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Lot 120

** JOHN BELLANY CBE RA HRSA Perdu etching printed in colours From the Bellany Sextet published by Osbourne Samuel, London signed and numbered 11/50 74cm x 55cm

Lot 121

** JOHN BELLANY CBE RA HRSA The Fright etching printed in colours From the Bellany Sextet published by Osbourne Samuel, London signed and numbered 30/50 74cm x 55cm

Lot 121A

** JOHN BELLANY CBE RA HRSA Moonlight etching printed in colours From the Bellany Sextet published by Osbourne Samuel, London signed and numbered 11/50 74cm x 55cm

Lot 251

EDMOND BLAMPIED The Old Complaint etching, 15/100, signed 26cm x 20cm

Lot 252

EDMOND BLAMPIED Le Chef d`Ouvre etching, 23/100, signed, dated 1931 30cm x 22cm

Lot 258

HARVEY Old woman with cat etching, signed, 56/100 16.5cm x 13.5cm

Lot 260

HENRY RUSHBURY ARA City of Durham etching, signed 24.5cm x 32.5cm

Lot 266

STANLEY ANDERSON RA RE (1884-1966) A Spanish Town etching, signed 25cm x 20cm Private Scottish Collection.

Lot 269

ARTHUR JOHN TREVOR BRISCOE (1873 - 1943) Caulking etching, signed on mount, numbered 59/75 17cm x 29cm

Lot 270

ERIC DALGLISH Fly Agarics etching. signed 12cm x 9cm

Lot 273

SIR WILLIAM RUSSELL FLINT RA (1880-1909) The Prison Door, Concarneau 1929 etching, signed on mount 25.5cm x 19cm

Lot 274

SIR DAVID MUIRHEAD BONE (1876-1953) Uphill etching, signed on mount 23cm x 11.5cm

Lot 275

ARTHUR JOHN TREVOR BRISCOE RE (1873-1943) Unloading Ballast etching, signed on mount and numbered 5/50 23.5cm x 32cm

Lot 276

M.A.J. BAUER Camels in Cityscape etching, signed on mount and numbered N43 9cm x 32.5cm

Lot 277

SIR DAVID MUIRHEAD BONE (1876-1953) Joseph Conrad (1857-1924, novelist) etching, signed on mount, dated 1923 26cm x 18cm Note: Bone met Conrad in 1923 aboard the Tuscania. Conrad sat for this portrait on 22nd May 1923 at Folly Farm, Great Barrington, Connecticut, while listening to Brahms. Bone executed three portraits of Conrad.

Lot 278

SIR WILLIAM RUSSELL FLINT RA (1880-1909) Spanish Wheelwrights etching, signed on mount and inscribed LXXV 24cm x 31.5cm

Lot 290

MUIRHEAD BONE St Jacques de Compostella, Spain etching, signed to margin 34.5cm x 20cm

Lot 400

W DOUGLAS MCLEOD Venice etching, signed in pencil 20cm x 36cm

Lot 403

Framed and glazed etching tiled `Caravans`. Image measures 24cm x 17.2cm

Lot 439

Wood framed bevelled edge split mirror painted with oriental design, glass star shaped etching to top section. 127cm high.

Lot 146

DDS. Adam Neate (British, b. 1978) Triptych With Chair, giclee print in colours, 2007, signed and dated in pencil, numbered 41/50, published by Elms Lesters with their blindstamp, on 310gsm Hahnemuhle German etching paper, with full margins, 72cm x 154cm (28.25 x 60.75 in) Provenance: Elms Lesters, London

Lot 153

DDS. Adam Neate (British, b. 1978) The Cold War Continues, giclee print in colours, 2007, signed and dated in pencil, numbered 41/100, published by Elms Lesters, London, with their blindstamp, on 310gsm Hahnemuhle German etching paper, with full margins, 90cm x 68cm (35.25 x 26.75in) Provenance: Elms Lesters, London.

Lot 13

SYDNEY R. JONES (1881-1966) Trinity House, etching, pencil signed in the margin, 9" x 14 1/4"; and Sydney Carline - Street scene, etching, pencil signed in the margin, 6" x 8" (2).

Lot 14

AMBROSE HALL River landscape with stone bridge, etching, pencil signed in the margin, 9 3/4" x 7 3/4"; two engravings after David Wilkie; two engravings with decorative parquetry frames and five other items (10).

