Heading: Author: Beckmann, MaxTitle: Illustration from Die Fürstin (The Duchess) by Kasimir EdschmidPlace Published: Publisher:Date Published: 1918Description: Drypoint etching. Impression size 18.2x14 cm (7½x5½") on a larger sheet, approximately 32x23 cm (12½x9¼"). Tipped to card backing. One of 130 signed copies from a total printing of 500. Signed by Beckmann at the lower right. Illustration (to face page 78) from Kasimir Edschmid's 1918 book Die Fürstin, one of six illustrations by Beckmann for this book. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz..Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned overall, light matte-burn; near fine.
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Heading: Author: Beckmann, MaxTitle: Irrenhaus (Madhouse)Place Published: Publisher:Date Published: 1919Description: Original drypoint etching. Impression size 26x30.5 cm (10¼x12") on a larger sheet, approximately 37x36.5 cm (14½x14¼"). One of 60 on paper. Signed in pencil at the lower right, embossed stamp at lower left corner. Plate 3 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 116; Gallwitz 106; Hofmaier 135. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Slightly browned at right edge; near fine.
Heading: Author: Gramatté, WalterTitle: Die Grosse Angst (The Great Fear). Self-portraitPlace Published: Publisher:Date Published: 1918Description: Original dry-point etching. Impression size 29.7x24 cm (11¾x9½") on large sheet, approximately 40x31 cm (15¾x12¼"). Tipped to paper backing. Signed and dated '18 in lower margin. "Die Schaffenden" blindstamp at lower left. One of 125 examples. Eckhardt, 118. Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned overall; near fine.
Heading: Author: Beckmann, MaxTitle: TheaterPlace Published: Publisher:Date Published: 1919Description: Drypoint etching. 12.8x18 cm (5¼x7¼") on larger sheet, approximately 18.3x24 cm (7¼x9½"). Tipped to matting. One of 60 on laid paper. Signed in pencil at lower right, publisher's embossed stamp in margin below. Plate 8 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 83; Gallwitz 66 c; Hofmaier 89 III B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned, mounting tape and tape residue at top edge on rear; very good.
Heading: Author: Beckmann, MaxTitle: Das Karussell (Merry-Go-Round)Place Published: Publisher:Date Published: 1922Description: Dry point etching. Impression size 29x25.7 cm (11½x10¼") on larger sheet, approximately 51.5x38 cm (20¼x15"). One of 125 on wove paper. Signed in pencil at lower right, embossed stamp in margin beneath signature. Plate 7 from Beckmann's 1922 portfolio Jahrmarkt (Annual Fair). Glaser 172; Gallwitz 169; Hofmaier 197 II B. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz. Max Beckmann (German, 1884-1950) was a painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. Beckmann achieved great success during the years of the Weimar Republic but his fortunes changed with the rise to power of the Third Reich. His work was considered degenerate by Adolph Hitler and Beckmann was dismissed from his teaching position at the Art School in Frankfurt. He left Germany for the Netherlands and later the United States. A bit toned overall, matte-burn; very good.
Heading: Author: Stoll, JohnTitle: Downhill Run No. 3Place Published: Publisher:Date Published: Mid-20th centuryDescription: Etching. Impression size 30.5x27.5 cm (12x10¾") plus margins. Matted and framed, overall 60x48.5 cm (23¾x19"). Signed and title in pencil in the lower margin. Four skiers speeding down the slopes. John Stoll (German-American 1889-1974) studied at the Fine Arts Academy in Dresden and settled in San Francisco in 1915. Perhaps best known for his maritime scenes and for his murals at the Golden Gate International Exposition on Treasure Island and for the Sailors Union in the Pacific Building, San Francisco. Fine.
Heading: Author: Beckmann, MaxTitle: Prosit Neujahr 1917 (Happy New Year 1917)Place Published: Publisher:Date Published: 1919Description: Drypoint etching. 23.7x29.7 cm (9½x11¾") on larger sheet, approximately 32x35 cm (12½x13¾"), tipped to matting. One of 40 on Japan paper. Signed in pencil at lower right. Plate 17 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 98; Gallwitz 86; Hofmaier 108. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Mounting tape and tape residue on rear at edges; near fine.
Graham Clarke (British, b .1941), Rustics, artist's proof etching, signed lower right "Graham Clarke", 18 x 23cm; and Robert C Bates (British, b.1943), The Long Harvest, signed lower right "R C Bates '68" and numbered 20/20, etching, 15 x 15cm, Provenance: Lumley Cazalet Ltd., 24 Davies Street, London, W1 (2) A little browning around the edges.
A set of three 19th century coloured engravings after H. Alken of hunting scenes 28 x 40 cm, together with a coloured print of a seated man with lantern and spade, inscribed verso 'Jeffrey, Earthstopper to the Berkeley Hunt' 21 x 16 cm in black and gilt glass mount and gilt frame, a late 19th century etching after B.W Leader- 'The Toils of the Day are Over', and 'Ports and Cities of the World' 1927 published by the Globe Encyclopedia Company
An oil painting on board of a mountainous landscape, together with backing board inscribed 'Ben More and Mull from Ulva', original oil by Bill Henderson and with Fife address details 40 cm square unframed, a signed coloured limited edition etching with a printed monogram bottom right, indistinct pencil signature and inscribed Ridgeway Windbreak, edition 1/20, 44 x 34 cm in bronze coloured frame; also together with a coloured print of a sportsman and his dog, signed to mount S.J Sayer and a small coloured print after Paul Henry- Connemara Cottages
A 20th century oil painting on canvas , still life with a vase of red poppies, indistinctly signed bottom right M. Kremnith? 32 x 42 cm in gilt frame, together with a 19th century watercolour of a landscape with cattle and ruined cottage in burrwood frame, four 19th century coloured engravings of horses in stable interiors, coloured print of a hunting scene, German etching, framed postcards relating to Chipping Campden and a cashbook
An 1895 pattern infantry officer’s sword, slender, straight fullered blade 32½”, retaining a little etching, regulation pierced plated hilt the guard without turned over edge, incorporating crowned VR cypher, plain pommel, chequered backstrap, wirebound fishskin grip, in its leather FS scabbard. Hilt GC (blade worn)
REMBRANDT HARMENSZOON van RIJN (1606 - 1669) drypoint etching portrait titled 'Jan Six', signed in the plate to lower left 'Rembrandt f. 1647'. 6 and 4 are printed in reverse. Mounted and framed. 'Embossed Fitzwilliam Museum, Cambridge' label verso identifying piece as Hind 228 state II of III (also Nowell-Usticke state I of II, Biorklund 47-B state II of III and White and Boon state III of IV)
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71174 item(s)/page