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Click here to subscribe*Gustave Singier (Belgian, 1909-1984) Composition etching in colours, signed 'G Singier' and numbered 75/100 in pencil sheet 9 x 21cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame. Looks like two sheets together, like a folded card. Print is stuck down to mount. Discolouration to margins and spots of foxing to lower edge. Print itself does not appear to have any foxing.
Karl Brandstätter (Austrian, b.1946) Cubist figure etching and aquatint in colours, signed 'Brandstatter' in pencil l.r., and numbered 12/60 l.l. sheet 50.2 x 65.5cm, unframed; Jean René Bazaine (French, 1904-2001) Untitled, 1953 lithograph in colours, signed and dated 'Bazaine 53' in pencil l.r., and numbered 162/300 sheet 75.5 x 54.2cm, unframed; Adrian Heath (1920-1992) Untitled, 1973 lithograph in colours, signed and dated 'Heath 73' in pencil sheet 79 x 58cm, unframed (3)Condition report: Brandstatter: time staining/discolouration to the sheet, soft creases along the centre - however, this is mostly visible from the reverse rather than from the front, some handling marks at the margins. Bazaine: discolouration of the entire sheet but particularly browning to the edges, specks of foxing emerging, light creasing at the corners, accidental pencil line top left, with pencil marks from previous owner reverse. Heath: one small smugde centre-left, minor handling creases, overall, condition is good. Please refer to illustrations for more detail on condition.
*Keith Coventry (b.1958) 'Simmons Estate'; 'Roman Point'; 'Tiber Estate'; 'Berwick Tower' etching, 2008, each signed 'K Coventry', inscribed with title and numbered 30/50 in pencil, from the portfolio 'Copper and Silk' published by Paul Stolper, on Somerset wove paper each sheet 61 x 48.5cm (4) Artist's Resale Right may apply to this lot.Condition report: Simmons Estate: small smudge of dirt top right corner, faint Tiber Estate: small smudge of dirt next to number Roman Point: small smudge fingerprint in lower left printed margin, very minor Berwick Tower: a very light wave to the paper, although only visible from certain angles and probably due to how it has been framed. Overall these are all in very good condition. Not seen outside of glazed frames.
*Frans Wesselmann (Dutch, b.1953) 'Study of a Cockerel I' etching in colours, signed 'Frans Wesselmann' in pencil l.r., inscribed as titled and numbered 33/100 14 x 18cm *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, mount has slightly discoloured, otherwise appears to be in very good condition, well-presented and ready to hang.
*David Hockney (b.1937) An Erotic Etching etching, 1975, from the Erotic Arts, signed and numbered 18/100 in pencil on handmade paper, printed by Michael Rand, published by Secker and Warburg, London plate 15 x 11.2cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in excellent condition.
*Bryan Ingham (1936-1997) 'The Spotted Jug II (Kynance)', 1980 soft and hard ground etching finished with hand colouring, signed with initials, inscribed as titled and dated 1980 in pencil, inscribed 'TP' (Test proof) image 7.2 x 10.5cm *Artist's Resale Right may apply to this lot.Condition report: Significant areas of foxing to the sheet, please see images. Not examined out of glazed frame.
* FIONA WATSON, WINTER GARDEN colour etching with chine colle on paper, signed, titled and numbered 19/20 image size 30cm x 30cm, sheet size 46cm x 44cm, overall size 63cm x 60cm Mounted, framed and under glass. Note: Fiona Watson is one of Scotland's best known and most respected contemporary printmakers and her work is widely exhibited and held in numerous public and corporate collections. "Winter Garden" is surprisingly only the second example of Fiona Watson's work we've offered, the first being lot 653 on 28th Feb 2021 "Natural Progression" a black & white etching from an edition of 60 which sold for £200 (hammer).
* ELEANOR SYMMS, SUNDOWN limited edition colour etching on paper, signed, titled and numbered 4/6 image size 20cm x 27cm, overall size 59cm x 51cm Mounted, framed and under glass. Note: Eleanor Symms trained at Edinburgh College of Art and graduated with distinction in 2012. She is a Professional member of Visual Arts Scotland, a member of the Association for Contemporary Jewellery and the Craft Scotland Directory of Makers. She exhibits in the UK and internationally. She was an invited artist at the 5th International Print Biennale, Douro, Portugal in 2010. The only previous colour etching by Symms we have offered was "Swish" a slightly smaller 10/30 print which sold for £150 (hammer) on 9th May 2021.
