny" from Liber Studiorum, proof, published by Thos Lupton, 4 Keppel, St, London; etching with mezzotint, 21x28.3cm., (scattered foxing): together with further 19/20th century etchings and engravings, by and after various hands, (6). Note: One of D³rer's last major prints, this version of the Last Supper differs radically from earlier versions.

Live Auction

Elyse Ashe Lord RI 1898-1971 exh 1915-1939- Three bowing figures; etching printed in colours, signed with monogram within th

Rosebery's

Lot 946

Elyse Ashe Lord RI 1898-1971 exh 1915-1939- Three bowing figures; etching printed in colours, signed with monogram within the plate, signed and numbered 58/100 in pencil, 25.2x36cm

Live Auction

Giovanni Battista Piranesi 1720-1778 "Rovine del Tempio Supposto di Ercole Nella Citta di Corra", Tav. IIII; etching, 44x62.

Rosebery's

Lot 955

Giovanni Battista Piranesi 1720-1778 "Rovine del Tempio Supposto di Ercole Nella Citta di Corra", Tav. IIII; etching, 44x62.7cm and "Veduta del Tempio della Sibilla in Tivoli", etching, from a later edition, 42x63cm: together with one further engraving titled "A part of the foundations of the Theatre of Marcellus" "Veduta di una parte de'fondamenti del Teatro di Marcello"; 78x54cm: Note: The latter Piranesi engraving shows the cyclopean foundations of the Theatre of Marcellus, built by Emperor Augustus in 13 BC. Largely built over during Middle Ages but sufficiently well known amongst Renaissance artists, as well as Piranesi, it was the most important and influential edifice of its kind. Its interlocking masonry set upon huge piles are reminiscent of the stone marine defences erected against the forces of the Adriatic Sea, with which Piranesi was familiar from his time as an apprentice in Venice. "I believe I have completed a work which will have something to give future generations too and will stand for as long as people have feeling and interest for what remained in our century of the ruins of the most famous city in the universe." (G. B. Piranesi)

Live Auction

Lisa Wright b.1965- Standing female nude; etching with aquatint, signed and numbered 8/10 in pencil, 25x22.5cm: A Ramsay, la

Rosebery's

Lot 967

Lisa Wright b.1965- Standing female nude; etching with aquatint, signed and numbered 8/10 in pencil, 25x22.5cm: A Ramsay, late 20th century- "London Head"; etching with aquatint, signed, titled, numbered 11/20 and dated Jan 96 in pencil, 17x14.5cm: Mark Clark b.1959- Male torso; etching, signed, numbered 2/75 and dated 98 in pencil, 18.7x14cm: Duncan Bullen b.1962- "Elba Series 2"; monoprint, signed, titled and dated 97 in pencil, 19.7x20cm. Provenance: with Jill George Gallery, London according to label attached to the reverse: Wyth, late 20th century- "Thursday Night"; etching printed in colours, signed, titled, numbered 16/35 and dated 92 in pencil, 15.7x21.5cm: Treby, late 20th century- "Portrait of Richard"; mezzotint printed in colours, signed, titled and inscribed 'AP' in pencil, 20x21cm., (6), (part unframed) (may be subject to Droit de Suite)

Live Auction

William Monk RE 1863-1937- "Piccadilly Circus"; etching, signed and titled in pencil, 18x25cm

Rosebery's

Lot 982

William Monk RE 1863-1937- "Piccadilly Circus"; etching, signed and titled in pencil, 18x25cm

Live Auction

Horst Janssen, German 1929-1995- Untitled; etching, signed, dated 58 and numbered 16/20 in pencil, in an unusual fabric moun

Rosebery's

Lot 1054

Horst Janssen, German 1929-1995- Untitled; etching, signed, dated 58 and numbered 16/20 in pencil, in an unusual fabric mounted mount and reverse profile oak frame, bears label for Hans Brockstaedt, Hamburg attached to the reverse, 59x39.5cm

