UNATTRIBUTED (TWENTIETH CENTURY) OIL PAINTING ON CANVAS Rural landscape with cottage in the distance Unsigned 12" x 21" (30.5cm x 53.3cm) S.L. (NINETEENTH CENTURY) OIL PAINTING ON CANVAS LAID DOWN ON BOARD Figures on a country path in a wooded landscape Initialled and dated (19)97 11 ¾" x 15 ¾" (29.8cm x 40cm) UNATTRIBUTED (TWENTIETH CENTURY) COLOUR PASTELS Stylised rearing horse Unsigned 17 ½" x 6 ½" (44.5cm x 16.5cm) ATTRIBUTED TO F.C. TOTTIE (NINETEENTH CENTURY) PENCIL DRAWING 'Prestwich, Lancashire from Bent Hill', view of a church spire in wooded landscape Unsigned, attributed and titled to 'Somerset & Wood, Fine Art Company' label 4 ½" x 6 ¼" (11.4cm x 15.9cm) MARGARET M. RUDGE ARTIST SIGNED ETCHING Farmyard Signed and inscribed, 'Thelma- with affection, Nov '41-July '43 7" x 9 ¾" (17.8cm x 24.8cm) NEIL ROLAND THREE BLACK AND WHITE PHOTOGRAPHIC PRINTS 'The Three Graces', male nudes Signed and titled 10 ¾" x 6 ½" (27.3cm x 16.5cm), mounted and framed as one, (6)
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F. Honicke, oil on board, LMS locomotive 'The Kolnapur', signed, 19 x 29.5in., unframed, English School after Beardsley, pen and ink, interior with nude, 27 x 21in., Christopher Saxton and William Kip, coloured engraving, map of Northamptoniae, 12.5 x 14.5in. and Frederick Halpern, etching with aquatint, coastal scene, Colombo from Mount Lavinia, signed 21/25, 8 x 10in.
A group of local prints comprising after J. M. W. Turner RA (1775-1851): St Martins 1830 printed on silk, 17 by 22cm, glazed and framed 28 by 33cm, a limited edition print of the 'Mid Lent Fair, Broad Street', by Karen Neale, number 12 of 99, 19 by 43cm, a limited edition print entitled 'Street Elevations of Stamford, No 12, St George's Square South', number 114 of 500, 14 by 40cm, glazed and framed 27 by 54cm and an etching of Duddington Mill, 19 by 25cm, glazed and framed 38 by 43cm. (4)
A late 19th century Austrian cup, the metalwork filled with enamel and gilded sections, the rock crystal bowl and base with floral etching, the central figural column in the form of three herons, h. 14 cm CONDITION REPORT: Some chips and breaks to glass, some losses to enamelling. Significant cracks please see further image(s)
NO RESERVE δ Norman Ackroyd (b.1938) Malignant TopographyEtching with aquatint in colours, 1962, signed, dated and titled in pencil, a proof aside from the edition of 20, with margins, plate 660 x 375mm (26 x 14 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Martian Dali Equipped with a Holo-Electronic Double Microscope,the Conquest of the Cosmos (M&L644; Field 74-12C)Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of 195 in pencil, on Arches paper, with full margins, plate 750 x 555 mm (29 1/2 x 21 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)The Golden Helmet of Mandrino (Field 80-1.F)Etching with aquatint printed in colours, 1981, signed and numbered from the edition of 150 in pencil, on japon nacre paper, as included in the portfolio Historia de Don Quichotte de la Mancha, with full margins, 400 x 445mm (15 ¾ x 17 ½ in) (unframed)This lot has been authenticated by Albert Field on the reverse.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)A Moving Still Life (from The Blue Guitar) (M.C.A. Tokyo 195)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 462 x 525mm (18 1/8 x 20 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)On it May Stay His Eye (from The Blue Guitar) (M.C.A. Tokyo 194)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 456 x 525mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)The Old Guitarist (from The Blue Guitar) (M.C.A. Tokyo 179)Etching with aquatint, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Howard Hodgkin (b.1932)Artist and Model (Heenk 60)Soft-ground etching with extensive hand-colouring in watercolour, 1980, initialled and dated in pencil, numbered from the edition of 100, on wove paper, published by Petersburg Press, London, the full sheet printed to the edges, sheet 813 x 1029mm (32 x 40 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
HEDLEY FITTON (1859-1929); drypoint etching entitled 'Amboise la Tour de l'Horologe', with 'Robert Benting, The Rembrandt Gallery' label verso, with title and artist dedication, signed in pencil lower-right, 43 x 24cm, with gilt slip frame, fruitwood frame and glazed. CONDITION REPORT Minor foxing, no tears, no folds, or rips.
