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Lot 145
Studio Special Numbers, 30 volumes, circa 1899-1915, including Art in Photography, The Art-Revival in Austria, Peasant Art in Italy, Modern Etching and Engraving, Colour Photography, A Record of Art in 1898, Modern Book Illustrators and Their Work, Year-Book of Decorative Art (1906), etc., some colour and numerous monochrome illustrations to each volume, several auto-lithographs by Brangwyn, Clausen, Fantin-Latour, all top-edge gilt, contemporary uniform green half-morocco gilt (by Henderson & Bisset), with gilt coat of arms of the Society of Writers to the Signet to covers of each volume, a little rubbed and scuffed to joints and extremities, folio (30)
Lot 868
Edward L. Mitford, Victorian English school oil on canvas - Fallow Deer in Woodland, initialled and dated '76, in gilt frame, 35cm x 53cm, a period label verso states - Presented to Mrs Mitford in loving remembrance of Admiral Robert Mitford by Edward L. Mitford, this first attempt at oil painting: after an etching by the Admiral, October 1876
Lot 153
*W DOUGLAS MACLEOD (1892-1963)GEORGE BLAKE SEATED CROSS-LEGGEDDrypoint etching, signed in pencil27 x 20.5cmGeorge Blake (1893-1961) was originally a Glasgow journalist before becoming a full-time author. He was a close friend of Macleod, who produced this etching of Blake in 1921.*Artist's Resale Right may apply to this lot.
Lot 397a
J Lewis Stant, Bourn Cambridgeshire, coloured etching, signed and titled to the mount, housed in an ebonised glazed frame, the etching 31cm x 24cm, George Law Beetholme, mountainous landscape scene with waterfall to the foreground, print, housed in a reeded ebonised and gilt glazed frame, the print 20cm x 49cm (2)
Lot 510
A German officer’s sword, c 1840, straight, SE, fullered blade 29½”, with traces of etching at forte, gilt brass hilt with narrow double shell guard, the inner portion turning up, facetted knucklebow with foliate quillon and top into facetted crown pommel with prominent stud, wirebound grip. Basically GC, the hilt retaining a little original gilt (some wear overall). Plate 7
Lot 53
A Privately formed Collection of Books by, about or related to Sir Frank Brangwyn (1867-1956)Brangwyn, Frank - The Acorn: An Illustrated Quarterly Magazine Devoted to Literature and Art, 2 vols, half cloth, one front hinge cracked, each volume with an etching by Frank Brangwyn, London 1905-6, together with Emslie, George - The Last of the Wooden Walls of England, will illustrations by Frank Brangwyn, 4to, cloth, in d.j., F. Lewis, Leigh on Sea 1944 (2)
Lot 272
MICHAEL OGDEN "Cat in a Boat", watercolour and gouache, initalled lower right, inscribed and dated May 2003 verso together with H. GOFFEY "Alert", study of a German Shepherd's head, black and white etching, signed in pencil lower right to the margin together with five assorted prints, RIITTA SINKKONEN "Landscape with trees in background", coloured flax and four boxed model buses
Lot 134
NO RESERVE Dodgson (Campbell) A Catalogue of Etchings by Augustus John 1901-1914, one of 105 deluxe copies but lacking the original etching, illustrations, with prospectus and errata leaf loosely inserted, original white buckram, gilt, t.e.g., others uncut, preserved in cloth slip-case, 4to, 1920.