Live Auction

Richard John Hass, American b.1936- "Donald Judd's Building II"; etching, signed, titled and inscribed 'AP' in pencil, 39.5x

Rosebery's

Lot 1064

Richard John Hass, American b.1936- "Donald Judd's Building II"; etching, signed, titled and inscribed 'AP' in pencil, 39.5x47cm: Simo Hannula, Finnish b.1932- "Boundless"; etching, signed and dated 1967 within the plate, signed, titled, numbered 32/100, inscribed and dated 1967, 18.7x16.3cm: Mordecai Moreh, Israeli b.1937- "A Goat, Paris"; etching, signed and dated 1966 within the plate, signed, titled, numbered 187/210 and dated 1966 in pencil, 26x35.5cm: After Eric Gill 1882-1940- Eve; lithograph, 10.5x7cm., (4)

Live Auction

Benjamin Constant 1845-1902- "En Vue de Tanger", publ by Vve A Cadart, Edit 56 Bard Hausmann, Paris; etching, 20x28cm: Herbe

Rosebery's

Lot 1065

Benjamin Constant 1845-1902- "En Vue de Tanger", publ by Vve A Cadart, Edit 56 Bard Hausmann, Paris; etching, 20x28cm: Herbert Gordon Warlow ARE 1885-1942- Middle Eastern street scene; etching with aquatint, signed in pencil, 17.2x12cm: Marius Bauer, Dutch 1867-1932- "Oude Huizen in Stamboul"; etching, signed with monogram and numbered 88 in pencil, 16.5x10cm: D Donald, early 20th century- "North Africa"; etching, signed and titled within the plate, 12x24.5cm: together with two other etchings of Middle Eastern and North African subjects by different hands, one published by A Durand, Paris, both unsigned, (6) (may be subject to Droit de Suite)

Live Auction

After Josef Albers 1888-1976- "Homage to the Square"; screenprint in yellow and ochre and brown, 42x42cm: Anthony Benjamin 1

Rosebery's

Lot 1066

After Josef Albers 1888-1976- "Homage to the Square"; screenprint in yellow and ochre and brown, 42x42cm: Anthony Benjamin 1931-2002- "Rope"; etching printed in colours, signed, titled, numbered 12/100 and dated 79 in pencil, bears publisher's blind stamp, 52.5x34.5m: together with one other smaller etching in colours by the same hand, signed and dated 81 in pencil, 12x10cm: Alberto Longoni b.1921- "Rush Hour"; etching, signed, titled, numbered 147/200 and dated 67, 59x39.7cm: together with two other artist's prints by different hands, both signed in pencil, (6). Note: The unidentified abstract print in this lot is by a student of Josef Albers when he was teaching at Yale in the 1960's (may be subject to Droit de Suite)

Live Auction

Hedley Fitton RE 1859-1929- "The Old Daygate, Southampton"; etching, signed and titled in pencil, 42x32.5cm: Col Bertram Buc

Rosebery's

Lot 1135

Hedley Fitton RE 1859-1929- "The Old Daygate, Southampton"; etching, signed and titled in pencil, 42x32.5cm: Col Bertram Buchanan, early 20th century- Coastal landscape; etching, signed in pencil, 12.4x17cm: Edgar James Maybery 1887-1966- "Off Gravesend"; etching, signed and titled in pencil, 12x20cm: Anthony Raine-Barker 1880-1963- View of a cathedral city by a river, possibly Durham; etching, signed, 22.5x33.3cm: Joseph Kirkpatrick 1872-1936- Droving sheep in a landscape; aquatint, 12x20cm., (5), (unframed)

Live Auction

An 18/19th century Topographical Album, with marbled boards, containing various drawings, watercolour, etching, pen and ink

