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Lot 883

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) PAPHIOPEDILUM INSIGNE MAUDIAE COLORATUM Etching with aquatint, signed artist's proof, 61 x 45cm (24 x 17 3/4"), 70 x 53cm (27 1/2 x 21") Condition Report: Some light handling creases in the margin area in the bottom left hand corner.

Lot 892

•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMROSES, SCILLAS, PRIMULA Oil on board, signed and dated (19)31, 33 x 51cm (13 x 20") Inscribed with title on signed etching by the artist verso Condition Report: On close inspection there is fine cracking in the pigment evident over areas of the left foreground and some of the red petals of the flowers in the bowl.

Lot 893

•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMULAS AND FORGET-ME-NOTS Oil on board, signed, 30 x 45cm (11 3/4 x 17 3/4") Inscribed with title on signed etching by Laurence Biddle and W. B. Simpson label verso Condition Report: On close inspection there are three quite small areas of damage with retouching down the right edge, two similar down the left edge, one again similar at bottom edge on the left and a two tiny brown marks at the top edge on the left.

Lot 919

WILLIAM LIONEL WYLLIE RA, RE, RI, RBA, NEA (BRITISH 1851-1931) TIMBER SHIPS IN THE THAMES Drypoint etching, signed, 11 x 33cm (4 1/4 x 13") Condition Report: Some light discolouration around the margins at the edges of the amount.

Lot 927

•PHILIP REEVES RSA, PRSW, ARCA, RE, RGI (BRITISH 1931-2017) BIRHAM Etching with aquatint in colours, signed and inscribed with title Artist's Proof, 20 x 24cm (8 x 9 1/2") Condition Report: The surface of the paper appears naturally uneven, the etching is in good condition.

Lot 942

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RE, RGI (SCOTTISH B. 1931) ORCHIDACEA, BRASSIA, VERRUCOSA (SPIDER ORCHID) Etching with aquatint, signed printers proof, 30 x 35cm (11 3/4 x 13 3/4"), 51 x 53cm (20 x 21") Condition Report: The etching is in good condition and no significant issues.

Lot 948

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) ORCHIDACEAE ODONLOGLOSSUM GRANDE Etching with aquatint, signed artist's proof, 35 x 30cm (13 3/4 x 11 3/4"), 63 x 51cm (24 3/4 x 20") (sheet) Condition Report: The etching and paper are found in good condition and no significant issues.

Lot 950

•JOHN BYRNE (SCOTTISH B. 1940) ULTRAMARINE ANGEL Etching, signed and inscribed title and HC, 18 x 14cm (7 x 5 1/2"), 30.5 x 24cm (12 x 9 1/2") (sheet) Condition Report: The work is found in good condition and no significant issues.

Lot 952

•SANDRA BLOW RA (BRITISH 1925-2006) REVOLVE Etching with aquatint, signed, inscribed with title, numbered 65/65 and dated (20)03, 55 x 55cm (21 1/2 x 21 1/2"), 77 x 73cm (30 1/4 x 28 1/2") (sheet) Condition Report: On close inspection there is a small light crease mark in the paper at the bottom right corner of the sheet, overall in good condition and no significant issues.

Lot 953

•SANDRA BLOW RA (BRITISH 1925-2006) THREE SQUARE Etching, signed, inscribed with title, numbered 68/75 and dated (20)03, 55 x 55cm (21 1/2 x 21 1/2"), 77 x 73cm (30 1/4 x 28 1/2") (sheet) Condition Report: Available upon request

Lot 954

•CALUM INNES (SCOTTISH B. 1962) FROM MEMORY Etching, signed, inscribed M, numbered 6/60 and dated (20)06, 22 x 20cm (8 1/2 x 8"), 47 x 37cm (18 1/2 x 14 1/2") (sheet) Condition Report: The work is found to be in good condition and no significant issues.

Lot 2

Leonard Robert Brightwell (1889-1983) British, 'Gentleman of the Jury', drypoint etching, signed and inscribed in pencil, 9" x 15".

