Jeremy Gentilli, by and after, 'Le Chevalier', signed, titled, and numbered 27/50 in pencil to margin, coloured etching, 56.5cm x 45cm; Jeremy Gentilli, by and after, 'Harvest', signed, titled, and numbered 2/30 in pencil to margin; Francis Kelly, by and after, 'Gulls', signed, titled, and numbered 22/50 in pencil to margin, (3). Provenance: collection label to verso
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Roger Bezombes, by and after, 'Flowers in a Vase', signed, and numbered 17/200 in pencil to margin, screenprint; Moya Cozens, by and after, 'Mexican Wall', signed, titled, and numbered 15/30 in pencil to margin, screenprint Jen Cords, by and after, 'Structure Plan', signed in pencil to margin, etching, (3).
Hans Fischer, by and after, 'Cat on Red Ground', colour etching, 43.5cm x 26cm; Alan Tinley, by and after, 'Birds', signed and numbered 18/20 in pencil to margin, coloured etching, 42cm x 31.5cm; Anne E. Darnell, by and after, 'Seeds and Melon', signed and dated 1961 in pencil, sreenprint, 38.5cm x 30.5cm, (3).
Ursula Querner (1921-1969), by and after, 'Roman Fountain', signed in pencil to margin, etching, 42cm x 33cm; Robert Jennison, by and after, 'Bright Day', signed, titled, dated 1971, and numbered 17/20 in pencil to margin, 67cm x 52cm; Celia Ellis, by and after, 'Pattern', screenprint, (3). Provenance: collection label to verso
Charles Stuart, by and after, 'Jacob's Coat', signed, titled, and numbered 41/50 in pencil to margin, screenprint, 63cm x 44cm; Paul Rogers, by and after, 'Beneath the Pond', signed, titled, and numbered 1/35 in pencil to margin, colour etching; Pauline Aitken, 'These Modifications of Matter', signed, titled, and numbered 5/50 in pencil to margin, colour etching, (3).
Danka Napiorkowsky, by and after, Anemone II, signed and titled in pencil to margin, screenprint, 76cm x 51cm; Alex Mackay, by and after, 'Fuchsia', screenprint; Rosalind Forster, by and after, 'In the Summer House', signed, dated '87, and numbered 123/150 in pencil to margin, lithograph, 79cm x 57cm; John Wolsley, 'Cycle of Life no. IV', signed and titled in pencil to margin, coloured etching, 58cm x 77.5cm, (4).
Charles Bartlett, by and after, 'Shingle Street', signed, titled, and numbered 27/75, etching, 64.5cmc 55.5cm; Fischer, by and after, 'Rooster', print; Jaqueline Jackson, by and after, 'Film, Film', signed and numbered 1/100 in pencil to margin, etching, (3). Provenance: collection label to verso
Dietmar Lemcke (bn. 1930), by and after, 'Sea Wall in Brittany', signed and dated 1958 in pencil to margin, etching, 35cm x 40cm; Otto Eglau (1917-1988), by and after, 'Afrika', signed and titled in pencil to margin, etching, 20cm x 31cm; Ian McWhirter, by and after, 'Burn's Monument, Attoway', signed in pencil to margin, etching; Alexander H. Kirk, by and after, 'Santa Maria', signed and titled in pencil to margin, etching; E. H. Groom, by and after, 'Big Ben', signed and titled in pencil to margin, etching; After Rubens, reproduction print, 'Albertina Facsimile' blindstamp to margin, (6).
Tom Hops (1916-1976), by and after, 'Hamburg Harbour', signed in pencil to margin, lithograph, 45cm x 59cm; John Brunsden (1933-2014), by and after, 'Busy Lizzy', signed, titled, and numbered 13/75 in pencil to margin, etching, 56.5cm x 39.5cm; other prints, Wane, Keith Andrew, Celia Ellis, (5).
Ann D'arcy Hughes, by and after, 'Noah's Ark', signed, titled, and numbered 10/20, in pencil to margin, etching, 52cm x 63cm; another, G. Clements, by and after, 'Start Point', signed, titled, and numbered 3/5, in pencil to margin, lithograph, 49cm x 49cm (2). Provenance: collection label to verso
Jeremy Gentilli (bn. 1926), by and after, 'Evening Symbols', signed, titled, and numbered 9/10, in pencil to margin, etching, 19cm x 23cm; Colin Threadgall, 'Toad', watercolour, 14cm x 15cm; another, L. Hegeler, by and after, 'Waiting in the rain', signed in pencil to margin, woodblock print, 9.5cm x 14cm (3). Provenance: collection label to verso
Peter Eastham, by and after, 'Le Repos', artist's proof, signed, dated '85, titled, in pencil to margin, coloured etching 75cm x 56cm; Peter Eastham, by and after, 'Cheese Shop', limited edition number 71/200, signed in pencil to margin, coloured etching, 75cm x 57cm; Eileen Hogan, by and after, 'Lemnos', lithograph; Arthur Byrne, by and after, 'Conservatory', lithograph, (4). Provenance: collection label to verso
NO RESERVE Toulouse-Lautrec (Henri) Ta bouche, lithograph printed in red ink on thick wove paper without watermark, not signed, sheet 380 x 280 mm (14 7/8 x 11 in), scattered spotting and surface dirt, some exposure lines, unframed, [Delteil 21 iii/iii], [1893]; together with an unsigned later impression of Edgar Degas' etching 'Les Blanchisseuses', and an unsigned later impression of Pierre-Auguste Renoir's etching, 'Femme Nue Couchée (Delteil 14)', and two unsigned wood-engravings by Eric Gill, all unframed, [late 19th early 20th century] (5)
Fireworks and Water-clocks.- Bate (John) [The Mysteries of Nature and Art], 4 parts in 1, third edition, lacking general title and next preliminary leaf and T4, divisional title with woodcut vignette or device, numerous woodcut illustrations, some full-page, several outer margins at beginning and end repaired, soiling and some ink scribbling, some water-staining, later calf, rubbed, 4to, [1654]; sold not subject to return⁂ The parts are titled: Of Water-works; The composing of all manner of Fier-Works For Triumph and Recreation; The Excellent Arts and Sciences of Drawing, Colouring, Limming, Paynting, Graving, and Etching; Extravagants...Medicines for severall Maladies.