Rosebery's

Lot 1157

An 18/19th century Topographical Album, with marbled boards, containing various drawings, watercolour, etching, pen and ink studies by and after different hands, to include Bartolomeo Brambilla c.1731-1775, Valentine Green ARA 1739-1813 and Francis Jukes 1745-1812- Figure gathering wood, etching with aquatint, published 16th Oct 1778, by V Green, Strand, London, after Paul Sandby RA, 1730-1809, Charles Louis Lingee 1748-1819, workmen, engraving after Philip Jakob de Loutherbourg II 1740-1812, Thomas Bewick 1753-1828, "The Wild Bull"; woodcut, published 1789, James Gandon 1743-1823, "Temple of Romulus and Remus"; engraving after Richard Wilson 1714-1782, and others, each piece mostly pinned on all four corners to the original blue laid paper within the album, 56x35cm., (unframed album)

Live Auction

Harold Wyllie 1880-1975 exh 1903-1924- Shipping in an estuary with a lighthouse; etching, signed in pencil, 8.5x30cm

Rosebery's

Lot 1210

Harold Wyllie 1880-1975 exh 1903-1924- Shipping in an estuary with a lighthouse; etching, signed in pencil, 8.5x30cm

Live Auction

William Lee-Hankey RBA RE ROI 1869-1952- Mother and child; etching, feigned vignette, signed with monogram within the plate,

Rosebery's

Lot 1212

William Lee-Hankey RBA RE ROI 1869-1952- Mother and child; etching, feigned vignette, signed with monogram within the plate, signed in pencil, bears artist's blind stamp, 23.5x19.3cm: together with an etching of a landscape subject by the same hand, signed with monogram within the plate,signed in pencil, bears artist's blind stamp, 15.5x23.7cm., (2)

Live Auction

* Cyril Edward Power RBA 1874-1951- "Boat Houses No 2"; soft ground etching printed in colours, signed, titled and inscribed

Rosebery's

Lot 1253

* Cyril Edward Power RBA 1874-1951- "Boat Houses No 2"; soft ground etching printed in colours, signed, titled and inscribed in pencil, 27.5x20cm

Live Auction

English Provincial School 19th century- "The Railway Station"; pen and black ink, bears date '1869', 22x31.5cm: J Jamson, En

Rosebery's

Lot 1279

English Provincial School 19th century- "The Railway Station"; pen and black ink, bears date '1869', 22x31.5cm: J Jamson, English School early 19th century- Trompe l'Oeil of playing cards; pen and black ink and watercolour, signed and dated 1836, 25.7x20cm: Henry Rayner 1902-1957- "Lismore Circus, NW5"; etching, signed within the plate, signed and titled in pencil, 15.5x20.3cm: together with three other etchings by the same hand, all signed and inscribed in pencil, (6)

Live Auction

Henry Wilkinson b.1921- Spaniel with a mallard; etching printed in colours, signed and numbered 7/150 in pencil, 25x30.2cm (

Rosebery's

Lot 1287

Henry Wilkinson b.1921- Spaniel with a mallard; etching printed in colours, signed and numbered 7/150 in pencil, 25x30.2cm (may be subject to Droit de Suite)

Live Auction

Orovida Pissarro 1893-1968- "Rage"; etching, signed, titled, inscribed 'Trial Proof No 10' and dated 1917 in pencil, 9.7x15c

Rosebery's

Lot 1297

Orovida Pissarro 1893-1968- "Rage"; etching, signed, titled, inscribed 'Trial Proof No 10' and dated 1917 in pencil, 9.7x15cm. Provenance: with Michael Parkin Fine Art, London, according to label attached to the reverse; Property of a deceased Estate

Live Auction

James Gillray 9in. x 15in. (23 x 38.5cm) "The Duel or Charley longing for a pop"-etching, coloured by hand Published by S.W.

Anderson & Garland Newcastle

Lot 56

James Gillray 9in. x 15in. (23 x 38.5cm) "The Duel or Charley longing for a pop"-etching, coloured by hand Published by S.W. Fores, London, 1798.

