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Lot 1776

NORMAN ACKROYD (BRITISH, B. 1938)Flood Tide at Blakeney signed, dated, titled and numbered 'Norman Ackroyd 004, 57/90' (in lower margin) etching 19 x 31.5cm ARR Provenance Private collection, UKCondition reportDeckled edges to each border; sheet is sound and clean, good condition overall; framed and under glass, unexamined out of frame.

Lot 1484

DAME LAURA KNIGHT (BRITISH, 1877-1970)Merry-Go-Round signed in pencil 'LauraKnight' (in lower margin) etching 28 x 20cm ARR Provenance Private collection, UKCondition reportThe sheet is sound; areas of discolouration, upper and centre right and some tiny flecks of staining, including to lower right border; otherwise sound; framed and under glass, unexamined out of frame.

Lot 1770

BRYAN INGHAM (BRITISH, 1936-1997)Hayle Estuary 3 signed, dated, titled and numbered 'Bryan Ingham 1976 A/P 3 Edtn 200' (in lower margin) etching 17 x 26.5cm ARR Provenance Private collection, UK

Lot 1483

SALVADOR DALI (SPANISH, 1904-1989)Elijah and the Chariot signed and numbered in pencil 'Dali 126/250' (in lower margin) etching in colours 40 x 56.5cm ARR

Lot 1497

JULIAN TREVELYAN (BRITISH, 1910-1988)Heathrow signed, titled and numbered in pencil 'Julian Trevelyan 15/52' (in lower margin) etching with aquatint 35 x 48cm ARR Provenance Private collection, UKCondition ReportLight crease to right hand border; a few specks of staining in left border and to the platemark, otherwise sound.  Framed and under glass, unexamined out of frame.

Lot 1507

JULIAN TREVELYAN (BRITISH, 1910-1988)Nimes signed, inscribed and titled in pencil 'Julian Trevelyan Artist Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportSmall patch of staining to right hand border; crease to upper left border, otherwise sound overall.

Lot 1500

JULIAN TREVELYAN (BRITISH, 1910-1988)Chiswick Eyot (1971) signed, numbered and titled in pencil 'Julian Trevelyan 72/75' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportUpper and lower borders have deckled edges; minor crease to far right hand border; minor stain just off print edge, upper right border, otherwise sound.

Lot 1773

DAVID HOCKNEY (BRITISH, B. 1937) (2)The Boy Hidden in an Egg (from The Brothers Grimm) etching with aquatint 20 x 17cm together with a book, Six Fairy Tales from the Brothers Grimm with original etchings by David Hockney, Petersburg Press, in association with the Kasmin Gallery (2) ARRCondition reportThis print is not signed or numbered.Small spot of foxing to lower left of egg.A few small spots of foxing and marks below mount on wider page (see additional photos).Otherwise appears generally good.Foxing to mount.

Lot 1502

JULIAN TREVELYAN (BRITISH, 1910-1988)Home Waters (1971) signed, numbered and titled in pencil 'Julian Trevelyan 72/75' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportUpper and lower border have deckled edges; small stain just off lower, central edge; light horizontal stain in the right hand border, otherwise sound.

Lot 1505

JULIAN TREVELYAN (BRITISH, 1910-1988)Aix-en-Provence (1972) signed, inscribed and titled in pencil 'Julian Trevelyan, Artist's Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportDeckled edges to upper and lower border; very minor and feint creases to the margins; generally good condition overall.  

Lot 1499

JULIAN TREVELYAN (BRITISH, 1910-1988)Aigues Mortes signed, numbered and titled in pencil 'Julian Trevelyan '50/51' (in lower margin) etching with aquatint 35.5 x 47.5cm (unframed) ARR Provenance Private collection, UKCondition reportSheet has deckled edges; crease to right hand border, some further light creases visible on close inspection, a few very minor scattered flecks of staining, also in borders, otherwise sound.

Lot 1485

DAME LAURA KNIGHT (BRITISH, 1877-1970)Watching the Aerial Act (Circus Audience) signed and titled in pencil 'LauraKnight' and detailed 'David Strang imp.' (in lower margin) etching 30 x 20cm ARR Provenance Private collection, UK

Lot 1504

JULIAN TREVELYAN (BRITISH, 1910-1988)Fontaine de Vaucluse (1972) signed, inscribed and titled in pencil 'Julian Trevelyan, Artists Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportMinor crease to right hand border, a few specks of staining in the same area and to the lower border, otherwise sound.