Lot 38

Frank Harding (19th /20th century) 'Waterloo Bridge', Etching, signed and inscribed in pencil, 6" x 14", and three further etchings by the same hand of 'Westminster Bridge', 'Below Tower Bridge' and 'Portsmouth', all signed and inscribed in pencil.

Lot 4

Leonard Robert Brightwell (1889-1983) British, 'Three of A Kind', drypoint etching, signed and inscribed in pencil, 8" x 10".

Lot 46

W. L. Wyllie (1851-1931) British, An etching of shipping on a busy river, 4.75" x11".

Lot 5

Leonard Robert Brightwell (1889-1983) British, 'No Monkeying', drypoint etching, signed and inscribed in pencil, 15" x 10".

Lot 52

After Charles Chaplin, A reclining female nude, etching, signed in pencil and inscribed, 9" x 6".

Lot 55

Circle of John Crome, two travellers in a wooded landscape, etching, numbered '10', 4.25" x 3.25", (unframed).

Lot 82

George Cruikshank (1792-1878) 'Sales By Auction', hand coloured caricature etching, 9.5" x 13.5". (A/F), (unframed).

Lot 725

Royal Naval Officer’s 1845 Pattern Sword. The 80cm blade by Larcom & Vesey Portsea with single fuller, etched with the Imperial crown, fouled anchor and scrolling foliage panels. Gilt metal hand guard, the incorporated fouled anchor oval now defaced, lion’s head and mane pommel and backstrap, wire bound white fish skin grip, gold and navy sword knot (distressed). Black leather scabbard with three gilt metal chapes, the blade clean, the etching weak, gilt areas rubbed £160-£200 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

Lot 754

A German Second War Kriegsmarine Officer’s Dagger. An extremely nice condition WKC bladed naval officers dagger, very fine etching of sailing ships to both sides of the mint bright blade. All of the fittings, which include the upper pommel, cross guard and scabbard retain original gilt. Deep orange grip, all grip wire intact. Red felt washer still in place. The scabbard is with the extra thickness scabbard band rings, very good condition £300-£400 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

Lot 253

Eric Monk framed Etching on silver sheet of Sandringham no 33 of 100 in original box with certificate 6 x 4 inches

Lot 65

Etching White Horse Close Edinburgh 13 x 11 inches

Lot 293

ADRIAN ETIENNE DRAIN (1885-1961) “Two young girls in bonnets”, coloured drypoint etching, limited edition No’d. 55/75, numbered lower left, signed in pencil lower right, image size 32 cm x 22 cm

Lot 330

EARLY 20TH CENTURY ENGLISH SCHOOL "Flowers in terracotta pots", a still life study, oil on board, unsigned, size including frame approx 57 cm x 68 cm, together with AFTER HENRIKUS ELIAS RODDENBURG (1895-1987) "Crematorium Reims", study of church tower with figure in foreground, coloured etching, signed and dated '31 lower right, limited edition No'd. 19/150 and titled lower left, image size approx 51 cm x 37 cm

Lot 11

Nevinson, C.R.W. Modern War Paintings by C.R.W. Nevinson With an essay by P.G. Konody. London: G. Richards, 1917. 4to, number 34 of 75 copies with an etching "Returning to the Trenches" in pocket at rear, coloured frontispiece signed in pencil by Nevinson and 24 plates, original green cloth, uncut, dustwrapper split along upper joint and with loss at head of spine, the etching signed in pencil and dated 1916, lower margin of etching discoloured, rear endpaper spotted

Lot 326

[Johnson, Samuel] A Journey to the Western Islands of Scotland London: W. Strahan, 1775. First edition, 8vo, finely bound in tree calf gilt by Riviere [ESTC T84319]; with a loosely inserted etching from The Gentleman's Magazine (volume 45, 1775) entitled Dr Saml Johnson's Introduction to a Highland Hut, 11.5 x 15.5cm

Lot 134

An original coloured map of Caermardi by Christopher Saxton, together with two reproduction maps (prints) 'The Countye of Monmouth' by John Sppede and another of Monmouth by Rob Morden, as well as a West view of Usk Castle in the county of Monmouth, coloured etching. (4)(B.P. 21% + VAT)

