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•AR Geoffrey Heath Wedgwood (1900-1977), Roman Siesta, black and white etching, signed, dated 27 and inscribed with title in pencil to lower margin, 13 x 19cm, unframed

•AR John Nicolson, RBA, ARE, RSW (1891-1951), "Evening, Loch Lomond", black and white dry point etching, signed in pencil to lower left margin, 17 x 28cm, unframed in original presentation folder (With the Compliments of Balding & Mansell Ltd)

•AR Andre Sureda (1872-1930)l, Antelopes amongst trees, black and white etching, signed in pencil to lower left, numbered 35/100 lower right, 17 x 14cm, unframed

•AR Jean Emile Laboureur (1877-1943), "La Peche a la Ligne", black and white etching, signed lower left, numbered 32/68 in pencil to lower margin, 22 x 25cm, unframed

•AR Emiko Aida (20th century), "By the deep end", coloured etching, signed, numbered 20/120 and inscribed with title in pencil to lower margin, 22 x 15cm

•AR Phil Greenwood (born 1943), "Wicken Fen", coloured etching and aquatint, signed, dated 82, numbered 27/350 and inscribed with title in pencil to lower margin, 38 x 44cm

William Lionel Wyllie, 1851-1931, HMS President on the Thames, etching, signed in pencil, 20 x 40cm

A black and white limited edition etching "Bethesda Hills St Ives", signed Eric Ward, framed and glazed

A framed and glazed monochromatic etching of Place Dauphine Paris, 24 x 61.5cm

M. S. Escher framed and glazed monochromatic etching titled Waterfall, 51 x 40cm

A framed Japanese polychromatic etching of a Geisha, signed top and bottom to the right, 36.5 x 24.5cm

London.- Stadler (Joseph Constantine) View of London, Taken from Albion Place, Blackfryars Bridge. Vue de Londres, Prise d'Albion Place, Pont de Blackfryars, view of London from Blackfriars Bridge, etching and aquatint printed in colours, on wove paper without watermark, sheet 570 x 890 mm (22 1/2 x 35 in), trimmed to image, significant repairs to lettered margin, with splitting repaired verso, small loss to upper left corner, numerous handling creases, some spotting, browning, rubbing and scuffs, unframed, N.R. Black, 1802.

London.- Mawman (Joseph), printer. London and Westminster, 1669, distant panorama from rural Chelsea to the Tower, etching and aquatint printed in sepia, on wove paper without watermark, sheet 227 x 850 mm. (8 7/8 x 33 1/2 in), trimmed to platemark at left and right edges, old folds as issued, unframed, 1821.

NO RESERVE Prints & Drawings.- Avercamp (Hendrick, 1585-c. 1663), Manner of. Frozen river landscape with figures drawing sleds, point of the brush and brown ink with watercolour, on laid paper without watermark, ruled brown ink border, bears artist's monogram in the lower left, sheet 200 x 300 mm (7 7/8 x 11 3/4 in), trimmed at left edge, handling creases, minor nicks and tears, some spotting and surface dirt, unframed, [probably 18th century or later]; together with a group of 10 Dutch old master prints, including Johann Gottlieb Prestel's etching and aquatint of Saint Barbara after Albrecht Altdorfer, 8 etchings of animals by Jan van den Hecke the Elder, from the suite of 12 published circa 1656, and an etching and engraving by Le Bas after Teniers of peasants dancing, all unframed, 17th century and later (11)

NO RESERVE Caricatures.- Bretherton (James, fl. 1750-1799) A Tour to Foreign Parts, large satire after Henry William Bunbury, illustrating a scene in the courtyard of a French posting inn with a young gentleman on a Grand Tour accompanied by his clergyman, etching on laid paper without watermark, sheet 395 x 510 mm. (15 1/2 x 20 1/8 in), trimmed to image and remargined, old folds, minor surface dirt, publication date partly burnished out, unframed, [BM Satires 4732], [1787 or slightly later]; together with a slightly compromised impression of The Kitchen of a French Post House, La Cuisine de la Poste, [BM 4764], and A Family Piece, after Bunbury, from an edition published aside from William Dickinson's series, etching and stipple with original hand-colouring on wove paper, platemark 260 x 350 mm. (10 1/4 x 13 3/4 in), sheet 295 x 405 mm. (11 5/8 x 15 3/4 in), marginal loss to upper left corner, surface dirt and minor handling creases, unframed, [BM 5921], [circa 1780s] (3)