* ELEANOR SYMMS, GATHERING CLOUDS limited edition colour etching on paper, signed, titled and numbered 3/6 image size 30cm x 25cm, overall size 58cm x 51cm Mounted, framed and under glass. Note: Eleanor Symms trained at Edinburgh College of Art and graduated with distinction in 2012. She is a Professional member of Visual Arts Scotland, a member of the Association for Contemporary Jewellery and the Craft Scotland Directory of Makers. She exhibits in the UK and internationally. She was an invited artist at the 5th International Print Biennale, Douro, Portugal in 2010.
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), UNTITLED oil on canvas overall size 91cm x 121cm Unframed. Note: Richard Turner was noted post-modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full-scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet-style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
CLAES OLDENBURG (SWEDISH-AMERICAN B. 1929)Butter Pat in Berkeley Hills, 1976etching on Auvergne a la Main Paper21 x 27 cm (8 1/4 x 10 5/8 in.) [image size]; 66 x 50 cm (26 x 19 3/4 in.) [full sheet] signed and inscribed in pencil with edition 29/35 lower leftprinted by John Slivon at Crown Point Press, Oakland, published by Multiples, Inc. New YorkCONDITION Observed in frame, the etching appears in good condition. Minor wear and toning to the perimeter of the sheet. Very minor spotting visible to the sheet upon close inspection. With no significant issues to report otherwise. framed dimensions: 86 x 67 cm (33 7/8 x 26 3/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
REMBRANDT VAN RIJN (DUTCH 1606-1669)Nude Man Seated on the Groundetching10 x 26.67 cm (4 x 10 1/2 in.) [plate], 14 x 21 cm (5 1/2 x 8 1/4 in.) [full sheet]signed, dated 1646, lower left in plate, indistinguishable numbering lower left in pencil outside of plateCONDITION Unframed, the etching appears in age-appropriate condition. Minor surface soiling to the lower right edge. The sheet is laid down to the matte. With no significant issues to report otherwise. framed dimensions: 29 x 35 cm (11 3/8 x 11 3/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF ETCHINGS AFTER JOHN OGILBY (SCOTTISH 1600-1676)comprising:a) I. TAMARACA hand colored etching, plate: 28 x 35 cm (11 x 13 3/4 in.)b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, hand colored etching, plate: 28 x 35 cm (11 x 13 3/4 in.)CONDITIONObserved in frame, both etchings are in overall stable age-appropriate condition.a) I. TAMARACA, Slight waviness to the sheet. age-appropriate discoloration in paper. Some foxing is apparent in the upper and lower corners of the sheet.b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, Slight waviness to the sheet. Foxing is apparent on the upper left and lower middle of the sheet.framed dimensions: 51 x 57 cm (20 1/8 x 22 1/2 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
NINE ETCHINGS BY REUBEN NAKIAN (AMERICAN 1897-1986)comprisinga) Nude, lithograph, 57 x 76 cm (22 1/2 x 29 7/8 in.) [full sheet], inscribed BAT lower left, signed lower rightb) Group of 8 Etchings, etching on villet press HMK paper, 34 x 54 cm (13 3/8 x 21 1/4 in.) [full sheet], 12 x 34 cm (4 3/4 x 13 3/8 in.) [plate], each with edition 62/75 lower left, signed lower rightCONDITIONObserved in frame, overall the group appears in age-appropriate condition. Each with a slight waviness to the sheet. Minor toning visible to perimeter of some but not all. No significant issues to report otherwise.framed dimensions: 76 x 96 cm (29 7/8 x 37 3/4 in.) [largest], framed dimensions: 39 x 59 cm (15 3/8 x 23 1/4 in.) [smallest]N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