Lot 8173

Belgischer Nachbau eines Colts Navy 1851, um 1860 Kal. .36 Blackpowder, Nr. 11867, matter 7½"-Lauf. Nummerngleich (aber Waffe nicht zerlegbar, Laufkeilschraube sitzt fest) Sechsschüssig. Leicht abgezogene Laufoberfläche mit Inventarnr. "5743" und nicht mehr zu identifizierender Inschrift. Aufwändige Weinrankengravuren am Rahmen und den Messinggriffbändern. Die Ätzgravur der Trommel übernimmt dieses Motiv. Restaurierter Griff aus Ebenholz (?). Laufkeil zeitgenössisch, aber ursprünglich nicht zugehörig. Trommeltransport arbeitet nur sporadisch. Länge circa 35 cm.In neuzeitlicher Holzkassette mit diversem Repro Zubehör. Schlüssel fehlt. Maße circa 38x17x6 cm.WBK: Achtung - ErlaubnispflichtigZustand: II - IIIA Belgian copy of a Colt Navy 1851, circa 1862 Cal. .36 Blackpowder, SN. 11867, 7½"-barrel, matte bore. Visible numbers are matching, as disassembly was prevented by a stuck wedge screw. Six shots. Barrel surface reworked, marked with inventory number "5743" and an illegible inscription. The frame and the brass grip straps are nicely engraved with tendrils, en suite continued on the cylinder etching. The grips restored wood (ebony?). Contemporary wedge, but from another gun. The cylinder is transported only randomly, needs repair. Length circa 35 cm.In a recent wooden case with various accessories (replicas). Key missing. Dimensions 38x17x6 cm.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: II - III

Lot 610

MARTIN LEMAN. 'Double Act'. Limited Edition coloured etching. Signed, titled & dated (19)82 & No. 37/100. 16 x 19cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.  WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 284

G. TREVOR. Two watercolours by G. Trevor, Lelant Saltings with Godrevy & St. Michael's Mount. Each, 18 x 26cm. Also, a Victorian watercolour of a girl with her kitten & an etching by R.T. Cowern.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk  Proceeds from this lot will be donated to the RNLI  Penlee Crew Comfort Fund.

Lot 274

Portfolio and contents of assorted unframed sketches, engravings and prints including after Erik Werenskiold (1885-1938), etching, a view of trees, 33cm x 25cm and after Sella Hassay (German 1878-1963), etching, street scene with figures, signed in pencil, 15cm x 20cm 

Lot 404

Michael Haswell (1931-2020) limited edition etching 2/20 of a seated nude initialled MH 41.5 cm x 52 cm (size including frame)

Lot 129

A framed coloured Saxton's map of England and Wales 1579 (glass damaged) together with one other framed colour etching map of the Christian constellations.

Lot 356

A quantity of assorted pictures and prints, black and white etching of the George Stevenson centenary Newcastle, a painting on ceramic panel together with a folding tapestry frame.

Lot 639

After John Fullwood (1854-1931) : Loch Awe (Kilchurn Castle), drypoint etching from an edition of 150, signed to margin, 18 x 22 cm, framed.

Lot 229

A 19th Century Holborn of London Constabulary sword, having brass hand guard, with bare ribbed wooden grip, 57cm long curved single sided, single fuller blade, with etching 'Maker 120 Holborn London' to one side, complete with the metal ends of the scabbard (no leather)

Lot 953

Catherine Grubb (born 1945)/The Girl who Fell in Love with a Peacock/numbered 4/30/etching in colours, 44cm x 60cm and/Pavane for a Dead Infanta/numbered 12/12/etching in colours, 60cm x 44cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 958

Brian Williams (American, born 1950)/Japanese Thatched Houses/watercolour, 14.5cm x 22.5cm/The Boat Houses/limited edition etching 16/50

Lot 249

After Walter Dendy Sadler, Over Nuts and Wine, etching by WH Boucher, 29cm x 40.5cm framed and glazed.