Lot 140
Enitharmon Press.- Cocteau (Jean) Tempest of Stars, Selected Poems, translated by Jeremy Reed with Drawings by David Austen, edition "A", number 5 of 15 copies signed by the translator and illustrator and with a signed original etching, from a total edition of 87, text bifolia and 26 offset colour lithographs (one plate, number 133, very slightly foxed in margin), all loose as issued in original drop-back box, paper labels to cover and spine, some light spotting, 1992 § Raine (Kathleen), Six Dreams and Other Poems, number 99 of 100 specially bound copies signed by the author, from a total edition of 450 copies, frontispiece, tipped-in wood engraving by Juliet Standing, original cloth-backed pictorial boards, very slightly marked, 1968, Enitharmon Press, folio & 4to (2)
Lot 19
French erotica.- Chimot (Édouard, 1880-1959) Two nudes, etching and drypoint printed with plate tone, signed in pencil in the lower right corner, platemark 230 x 180 mm. (9 x 7 in), sheet 320 x 250 mm. (12 1/2 x 9 7/8 in), unframed, [circa 1920-50]; together with a group of 15 other erotic prints, including 6 lithographs by Raoul "Schem" Serres, 5 by Louis Touchagues, the lithograph [?] copy of the front cover 'Les sources du plaisir. Album Viril', and others, mainly lithographs, some printed in colour, all unframed [late 19th and 20th century] (16).
Lot 242
Spark (Muriel) The French Window and the Small Telephone, letter J of 12 specially-bound copies signed by the author, from an edition limited to 123, illustrations, original red morocco, t.e.g., slip-case, Colophon Press, 1993 § Manning (Hugo) Modigliani, number 11 of 45 specially-bound copies signed by the author, from an edition limited to 550, original morocco-backed boards, Enitharmon Press, 1976 § Crossley-Holland (Kevin, translator) The Anglo-Saxon Elegies, wood-engravings by Hannah Firmin, original cloth-backed boards, Folio Press, 1988 § Bewick (Elizabeth) Comfort Me with Apples and other poems, one of 135 copies signed by the author and artist, wood-engravings by Graham Williams, original patterned cloth, Biddenden, Florin Press, 1987 § Hamburger (Michael) In Suffolk, one of 150 copies signed by the author and artist, etching by Derek Southall, original cloth, slip-case, Hereford, Five Seasons Press, 1982, plates and illustrations, most uncut; and a small quantity of others from modern British presses including Circle, Cellar, New Broom, Skewbalk, Kit-Cat, Gruffyground, Mandeville, Prest Roots, Strawberry, Pandora and Foulis Archive presses, mostly original wrappers, v.s. (Qty)
Lot 8
Corinth (Lovis, 1858-1925) Umarmung, etching and drypoint on cream wove paper, signed in pencil, platemark 180 x 160 mm. (7 x 6 1/4 in), sheet 255 x 200 mm. (10 x 7 7/8 in), minor spotting unframed, [1915]; together with another by the same hand of a nude woman standing in a bedroom, etching and drypoint on laid paper, signed in pencil, platemark 190 x 130 mm. (7 1/2 x 5 1/8 in), sheet 305 x 240 mm. (12 x 9 1/2 in), small split in the upper right corner, minor nicks and rough edges, surface dirt, unframed, (2).
Lot 201
Christopher Richard Wynne Nevinson, ARA (British, 1889-1946) Romney Marsh signed in pencil lower right "C R W Nevinson"; 1918, from the edition of 25 etching on wove, with margins, unframed 38 x 56cm (15 x 22in) Literature: Guichard 25; Black 101 Other Notes: The present etching was first exhibited in 1923 at the Leicester Galleries alongside other works on a pastoral theme. The critics of the time were surprised by Nevinson's first attempts at pure landscape etchings, exemplified by this work. Seeing this etching prompted the leading critic of the 1920s, Paul Konody, to remark that such works would come as a surprise to those who assumed Nevinson was incapable of "appreciating the charm of rural life." Michael Campbell has dated this etching to 1918. Unframed. Edges a little torn and browned and there are two areas of Sellotape along the top edge. Michael Campbell dates this to 1918 from Guichard's notes. ( Guichard bought Nevinson's archive from Strang's son).
Lot 203
§ Jamie Boyd (Australian/British, b.1948) Children and riders in a cornfield signed lower right "Jamie Boyd" and numbered 1/30 etching 65 x 50cm (25 x 20in) Provenance: Given as a 'first night' present to Binkie Beaumont by John Osborne and Jill Bennett - the stars of "West of Suez" who performed at the Royal Court Theatre in 1971 Condition appears fine.
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