KATHE KOLLWITZ (GERMAN 1867-1945)Woman with Bent Head (Gesenkter Frauenkopf), 1905, published posthumouslyetching37 x 32 cm (14 5/8 x 12 5/8 in.) [plate size]blind stamped Muenchen 22 lower rightPROVENANCECharles Z. Mann Collection, New York, NY Acquired from the above by the present owner RELATED LITERATURE Klipstein 77; Knesebeck 94CONDITION Observed in frame, the etching appears in good condition. A visible waviness to the sheet, most notably along the lower edge. With no significant issues to report otherwise. framed dimensions: 63 x 49 cm (24 3/4 x 19 1/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
KATHE KOLLWITZ (GERMAN 1867-1945)Hamburg Tavern (Kneipe Hamburger), 1901, published posthumouslyetching19 x 24 cm (7 1/2 x 9 1/2 in.) [plate size] blind stamped Muenchen 22 lower rightRELATED LITERATURE Klipstein 58; Knesebeck 55 IV CONDITION Observed in frame, the etching appears in good condition. A visible waviness to the sheet, most notably along the lower edge. With no significant issues to report otherwise. framed dimensions: 44 x 46 cm (17 3/8 x 18 1/8 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
KATHE KOLLWITZ (GERMAN 1867-1945)Mutter mit kind auf dem arm, circa 1910, published posthumouslyetching19 x 13 cm (7 1/2 x 5 1/8 in.) [plate size] blind stamped Muenchen 22 lower rightRELATED LITERATURE Klipstein 110; Knesebeck 114CONDITION Observed in frame, the etching appears in age-appropriate condition. Toning visible to the perimeter. A slight waviness is visible to the sheet. With no significant issues to report otherwise. framed dimensions: 34 x 28 cm (13 3/8 x 11 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Kavallerie - 6 hinter Glas gerahmte Drucke von berittenen Soldaten der Alten Armee. U.a Württemberg oder Hessen-Kassel. Dazu Radierung von Otto Sager "Sindelfingen". Alters- und Gebrauchsspuren, teils fleckig| Cavalry - 6 behind glass framed prints of mounted soldiers of the Old Army. Among other things, Württemberg or Hessen-Kassel. Also an etching by Otto Sager "Sindelfingen". Signs of age and wear, partly stained
JANSSEN, HORST "Zwei Radierungen" Radierung, signiert und datiert JH 74, Probedruck, Plattenmaße, LxH: 25/18,5 cm. Blatt gebräunt, gerahmt, Radierung, signiert und datiert JH 7, Ex. 34/50 Plattenmaße, LxH: 15/22,5 cm. Blatt gebräunt, gerahmt. JANSSEN, HORST "Two etchings".Etching, signed and dated JH 74, proof, plate dimensions, LxH: 25/18,5 cm. Sheet browned, framed, etching, signed and dated JH 7, ex. 34/50 Plate size, lxh: 15/22,5 cm. Sheet browned, framed.
PIRANESI, GIOVANNI BATTISTA (1720-1778), 4x Architekturelemente aus "Le Antichità Romane", je Radierung/Papier, je mit Bandangabe 'Tom IV', architektonischer Erläuterung und Künstlerbezeichnung, wohl spätere Abzüge, HxB: Platten ca. 35x23 cm bis 41x26 cm, Blätter ca. 53x41 cm. Je gebräunt und fleckig, gewellt, part. Knickspuren. Je mit verglastem Rahmen.| PIRANESI, GIOVANNI BATTISTA (1720-1778), 4x architectural elements from "Le Antichità Romane", each etching / paper, each with volume indication 'Tom IV', architectural explanation and artist name, probably later prints, HxW: panels approx. 35x23 cm to 41x26 cm, leaves approx. 53x41 cm. Each browned and stained, wavy, part. Crease marks. Each with a glazed frame.