Caricatures.- Gillray (James) Company shocked at a Lady getting up to Ring the Bell, etching with original hand-colouring on wove paper without watermark, sheet 255 x 378 mm (10 x 14 3/4 in), trimmed to outer borderline, a few small nicks, some handling creases, surface dirt, and minor toning ,unframed, [BM Satires 10303], Hannah Humphrey, 1804; with an impression of Gillray's A Decent Story, etching with original hand-colouring, 210 x 262 mm (8 1/4 x 10 1/4 in), trimmed to outer borderline, some browning and surface dirt, unframed, [BM 8753], Hannah Humphrey, 1795; and together with a mixed group of 12 other caricatures, including an early impression of Samuel Lyne's A Parish Feast, humbly Inscrib'd to the Church-Wardens, Vestrymen, Questmen, and Parish Officers..., a pair of Scottish satirical prints, The Caledonian Voyage to Money-Land, and The Caledonians Arrival in Money-Land, and others by Isaac and George Cruikshank, others published by Fores, Laurie & Whittle etc., various sizes, all unframed, 18th century and later (14)

Caricatures.- Heath (William) A sketch of the Row in Parliament Street, inscribed copy to 'Sir Robert Gardiner', etching with original hand-colouring on wove paper without watermark, 260 x 370 mm (10 1/4 x 14 1/2 in), good margins, minor handling creases and surface dirt, unframed, 1829; together with another duplicate impression and 4 others by Heath, The Old Proprietors Advice, A Comfortable Thing to be King of Greece, The Guard Wot Looks Arter the Sovereign, and Dipping a Rush Light, and a trimmed impression of We Have the Exhibition to Examine, etchings, all with original hand-colouring, various sizes, good margins, unframed, circa 1827-1830 (6)

Caricatures.- Williams (Charles) Finding of Arms or a Midnight Domiciliary visit to the Boarding School, etching with original hand-colouring on wove paper with watermark date of '1818', plateamark 250 x 350 mm (9 3/4 x 13 3/4 in), good margins, top margin unevenly trimmed, surface dirt and handling creases, unframed, [BM Satires 13291], Thomas Tegg, 1812 [but slightly later]; together with a slightly trimmed impression of Thomas Rowlandson's The Wooden Leg; or, Careful Landlady, on wove paper watermarked '1803' [BM 11466], small loss to right edge; and with a good group of over 20 other caricatures, including a trimmed impression of "Giles Grinagain's" Wish in one hand, Laurie & Whittle's Country Life, contrasted with the Pleasures of Town, [BM 10945], George Cruikshank's Le traiteur chez Very - Madame Very's coffe house-Paris, [BM 14314], and others, various sizes, all unframed, 18th century and later (c.30) .

Caricatures.- Woodward (George Moutard) A deputation from one of the popular societies of France endeavouring to persuade John Bull that he can do better without a head than with one!!, etching with original hand-colouring on wove paper without watermark, sheet 310 x 430 mm (12 1/4 x 17 in), trimmed to borderline, handling creases and surface dirt, unframed, [BM Satires 8490], S.W. Fores, [1794]; together with six others after Woodward, The Road to London or the Countryman and the Quakers!, The Exciseman and the the Countryman, A Consultation of Doctors on the case of Sir Toby Bumper, A Tender Parting at the Grand Junction Canal, The Beauties of War!!, Who's Afraid or the Effects of an Invasion; and three others, two by Charles Williams, Is not She a Spunky one; or, The Princess and the Bishop, and The Fathers Darling, with a copy after Gillray's A keen-sighted politician warming his imagination, etchings with hand-colouring, various sizes, all unframed, 19th century (10)

Caricatures.- Barbers, Wigs and shaving.- Holland (William) The Chevening Barber; or, Shaving a Whig and Shaving a Tory, etching with original hand-colouring, platemark 250 x 350 mm (9 3/4 x 13 3/4 in), small margins approx. 3 mm, mounted on paper support, unframed, 1811; together with Isaac Robert Cruikshank's A sketch at St Albans-or-shaving the new maid dutchess!!!, [BM 15455], Henry Bunbury's The Village Barber L.M./ L'Inghilterra, [BM 4757], and Robert Dighton the Elder's A Fashionable Lady in Dress & Undress, [BM 10807], various sizes, early 19th century; and with a good group of 12 others, including a slightly trimmed but early hand-coloured impression of Sayer & Bennett's The Return from Scotland, or Three Weeks after Marriage, [BM 4625], a gody copy of Spooner's mezzotint after Hogarth, Night - La Nuit, three Dighton portraits, two Miller edition Gillrays, and others, various sizes, all unframed, 18th century and later (16)

