NORMAN ACKROYD (BRITISH, B. 1938)Flood Tide at Blakeney signed, dated, titled and numbered 'Norman Ackroyd 004, 57/90' (in lower margin) etching 19 x 31.5cm ARR Provenance Private collection, UKCondition reportDeckled edges to each border; sheet is sound and clean, good condition overall; framed and under glass, unexamined out of frame.
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DAME LAURA KNIGHT (BRITISH, 1877-1970)Merry-Go-Round signed in pencil 'LauraKnight' (in lower margin) etching 28 x 20cm ARR Provenance Private collection, UKCondition reportThe sheet is sound; areas of discolouration, upper and centre right and some tiny flecks of staining, including to lower right border; otherwise sound; framed and under glass, unexamined out of frame.
JULIAN TREVELYAN (BRITISH, 1910-1988)Heathrow signed, titled and numbered in pencil 'Julian Trevelyan 15/52' (in lower margin) etching with aquatint 35 x 48cm ARR Provenance Private collection, UKCondition ReportLight crease to right hand border; a few specks of staining in left border and to the platemark, otherwise sound. Framed and under glass, unexamined out of frame.
JULIAN TREVELYAN (BRITISH, 1910-1988)Nimes signed, inscribed and titled in pencil 'Julian Trevelyan Artist Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportSmall patch of staining to right hand border; crease to upper left border, otherwise sound overall.
JULIAN TREVELYAN (BRITISH, 1910-1988)Chiswick Eyot (1971) signed, numbered and titled in pencil 'Julian Trevelyan 72/75' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportUpper and lower borders have deckled edges; minor crease to far right hand border; minor stain just off print edge, upper right border, otherwise sound.
DAVID HOCKNEY (BRITISH, B. 1937) (2)The Boy Hidden in an Egg (from The Brothers Grimm) etching with aquatint 20 x 17cm together with a book, Six Fairy Tales from the Brothers Grimm with original etchings by David Hockney, Petersburg Press, in association with the Kasmin Gallery (2) ARRCondition reportThis print is not signed or numbered.Small spot of foxing to lower left of egg.A few small spots of foxing and marks below mount on wider page (see additional photos).Otherwise appears generally good.Foxing to mount.
JULIAN TREVELYAN (BRITISH, 1910-1988)Home Waters (1971) signed, numbered and titled in pencil 'Julian Trevelyan 72/75' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportUpper and lower border have deckled edges; small stain just off lower, central edge; light horizontal stain in the right hand border, otherwise sound.
JULIAN TREVELYAN (BRITISH, 1910-1988)Aix-en-Provence (1972) signed, inscribed and titled in pencil 'Julian Trevelyan, Artist's Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportDeckled edges to upper and lower border; very minor and feint creases to the margins; generally good condition overall.
JULIAN TREVELYAN (BRITISH, 1910-1988)Aigues Mortes signed, numbered and titled in pencil 'Julian Trevelyan '50/51' (in lower margin) etching with aquatint 35.5 x 47.5cm (unframed) ARR Provenance Private collection, UKCondition reportSheet has deckled edges; crease to right hand border, some further light creases visible on close inspection, a few very minor scattered flecks of staining, also in borders, otherwise sound.
JULIAN TREVELYAN (BRITISH, 1910-1988)Fontaine de Vaucluse (1972) signed, inscribed and titled in pencil 'Julian Trevelyan, Artists Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportMinor crease to right hand border, a few specks of staining in the same area and to the lower border, otherwise sound.
JULIAN TREVELYAN (BRITISH, 1910-1988)Arles, from the Provencal Suite (1971/1972) signed, inscribed and titled 'Julian Trevelyan Artists Proof' (in lower margin) etching with aquatint 48 x 35cm (unframed) ARR Provenance Private collection, UKCondition reportCreases to upper right border, some further light creases, lower left border, visible on close inspection; minor flecks of staining off extreme lower central border.
JULIAN TREVELYAN (BRITISH, 1910-1988)Activated Sludge (1971) signed, numbered and titled in pencil 'Julian Trevelyan, 72/75' (in lower margin) etching with aquatint 35.5 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportSmall crease, lower central border; a few minor specks of staining along lower border and upper right border, otherwise sound overall.
JULIAN TREVELYAN (BRITISH, 1910-1988)Thames (Turner 359) signed, numbered and titled in pencil 'Julian Trevelyan 6/150' (in lower margin), printed by Studio Prints, published by Christie's Contemporary, London, with their blindstamp etching with aquatint 35 x 47.5cm (unframed) ARR Provenance Private collection, UKCondition reportCrease to right hand border; staining off extreme upper, central edge; a few a further specks of staining, lower right, otherwise sound overall.
DAME ELIZABETH BLACKADDER (BRITISH, 1931-2021)Sienese Cat (2003) signed and numbered in pencil 'Elizabeth Blackadder 52/80' (in lower margin) etching with aquatint 30 x 36cm ARR Provenance Sale, Toovey's, Washington, West Sussex, 5th October 2016, lot 100 (as Cat with cathedral) Private collection, UK
JULIAN TREVELYAN (BRITISH, 1910-1988)Athletes (1973) signed, titled and numbered in pencil 'Julian Trevelyan 6/52' (in lower margin) etching with aquatint 48 x 35cm ARR Provenance Private collection, UKCondition reportDiscolouration to the upper half of the work, particularly evident in the borders. Framed and under glass, unexamined out of frame.