KÜNSTLER des 18./19. Jh., Konvolut 3 italienische Veduten, 1x "Veduta dell' Isola Tiberina...", nach Giovanni Battista PIRANESI, Radierung/Papier, in der Platte bezeichnet, o.li. Trockenstempel, HxB: Platte ca. 48x72 cm, Blatt ca. 62x89 cm; 1x "Vue d'une partie du couvent de St. Cosimato", Radierung von Balthasar Anton DUNKER nach J. P. HACKERT, in der Platte bezeichnet, HxB: Passepartoutausschnitt ca. 36x45 cm; 1x "Ponte Mammea - oggi Ponte Mammolo", Radierung von L. CAVALIERI, in der Platte bezeichnet, HxB: Platte ca. 13,5x18,5 cm, Passepartoutausschnitt ca. 15x20 cm. Je Altersspuren und gebräunt, part. fleckig. Je mit verglastem Rahmen (Außenmaße bis 64x91 cm.) VERSO Etiketten.| ARTISTS of the 18th and 19th centuries Century, mixed lot of 3 Italian vedutas, 1x "Veduta dell 'Isola Tiberina ...", after Giovanni Battista PIRANESI, etching / paper, inscribed in the plate, top left. Blind stamp, HxW: plate approx. 48x72 cm, sheet approx. 62x89 cm; 1x "Vue d'une partie du couvent de St. Cosimato", etching by Balthasar Anton DUNKER after J. P. HACKERT, inscribed on the plate, HxW: mat cutout approx. 36x45 cm; 1x "Ponte Mammea - oggi Ponte Mammolo", etching by L. Cavalieri, inscribed on the plate, HxW: plate approx. 13.5x18.5 cm, mat cutout approx. 15x20 cm. Signs of age and discolored, part. blotchy. Each with a glazed frame (external dimensions up to 64x91 cm.) VERSO labels.
JANSSEN, HORST (1929-1995), "O Bettina", Aquatintaradierung/Papier, in der Platte datiert 3.4.73 und betitelt, u.re. mit Bleistift von Hand monogrammiert und datiert (19)74, u.li. bezeichnet 'P', HxB: Platte ca. 39,5x38,5 cm, Passepartoutausschnitt ca. 53x41 cm, Außenmaße Rahmen ca. 75x61 cm. Gebräunt und Lichtrand. Im Passepartout hinter Glas gerahmt. | JANSSEN, HORST (1929-1995), "O Bettina", aquatint etching / paper, dated 3.4.73 and titled in the plate, lower right. Monogrammed and dated by hand in pencil (19) 74, below left. Inscribed 'P', HxW: plate approx. 39.5x38.5 cm, passepartout cutout approx. 53x41 cm, external dimensions frame approx. 75x61 cm. Browned and light edge. Framed behind glass in a passe-partout.
JANSSEN, HORST (1929-1995), "Drachen-artig", Aquatintaradierung/Papier, in der Platte betitelt und datiert 28.10.72, u.re. mit Bleistift von Hand monogrammiert und datiert (19)72, HxB: Platte ca. 30x45 cm, Passepartoutausschnitt ca. 32x47 cm, Außenmaße Rahmen ca. 51x61 cm. Leicht gebräunt und gewellt. Im Passepartout hinter Glas gerahmt. | JANSSEN, HORST (1929-1995), "Drachen-artig", aquatint etching / paper, titled and dated 28.10.72 in the plate, lower right. Monogrammed and dated by hand in pencil (19) 72, HxW: plate approx. 30x45 cm, passepartout cutout approx. 32x47 cm, external dimensions frame approx. 51x61 cm. Slightly browned and wavy. Framed behind glass in a passe-partout.
SCHÖLLKOPF, GÜNTER (1935-1979), "Ulysses - Molly Bloom", Aquatintaradierung/Papier, darunter mit Bleistift betitelt, bezeichnet 'e.a.' (Epreuve d'Artiste), signiert und datiert (19)64, HxB: Platte ca. 49,5x33 cm, Passepartoutausschnitt ca. 54x37 cm, Außenmaße Rahmen ca. 82x62 cm. Minim. Knickspur im unteren Bereich. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren.| SCHÖLLKOPF, GÜNTER (1935-1979), "Ulysses - Molly Bloom", Aquatint etching / paper, titled in pencil below, inscribed 'e.a.' (Epreuve d'Artiste), signed and dated (19) 64, HxW: plate approx. 49.5x33 cm, mat cutout approx. 54x37 cm, external dimensions frame approx. 82x62 cm. Minim. Crease in the lower area. Framed in a mat behind glass. Slight signs of age.