John Piper (British, 1903-1992)Alpilles (Levinson 425) Etching and aquatint printed in colours, 1989, on Arches, signed and numbered 55/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with full margins, 405 x 610mm (16 x 24in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

John Piper (British, 1903-1992)Dahlias and Ferns (Levinson 391) Etching and aquatint printed in colours, 1987, on Arches, signed and numbered 7/100 in pencil, printed by Kelpra Studio, published by CCA Galleries, with full margins, 405 x 550mm (16 x 21 2/3in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)In An Empty Room (Heenk 84) Etching and carborundum in colours with hand-colouring, 1990-91, on Arches wove, signed with initials, dated '91 and numbered 11/55 in pencil, printed at 107 Workshop, Wiltshire, published by Waddington Graphics, London, the full sheet, 1370 x 1600mm (53 7/8 x 63in)(SH)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Jean-François Millet (French, 1814-1875)Les Bêcheurs (Melot 13) Etching, 1855-56, on laid, a fine impression from the fourth, final state, with margins, 326 x 416mm (12 3/4 x 16 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Paul Cézanne (French, 1839-1906)Tête de Jeune Fille Etching printed in sepia, 1873, on laid, third state, from the edition of 850 printed in 1914, printed at Atelier Delatre, published by Vollard, with wide margins, 130 x 108mm (5 1/8 x 4 1/4in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Léonard Tsuguharu Foujita (1886-1968)Sleeping Cat, from Les Chats (Buisson 29.200.10) Etching and aquatint printed in colours, circa 1930, on Chine appliqué to japan support sheet, signed in pencil, an unnumbered proof aside from the edition of 100 (there were also ten hors-commerce numbered in Roman numerals), published by Les Editions Artistiques Apollo, Paris, with wide margins, laid down, with mount staining and irregular moisture stains to the margins, 440 x 495mm (17 2/8 x 19 1/2in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Hogarth (1697-1764)A Rake's Progress (Paulson 132-139) The complete set of eight etching and engravings, 1735, on heavy laid paper, various states, published by the artist, London, with wide margins, 320 x 387mm (12 5/8 x 15 1/4in)(PL)(8)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