Live Auction

Elyse Lord 12in. x 15 3/4in. (30.5 x 40cm) "Bird"-two Geisha reclining near a window-colour etching, signed proof.

Anderson & Garland Newcastle

Lot 71

Elyse Lord 12in. x 15 3/4in. (30.5 x 40cm) "Bird"-two Geisha reclining near a window-colour etching, signed proof.

Live Auction

Elyse Lord 11 3/4in. x 9 3/4in. (30 x 24.6cm) "Flowers from Mulery Hafid's Garden"-colour etching, inscribed in pencil.

Anderson & Garland Newcastle

Lot 72

Elyse Lord 11 3/4in. x 9 3/4in. (30 x 24.6cm) "Flowers from Mulery Hafid's Garden"-colour etching, inscribed in pencil.

Live Auction

August Frey 12 3/4in. x 9 1/2in. (32.5 x 24.4cm) "Pierrot"-etching with aquatint Signed in pencil and editioned 37/200, unfr

Anderson & Garland Newcastle

Lot 73

August Frey 12 3/4in. x 9 1/2in. (32.5 x 24.4cm) "Pierrot"-etching with aquatint Signed in pencil and editioned 37/200, unframed.

Live Auction

William Walcot 3 3/4in. x 5 1/2in. (9 x 14cm) "The Central Station, Newcastle on Tyne"-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 74

William Walcot 3 3/4in. x 5 1/2in. (9 x 14cm) "The Central Station, Newcastle on Tyne"-etching Signed in pencil.

Live Auction

William Walcot 3 1/4in. x 7in. (8 x 17.5cm) "Trafalgar Square"-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 75

William Walcot 3 1/4in. x 7in. (8 x 17.5cm) "Trafalgar Square"-etching Signed in pencil.

Live Auction

William Walcot 4 1/2in. x 6 3/4in. (11.5 x 17cm) "Gondolas before the Library at St. Mark's, Venice"-etching Signed in penci

Anderson & Garland Newcastle

Lot 76

William Walcot 4 1/2in. x 6 3/4in. (11.5 x 17cm) "Gondolas before the Library at St. Mark's, Venice"-etching Signed in pencil. See illustration

Live Auction

Arthur Briscoe 6 3/4in. x 11 1/4in. (17 x 28.5cm) "Bending the Foresail"-etching printed in brown ink Signed and dated '28 o

Anderson & Garland Newcastle

Lot 80

Arthur Briscoe 6 3/4in. x 11 1/4in. (17 x 28.5cm) "Bending the Foresail"-etching printed in brown ink Signed and dated '28 on the plate; signed and editioned 5/75 in pen and ink. See illustration

Live Auction

Bernard Benedict Hemy 13 1/2in. x 19 3/4in. (34.2 x 50.3cm) Ships on the Wear at Sunderland Harbour-etching Published by Hil

Anderson & Garland Newcastle

Lot 81

Bernard Benedict Hemy 13 1/2in. x 19 3/4in. (34.2 x 50.3cm) Ships on the Wear at Sunderland Harbour-etching Published by Hills & Company, 1888.

Live Auction

Andrew Affleck 23 1/4in. x 16in. (59 x 40.5cm) A Continental cathedral-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 83

Andrew Affleck 23 1/4in. x 16in. (59 x 40.5cm) A Continental cathedral-etching Signed in pencil.

Live Auction

James McBey 7 1/4in. x 15in. (18.5 x 38.3cm) "New York"-etching Signed in ink and numbered XVI.

Anderson & Garland Newcastle

Lot 85

James McBey 7 1/4in. x 15in. (18.5 x 38.3cm) "New York"-etching Signed in ink and numbered XVI.

Live Auction

Sidney Tushingham 6 1/4in. x 11 1/2in. (16 x 29cm) A riverside village-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 88

Sidney Tushingham 6 1/4in. x 11 1/2in. (16 x 29cm) A riverside village-etching Signed in pencil.