Lot 1501

JULIAN TREVELYAN (BRITISH, 1910-1988)Arles, from the Provencal Suite (1971/1972) signed, inscribed and titled 'Julian Trevelyan Artists Proof' (in lower margin) etching with aquatint 48 x 35cm (unframed) ARR Provenance Private collection, UKCondition reportCreases to upper right border, some further light creases, lower left border, visible on close inspection; minor flecks of staining off extreme lower central border.  

Lot 1503

JULIAN TREVELYAN (BRITISH, 1910-1988)Activated Sludge (1971) signed, numbered and titled in pencil 'Julian Trevelyan, 72/75' (in lower margin) etching with aquatint 35.5 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportSmall crease, lower central border; a few minor specks of staining along lower border and upper right border, otherwise sound overall.

Lot 1498

JULIAN TREVELYAN (BRITISH, 1910-1988)Thames (Turner 359) signed, numbered and titled in pencil 'Julian Trevelyan 6/150' (in lower margin), printed by Studio Prints, published by Christie's Contemporary, London, with their blindstamp etching with aquatint 35 x 47.5cm (unframed) ARR Provenance Private collection, UKCondition reportCrease to right hand border; staining off extreme upper, central edge; a few a further specks of staining, lower right, otherwise sound overall.

Lot 1519

DAME ELIZABETH BLACKADDER (BRITISH, 1931-2021)Sienese Cat (2003) signed and numbered in pencil 'Elizabeth Blackadder 52/80' (in lower margin) etching with aquatint 30 x 36cm ARR Provenance Sale, Toovey's, Washington, West Sussex, 5th October 2016, lot 100 (as Cat with cathedral) Private collection, UK

Lot 1518

DAME ELISABETH FRINK (BRITISH, 1930-1993)Anthony and Cleopatra signed and numbered 'Frink 30/175' (in lower margin) etching 74.5 x 56cm ARR Provenance Private collection, UK

Lot 1510

JULIAN TREVELYAN (BRITISH, 1910-1988)Athletes (1973) signed, titled and numbered in pencil 'Julian Trevelyan 6/52' (in lower margin) etching with aquatint 48 x 35cm ARR Provenance Private collection, UKCondition reportDiscolouration to the upper half of the work, particularly evident in the borders.  Framed and under glass, unexamined out of frame.

Lot 1506

JULIAN TREVELYAN (BRITISH, 1910-1988)Camel Corps (1972) signed, numbered and titled in pencil 'Julian Trevelyan 129/250' (in lower margin), printed by Studio Prints, London, published by Christie's Contemporary Art, London, with their blind stamp etching with aquatint 35.5 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportLight crease to upper left border; patch of light staining, lower right border, a few few very minor scattered spots elsewhere to border, generally sound.

Lot 1508

JULIAN TREVELYAN (BRITISH, 1910-1988)Avignon (1972) signed, inscribed and titled in pencil 'Julian Trevelyan Artists Proof' (in lower margin) etching with aquatint 48 x 35cm (unframed) ARR Provenance Private collection, UKCondition reportVery light crease to lower left border, only visible on close inspection, otherwise good condition overall.

Lot 312

Leopold Flameng (1831-1911), 'Portrait of Meryon Sitting up in Bed', soft-ground etching; Craddock & Barnard receipt to verso, 18.5x25cm

Lot 715

A quantity of various prints, mainly relating to Durham to include a signed etching of Bailey Gate and an engraved map, together with a pair of oils of figures by the sea, indistinctly signed Laurai*. (Parcel)

Lot 728

After Rembrandt, bust portrait of an elderly bearded gentleman, etching.

Lot 585

A 2009 signed limited edition etching and aquatint, "Entrance to the Labyrinth", numbered 11/50, indistinctly signed.

Lot 1354

A pencil-signed etching.

Lot 105

Bryan Ingham, British 1936-1997, Morning, 1978; soft and hard ground etching on Arches wove paper, signed, titled, and numbered 25/75 in pencil, plate: 49 x 63.7 cm, (framed)(ARR)

Lot 472

Bob Dylan, American b. 1941-Sunflowers, 2009;giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 259/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: together with a certificate of authenticity issued by Washington Green Fine Art.

Lot 46

Stephen Chambers RA, British b.1960- Little Diva, 2000; etching in colours on wove, signed, dated and numbered 6/15 in pencil, sheet: 45 x 55cm, (framed) (ARR) Provenance: Flowers East. 