William Hogarth (1697-1764)Marriage à-la-Mode (Paulson 158-163) The complete set of six etching and engravings, 1745, on heavy laid paper, various states, published by the artist, London, 358 x 445mm (13 7/8 x 17 1/2in)(PL)(6)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Henri Matisse (French, 1869-1954)Jeune Femme aux yeux noirs fixant un aquarium (Duthuit 179) Etching, 1929, on Chine collé to Arches paper, signed and numbered 17/25 in pencil, the full sheet, with a deckle edge below, 92 x 125mm (3 5/8 x 4 7/8in)(PL); 280 x 380mm (11 x 15in)(SH)Footnotes:ProvenanceJohn Kasmin Collection, London.Lyndsey Ingram gallery, London. Purchased from the above by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henri Matisse (French, 1869-1954)Mouvement de Danse (Duthuit 217) Etching, 1929, on Chine collé to Arches paper, signed and numbered 15/25 in pencil, the full sheet, with a deckle edge at right, 180 x 128mm (7 1/8 x 5 1/8in)(PL); 380 x 280mm (15 x 11in)(SH)Footnotes:ProvenanceJohn Kasmin Collection, London. Lyndsey Ingram gallery, London.Purchased from the above by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)Les Amoureux dans le ciel de Saint-Paul (Cramer 36) Etching with aquatint printed in colours, 1968, on wove, with a Hand and Branch watermark, signed and numbered 22/50 in pencil, published by G.Cramer, Geneva, with full margins, 440 x 610mm (17 1/4 x 24in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Vieux Sculpteur et Modèle Assoupi, from Suite Vollard (Bloch 173; Baer 326) Etching, 1933, on Montval laid paper, with the Picasso watermark, signed in pencil, from the edition of 260 (there was also an edition of 50 with wider margins), published by A. Vollard, Paris, 1939, the full sheet, with deckle edges on three sides, in good condition, 333 x 440mm (13 1/8 x 17 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: * AR P* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)One plate, from Series 156 (Bloch 1918) Etching, 1971, on wove, with the artist's stamped signature as issued and numbered 14/50 in pencil, published by Galerie Louise Leiris, Paris, the full sheet, 250 x 330mm (10 x 13in)(SH)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Joan Miró (Spanish, 1893-1983)La Commedia dell'Arte III (Dupin 1108) Etching in colours with carborundum, 1979, on Arches wove paper, signed and numbered HC XIII/XV in pencil, one of 15 hors-commerce impressions (the standard edition was 30), printed by Joan Barbará, Barcelona, published by Maeght, printed to the edges of the full sheet, with deckles edges at top and below, in very good condition, 565 x 760mm (22 1/4 x 29 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Bernard Buffet (French, 1928-1999)Two Plates, from 'Herbier'; 'Mandoline et Guitare' Two lithographs printed in colours, 1966, on wove, from the edition of 230, published by A.C. Mazot, Paris, with margins, each 360 x 280mm (14 1/8 x 11in)(I); together with 'Mandoline et Guitate', etching and drypoint, 1980, on wove, signed, dated, numbered 24/50 and dedicated 'Pour Jessye Norman amicalement' in pencil, with margins, 325 x 385mm(12 3/4 x 15 1/8in)(PL)(3)Footnotes:ProvenanceFrom the Estate of Jessye Norman.This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Francisco José de Goya y Lucientes (Spanish, 1746-1828)Vieja Columpiándose (Old Woman on a Swing) (Harris 33) Etching, circa 1824/28, on laid paper with partial watermark Crown, possibly the third sate state (of four), printed at the Calcografía, Madrid, for John Savile Lumley in 1859, with wide margins, 185 x 120mm (7 1/2 x 4 3/4in)(PL); 300 x 210mm (11 7/8 x 8 1/4in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Hans Hartung (German, 1904-1989)Untitled, from 'Eddy Batache: Requiem pour La Fin du Temps' Etching and aquatint printed in colours, 1978, on wove, signed and numbered 17/100 in pencil, published by Éditions Georges Visat et Cie, Paris, with their blindstamp, with full margins, 520 x 410mm (20 1/2 x 16 1/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Francisco José de Goya y Lucientes (Spanish, 1746-1828)De quel mal morira?, from 'Los Caprichos' (Harris 75) Etching with burnished aquatint, 1799, on laid, a good impression from the first edition, printed by the artist, Madrid, the full sheet, 215 x 150mm (8 1/2 x 5 7/8in)(PL); 320 x 217mm (12 5/8 x 8 1/2in)(SH)This lot is subject to the following lot symbols: * P* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Jim Dine (American, born 1935)The Hand-Coloured Viennese Hearts I (Carpenter 34.1) Screenprint with soft-ground etching, aquatint and hand-colouring, 1990, on wove, signed, dated and numbered 28/40 in pencil (there were also eight artist's proofs), printed by Advanced Graphics, London and Werkstatt fur Handgedruckte Original-Graphik, Vienna, published by Pace Prints, New York, the full sheet, 838 x 794mm (33 x 33 1/4in)(PL); 1194 x 921mm (47 x 36 1/4in)(SH)Footnotes:ProvenanceWaddington Graphics in partnership with Pace Prints, Jim Dine: The Hand-Coloured Viennese Hearts 1987-90, London, 25 April - 19 May 1990; where acquired by the current owners.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Francisco José de Goya y Lucientes (Spanish, 1746-1828)El amor y la muerte, from 'Los Caprichos' (Harris 45) Etching with aquatint, 1799, on laid paper, a very good impression, from the first edition, printed by the artist, Madrid, the full sheet, 215 x 150mm (8 1/2 x 5 7/8in)(PL); 320 x 215mm (12 5/8 x 8 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Francisco José de Goya y Lucientes (Spanish, 1746-1828)Que se la llevaron, from 'Los Caprichos' (Harris 43) Etching with aquatint, 1799, on laid paper, a very good impression, from the first edition, printed by the artist, Madrid, the full sheet, 215 x 150mm (8 1/2 x 5 7/8in)(PL); 320 x 216mm (12 5/8 x 8 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Alka Seltzer (MCA Tokyo 6; Scottish Arts Council 6) Etching and aquatint, 1961, on handmade wove paper, signed and dated in pencil, one of six proofs aside from the numbered edition