Lot 23

WALTER TITTLE (1883-1969) - Portrait of George Bernard Shaw, signed with initials in the plate, also pencil signed in the margin and inscribed in pencil by another hand `For your home with gratitude, Helen", etching, 6 3/4" x 8 1/4".

Lot 26

RAYMOND DE LA FAGE (1656-1684) Allegorical scene, etching, 6 1/2" x 10"

Lot 27

RUSSELL CONWAY `Market Hall Chipping Campden`, etching, pencil signed in the margin, 2 1/2" x 5 1/2"; one other by the same artist `View from Fish Hill, Broadway`, etching, pencil signed in the margin, 2 1/2" x 5 1/2"; and three further etchings (5).

Lot 35

J DUPUIS `Nelson`s Column, London` and `Mill Wall, London`, companion pieces, signed and titled in pencil in the margin, etching, 4 3/4" x 2 3/4"; two further etchings of St. Martin`s Church London and the National Gallery London, and one further print (5).

Lot 37

JOHN CROME (1768-1821) `Back of The New Mills`, etching, 8 1/2" x 11 1/2"; and two further engravings (3).

Lot 46

JOHN COPLEY (BRITISH 1875-1950) ALBERTINA AND CARNATIONS Etching, signed 23cm x 22cm (9in x 8.75in)

Lot 52

ROWLAND LANGMAID (BRITISH 1897-1858) FISHING BOATS Etching, signed 16.5cm x 35cm (6.5in x 13.75in)

Lot 69

WILLIAM LIONEL WYLLIE R.A. (BRITISH 1851-1931) H.M.S. ORION Etching, signed 27.5cm x 20cm (10.75in x 8in)

Lot 84

WILLIAM LIONEL WYLLIE R.A. (BRITISH 1851-1931) SHIPPING IN PORTSMOUTH HARBOUR Etching, signed 8.5cm x 33cm (3.5in x 13in) and another by the same hand, a pair (2)

Lot 174

§ ANTONY GORMLEY (BRITISH B. 1950) UNTITLED Etching, numbered 30/110 69cm x 49cm (27in x 19in)

Lot 1406

B Howlett, by, John Child, after, A Pair, Figures at a Monument, etching and ink wash, 26.5cm x 19cm

Lot 1419

Henry Cousins, by, Thomas Phillips R.A., after, T Arnold, D. D., Head Master of Rugby School, 50cm x 38cm, signed and applied with the autograph of Thomas Arnold, maple frame; E Pretty, by and after, Rugby School, as it appeared in the year 1809, aquatinted etching, 28cm x 48cm (2)

Lot 276

Herbert Finn(?), The Tivoli Corner, Bank of England, etching, 1928

Lot 424

Framed etching by B. Howlett "North West View Of Louth"

Lot 406

Set of five colourprints of Scottish moorland scenes together with Etching After J. Dudley Haynes, Colour map and daily log of RAF Walmer Castle 1929

Lot 441

Limited edition colour etching Peter Ford "A Cats dream of Love and Power"

Lot 471

AFTER SAM GARRETT "The Harbour, St. Ives", black and white drypoint etching, A. HAIG "Waiting for the Ferry, Lubeck", black and white etching, five further black and white etchings, and two modern reproduction maps (9)

Lot 480

Two limited edition prints by ANN COTTERILL, PATRICIA SHIRLEY "Lady and dog seated on a sofa" limited edition etching, ELIZABETH MORRIS "Seascape", signed limited edition proof No`d 7/50, and two further contemporary etchings

Lot 496

A county map of Wiltshire, hand coloured, AFTER HAROLD SAYER "Cotswold Village", limited edition artist`s proof print, JOHN G. MATHIESON "Lone Pines", original drypoint etching, together with five contemporary pictures

Lot 507

19th CENTURY ENGLISH SCHOOL "Queen Elizabeth" and "Queen Margaret", a pair of hand-coloured engravings depicting Queen Elizabeth I, housed in a verre eglomise mount and gilt and gesso frame, together with 19th CENTURY ENGLISH SCHOOL "Haymaking, Herring`s Agricultural Scenes", colour print, a 19th CENTURY framed print "The corn bin" and a 19th CENTURY etching "The cottager`s wealth" (5)

Lot 518A

AFTER SOPHIE RYDER "Study of a Minataur holding a flower in his left hand", etching, unsigned together with another "A flock of sheep", etching, unsigned

Lot 417

William Lee-Hankey (1869-1952), Group of women, etching, signed in pencil, 30cm x 36cm.