Lot 522

FRAMED WATERCOLOUR OF BARN, LIMITED EDITION COLOUR ETCHING AFTER CHRISSY NORMAN 'BUTLEY WOODS I' SIGNED AND NUMBERED 6/75, AND A LIMITED EDITION PRINT OF GOLDFINCHES, FRAMED AND GLAZED

Lot 138

A cased Stromberg glass vase, designed by Gunnar Nyland, 21.5cm high, a Whitefriars amber vase, 17.5cm high, a beak vase, 18.5cm high, a Knobbly vase, 12.8cm high and an acid etched bowl, 20cm wide (5)Condition report: Scratch to etching on bowl

Lot 235

Nicholas Middleton etching ‘Lower Lea Valley in Snow’, signed and numbered 13/50. Image 6” x 8”, frame 13” x 15.5”. With original bill of sale and letter from artist July 2009. Good condition

Lot 174

Susan Dobson - "Northern Fells", signed and dated 1990, A/P, further inscribed to artist's label verso, coloured etching, 38 x 49cms; together with Alan Stones - "Raven", signed and numbered 68/150, further inscribed to artist's label verso, 37 x 49cms, framed. (2)Please note: this lot may be subject to Artists Resale.

Lot 7017

Zwei Kreta-Messer, 19. Jhdt. Beide Messer mit kräftigen Rückenklingen, die eine terzseitig mit fein kalligraphierter Inschrift und quartseitig mit floraler Ätzung und Datierung. Beide Messer mit getriebenen Griffzwingen und -schienen aus Silber und Eisen, vernietete Griffschalen aus Elfenbein bzw. Bein. Jeweils in lederbezogenen Holzscheiden. Unterschiedliche Alters- und Gebrauchsspuren. Länge 33 und 38 cm.Achtung - Versand in Nicht-EU-Staaten unterliegt CITES Regularien.Zustand: II -Two Cretan knives, 19th century Both knives with sturdy, single-edged blades, one with a delicate inscription in calligraphy on the obverse and floral etching and date on the reverse. Both knives with chased grip ferrules and straps in silver and iron, riveted ivory and bone grip scales respectively. Each in a leather-covered wooden scabbard. Different traces of age and use. Length 33 and 38 cm.Attention - shipping to non-EU countries subject to CITES.Condition: II -

Lot 722

A set of three hooks decorated with a chicken together with an etching

Lot 13

BSA, BIRMINGHAM A GOOD .177 UNDER-LEVER AIR-RIFLE, MODEL 'STANDARD LIGHT' or 'LADIES PATTERN', serial no. L10165, for 1920, with 17in. blued tapering barrel, dove-tailed fore-sight, elevating rear-sight, tap loading breech, plain air-chamber etched with maker's details and patents, two hole trigger unit, saw-handled walnut butt with ribbed heel, no provision for fore-end and push button under-lever, strong amount of finish retained throughout, etching faded but legible, overall length 39 3/4in., weight approximately 6 1/4lbs.. Pre-1939 * Please note this item is subject to 5% VAT on the hammer price.

Lot 430

FIVE CRYSTAL ORNAMENTS, to include three Swarvoski items, an apple, height 7.5cm (reglued stalk), an oyster shell with pearl, width approximately 6cm and an Owl, height 4.5cm, all with swan etching, a Waterford crystal shell shaped timepiece, height 6.5cm (nibbles to edges) and another item etc (5)

Lot 690

PAINTINGS AND PRINTS, ETC to include a pair of late 19th/early 20th Century unsigned landscape oils, Sid Gardener prints, etching of Aberdeen from the Harbour, pair of chromolithographs, print of the laughing cavalier, etc

Lot 564

Graham Clarke (b. 1941), aquatint, 'Sunflowers', signed and inscribed, etching, no. 47/100, 26 x 34cm

Lot 39

Wilfred Crawford Appleby, Glasgow University, pencil signed etching, 36cm x 24cm

Lot 178

Thomas Rowlandson (London 1756-1827) A cart race, 1788 signed 'Rowlandson' in the etching plate and dated 1788 (lower left), etching, 26 x 41cm

Lot 845

A mezzotint print, in the style of Tatton Winter, country lane, indistinctly signed, 24 x 19cm, plus frame and glazed, and an etching, after Charles Watson, A Sussex Mill, dated 1906, 20 x 16cm, plus frame and glazed

