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Lot 656
Frank Duffield (British 1901-1982 Bristol Savage) Busy Bristol street scene at John Street, looking East, watercolour and body colour on paper, signed, dated 68 and with Frost & Reed label verso, 35 x 24.5 cm, together with a late 19th century black and white etching of Bristol High Street by J C Hutchinson 41.5 x 26 cm, both framed (2)
Lot 678
Graham Evernden (British B.1947) - Cape Cornwall, signed limited edition coloured etching, 118/350, 44 x 53.5cm visible sheet size, together with a 19th century oleograph of a pair of horses in a landscape setting, indistinct signature C Vanaes? 45 x 62cm, and a coloured print of a continental landscape with single arched bridge, with Frost and Reed label verso, and indistinct artists name, 50 x 65cm all framed (3)
Lot 680
A Scarpa (20th century Italian) - Venetian canal scene, watercolour, signed, 31 x 17cm, together with Charles Bird (British 1856-1916) - Signed monochrome etching of a Bristol street scene with snowballers, inscribed 'Old Council House Bristol', with Frost & Reed label verso, 17 x 12cm, both framed (2)
Lot 706
Sidney Joseph Iredale (British B.1896) - Extensive landscape with figures, oil on board, signed, 40 x 50cm, R S Mott (19th century British) - Study of sheep resting beside a river, watercolour and bodycolour on paper, signed and dated 1874, 37.5 x 55.5cm, together with a further large collection of pictures and prints including an etching of a young boy playing with a train set, signed N Ward and dated 87, watercolour of Yuccas at Cannes, signed LF Waring with New English Art Club label verso, various topographical etchings, etc, various sizes, mostly framed (collection)
Lot 108
Giorgio Morandi (Italian, 1890-1964)Grande natura morta circolare con bottiglia e tre ogetti (Vitali 113; Cordaro 1946-1)) Etching, 1946, on Japan, signed in pencil and numbered 3/5 (Vitali cites an edition of 65 of which some were printed on Japan plus some printer's proofs), with margins, 260 x 325mm (10 1/4 x 12 5/8in)(PL); 333 x 382mm (13 x 15 in)(SH)This lot is subject to the following lot symbols: AR
Lot 13
Jacques Callot (French, 1592-1635)La Foire de Gondreville (Lieure 561) Etching, 1625, on laid, the second state (of four), with watermark Double C with Cross of Lorraine (L29); together with 'Les Bohemiens' (L374-77), the complete set of four, on laid, the second, final state; ten plates from 'Les Caprices' (L222,223,240,429,442,443,449,450,455,470), plus 13 copies in reverse; 20 plates from 'Balli de Sfessania' (L353,379-82,384-86,388,389,391-96,398,399,401), copies in reverse; 'Vue du Pont Neuf' (L668), a later impression; 23 plates by Frederick de Wit after Callot 'Varie Conversationes'; four etchings by Stefano della Bella 'Divers Paysages' (V761), 'Marine Views' (V815), 'Recueil diverses pièces' (V220) 'Divers embarquements' (V805), copy in reverse, plus five etchings by Israel Silvestre after Callot and five by other artists (86)(unframed) This lot is subject to the following lot symbols: *
Lot 135
Joan Miro (Spanish, 1893-1983)One Plate, from 'Erik Satie: Poèmes et Chansons' (Dupin 524) Etching and aquatint printed in colours, 1969, on wove, a proof aside from the numbered edition of 75, printed by Morsang, Paris, published by Louis Broder, Paris, with full margins, 137 x 358mm (5 3/8 x 14 1/8in)(PL)(unframed)This lot is subject to the following lot symbols: AR
Lot 149
Marino Marini (Italian, 1901-1980)Cavaliere e Cavallo (Guastalla 345) Etching and aquatint printed in colours, 1977, on wove, stamp-signed and numbered 12/150 in pencil, printed by Atelier Crommelynck Frères, Paris, with the Marina Marini authentication stamp verso, the full sheet, 720 x 570mm (28 3/8 x 22 1/2in)(SH)This lot is subject to the following lot symbols: AR
Lot 150
Marino Marini (Italian, 1901-1980)Cavallo in Armonia Etching and aquatint printed in colours, 1978, on wove, signed and numbered 124/125 in pencil, printed by Edizioni Grafica dei Greci, Rome, co-published by Edizioni Grafica dei Greci, Rome and Toninelli Arte Moderna, Milan, with full margins, 490 x 670mm (19 1/4 x 26 3/8in)(PL)(unframed)This lot is subject to the following lot symbols: AR
Lot 173
Zao Wou-Ki (French, born 1921)Gravure V (Agerup 130) Etching and aquatint printed in colours, 1961, on wove, signed, dated and numbered 82/90 in pencil, published by L'Oeuvre Gravée, Zurich, with wide margins, 390 x 375mm (15 3/8 x 14 3/4in)(PL)This lot is subject to the following lot symbols: AR
Lot 203
Richard Hamilton (British, 1922-2011)Trichromatic flower-piece Etching with engraving, scraper and aquatint printed in colours, 1973-74, on wove, signed and inscribed 'AP 15/15', one of fifteen artist's proofs aside from the numbered edition of 150, printed and co-published by Atelier Crommelynck, Paris and Petersburg Press S.A., with full margins, 650 x 506mm (25 5/8 x 19 7/8in)(SH)This lot is subject to the following lot symbols: AR