Lot 471

William Lionel Wyllie (1851-1931), Tower Bridge, etching, signed in pencil, 29cm x 52cm.

Lot 738

Salvador Dali, a hand coloured etching of Madonna and child, with gold painted embellishment No. 144/150, embossed and signed in pencil, 30" x 22½"

Lot 18

Sydney Mackenzie Litten - `Ponte Carnareggio`, monochrome etching, signed and editioned 47/75 in pencil recto, titled label verso.

Lot 130

Frank Brangwyn - `Kings Lynn`, monochrome etching, signed and titled, approx 15.5cm x 18cm.

Lot 211

Frances St. Clair Miller - `September at Bredwardine`, 20th Century colour etching, artist`s proof, signed and titled, within a wood frame.

Lot 215

Florence Page - `The North Gate, Salisbury`, early 20th Century monochrome etching, signed and titled, within an ebonized frame, together with a print after S.E. Waller, in a Hogarth style frame.

Lot 404

* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)

Lot 466

William Walcot RBA RE 1874-1943- Panoramic View of the Thames; drypoint etching, signed in pencil, 11.5x33cm

Lot 471

John Reginald Brunsden ARE b.1933- "Manobier Castle"; etching with aquatint printed in colours, signed, titled, inscribed `Artist`s Proof` and numbered 12/15 in pencil, 8.8x22.2cm. Provenance: with Business Art Galleries, New Academy Gallery, London, according to label attached to the reverse : Brenda Hartill RE b.1943- "Pastoral Elements X"; etching with carborundum in colours, signed, titled, numbered 2/100 and dated 98 in pencil, 18x11.5cm: together with one other similar etching by the same hand, titled "Elements XIII", signed, titled, numbered 34/150 and dated 93 in pencil, 20x12cm., (3) (may be subject to Droit de Suite)

Lot 490

William Heath (Paul Pry) 1795-1840- "The Battle of Waterloo June 18th 1815, Dedicated with Permission to Lieu. General the most Noble Henry William Paget, Marquis of Anglesey & Earl of Uxbridge GCBKMF & KSG"; etching with spirit-ground aquatint, aquatinted by Richard Reeve 1780-1825, rare, with defects, unexamined out of the frame, 42x55cm: W Kobell, early-mid 19th century- "Darstelling der Samrlich...Dede a son Altesse Imperiale L`Archiduc Charles..."(Battle scene); etching with aquatint, touched by hand, after H Mansfield: Follower of Sir Thomas Lawrence PRA- An Officer standing by a canon with battle scene beyond; stipple-engraving: After Richard Caton Woodville II 1856-1927- "The Charge of the Light Brigade"; published by Henry Graves 1895, photogravure, A/F condition very poor, (4) (part unframed)

Lot 492

* Richard Earlom 1743-1822, After Claude Lorrain, French 1600-1682- Harbour Scene; mixed method engraving/etching in sepia, 16x20cm

Lot 532

Herman Armour Webster 1878-1970- "Vieilles Maisons - Rue Hautefeuille - Paris"; and "Sur le quai Montebello, Paris 1909" signed; etchings 28.5x14.5cm and 20x13cm respectively: Maria Burges Whinney 1914-1995- "View from Burnt Lane", signed, numbered 45 of 75; etching 20x15cm: After Armand Guillaumin 1841-1927- Windmills in Holland; etching 13.5x18.2cm: a small collection of Mexican folk art of painted flowers and birds of paradise; gouache on wood bark 37x30cm (largest): "The Trojan Woman" Oxford Playhouse, circa 1963; a mixed-media theatre design on paper, 38x27.5cm: a Haitian/African style painting, signed indistinctly; gouache on black paper, 25x32.5cm: and a variety of medical, floral, topographical and reproduction prints, (part unframed) (a lot)

Lot 540

Trevor Allen RE 1939-2008- "Yves St Laurent in Marrakesh"; screenprint in colours, signed, titled and inscribed `Artist`s Proof` in pencil, 68x93cm: Ian Bottlins, late 20th century- "Pagliacci?"; etching with aquatint, signed, titled and inscribed `AP` in pencil, 34x27cm., (2)

Lot 541

After Pablo Picasso 1881-1973- "The Turkey (La Dindon)", plate XIX facing page 122 from Histoire Naturelle by Compte de Buffon, 1936, by Georges-Louis Leclerc, from the suite of 31, this example publ 1941/1942 from an edition of 126; drypoint etching with aquatint, 31.5x25cm

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