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Lot 496
A BOX AND LOOSE MAPS AND PRINTS ETC, maps include a map of Massachusetts, Connecticut and Rhode Island published 1832, approximate size 20cm x 26cm, various 18th & 19th century Staffordshire including Meeting places of the Hoar-Cross Hunt, Thomas Gardner road maps Bristol to West Chester and Oakham to Richmond, John Ogilby road map London to Holy Head, with John Carey maps of Hampshire and Dorsetshire dated 1818, C.S. Smith maps of Northumberland, Cumberland and Westmoreland dated 1801, pictures include an architectural study of bridge houses by Joseph Moussa, watercolour on paper, approximate size 16cm x 23cm, a limited edition print depicting Timoleague Friary by Nevil Swinchatt, an etching of a street in Hong Kong, Indian painting on fabric depicting three elephants, reproduction cigarette cards etc. (1 BOX + loose)
Lot 28
VIEW OF THE FONTANKA FROM THE GROTTO AND THE RESERVED PALACE. Unknown Western European engraver. View of the Fontanka River from the Grotto and the Reserve Palace. Engraving with a cutter, etching. Real watercolor painting. Around 1775. Size: 36 x 48 cm. Engraving from the original by G.A. Kachalov 1753 according to the drawing by M.I. Makhaeva. Engraving Avenue on the Fontanka River, view from the Grotto and the Reserve Palace, noon. From the album "Plan of the capital city" of St. Petersburg, with the image of famous avenues, published by the works of the Imperial Academy of Sciences and Arts of St. Petersburg, released for the fiftieth anniversary of the city in 1753. On the left bank of the Fontanka there was the building of the Reserve Palace, where supplies were brought for the needs of the Summer Palace, the residence of Peter I. In front of the bridge was the Special Shipyard, founded in 1716-1717. and rebuilt A.I. Korobov in the late 1730s. To the right is a part of the Summer Garden and the Grotto. The creation of the Summer Garden took place under the control of Peter I himself. The grotto (dismantled at the beginning of the 19th century) was a small pavilion decorated with sea stones, shells and fountains.
Lot 29
PERSPECTIVE OF THE GARDEN FROM THE NORTH SIDE AT A.P. BESTUZHEV-RYUMIN on STONE ISLAND. RUSSIAN EMPIRE, 18th CENTURY. Unknown engraver. Perspective of the garden from the North side at the house of A.P. Bestuzhev-Ryumin on Kamenny Island. Engraving with a cutter, etching. Authentic watercolor painting. Second half of the 18th century Engraving after the original by M.I. Makhaev. View of a garden and a dacha on Kamenny Island (1755) From a series of engravings depicting structures on Kamenny Island, commissioned by A.P. Bestuzhev-Ryumin. Size: 36 x 48 cm. From a 1770s edition.
Lot 41
20th Century Continental School, etching, An architectural study possibly Dresden, signed indistinctly to the lower right, framed, mounted, and under glass, together with another etching of a tree, indistinctly signed and dated 1920 to the lower right, the largest measures 32cm x 40cm overall (2)
Lot 98
of regulation type, the first with curved blade retaining traces of etching, copper alloy stirrup hilt, with enamelled star of the Order of the White Eagle on the langet, wire-bound grip, in its black iron scabbard with a single suspension-loop; the second with burnished blade, white metal hilt including double shell-guard, in a later scabbard; the third with pipe-backed blade (shortened) etched with foliage, the crowned royal letter ‘A’ and the commemorative dates ‘1861-88’, copper alloy hilt including folding shell-guards cast with the commemorative dates, pommel with the crowned letter ‘A’ and wire-bound grip, in associated scabbard, the first: 79.8 cm blade (3)
Lot 202
Joseph VERDEGEM (1897-1957), 2 etchings 'The Clown Manolo' 2nd state, 1940 and 'Thérèse Dorny' 1st state, 1939, signed, added etching Albert Baertsoen, signedJoseph VERDEGEM (1897-1957), lot van 2 etsen 'De Clown Manolo' 2e staat, 1940 en 'Thérèse Dorny' 1e staat, 1939, getekend, toegevoegd ets Albert Baertsoen, getekend20 x 11 & 23.5 x 13 cm en 14.5 x 20.5 cm
Lot 856
Karl Köpping (1848-1914), 'Sampling officials of the Draper's Guild' (The Steel Masters) after a 1662 painting by Rembrandt van Rijn and a lot of 16 maps including Le Comté de Haynaut, Tornacum, Bourbour, Boulogne, Arras, the Azores, Principality of Liege, ArtoisKarl Köpping (1848-1914), 'Sampling officials of the Draper’s Guild' (De Staalmeesters) naar een schilderij van Rembrandt van Rijn uit 1662 en een lot van 16 kaarten o.a. Le Comté de Haynaut, Tornacum, Bourbour, Boulogne, Arras, de Azoren, Prinsbisdom Luik, Artois61 x 88 cm (the etching)
Lot 1102
Art folder (1976) Six painters, six poets, including print by Roger Raveel, edition Open Kring and Orange House with original etching by Karel DierickxKunstmap (1976) Zes schilders, zes dichters, met druk van Roger Raveel uitgave Open Kring en Oranjehuis met originele ets van Karel Dierickx40 x 32 & 25 x 18 cm
Lot 145
†PHILIP REEVES RSA PRSW RGI RE (1931-2017); limited edition etching, 'Rock Image - Irelands Edge', signed, titled and numbered 4/10, 72 x 57cm, unframed.Condition Report: Slight tear to left edge which does not affect image. Paper lightly grubby at edge and slight browning to the bottom left corner outside of the plate.
Lot 637
Charles Hunt, The Red Rover, Southampton Coach, B. Moss & Co. 1851, hand coloured aquatint, 46 x 61.5cm, Charles Hunt, The New London Royal Mail, B. Moss & Co. 1851, hand coloured aquatint, 42.5 x 58.5cm, Clare College, Cambridge, etching, signed indistinctly lower right and titled lower left, 15 x 22.5cm, Wilfred E Jones, Old Whitby, etching, signed in pencil lower right, dated 1944 and numbered lower left 5/25, 25 x 15cm, Archibald Thorburn, birds on the beach, possibly snipe, numbered lower left 684/850, 35.5 x 48.5cm, J Stevens Dews, Endeavour Racing Velsheda Off The Needles, 1934, signed lower right and numbered 628/750 lower left, 61 x 85cm and a quantity of other pictures
Lot 325
Gwen Bryson (British, second half 20th century) 'Cornish Tin Mine' lino cut print, signed, dated (19)84 and titled to lower margin, no. 2/12, limed wood frame 4½ x 4 7/8 in (11.5 x 12.4 cm); together with an etching by J. Mays, 'dusk on the river Dart', no. 2/10, signed and titled in pencil, 7 x 8¼ in (17.8 x 21 cm). (2)
Lot 374
Circle of Pierre le Boeff, Views of Cathedral cities, a pair, watercolour, each 56 x 37cm.; together with a pastel street scene in Verona, and a colout etching on the interior of Rheim Cathedral by E. Sharland.(4) All framed and glazed. Condition Report: All under glass, main pair rather discoloured, may benefit from a clean.
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