HEDLEY FITTON (1859-1929); drypoint etching of the Old Bridge, Sospel with 'Robert Benting, The Rembrandt Gallery' label verso, with handwritten title and artist attribution, signed in pencil to the border lower-right, with details 'Published 1928' within the print, 33 x 34cm, in fruitwood frame and glazed. CONDITION REPORT Generally good condition, no evidence of tears or folding.
HEDLEY FITTON (1859-1929); original etching of the Pont d'Avignon with 'Charles Walker & Co, The Rembrandt Gallery' label verso, with title and artist attribution, signed in pencil to the border, lower-right, 43 x 45.5cm, with gilt slip frame, fruitwood frame and glazed. CONDITION REPORT Small areas of foxing, no tears, no creasing.
Cranes I Ann Dergara Embossed Metal - Mounted and Framed 47x98cmThe enthusiasm with which Ann Dergara approaches her art is a lifelong passion. Born to Norwegian German parents who recognized and nurtured her creative abilities, the Greenville, South Carolina native sold her first painting five years prior to beginning her formal education at Georgia State University. In 1978, a printmaking course at Atlanta College of Art led her to Dick Williams and the innovative and contemporary Odyssey Studio. The artist pursued the etching and the collagraph, later the serigraph, and in 1990 began mono printing. Her mastery of the art of print making is described as remarkable.Yet painting remains Dergara’s first love, and a vibrant testament to her profound talent. Santiago Leon of ARTEFINO speaks for many admirers that Ann’s work is typical of an artist assured of her own talent; it is unconstrained, blending great skill and maturity with the free spirit of a child. Dergara is intent on achieving the original, the unique, the different - but only as it celebrates whatis positive and beautiful.Her brilliant use of color expresses her passionate respect for the harmony of nature - a recurring theme in a body of work that brings her growing, international acclaim.
Horses Ann Dergara Embossed Metal Mounted and Framed 105x51cm The enthusiasm with which Ann Dergara approaches her art is a lifelong passion. Born to Norwegian German parents who recognized and nurtured her creative abilities, the Greenville, South Carolina native sold her first painting five years prior to beginning her formal education at Georgia State University. In 1978, a printmaking course at Atlanta College of Art led her to Dick Williams and the innovative and contemporary Odyssey Studio.The artist pursued the etching and the collagraph, later the serigraph, and in 1990 began mono printing. Her mastery of the art of print making is described as remarkable. Yet painting remains Dergara’s first love, and a vibrant testament to her profound talent. Santiago Leon of ARTEFINO speaks for many admirers that Ann’s work is typical of an artist assured of her own talent; it is unconstrained, blending great skill and maturity with the free spirit of a child. Dergara is intent on achieving the original, the unique, the different - but only as it celebrates whatis positive and beautiful.Her brilliant use of color expresses her passionate respect for the harmony of nature - a recurring theme in a body of work that brings her growing, international acclaim.