Live Auction

Frank Brangwyn 8in. x 9 1/2in. (20 x 24cm) "The Opening Manchester Ship Canal"-etching (Gaunt 297) Signed in pencil and edit

Anderson & Garland Newcastle

Lot 90

Frank Brangwyn 8in. x 9 1/2in. (20 x 24cm) "The Opening Manchester Ship Canal"-etching (Gaunt 297) Signed in pencil and editioned 153/450. See illustration

Live Auction

Louis Legrand 12 1/4in. x 10 1/4in. (31.3 x 26cm) "Breton Á Cheval"-etching in brown ink Signed and titled in pencil.

Anderson & Garland Newcastle

Lot 92

Louis Legrand 12 1/4in. x 10 1/4in. (31.3 x 26cm) "Breton Á Cheval"-etching in brown ink Signed and titled in pencil.

Live Auction

William Lee Hankey 8 3/4in. x 9 1/4in. (22.5 x 23.5cm) "Admiring the grandchild"-etching and drypoint Signed in pencil.

Anderson & Garland Newcastle

Lot 94

William Lee Hankey 8 3/4in. x 9 1/4in. (22.5 x 23.5cm) "Admiring the grandchild"-etching and drypoint Signed in pencil.

Live Auction

Alfred Feinberg 8in. x 10in. (20.3 x 25.2cm) Three elderly women conversing on a bench-etching Signed in pencil, unframed.

Anderson & Garland Newcastle

Lot 95

Alfred Feinberg 8in. x 10in. (20.3 x 25.2cm) Three elderly women conversing on a bench-etching Signed in pencil, unframed.

Live Auction

David Young Cameron 6 1/4in. x 9 3/4in. (16 x 25cm) "Perth Bridge" Signed on the plate; and John Fullwood 9 1/2in. x 4 1/2in

Anderson & Garland Newcastle

Lot 96

David Young Cameron 6 1/4in. x 9 3/4in. (16 x 25cm) "Perth Bridge" Signed on the plate; and John Fullwood 9 1/2in. x 4 1/2in. (24 x 11.5cm) "Loch Awe"-etching Signed in pencil. (2)

Live Auction

Percy Lancaster 6in. x 7 3/4in. (15.4 x 19.9cm) Four Dutch women conversing at a shop doorway-etching Signed in pencil and e

Anderson & Garland Newcastle

Lot 97

Percy Lancaster 6in. x 7 3/4in. (15.4 x 19.9cm) Four Dutch women conversing at a shop doorway-etching Signed in pencil and editioned 34/40.

Live Auction

Levon West 8in. x 10in. (20.4 x 25.3cm) "Noon"-two horses drinking from a river-etching Signed in pencil and editioned 83/10

Anderson & Garland Newcastle

Lot 98

Levon West 8in. x 10in. (20.4 x 25.3cm) "Noon"-two horses drinking from a river-etching Signed in pencil and editioned 83/100.

Live Auction

Henry Rushbury 11 1/4in. x 8in. (29 x 20cm) "St. Olaves, Tooley Street"-etching Signed in pencil and dated on the plate 1929

Anderson & Garland Newcastle

Lot 99

Henry Rushbury 11 1/4in. x 8in. (29 x 20cm) "St. Olaves, Tooley Street"-etching Signed in pencil and dated on the plate 1929.

Live Auction

Lionel Lindsay 8 1/4in x 11 3/4in. (21 x 30cm) "St. Ferreol, Marseille"-etching with drypoint Signed in pencil and dated 192

Anderson & Garland Newcastle

Lot 102

Lionel Lindsay 8 1/4in x 11 3/4in. (21 x 30cm) "St. Ferreol, Marseille"-etching with drypoint Signed in pencil and dated 1927 on the plate.