Lot 1544

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Baigneuse debout, a Mi-Jambes". Medium: Original etching. Date: Composed c1906. Printed later. Dimensions: Overall size: 14 13/16 x 11 3/8 in. (376 x 289 mm). Image size: 6 3/4 x 4 5/16 in. (171 x 110 mm).Lot Note(s): Cream wove paper. Full margins. Very good impression. Fine condition. Literature/catalogue raisonne: Delteil 23; Stella 23. Comment(s): During the second half of the nineteenth century, France was experiencing a printmaking renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plein air. However, Renoir learned the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Impressively, he was able to develop his own style of etching independent of his development as a painter [courtesy Masterworks Fine Art]. [2646-3-300]

Lot 1599

Artist: Edouard Manet (French, 1832 - 1883). Title: "Charles Baudelaire de Face III". Medium: Etching. Date: Composed 1865. Printed later. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm). Image size: 3 13/16 x 3 1/4 in. (97 x 83 mm).Lot Note(s): Signed in the plate, lower right. Inscribed with the artist's and printer's names, lower left and right. Light cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: Harris 61; Guerin 38iv. Comment(s): Manet was one of the first 19th-century artists to paint modern life and was a pivotal figure in the transition from Realism to Impressionism. [17720-2-225]

Lot 1695

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue assise". Medium: Etching & softground. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm).Lot Note(s): Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]

Lot 1801

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "La chapeau epingle [3e Planche]". Medium: Original etching. Date: Composed c1894. Printed later. Dimensions: Overall size: 12 x 9 3/8 in. (305 x 238 mm). Image size: 4 5/8 x 3 1/4 in. (117 x 83 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Full margins (deckle edges). Good impression. Fine condition. Literature/catalogue raisonne: Delteil 8. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $10,000, set at Sotheby's, New York (Prints, #8344) - 09/26/2007 - lot #171. The models are Julie Manet, the daughter of Berthe Morisot and niece of Eduard Manet, and her cousin, Paulette Gobillard. Image copyright © Artists Rights Society (ARS), New York. [1397-2-300]

Lot 1833

Artist: James Rizzi (American, 1950-2011). Title: "Love Bugs". Medium: Color silkscreen and lithograph. Date: Composed 1999. Dimensions: Overall size: 12 1/8 x 15 in. (308 x 381 mm). Image size: 9 x 12 in. (229 x 305 mm).Lot Note(s): Bears complimentary signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27785-3-400]

Lot 2141

Artist: Rembrandt (Rembrandt Harmensz van Rijn) [d'apres] (Dutch, 1606-1669). Title: "The Angler in a Boat". Medium: Etching. Date: Composed c1650. Dimensions: Image size: 4 1/16 x 5 7/16 in. (103 x 138 mm).Lot Note(s): Trimmed to the platemark. A good impression, printed with plate tone. Condition: laid to board; scattered foxing. Comment(s): A Louis Marvy (British, 1815-1850) impression, etched in 1843. At the time Marvy created this print, Bartsch had catalogued it as by Rembrandt (B243). The image since has been rejected as a Rembrandt, and Munz attributes the print to Pieter de With. [23439-1-200]

Lot 2163

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "The Punt". Medium: Original etching & drypoint. Date: Composed 1861. Dimensions: Overall size: 6 1/16 x 8 5/16 in. (154 x 211 mm). Image size: 4 3/4 x 6 5/8 in. (121 x 168 mm).Lot Note(s): Signed in the plate, lower left. MacDonald's fourth state of six (IV/VI) with the partial removal of the signature and date in the plate, lower left, and with the engraved inscription included. Cream wove paper. Ample margins. A very good, well inked impression. Good condition; two tears in the margins, extending to the platemark but not into the image; mat burn; scattered foxing. Literature/catalogue raisonne: Kennedy 85; Glasgow 82. Provenance: Swann Auction Galleries, New York City. Comment(s): Printed by Day & Son, London. Published by the Junior Etching Club, London. [30080-1-400]

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