Lot 236

Richard Smith CBE, British 1931-2016,Untitled, 1973;etching and aquatint in colours on wove, signed, dated and numbered 27/75 in pencil,  sheet: 50.5 x 63 cm, (framed) (ARR)

Lot 196

Henry Moore OM CH FBA, British 1898-1986,Elephant Skull;etching on wove, signed in pencil and numbered 55/100, plate 9 from the portfolio of 33, image: 27 x 23.3 cm, (framed) (ARR) 

Lot 452

Bob Dylan, American b.1941- Bicycle, 2014; giclée in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 203/295 in pencil, from The Drawn Blank Series, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, image: 53.5 x 40 cm, (framed) Note: together with a certificate of authenticity from Washington Green Fine Art.

Lot 145

Pablo Picasso, Spanish 1881-1973,Minotaure Caressant Une Femme, 1933;etching on laid paper, signed in pencil, from the edition of 260, from the Vollard suite,  published by Ambroise Vollard in Paris, 1939, sheet: 34 x 44.7 cm, (framed) (ARR)  

Lot 592

Ai Weiwei, Chinese b.1957- BOMB, 2020; digital inkjet print on 310gsm Hahnemühle German etching wove, signed in black marker and numbered from the edition of 100 in pencil, sheet: 130 x 95 cm,  (unframed)Note: This print was produced for the 50th anniversary of The Kitchen Gallery, New York. The work explores the weapons of mass destruction which impact the global refugee crisis. Inspired by Weiwei's 2019 exhibition  'History of Bombs' BOMB charts the genealogy of the modern ballistic missile via 2D renderings. The bombs are organised by size, rather than time and development, as they crescendo from the bottom to the top of the sheet, the ballistics remind the viewer that bombs escalate conflict more often than they resolve it.

Lot 45

Sarah Raphael, British 1960-2001, Small Objects in Therapy, from Small Objects in Transit, 1999; etching on wove, signed with the artist's monogram and numbered 18/20 in pencil, published by Marlborough Graphics, London, sheet 32.2 x 30.2 cm, (framed) (ARR) Provenance: Marlborough Graphics, London. 

Lot 479

Bob Dylan, American b.1941-Boxing Gym, from The Brazil Series, 2015;giclée print on Hahnemühle 350gdm Museum Etching wove, signed in pencil and numbered AP13, aside from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet : 65.4 x 76.2 cm, contained within a Drawn Blank Series paper portfolio, (unframed)Note: together with a certificate of authenticity issued by from Washington Green Fine Art.

Lot 376

Ronnie Wood,  British b.1947- Study For Mick, 2002; etching on Somerset Textured Soft White 300gsm,  signed, inscribed 'AP VI/XII' (aside from the edition of 120), and titled in pencil,  with Ronnie Wood Private Collection and Scream Art blind stamps,  plate: 39.4 x 52.1 cm, (framed) (ARR) Provenance: Castle Fine Art | Private UK Collection

Lot 377

Ronnie Wood, British b.1947- Study For Keith, 2002; etching on Somerset Textured Soft White 300gsm, signed, inscribed 'AP VI/XII' (aside from the edition of 120), and titled in pencil, with Ronnie Wood Private Collection and Scream Art blind stamps, plate: 39.4 x 52.1 cm,(framed)(ARR) Provenance: Castle Fine Art | Private UK Collection

Lot 233

Patrick Procktor RA RWS,British 1936-2003, Marcus and the Pink, 1971; etching and aquatint in colours on wove, signed and inscriber 'A/P' in pencil, image: 54 x 34.5 cm, (framed)(ARR)

Lot 190

Sir Frank William Brangwyn RA RWS RBA, British 1867-1956, The Tree, Hammersmith; etching and drypoint on zinc plate on wove, signed in pencil, plate: 37.5 x 30.3 cm, (framed)(ARR)

Lot 161

Salvador Dalí, Spanish 1904-1989,Petits Nus Ronsard, from Actes Nues, 1974; Petits Nus D'Apollinaire, 1972;  each etching with hand-colouring on Japan paper,  each signed and numbered from the edition of 95 in pencil,  published by Propyläen Verlag, Berlin, each with the artist's blind stamp, each sheet: 38.7 × 28.6 cm,  (framed) (ARR) (2)   

Lot 115

Henry Moore OM CH FBA, British 1898-1986,Architecture (c.169),1973;soft ground etching and drypoint on wove, signed in pencil, dated and numbered 27/75, from the Mark Rothko memorial album, sheet: 37 x 32 cm, (framed) (ARR)

Lot 2

Augustus John OM RA, British 1878-1961,The Woman in the Arbour, 1906;monochrome etching on wove, signed in pencil and numbered 22/25, image: 14 x 9.5 cm, (framed) (ARR)Provenance: Simon Hilton Ltd, Essex