NO RESERVE [Calvert (Samuel)] A Memoir of Edward Calvert, one of 350 copies [signed by the author], here unsigned, half-title, portrait frontispiece, 25 plates only after Calvert (of 34), illustrations, occasional spotting and foxing, original cloth, gilt, a little soiled, extremities rubbed, folio, Sampson Low, 1893 § Harris (Jean C.) Edouard Manet. Graphic Works. A Definitive Catalogue Rainsonné, black and white illustrations, original cloth, slightly soiled, 1970 § Man (Felix H.) 150 Years of Artists' Lithographs 1803-1953, one of 125 copies initialled by the author, lacking original signed lithograph by Graham Sutherland, illustrations, some in colour, tipped-in, original paper-covered boards, original slipcase, 1953 § Carrington (Fitzroy), Campbell Dodgson, et al. The Print Collector's Quarterly, a substantial run from 1911 to 1941, 92 vol. illustrations in black and white, original printed wrappers (c.5 lacking), torn and chipped, some discolouration, some spines worn, 1911-41; and c.100 others similar, etching, engraving and printmaking, v.s., (c.200)
NO RESERVE Van Gelder (Dirk) Rodolphe Bresdin [Catalogue Raisonné], 2 vol., colour frontispiece, illustrations in black and white, original cloth, original presentation slipcase, cloth, 1976 § Ponge (Francis) and Fernand Mourlot. Braque Lithographe, with 2 original lithographs only (of three: title vignette and wrappers; frontispiece lacking), illustrations, many in colour, tape repair to getter at title, original pictorial wrappers, spine head and foot a little scuffed, slipcase, 1963 § Gromaire (François) L'Oeuvre Gravé de Marcel Gromaire [Catalogue Raisonné], 2 vol., illustrations in black and white, original cloth, dust-jackets, slipcase, 1976 § Beraldi (Henri) Les Graveurs du XIXe Siècle, 10 vol. only (of 12; lacking vol. 1 and 9), occasional spotting, original printed wrappers, some spines broken, some spotting and toning, tears and chipping, unopened, Paris, 1895-92; and 32 others similar, French etching, engraving and printmaking, v.s. (47)
NO RESERVE Africa.- Delacroix (Eugène) Juive d'Alger, etching, a good impression with publisher's lettering and printed number '171' in the upper right, platemark 215 x 170 mm (8 1/2 x 6 3/4 in), sheet 475 x 360 mm (18 3/4 x 14 1/4 in), a good impression, some surface dirt and minor browning, unframed, Paris, Cadart & Luquet, [1833 but later]; together with George Leslie Brockhurst's etching 'Les Deux Landaises (Evening)', final state signed in pencil, and 6 loose plates from 'Moeurs Administratives Dessineés d'aprés Nature par Henri Monnier', unframed, [circa 1828 to 1920] (8)
NO RESERVE Ex-collection of Minto Wilson.- Blooteling (Abraham) Portrait of Hieronymus van Beverningk, mayor of Gouda, after Nicolaas Maes, etching with mezzotint, 415 x 307 mm (16 1/4 x 12 1/8 in), scattered spotting and browning, surface dirt, framed, [circa 1679]; toegther with six further framed prints, including two portrait mezzotints, one after Reynolds by McArdell, another engraved portrait, two engraved views of Durham, another of Sissinghurst, and with an original pen and ink with wash drawing of 'Rosewell House, Kingsmead Square, Bath', various sizes, all framed and glazed, 18th and 19th century (8).
NO RESERVE British Artists.- Greenwood (Jeremy) The Wood-Engravings of John Nash, one of 750 copies, portrait frontispiece, tipped-in, illustrations, a few in colour, laid down, original cloth-backed patterned paper-covered boards, original presentation slipcase, cloth, The Wood Lea Press, 1987 § Schneidermann (Richard S.) A Catalogue Raisonné of the Prints of Sir Francis Seymour Haden, number 35 of 500 copies, illustrations, original cloth, dust-jacket, slightly chipped and bumped at extremities, presentation slipcase, cloth, 1987 § Gaunt (W.) The Etchings of Frank Brangwyn, R.A. A Catalogue Raisonné, 8 original engraved plates, illustrations, original vellum-backed boards, gilt, 1926; and c.60 others, British etching, engraving and print-making, as well as general British Art, v.s. (c.65)
AN 1897 PATTERN FENTON BROTHERS INFANTRY OFFICERS SWORD. With an 82cm straight pointed narrow blade with spear-point, lacking a cutting edge, the blade with decorative etching and George V monogram, marked for Fenton Brothers Ltd of Sheffield, Sword Cutlers to the War Office, the other side with stamped proof mark, with a nickel plated guard with George V Royal cypher, with turned over inner edge, the domed pommel with spherical nut, checkered back strap, the fish skin grip bound with wire, with leather sword knot. In a leather service scabbard. 104cm overall.
GELDART; a black and white signed limited edition print, orchestral motage, numbered 107/500, 39 x 54cm, also a black and white etching, townscape, indistinctly signed, 30 x 22.5cm, both framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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71174 item(s)/page