Live Auction

David Robertson 9 1/2in. x 5 3/4in. (24 x 15cm) "The Priest's House, Verona"-etching Signed in pencil and editioned 25/75.

Anderson & Garland Newcastle

Lot 107

David Robertson 9 1/2in. x 5 3/4in. (24 x 15cm) "The Priest's House, Verona"-etching Signed in pencil and editioned 25/75.

Live Auction

David Robertson 8in. x 11 3/4in. (20.5 x 30cm) "A Roman Playground"-etching Signed in pencil and editioned 30/75.

Anderson & Garland Newcastle

Lot 108

David Robertson 8in. x 11 3/4in. (20.5 x 30cm) "A Roman Playground"-etching Signed in pencil and editioned 30/75.

Live Auction

Alphonse Legros 5 1/2in. x 10 1/2in. (14 x 26.8cm) "He is the Human Race..."-etching Signed on the plate; and Alphonse Legro

Anderson & Garland Newcastle

Lot 109

Alphonse Legros 5 1/2in. x 10 1/2in. (14 x 26.8cm) "He is the Human Race..."-etching Signed on the plate; and Alphonse Legros 7in. x 5in. (17 x 12.5cm) "The Prodigal Son"-etching and drypoint Signed in pencil. (2)

Live Auction

Benjamin Lander 16in. x 25in. (41.3 x 63.4cm) A shepherd and flock by a tree-lined river-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 111

Benjamin Lander 16in. x 25in. (41.3 x 63.4cm) A shepherd and flock by a tree-lined river-etching Signed in pencil.

Live Auction

Albany E*** Howarth 29 1/2in. x 18 3/4in. (75 x 47cm) The interior of Milan Cathedral-etching Signed in pencil.

Anderson & Garland Newcastle

Lot 113

Albany E*** Howarth 29 1/2in. x 18 3/4in. (75 x 47cm) The interior of Milan Cathedral-etching Signed in pencil.

Live Auction

Richard Hobson 4in. x 6in. (10 x 15cm) "Winter Sheep"-etching in brown ink Signed in pencil and editioned 1/15 and dated 198

Anderson & Garland Newcastle

Lot 118

Richard Hobson 4in. x 6in. (10 x 15cm) "Winter Sheep"-etching in brown ink Signed in pencil and editioned 1/15 and dated 1982.

Live Auction

Herbert Dicksee 19 3/4in. x 26 1/2in. (50 x 67.5cm) "Play"-a study of two leopards-etching Signed in pencil, published by Fr

Anderson & Garland Newcastle

Lot 119

Herbert Dicksee 19 3/4in. x 26 1/2in. (50 x 67.5cm) "Play"-a study of two leopards-etching Signed in pencil, published by Frost & Reed, 1907. See illustration

Live Auction

Elizabeth Morris etching - A Waterfront A.B.C. signed, 45cm x 50cm

Reeman Dansie

Lot 536

Elizabeth Morris etching - A Waterfront A.B.C. signed, 45cm x 50cm

Live Auction

Valerie Thornton 1976 limited edition etching in glazed frame entitled Old Houses, Maidenberg Street, Minories Edition signe

Reeman Dansie

Lot 564

Valerie Thornton 1976 limited edition etching in glazed frame entitled Old Houses, Maidenberg Street, Minories Edition signed and inscribed in pencil - Minories exhibition label on reverse

Live Auction

Leonard Squirrel signed etching in glazed frame - castle view, 21.5cm x 35cm

Reeman Dansie

Lot 569

Leonard Squirrel signed etching in glazed frame - castle view, 21.5cm x 35cm

Live Auction

Leonard Squirrel signed etching in glazed frame The Old Houses on Tower Ramparts, Ipswich signed in pencil, 17cm x 22cm and

Reeman Dansie

Lot 571

Leonard Squirrel signed etching in glazed frame The Old Houses on Tower Ramparts, Ipswich signed in pencil, 17cm x 22cm and a letter from the artist regarding the picture