KÜNSTLER/IN 20. Jh., 2 Erotische Szenen, je Farbaquatintaradierung / Papier, 1x "Liebespaar III", darunter von Hand num. 61/100, betitelt, undeutlich signiert und datiert 1990, HxB: Platte 27,5x17 cm; 1x "Akt '86", darunter mit Bleistift von Hand num. 95/200, betitelt, signiert und datiert 1986, HxB: Platte ca. 28 x 19 cm; Außenmaße Rahmen ca. 49x36 cm und 41x30,5 cm. Jeweils mit verglastem Rahmen. Minim. Altersspuren. | ARTIST 20th Century, 2 Erotic Scenes, each color aquatint etching / paper, 1x "Liebespaar III", by hand num. 61/100, titled, indistinctly signed and dated 1990, HxB: plate 27.5x17 cm; 1x "Act '86", by hand num. 95/200, titled, signed and dated 1986, HxB: plate approx. 28x19 cm; Outside dimensions frame approx. 49x36 cm and 41x30,5 cm. Each with glazed frame. Minim. signs of age.
Herrscherportrait19. Jh.Kniestück eines Mannes im Brustpanzer und Hermelinmantel vor einem Zeltlager. Radierung. 8x 11,5 cm, unter Glas ger.Herrenbildnis, Portrait Portrait of a ruler19th centuryKneeling portrait of a man in breastplate and ermine coat in front of a tent camp.Etching. 8 x 11.5 cm, framed under glass.
Nilson, Johannes EsaiasMarie Antoinette als Dauphine von Frankreich(Augsburg 1721-1788 ebd.) Radierung nach Johann Michael Militz, Wien. Sichtmaß 24 x 17 cm;in Passepartout und unter Glas ger.Adelsbildnis Nilson, John Esaias:Marie Antoinette as Dauphine of France.(Augsburg 1721-1788 ibid.) Titled ''Maria Antonia, Delphina Franciae''. Etching after JohannMichael Militz, Vienna. Visible size 24 x 17 cm; framed in passepartout and under glass.
Kobell, Wilhelm vonHirten mit ihren Tieren an der Tränke(Mannheim 1766-1855 München) Aquatintaradierung. Blatt 26,6 x 32,7 cm; unter Glas ger.idyllische Landschaft, Stich Kobell, Wilhelm von:Shepherds with their animals at the watering place.(Mannheim 1766-1855 Munich) Aquatint etching in brown, after a painting by Adriaen van derVelde. Sheet 26.6 x 32.7 cm; framed under glass. - Trimmed to the edge, text cut off fromimage.
Fuchs, ErnstWassermann und Meeresnymphe(Wien 1930-2015 ebd.) Radierung. Rechts unten handsign., links bez. "1097 K / 10 / 70".Blatt 26 x 32 cm; in Passepartout und unter Glas ger.Phantastischer Realismus Fuchs, ErnstAquarius and sea nymph(Vienna 1930-2015 ibid.) Etching. Signed by hand lower right, inscribed ''1097 K / 10 / 70''on the left. Sheet 26 x 32 cm; framed in passepartout and under glass.
Erotica - - Franz von Bayros. (1866 Zagreb - 1924 Wien). Set aus zwei erotischen Graphiken: Die Pfauenfeder u. Minie. Um 1907. Je Aquatinta-Radierung auf chamoisfarbenem, unbeschnittenem Bütten. Je 25 x 24 cm (34,5 x 29,5 cm). Je punktuell auf Unterlage und unter Passepartout montiert. Aus einer Serie von 31 erotischen Radierungen: Die Bonbonnière. Galante und artige Sammlung erotischer Phantasien Choisy Le Conin. Wien, C.W. Stern, 1907. - Von Bayros (auch Marquis de Bayros, Pseudonym Choisy Le Conin) war ein österreichischer Grafiker, Illustrator und Maler. Studium an der Wiener Kunstakademie, in der Spezialschule von Adolf Hölzel in Dachau und in der Schule von Heinrich Knirr in München. Insbesondere seine erotischen Darstellungen sind von großem Erfolg gekrönt und verschaffen ihm den Ruf des enfant terrible. 1911 muss er vor der Zensur aus München fliehen. Sein Stil ist stark vom Japonismus beeinflusst und seine Werke werden als Sinnbilder des Fin-de-Siècle. - Zart gebräunt und in den Rändern leicht angestaubt. Je im unteren Blattrand in Graphit betitelt. Motive in einwandfreiem Zustand. Set of two erotic prints. Each aquatint etching on untrimmed laid paper. Mounted on backing and under passepartout. - From a series of 31 erotic etchings. - Von Bayros (also Marquis de Bayros or Choisy Le Conin) was an Austrian graphic artist, illustrator and painter. In 1911 he had to flee from the censors in Munich. - Gently browned and a little bit dusty at margins. Each titled in graphite in the lower margin. Motifs in perfect condition.
