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Jacobus Houbraken (1698 - 1780) after Sir Anthonis Mor (c. 1517 - 1577), Thomas Howard, Duke of Norfolk, [from the portrait] In the Collection of Mr. Richardson, engraved in Amsterdam, [published by J. and P. Knapton to illustrate Nicholas Tindal's Continuation of Mr Rapin Thoyras's History of England, London] 1735, lightly hand-coloured etching and engraving, 37cm x 23cm; others from the same series by Jacobus Houbraken (1698 - 1780), after Isaac Oliver (c. 1565 - 1617), Henry, Prince of Wales, Son of King James I, [from the portrait] In the Collection of Dr. Mead, London 1738; Robert Dudley, Earl of Leicester, [from the portrait] In the Collection of Sr. Robert Worfley (sic) Bart., London 1738; after Sir Godfrey Kneller (1646 - 1723), Edward Russel (sic), Earl of Orford, [from the portrait] In the Collection of Thomas Walker Esqr., London 1742, all lightly hand-coloured etchings and engravings, 37cm x 23cm, framed en suite [4]
*Sharp (Miles Balmford, 1897-c.1981). The Demolition of Devonshire House, London, 1925, etching, signed, dated and inscribed to Kenneth Holmes in pencil to lower margin, plate size 17.8 x 26.3cm (7 x 10.25 inches), framed and glazed, together with Rhodes (Marion, 1907-1988), A Yorkshire Village, etching, signed in pencil to lower margin, plate size 24 x 36cm (9.5 x 14 inches), sheet size 28 x 41cm (11 x 16 inches) (2)
*Prints & Watercolours. A mixed collection of ten prints, watercolours and oil paintings, 18th - 20th century, including an oil on canvas of three cattle in a field in the manner of T. S. Cooper, together with an oil on canvas of a square rigged ship in a stiff breeze, signed J.Webb, a hand coloured etching of an illustration from 'The Iliad', an 18th engraving of a classical urn, with three Japanese watercolours of courtly scenes, plus two watercolours of topographical scenes and an 18th engraving of St Marks Pillar in Venice, published by Laurie & Whittle, various sizes and condition, all framed and glazed (10)
*Caricatures. Woodward (George Moutard), Sailors rigging out poll, circa 1807, etching with contemporary hand colouring, 235 x 340 mm, together with Dighton (Richard), Quarrelsome Taylors, or two of a trade seldom agree, circa 1795, mezzotint with contemporary hand colouring, some spotting and damp staining, several marginal closed tears, 350 x 255 mm, with two French cartoons lampooning fasionable dress, 'Les Élégans Anglais à Paris' & L'Amour et les graces arrivant de Londres', circa 1800, the engravings with contemporary hand colouring, some staining and spotting, 'Les Élégans Anglais...,' with closed tear and very slight loss, each approximately 220 x 295mm, plus Bobbin (Tim, pseud. John Collier), Human Passions delineated in above 120 Figures, Droll, Satyrical, and Humourous: Designed in the Hogarthian Style, very usefull for young Practitioners in Drawing, published John Heywood, Manchester, circa 1870, decorative title, portrait frontispiece, forty-four (complete) uncoloured caricatures, explanations bound at rear, hinges and joints broken, publisher's blue cloth gilt, heavily damp stained, worn and frayed, slim folio (5)
A quantity of black and white etchings and engravings including example by E Sharland of a cathedral gateway, etching showing Lancing from the east, signed Wallace Hester, river scene in a university town, probably Cambridge, with students besides a river, signed bottom right A H Haig, 51 x 37 cm approx, etc., various sizes, all framed.
A set of four coloured equestrian prints showing 19th century winners of the Derby, 24 x 29 cm approx in burr wood style frames with gilt slips together with a coloured print after Juliet McLeod showing the racehorse Brigadier Gerard, 46 x 57 cm in a wooden frame, a study of a racehorse before the start, indistinctly signed Fairlauf (?) and dated 75, a pair of signed limited edition coloured prints of golfing subjects after Terry Marmagon, a 19th century engraving of Jenny Lind, a coloured etching portrait of Napoleon, etc.
A signed limited edition black and white etching showing Soho House, Houndsworth, signed bottom right S Howard, dated 1996, edition 10/100, 42 x 55 cm approx in black and gilt frame together with a 20th century tapestry panel after a design by Kaffe Fasset, a pair of paintings on velvet of birds, fruit, etc., a pair of mirrors in the Art Nouveau style, etc.
'Maida Hill', London drypoint etching after William Lionel Wyllie (British 1851-1931) signed and titled in pen 18cm x 25cm unframed, Battle of Flamborough Head, 19th century watercolour unsigned and four other engravings max 26cm x 36cm (6) Condition Report Click here for further images, condition, auction times & delivery costs
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71174 item(s)/page