of 15, printed by Maurice Payne, London, published by Petersburg Press Ltd., London, the full sheet, 350 x 247mm (13 3/4 x 9 3/4in)(SH)Footnotes:ProvenanceWith Kasmin gallery, London. This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Kaisarion with all his Beauty (MCA Tokyo 8; Scottish Arts Council 8) Etching and aquatint printed in black and red, 1961, on wove, signed and dated in pencil, from an edition of approximately 50, printed by Ron Fuller and Peter Matthews at the Royal College of Art, London, published by the artist, with margins, 490 x 273mm (19 1/4 x 10 3/4in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Fires of Furious Desire (MCA Tokyo 5; Scottish Arts Council 5) Etching and aquatint, 1961, on wove, signed and titled in pencil, one of 16 proofs aside from the numbered edition of 75, printed Maurice Payne, London, published by Petersburg Press Ltd., London, with margins, 215 x 320mm (8 1/2 x 12 3/8in)(SH) This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The Enchantress in her Garden, from 'Illustrations for the Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 79; Scottish Arts Council 82) Etching and aquatint printed in tone, 1969, on Hodgkinson handmade wove, signed and numbered 69/100 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, with margins, 232 x 132mm (9 x 5 1/4in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The Princess Searching, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 71; Scottish Arts Council 74) Etching and aquatint printed in tone, 1969, on Hodgkinson handmade wove, signed and numbered 49/100 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, with margins, 267 x 168mm (10 1/2 x 6 5/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The Enchantress with the Baby Rapunzel, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 80; Scottish Arts Council 83) Etching and aquatint printed in tone, 1969, on Hodgkinson handmade wove, signed and numbered 14/100 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, with margins, 268 x 233mm (10 5/8 x 9 1/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Mo with Five Leaves (MCA Tokyo 117; Scottish Arts Council 125) Etching, 1971, on wove, signed, dated and numbered 7/75 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, 710 x 545mm (28 x 21 1/2in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)The Baker's Wife II (Rosenthal 31) Etching and aquatint with hand-colouring, 1989, on wove, signed and numbered 24/75 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with full margins, 120 x 165mm (4 3/4 x 6 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Blake (British, 1757-1827)Chaucer's Canterbury Pilgrims (Essick 16; Bindman 477) Engraving and etching, 1810, on India paper laid onto heavy wove, the fifth, final state, printed in 1881 by Colnaghi, London, with margins, 355 x 965mm (14 x 38in)(PL); 440 x 1070mm (17 3/8 x 42 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)The Old Woman Who Lived in a Shoe, from 'Nursery Rhymes' (Rosenthal 61) Etching and aquatint with hand-colouring, 1989, on wove, signed and inscribed 'A/P', an artist's proof aside from the numbered edition of 50, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with full margins, 320 x 213mm (12 5/8 x 8 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)Ring-a-Ring o' Roses, from 'Nursey Rhymes' (Rosenthal 62) Etching and aquatint, 1989, on pink chine collé appliqué onto wove, signed and numbered 14/50 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with the printer's blindstamp, with full margins, 210 x 223mm (8 1/4 x 8 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)Little Miss Muffet II, from 'Nursery Rhymes' (Rosenthal 40) Etching and aquatint with hand-colouring, 1989, on wove, signed and numbered 14/50 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with the printer's blindstamp, with full margins, 520 x 380mm (20 1/2 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)Dance to your Daddy, from 'Nursery Rhymes' (Rosenthal 65) Etching with hand-colouring, 1989, on wove, signed and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 50, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with full margins, 223 x 215mm (8 3/4 x 8 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)Mary, Mary Quite, Contrary II, from 'Nursery Rhymes' (Rosenthal 44) Etching and aquatint printed in tone, 1989, on wove, signed and numbered 11/50 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with the printer's blindstamp, with full margins, 520 x 380mm (20 1/2 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paula Rego (British, born 1935)Crossing the Styx (Rosenthal 266) Etching and aquatint printed in tone, 2009, on Somerset wove, signed and numbered 6/35 in pencil, printed by Paupers Press, London, published by the artist, with full margins, 640x 500mm (25 1/4 x 19 3/4)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Reception of the Diplomatique & his Suite, at the Court of Pekin (BM 8121) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with margins, 320 x 396mm (12 1/2 x 15 3/4in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)No Substitute For Your Love Soft-ground etching, 2003, on Hahnemühle paper, signed, dated and numbered 215/300 in pencil, printed by Hope Sufferance Press, London, published by Counter Editions, London, the full sheet, 465 x 505mm (18 1/4 x 19 7/8in)(SH)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Sam and Jay's Birds Soft-ground etching, 2004, on wove, signed with the artist's initials, from the edition of 125, with the ink-stamp 'Jay Jopling and Sam Taylor-Wood Christmas Edition Tracey Emin 2004' in black ink verso, published by White Cube, London, the full sheet, 203 x 266mm (8 x 10 1/2in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Patriotic Regeneration, _viz._ Parliament Reform'd, a la Francoise (BM 8624) Etching with hand colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins, 312 x 417mm (12 1/4 x 16 1/2in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com