Deutschland - - P. von Timm. Ansicht von Ratzeburg im Herzogthum Lauenburg. Um 1850. Aquatinta-Radierung auf Papier. 28 x 38,5 cm (30,5 x 42 cm). Selten. - Mit der Inschrift: "Artill. Prem. Lieut.nt P. v. Timm, del. & sculp.t." Verso mit nicht identifiziertem Sammlerstempel (Wasserträger). - Insgesamt zart gebräunt und teilweise mit kleinen Knickspuren. Kleine Löchlein in den Ecken von alter Montierung. Kräftiger Druck mit fein ausgearbeiteter Darstellung. Germany - - View of Ratzeburg in the Duchy of Lauenburg. About 1850. aquatint etching on paper. - Rare. - With the inscription: "Artill. Prem. Lieut.nt P. v. Timm, del. & sculp.t." Verso with unidentified collector's stamp (water bearer). - Overall delicately browned and partly with small crease marks. Small holes on the edges due to old mounting. Strong impression with finely worked out motif.
Italien - Rom - - Matthew Dubourg. Sammlung von drei Ansichten von Rom. (1820.) Je kolorierte Aquatinta-Radierung auf Whatman Turkey Mill 1846. Je 29,5 x 37 cm (32 x 40,5 cm). Aus seinem Werk: Views of the remains of ancient buildings in Rome, and its vicinity : with a descriptive and historical account of each subject. London, J.Moyes for J.Taylor, (1820). Enthält: Temple of Minerva Medica (Pl. 8). The Coliseum (Pl. 12). Arch of Trajan at Beneveneto (Pl. 18). - Papier zart gebräunt. Farben in leuchtendem Zustand. Collection of three views of Rome. Each coloured etching on Whatman Turkey Mill 1846. - Paper slightly browned. Colours in splendid condition.
Athanasius Kircher. Turris Babel, sive Archontologia qua primo Priscorum post diluvium hominum vita, mores rerumque gestarum magnitudo, secundo Turris fabrica civitatumque exstructio, confusio linguarum ... describuntur & explicantur. Mit gestochenem Frontispiz, 28 (teils blattgroßen bzw. mehrfach gefalteten) Kupfertafeln und einigen Textholzschnitten. 8 Bll., 219 S., 6 Bll. Folio. Brauner geglätetter Ldr. im Stil d. Zt. mit Eckfleurons und Goldprägung. De Backer-Sommervogel I, 430. Caillet 5795. Graesse IV, 22. - Gutes Exemplar des eindrucksvollen Werkes. Erste Ausgabe. Prachtvolles universales Werk des gelehrten Jesuiten, in dem er sich u. a. mit der Ausbreitung der verschiedenen Sprachen, der Völker und Künste im vorderen Orient beschäftigt. "Turris Babel erst peut-être le plus curieux ouvrage de ce prodigieux savant" (Caillet). Unter den prachtvollen Kupfern sind die 7 Weltwunder besonders hervorzuheben: Turm von Babel und Gesamtansicht der Stadt Babylon, Ninive, Koloß von Rhodos, Hängende Gärten der Semiramis, Pyramiden, Labyrinth von Theben sowie die Textkupfer zu Seite 38 und 144: Speculum geneatheologicum sive theotechnica hermetica ("qui est de plus curieuse", Caillet). Darüber hinaus wird der Versuch unternommen die Hieroglyphen zu deuten. Einige Falttafeln mit sorgsam hinterlegten Falzen, Seiten meist sauber, ab S. 97-108 minimal wasserrandig am rechten Außenrand, sonst nur minimal gebräunt und fleckig. Statt Prospectus turris babylonia nach S.40 ist Jan Luyken (1649-1712) - De toren van babel in aanbouw eingebunden. Am Ende zusätzlich eingebunden der berühmte Stich von Nicolas Cochin, Der Turmbau zu Babel. Radierung. ca. 33,5 x 52 cm. Schönes Exemplar. Good copy of this impressive work. First edition. Splendid universal work by the learned Jesuit, in which he deals, among other things, with the spread of the various languages, peoples and arts in the Near