JULIAN TREVELYAN (BRITISH, 1910-1988)Camel Corps (1972) signed, numbered and titled in pencil 'Julian Trevelyan 129/250' (in lower margin), printed by Studio Prints, London, published by Christie's Contemporary Art, London, with their blind stamp etching with aquatint 35.5 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportLight crease to upper left border; patch of light staining, lower right border, a few few very minor scattered spots elsewhere to border, generally sound.
JULIAN TREVELYAN (BRITISH, 1910-1988)Avignon (1972) signed, inscribed and titled in pencil 'Julian Trevelyan Artists Proof' (in lower margin) etching with aquatint 48 x 35cm (unframed) ARR Provenance Private collection, UKCondition reportVery light crease to lower left border, only visible on close inspection, otherwise good condition overall.
Bob Dylan, American b. 1941-Sunflowers, 2009;giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 259/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: together with a certificate of authenticity issued by Washington Green Fine Art.
Bob Dylan, American b.1941- Bicycle, 2014; giclée in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 203/295 in pencil, from The Drawn Blank Series, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, image: 53.5 x 40 cm, (framed) Note: together with a certificate of authenticity from Washington Green Fine Art.
Ai Weiwei, Chinese b.1957- BOMB, 2020; digital inkjet print on 310gsm Hahnemühle German etching wove, signed in black marker and numbered from the edition of 100 in pencil, sheet: 130 x 95 cm, (unframed)Note: This print was produced for the 50th anniversary of The Kitchen Gallery, New York. The work explores the weapons of mass destruction which impact the global refugee crisis. Inspired by Weiwei's 2019 exhibition 'History of Bombs' BOMB charts the genealogy of the modern ballistic missile via 2D renderings. The bombs are organised by size, rather than time and development, as they crescendo from the bottom to the top of the sheet, the ballistics remind the viewer that bombs escalate conflict more often than they resolve it.
Sarah Raphael, British 1960-2001, Small Objects in Therapy, from Small Objects in Transit, 1999; etching on wove, signed with the artist's monogram and numbered 18/20 in pencil, published by Marlborough Graphics, London, sheet 32.2 x 30.2 cm, (framed) (ARR) Provenance: Marlborough Graphics, London.
Bob Dylan, American b.1941-Boxing Gym, from The Brazil Series, 2015;giclée print on Hahnemühle 350gdm Museum Etching wove, signed in pencil and numbered AP13, aside from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet : 65.4 x 76.2 cm, contained within a Drawn Blank Series paper portfolio, (unframed)Note: together with a certificate of authenticity issued by from Washington Green Fine Art.
Ronnie Wood, British b.1947- Study For Mick, 2002; etching on Somerset Textured Soft White 300gsm, signed, inscribed 'AP VI/XII' (aside from the edition of 120), and titled in pencil, with Ronnie Wood Private Collection and Scream Art blind stamps, plate: 39.4 x 52.1 cm, (framed) (ARR) Provenance: Castle Fine Art | Private UK Collection
Ronnie Wood, British b.1947- Study For Keith, 2002; etching on Somerset Textured Soft White 300gsm, signed, inscribed 'AP VI/XII' (aside from the edition of 120), and titled in pencil, with Ronnie Wood Private Collection and Scream Art blind stamps, plate: 39.4 x 52.1 cm,(framed)(ARR) Provenance: Castle Fine Art | Private UK Collection
Salvador Dalí, Spanish 1904-1989,Petits Nus Ronsard, from Actes Nues, 1974; Petits Nus D'Apollinaire, 1972; each etching with hand-colouring on Japan paper, each signed and numbered from the edition of 95 in pencil, published by Propyläen Verlag, Berlin, each with the artist's blind stamp, each sheet: 38.7 × 28.6 cm, (framed) (ARR) (2)
Bob Dylan, American b.1941- The Drawn Blank Series, 2010, (the complete portfolio of 8 prints): Dad's Restaurant; Fisherman; Backyard; Horse; Bicycle; Dallas Hotel Room; Rose on a Hillside; Sunflowers; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (8) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Karen Usborne, British b.1941-St George after Uccello, 1970;etching on wove, signed in pencil and numbered 9/50, sheet: 39 x 58 cm, together with 'Lady in bath' an etching 35 x 52 cm, and 'Green foliate' etching in colours, 77 x 58 cm, plus two prints of the Auvergne and two postcard prints, plus a pen and ink and watercolour of Corfu, (all unframed) (ARR) (8)
Bob Dylan, American, b.1941- The Drawn Blank Series: Man on a Bridge; Sidewalk Café; Motel Pool; Woman in Red Lion Pub; Still Life with Peaches; Mexico; Three Chairs; Truck, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 154/295, printed by GTZ editions, New York, published by Washington Green in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, each contained in a branded bespoke grey card box folio, (unframed) (8) Note: each print includes a certificate issued by Washington Green Fine Art.
Bob Dylan, American b.1941- The Drawn Blank Series (Mexico; Truck; Man On A Bridge; Three Chairs), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Bob Dylan, American b.1941-Amusement Park Alleyway, 2016;giclée print in colours on Hahnemühle 350gsm Museum Etching paper, signed and numbered '267/295' in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 76.2 x 58.5 cm, (framed) Note: together with a certificate of authenticity issued by Washington Green Fine Art.

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78411 item(s)/page