Fenetre Ouverte Sur La Seine - Jean-Claude Picot Hand Embellished Serigraph, 22/100 Signed by the artist - Mounted and Framed 56x67cmSince 1956, Jean Claude Picot has been working exclusively as a professional artist. He is greatly influenced by the works of the Fauvist masters like Vlaminck, Derain, and Matisse, whose exuberant canvases drew great attention in the first decade of the 20th century for their revolutionary use of color, texture, and abstract form. These artists have inspired Picot for decades and you can find many similar characteristics in his work. Picot has developed a unique style that recalls a Post-Impressionist application of color, combined with the expressive qualities of form and line. His compositions are often calming, possessing his personal joie de vivre.He frequently captures the animation, romance, and essence of the landscape as his favored subject, although he also paints still lifes, cityscapes, markets, and festival scenes. All of his work is imbued with the same bright and cheerful character and is instantly identifiable. Since 1947 he has exhibited in over fifty one-person shows throughout the world including exhibitions in the United States, Belgium, Norway and Australia.Picot lives part of the year in the south of France and often draws on the Cote d’Azur – its visitors, beaches, and boat-filled harbors. His work abounds with natural beauty and features breathtaking panoramic views charged with the unique light of the Mediterranean. Picot works in a Post-Impressionist manner, reducing flowers, trees, houses, and figures to their essential forms. In the reviews of Picot’s most recent solo shows in Paris, Bordeaux and Oslo, the critics cited the affinities between the masters of Impressionism and early 20th Century Fauvism with Picot’s work.Today in the 21st Century, Picot continues the tradition of important French landscape painters. Picot actively works in many media – oil, acrylic, watercolor, etching, ceramic, and most recently, serigraphy and embellished serigraphy – which beautifully capture his vibrant color and painterly technique. His work is a favorite of collectors internationally and is represented in prestigious collections worldwide.
Garden Flowers II - Stephan Whittle Original Etching Original Etching, signed and certified. - Mounted and Framed 37x46cmStephan Whittle, 1953 – 2000. Born in England, Whittle studied etching at Chelsea School of Art and Brighton College of Art.He worked as an artist, teacher and graphic designer in Switzerland and England, exhibiting in galleries in Great Britain..“The transcendent, spiritual dimension of ‘vision’ allows me to interpret what I see on a feeling level. Many of my pieces begin as simple rhythmic shapes, moving to achieve a kind of fluid harmony. Then I begin to bend the natural world around this design.Color plays a crucial part, as if adding music to a world that was so far silent. Altogether I seek to create both a feast for the senses and an image that will resonate somewhere deep within the soul.” His view of nature as a place of harmony and balance was expressed in his early etchings. His sense of color and rhythmic, flowing composition creates remarkable miniature worlds on copper plates. Working with publishers such as London Contemporary Art and CCA Galleries, his florals and landscape scenes gained popularity in Japan, Australia and North America. He exhibited at art shows in Tokyo, New York, Paris and Frankfurt. Whittle moved to America with his wife and two children.His used brighter colors and larger pieces, and developed a method of embossing designs around the border of the etched images. He etched a series depicting vineyards and wine related themes.
Matin Sur La Mer - Jean-Claude Picot Limited Edition 483/700 - Mounted 46x31cmSince 1956, Jean Claude Picot has been working exclusively as a professional artist.He is greatly influenced by the works of the Fauvist masters like Vlaminck, Derain, and Matisse, whose exuberant canvases drew great attention in the first decade of the 20th century for their revolutionary use of color, texture, and abstract form. These artists have inspired Picot for decades and you can find many similar characteristics in his work.Picot has developed a unique style that recalls a Post-Impressionist application of color, combined with the expressive qualities of form and line. His compositions are often calming, possessing his personal joie de vivre. He frequently captures the animation, romance, and essence of the landscape as his favored subject, although he also paints still lifes, cityscapes, markets, and festival scenes. All of his work is imbued with the same bright and cheerful character and is instantly identifiable.Since 1947 he has exhibited in over fifty one-person shows throughout the world including exhibitions in the United States, Belgium, Norway and Australia. Picot lives part of the year in the south of France and often draws on the Cote d’Azur – its visitors, beaches, and boat-filled harbors. His work abounds with natural beauty and features breathtaking panoramic views charged with the unique light of the Mediterranean. Picot works in a Post-Impressionist manner, reducing flowers, trees, houses, and figures to their essential forms.In the reviews of Picot’s most recent solo shows in Paris, Bordeaux and Oslo, the critics cited the affinities between the masters of Impressionism and early 20th Century Fauvism with Picot’s work. Today in the 21st Century, Picot continues the tradition of important French landscape painters.Picot actively works in many media – oil, acrylic, watercolor, etching, ceramic, and most recently, serigraphy and embellished serigraphy – which beautifully capture his vibrant color and painterly technique.His work is a favorite of collectors internationally and is represented in prestigious collections worldwide.
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71174 item(s)/page