East. "Turris Babel erst peut-être le plus curieux ouvrage de ce prodigieux savant" (Caillet). Among the magnificent engravings, the 7 Wonders of the World stand out: Tower of Babel and General View of the City of Babylon, Nineveh, Colossus of Rhodes, Hanging Gardens of Semiramis, Pyramids, Labyrinth of Thebes, as well as the textual copperplates to pages 38 and 144: Speculum geneatheologicum sive theotechnica hermetica ("qui est de plus curieuse", Caillet). In addition, an attempt is made to interpret the hieroglyphs. Some folding plates with carefully backed folds, pages mostly clean, from pp. 97-108 minimally waterstained at the right outer margin, otherwise only minimally browned and spotted. Instead of Prospectus turris babylonia after p.40 Jan Luyken (1649-1712) - De toren van babel in aanbouw is bound in. At the end additionally bound in the famous engraving by Nicolas Cochin, The Tower of Babel. Etching. Approx. 33,5 x 52 cm. Fine copy.
Französische Bibliophilie - Zadkine, Ossip - - Christophe Czwiklitzer. Ossip Zadkine. Le Sculpteur-Graveur de 1919 à 1967. Katalog der Radierungen und Lithographien. Mit 186 teils farb. Abb. und der sign. u. numm. ORadierung "L'Infortune" (28 x 20,5 cm). Paris, Selbstverlag des Autors, 1967. 227 S. 4°. OLwd. mit 2 OUmschl. im OSchuber (leicht berieben). Arntz I, 114. - Eines von 375 Exemplaren, von Künstler und Autor im Druckvermerk signiert. With one signed and numbered original etching. - One of 350 copies. Signed by the artist and author.
Sammlung Künstlerbücher - Kirkeby, Per - - bagl�ns / rückwärts. Mit einem Holzschnitt-Umschlag und einer signierten Originalradierung von Per Kirkeby. 130 S., 1 Bl., 8° Münster, Edition Kleinheinrich, 2008. Französische Broschur. Eins von 77 Exemplaren. - Holzschnitt und Radierung sind von der Graphischen Werkstatt Schäfer in Kopenhagen gedruckt worden. Den Satz und Druck des Textes hat Rasch in Bramsche ausgeführt, die buchbinderische Verarbeitung die Bramscher Buchbinder Betriebe besorgt. With a woodcut cover and an original signed etching by Per Kirkeby. One of 77 copies.
Sammlung Künstlerbücher - Tapies, Antoni - - Joan Brossa. Nocturn matinal. Mit Orig.-Umschlag mit lithographierter Orig.- Leinendecke mit Collage und -Schuber (nach Entwurf von Tapiés) und 7 großformatigen Orig.-Farblithographien von Antoni Tapiès. Barcelona, Edicions Poligrafa 1970. Groß-Folio. OLwd. im illustr. Schuber. (Schuber mit kleinen Defekten). Erste Ausgabe. - Vgl. Galfetti 237-243 - 1 v. 100 Exemplare der Vorzugsausgabe mit allen 7 regulären Lithographien, jedoch ohne die zusätzliche Lithographie und Radierung und die überarbeitete Suite. (Vgl. Galfetti 143). - Innendeckel der Leinendecke innen leicht fleckig, sonst weitgehend sehr sauber. Prachtvolle großformatige Drucke. With original cover with lithographed original cloth cover with collage and slipcase (designed by Tapiés) and 7 large format original color lithographs by Antoni TapièsBarcelona, Edicions Poligrafa 1970. large folio. OLwd. in illustrated slipcase. (Slipcase with small defects). First edition. - Cf. Galfetti 237-243 - 1 of 100 copies of the preferred edition with all 7 regular lithographs, but without the additional lithograph and etching and the revised suite. (Cf. Galfetti 143). - Inner cover of cloth slightly stained inside, otherwise largely very clean. Splendid large format prints.
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