Lot 18

Sir George Clausen RA, British 1852-1944,September Morning;monochrome etching on wove, signed in pencil, image: 12.5 x 17.5 cm, (framed) Note: Ref. Gibson, 18 ii/iiProvenance: Elizabeth Harvey-Lee, Oxfordshire

Lot 100

Elyse Ashe Lord, British 1900-1971, Arabian Nights; coloured drypoint etching on wove,signed and inscribed 'Trial Proof' in pencil, image: 30.5 x 29.1 cm, (framed)(ARR)

Lot 13

Dame Laura Knight DBE RA RWS, British 1877-1970, A Fair, 1923; etching and aquatint on paper, signed, titled and inscribed 'aquatint' in pencil, from the edition of 55, plate: 27.5 x 20cm, (framed) (ARR) Provenance: Dominic Kemp, London. 

Lot 259

Sir Howard Hodgkin CH CBE, British 1932-2017, A Furnished Room, 1977;  etching with aquatint in colours on wove, signed in pencil, dated, and numbered 82/100, sheet: 54 x 69.5 cm, (framed) (ARR) 

Lot 465

Bob Dylan, American b.1941- The Drawn Blank Series, 2010, (the complete portfolio of 8 prints): Dad's Restaurant; Fisherman; Backyard; Horse; Bicycle; Dallas Hotel Room; Rose on a Hillside; Sunflowers; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (8) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art. 

Lot 54

Ana Maria Pacheco, Brazilian b.1943- The Longest Journey, 1987; etching and aquatint on wove, sheet: 108.5 x 72cm, (mounted) 

Lot 157

Salvador Dalí, Spanish 1904-1989Asher, from the Twelve tribes of Israel, 1973;etching with colour stencil on Rives wove, signed in pencil and numbered 14/195, published by Transworld art, New York, sheet: 65.5 x 81 cm, (framed) (ARR)Note: Field 72-6 D

Lot 192

Ben Nicholson OM, British 1894-1982,Moonshine, 1968;etching on a used plate, edition of 50, a working proof, inscribed 2nd État (on verso) not in the artist's hand, sheet: 28.4 x 34.7 cm, (framed) (ARR)

Lot 455

Bob Dylan, American b.1941- Sidewalk Café, 2011; giclée print in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 208/295 in pencil, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 53 x 41 cm, (framed) 

Lot 124

Karen Usborne, British b.1941-St George after Uccello, 1970;etching on wove, signed in pencil and numbered 9/50, sheet: 39 x 58 cm, together with 'Lady in bath' an etching 35 x 52 cm, and 'Green foliate' etching in colours, 77 x 58 cm, plus two prints of the Auvergne and two postcard prints, plus a pen and ink and watercolour of Corfu, (all unframed) (ARR) (8)

Lot 470

Bob Dylan,  American, b.1941- The Drawn Blank Series: Man on a Bridge; Sidewalk Café; Motel Pool; Woman in Red Lion Pub; Still Life with Peaches; Mexico; Three Chairs; Truck, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 154/295, printed by GTZ editions, New York, published by Washington Green in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, each contained in a branded bespoke grey card box folio, (unframed)  (8) Note: each print includes a certificate issued by Washington Green Fine Art. 

Lot 112

Victor Pasmore CH CBE, British 1908-1998,Untitled, 1972;etching and aquatint on wove, signed with initials and dated and numbered 27/75, published by the Mark Rothko memorial trust, from the Mark Rothko memorial portfolio, sheet: 63 x 51 cm, (framed) (ARR) 

Lot 189

John Buckland Wright, British 1897-1954,Torso, 1935;etching on wove, signed in pencil, dated and numbered 8/30, image: 29.3 x 18 cm, (framed) (ARR)

Lot 245

Sir Terry Frost RA, British 1915-2003, Bull Black [Kemp 124], 1991; colour etching with added hand colouring on wove, signed, dated, inscribed HC and numbered 7/25 in pencil, printed at The Print Centre, London, published by the artist, Newlyn, image: 37.5 x 55 cm, (framed)(ARR) 

Lot 460

Bob Dylan, American b.1941- The Drawn Blank Series (Mexico; Truck; Man On A Bridge; Three Chairs), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art. 

Lot 478

Bob Dylan, American b.1941-Amusement Park Alleyway, 2016;giclée print in colours on Hahnemühle 350gsm Museum Etching paper, signed and numbered '267/295' in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 76.2 x 58.5 cm, (framed)  Note: together with a certificate of authenticity issued by Washington Green Fine Art. 

Lot 94

Anthony Gross CBE RA,  British 1905-1984,The Grape Harvest;etching on wove, signed and numbered 68/70 in pencil, sheet: 51 x 59 cm, (unframed) (ARR)

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