Lot 22
Ben Nicholson O.M. (British, 1894-1982)Turkish Forms (La Franca 67) Etching printed with tone, 1967, on wove, signed, dated and numbered 31/50 in pencil, published by La Franca, Locarno, with their blindstamp, the full sheet, 380 x 250mm (15 x9 7/8in)(SH)This lot is subject to the following lot symbols: AR
Lot 23
Ben Nicholson O.M. (British, 1894-1982)Goblet Forms (La Franca 91) Etching and aquatint, 1967, on wove, signed, dated and numbered 33/50 in pencil, published by La Franca, Locarno, with their blindstamp, the full sheet, 444 x 274mm (17 3/8 x 10 7/8in)(SH)This lot is subject to the following lot symbols: AR
Lot 26
Anthony Gross (British, 1905-1984)Large Heath; Backwater, River Lot Etching and drypoint with platetone, 1952, on wove, signed, titled and numbered 40/50 in pencil, with margins, 240 x 375mm (9 1/2 x 14 3/4in)(PL); together with 'Backwater, River Lot', etching and drypoint with platetone, 1974, on wove, signed, titled and numbered 14/70 in pencil, with full margins, 265 x 370mm (10 3/8 x 14 1/2in)(PL)(2)This lot is subject to the following lot symbols: AR
Lot 264
Leon Kossoff (British, 1926-2019)The Booking Hall Etching, 1983, on wove, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 100, printed by Studio Prints, London, with their blindstamp, with full margins, 413 x 362mm (16 1/4 x 14 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Lot 269
Paula Rego (British, born 1935)Wild Duck (Rosenthal 72) Etching and aquatint, 1990, on Arches, signed and inscribed '25/25 AP' in pencil, one of twenty-five artist's proofs aside from the numbered edition of 75, printed by Culford Press, London, published by the National Art Collections Fund, London, with the printer's blindstamp, with full margins, 610 x 500mm (24 x 19 5/8in)(SH)This lot is subject to the following lot symbols: AR
Lot 293
James Gillray (British, 1757-1815)Billy Lackbeard and Charley Blackbeard playing at Football; The Introduction (BM 6406) Etching with hand-colouring, 1784, on wove, published by W. Humphrey, London, with trimmed margins, 247 x 333mm (9 3/4 x 13 1/8in)(SH)(unframed); together with 'The Introduction', etching with hand-colouring, 1797, on laid, published by H. Humphrey, London, with margins, 265 x 365mm (10 3/8 x 14 3/8in)(PL)(unframed)(2)
Lot 3
Adriaen Jansz. van Ostade (Dutch, 1610-1685)The Hunchbacked Fiddler (Godefroy 44) Etching, 1654, on laid, probably the fifth state (of six), trimmed inside the plate, 155 x 108mm (6 1/8 x 4 1/4in); together with seven further etchings, 'Man and Woman talking' (G37), circa 1638, 'Woman winding wool' (G25), circa 1684, 'The Peasant paying his debt' (G42), circa 1646, 'The Couple Walking' (G24), circa 1638, 'Pig-killers' (G41), circa 1642, 'The Peasants' Quarrel' (G18), 1653, 'The Organ-Grinder' (G8), 1647, all later states, on laid, (8)
Lot 302
James Gillray (British, 1757-1815)Democratic Levelling ;-alliance a la Francoise;-or-the Union of the Coronet & Clister-pipe (BM 878) Etching with hand-colouring, 1796, on wove, published by H. Humphrey, London, with trimmed margins, 350 x 260mm (13 3/4 x 10 1/4in)(SH)(unframed); together with 'Thomas Rowlandson (London 1756-1827), The Fall of Dagon – or Rare News for Leadenhall Street', etching with hand-colouring, on laid, 1784, published by W. Humphrey, London, with trimmed margins laid onto wove, 215 x 296mm (8 1/2 x 11 5/8in)(PL)(unframed)(2)
Lot 307
James Gillray (British, 1757-1815)Horrors of the Irish-Union; -Botheration of poor Pat-or-a Whisper across the Channel (BM 9284) Etching with hand-colouring, 1798, on wove, published by H. Humphrey, London, with trimmed margins, 226 x 346mm (8 7/8 x 13 5/8in)(PL)(unframed); together with 'Elegance Democratique', etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with full margins, 365 x 257mm (14 1/2 x 10 1/8in)(PL)(unframed)(2)
Lot 308
James Gillray (British, 1757-1815)Opposition Telegraph's;-or-The little Second-Sighted Lawyer Giving a True Specimen of Patriotic Information (BM 9232) Etching with hand-colouring, 1798, on wove, published by H. Humphrey, London, with narrow margins, 257 x 361mm (10 1/8 x 14 1/8in)(PL)(unframed)
Lot 315
James Gillray (British, 1757-1815)Lilliputian-Substitutes, Equiping for Public Service (BM 9722) Etching with hand-colouring, 1801, on wove, published by H. Humphrey, London, with margins, 253 x 358mm (10 x 14 1/8in)(PL)(unframed); together with 'Preparing for the Grand Attack. Or a Private Rehearsal of 'The ci-devant Ministry in Danger (BM 9739)', etching and aquatint with hand-colouring, 1801, on wove, published by H. Humphrey, London, with narrow margins, 363 x 261mm (14 2/8 x 10 1/4in)(SH)(unframed)(2)
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78408 item(s)/page