Live Auction

Richard Bawden - artist proof etching in glazed frame - entitled 'Roses and Lilacs' - signed and inscribed in pencil, 53cm x

Reeman Dansie

Lot 609

Richard Bawden - artist proof etching in glazed frame - entitled 'Roses and Lilacs' - signed and inscribed in pencil, 53cm x 42cm

Live Auction

John Brunsden - etching and aquatint in glazed frame entitled St Mary-le-Bow Altar 27/180 - signed and inscribed, 11.5cm x 1

Reeman Dansie

Lot 618

John Brunsden - etching and aquatint in glazed frame entitled St Mary-le-Bow Altar 27/180 - signed and inscribed, 11.5cm x 18.5cm

Live Auction

Dan Pearce - etching in glazed frame, Wivenhoe - signed, 12cm x 25cm

Reeman Dansie

Lot 633

Dan Pearce - etching in glazed frame, Wivenhoe - signed, 12cm x 25cm

Live Auction

Glynn Thomas etching in glazed frame - Magdalen Street, signed, 10cm x 46cm, and unknown - etching - 'Pied Wagtails and Roac

Reeman Dansie

Lot 634

Glynn Thomas etching in glazed frame - Magdalen Street, signed, 10cm x 46cm, and unknown - etching - 'Pied Wagtails and Roach' (2)

Live Auction

HOWARD HODGKIN (BRITISH B.1932) THINKING ALOUD IN THE MUSEUM OF MODERN ART Etching, signed, dated 1979 and numbered 32/100 7

Lyon & Turnbull

Lot 5

HOWARD HODGKIN (BRITISH B.1932) THINKING ALOUD IN THE MUSEUM OF MODERN ART Etching, signed, dated 1979 and numbered 32/100 79cm x 102cm (31in x 40in)

Live Auction

Lyon & Turnbull

Lot 6

BEN NICHOLSON (BRITISH, 1894-1982) FRAGMENT OF TUSCAN CATHEDRAL Etching, stamped, number 63/380, published in Basel December 1966 20cm x 15cm (8in x 6in)

Live Auction

JOHN BELLANY (SCOTTISH, B. 1942) UNTITLED Etching, signed and numbered A/P Plate size: 39cm x 53cm (15.25in x 20.75in)

Lyon & Turnbull

Lot 17

JOHN BELLANY (SCOTTISH, B. 1942) UNTITLED Etching, signed and numbered A/P Plate size: 39cm x 53cm (15.25in x 20.75in)

Live Auction

JOHN BELLANY (SCOTTISH, B. 1942) HOMAGE TO TONY UNDERHILL Etching, signed and numbered A/P Plate size: 49.5cm x 34.5cm (19.5

Lyon & Turnbull

Lot 18

JOHN BELLANY (SCOTTISH, B. 1942) HOMAGE TO TONY UNDERHILL Etching, signed and numbered A/P Plate size: 49.5cm x 34.5cm (19.5in x 13in)

Live Auction

JOHN BELLANY (SCOTTISH, B. 1942) WOMAN OF THE SEA Etching, signed and numbered A/P Plate size: 30cm x 23cm (11.75in x 9in)

Lyon & Turnbull

Lot 19

JOHN BELLANY (SCOTTISH, B. 1942) WOMAN OF THE SEA Etching, signed and numbered A/P Plate size: 30cm x 23cm (11.75in x 9in)

Live Auction

KEN CURRIE (SCOTTISH, B. 1960) FOREIGN POLICY Etching, signed, titled and editioned A/P in pencil Plate sizel: 42cm x 29cm (

Lyon & Turnbull

Lot 71

KEN CURRIE (SCOTTISH, B. 1960) FOREIGN POLICY Etching, signed, titled and editioned A/P in pencil Plate sizel: 42cm x 29cm (16.5in x 11.5in)

Live Auction

71174 item(s)

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