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Lot 198
Frederick Carter (1885-1967), The Bore, etching, signed and inscribed, 19cm x 20cm.; together with four further etchings: Amy Joanna Fry, 'Four's Company', André Dunoyer de Segonzac (1884-1974), Figure resting on a coastline, etching, Mariano Fortuny y Carbo, Arabe Assis, and Eenyun King, Rocky landscape.(5)
Lot 114
A group of assorted pictures and prints, including a hand coloured engraving of Classical ruins, a hand coloured engraving after Shortshanks 'Modern style of language', June Hornah, watercolour of horses heads, and a wooded landscape by A. Taviakos; American School etching of a beaver; an engraving 'Costume Parisienne'; a pair of small oval Italian gouache landscapes in the early 19th century Neopolitan style; a pair of leaf collage pictures of fish fossils by Francoise Winter; and a watercolour of a horse signed M.T.(qty)
Lot 158
After George Cruikshank (British, 1792-1878): a collection of social caricature engravings, from Pierce Egans Life in London, 1820, depicting Tom and Jerry, Two Men About Town, published Sherwood, Nealy and Jones, 1820, each aquatint etching on woven paper with original hand colouring, engraved by Isaac Robert and George Cruikshank, each approx 13 by 19cm, unframed. (14)
Lot 145
Grahame, Kenneth. The Wind in the Willows, illustrated by Charles van Sandwyk, limited edition numbered 558 of 1000, with copperplate etching signed by the artist, London: The Folio Society, 2008. Centenary Edition, printed on Cordier Wove paper, illustrated with tipped-in colour plates, hand bound in vellum blocked in 22-carat gold, vellum tips and Oxford paper sides, bound by The Fine Book Bindery, Wellingborough, Northants. Housed in green clamshell box. Includes a letter promoting the book, addressed to 'Esteemed member of The Folio Society' on Toad Hall headed paper bearing illustrations. Very good, clean, bright, internally as new with protective tissue paper inserts
Lot 252
Georgian copper-engraved portrait of Jack Sheppard, the famous highwayman who twice escaped from Newgate prison but was eventually caught and executed at Tyburn. The engraving shows Sheppard in his cell at Newgate, 'Drawn from the Life'. Printed & sold by Thomas Bowles, published c.1724 according to British Museum, on laid/chain-lined paper bearing manufacturer's watermark. Together with a pair of topographical etchings depicting North Gate, Oxford in 1771, published in Oxford by I. B. Malchair, an etching of Hogarth's Crest, and other later engravings after Hogarth
Lot 17
Gwendoline Cross, "Corn Street, Bristol", pencil drawing and etching, 1920s, "Old Houses near Christmas Steps, Bristol", pencil drawing and etching, c.1920s, "Norman Gate, next to Bristol Cathedral", pencil drawing and etching, c.1929, "Bristol University Tower", etching c.1926. All framed. (4)Condition: some foxing
Lot 1032
*Siegward Sprotte (1913-2004) watercolour - Landscape, signed and dated ‘89, in glazed gilt frame, 20cm x 57cm, another larger landscape, an abstract dated 1988, a limited edition print, 125/200, an oil on board landscape dated 1987, 25cm x 37cm, three printed calendars for 1987-89, another unrelated, together with a signed etching by a different hand (10)
Lot 161
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 162
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Chen Mun Gate, Peking, etching, signed within the plate & dated 1918, numbered 18/25 in pencil to margin, impression size H 30 x W 20 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 163
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Buildings in a wooded landscape, etching, signed within the plate, numbered 8/25 in pencil to margin, impression size H 10.5 x W 19 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 164
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
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71174 item(s)/page