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Lot 839
An Pair of Engravings, A View of the Town & Harbour of Portsmouth, approx. 28cm x 18.5cm, frame is 37cm x 47cm, together with an etching of views from Godalming, Surrey, views include Charterhouse Schools, The Church, Old House (1663), The Town Hall, The Bridge, An Old Inn, approx. 35cm x 25cm, frame is 49cm x 39cm (2)
Lot 87
After Cecil Charles Windsor Aldin (British 1870-1935) a colour print, dogs at the dinner table, framed under glass 39cm x 51cm sold along with a After Edward Sharland (1884-1967) coloured etching, Saint Martin in The Fields, London, signed and entitled in pencil to margin, mounted framed and glazed 35cm x 49cm overall.
Lot 38
A Tibaldi for Bentley special edition Sterling silver fountain pen to commemorate 60 years of Bentley operating from Crewe. In uninked condition. Wooden case with papers, featuring wood evocative of the iconic interiors of Bentley cars. Created to mark 60 years of production at its historic Crewe factory. The pen bears the etching and engraving known as knurling - a feature on all functional Bentley fixtures and fittings, to ensure a secure grip.
Lot 57
Graham Clarke (b.1941 British), 'Tibby's Teatime', limited edition coloured etching with aquatint, signed, numbered 28/250 and titled to lower margin, 13.5cm x 17cm, framed and glazed †CONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 43
Anne Catherine Phillips (20th/21st century British), '3 plies', soft ground limited edition etching, signed titled and numbered 3/20 to lower margin, 15.5cm x 29.5cm, unframed †CONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 44
Léon Gaucherel (1816-1886), after Richard Parkes Bonington (1802-1828), 'Le Moulin des Saint Jouin', etching, artist's signature engraved bottom left and engraver's signature engraved centre bottom margin, 14.5cm x 21cm, framed and glazedCONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 10
Elisabeth Frink D.B.E., R.A. (British 1930-1993) "Bellerophon from Children of the Gods" 1988, signed and numbered 67/70 in pencil in the margin, etching with aquatint.plate size 54.5cm x 37.5cm (21.5in x 14.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor marks in the upper margin and some slight undulations across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 34
Paul Hawdon (British 1953-) "Il Duomo - Pisa" Signed, titled and initialled 'A.P.' (artist's proof) in pencil in the margin, etching.plate size 19.5cm x 24.5cm (7.75in x 9.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some spots of foxing across the sheet. The print is ornately framed and glazed. The frame has some knocks and losses.
Lot 205
NO RESERVE Battle of Waterloo.- Bowyer (R.) View from Mont St. Jean of The Battle of Waterloo, at the commencement of the grand Charge made on the French about 7 oClock in the Evening of the 18th June 1815, etching and aquatint with hand-colouring, platemark 380 x 600 mm (14 7/8 x 23 3/4 in), sheet 485 x 615 mm (19 x 24 1/4 in), central vertical fold, old spotting, browning, surface dirt, unframed, 1816; together with Bowyer's 'A Plan of the Glorious Battle of Waterloo', 1816, and R. Cooper and T. Sutherland's aquatint portrait of Lieut. General The Marquis of Anglesea at the battle of Waterloo, after Alken, engravings, each sheet approx. 485 x 350 mm (19 1/4 x 13 3/4 in), handling creases, surface dirt, marginal nicks and tears, all unframed, 1816 (3)
Lot 49
Birds.- Audubon (John James) Common Gallinule (Plate CCXLIV), First edition, Common Moorhen, from "The Birds of America", etching and aquatint with hand-colouring, on Whatman wove paper with watermark dated '1835', platemark 310 x 495 mm (12 1/4 x 19 1/2 in), sheet 640 x 960 mm (25 1/4 x 37 3/4 in), full margins, minor nicks and small losses to extremities, some spotting, browning, and minor surface dirt, unframed, Robert Havell, [circa 1827-1838]; together with Audubon's Vireo Solitarus, Solitary Flycatcher (Plate 28), etching and aquatint with hand-colouring, on Whatman wove paper with watermark '1827', platemark 495 x 310 mm (19 1/2 x 12 1/4 in), sheet 970 x 640 mm (38 1/4 x 25 1/4 in), spotting and browning, stitch marks and toning visible to upper margin, minor nicks and tears to extremities, unframed, Robert Havell, [circa 1827-1838] (2)
Lot 6
NO RESERVE Africa.- Prestel (Katharina Maria) A View of Joal, on the Coast of Guinea in Africa. Dedicated to the Sound Politicians of all the Trading Nations in Europe, etching and aquatint with full hand-colouring, sheet 450 x 570 mm (17 3/4 x 22 1/2 in), laid paper mounted on support, numerous old marginal tears repaired, mainly to extremities, handling creases and surface dirt, unframed, [1789]⁂ Scarce at auction. After an original drawing made by C.B. Wadström during a journey to the coast of West Africa in 1787.
Lot 1135
Frederick (Fred) Lawson (1888-1968) - a moorland road, signed, watercolour, possibly on Cox paper, 10.5" x 14.75" together with a small watercolour by Gerald Palmer, another watercolour and gouache heightened with white depicting soldiers on horseback charging, possibly after Richard Simkin Orlando Norie, (shaped) and finally a black and white etching bearing the initials RSC 1881, depicting woodland scene, various sizes (4)
Lot 1238
Hans Jager (German, 1887-1955), Reitender Jod (Riding Death), woodcut, 1922, titled, signed and dated to lower margin, 25 x 32cm, framed and glazed, with Frank Joseph Archer (1912-1995), portrait of a Flute Player, a fairground beyond, etching, 1936, signed and dated lower right, 13 x 9cm. framed and glazed. (2)
Lot 1237
William Walcot (1874-1943), St Peters, Rome, etching, signed lower right, plate size 15 x 17.5cm, framed and glazed, with watercolour attributed to Joseph Thomas Tuite (1800-1875), view of Marksburg Castle, dated top right 9 July, bearing label to the reverse, framed and glazed, and nineteenth-century English School watercolour drawing depicting distant view of Stirling Castle with bridge and figures, 10 x 14cm, framed and glazed. (3)
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