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Lot 1085
~ James Gillray (British, 1756-1815) ''Destruction of the French Gun-Boats-or Little Boney and his Friend Tally in high glee'', hand-coloured etching with aquatint, plate 250mm by 375mm Provenance: Thomas Agnew & Sons Tennants 15.2.13Not examined out of frame Imprint: 1803, London, H Humphrey
Lot 1065
~ George Stubbs (British, 1724-1806) ''The Farmer's Wife and the Raven'', etching with roulette work by Stubbs after his own design, plate approx 520mm by 695mmNot examined out of frame. Scratches, scuffs and filled holes to surface. Very little visible margin Imprint: 1788, London, G Stubbs Siltzer p.271
Lot 1064
~ James Seymour (British, 1702-1752) Foxhunting, a set of four ''Unkenneling the Fox Hounds'', ''Going to Cover'', ''Digging for the Fox'' and ''The Death of the Fox'', mezzotints with etching by T Burford, image c.240mm by 350mm (4) Provenance: Christie's 8.7.08, lot 441Not examined out of attractive period frames Imprint: 1787, London, R Sayer Siltzer p.247
Lot 1069
~ George Stubbs (British, 1724-1806) ''Sharke'', stipple with etching by G T Stubbs, sheet 410mm by 505mm For ''The Turf Review'' series of racehorse portraits. An early impression. The horse's trainer, Price, appears on the right, with feedNot examined out of frame. Trimmed to plate (with false margin) Imprint: 1794, London, Messrs Stubbs Siltzer p.272
Lot 1150
Eileen Alice Soper (1905-1990) ''The Go Cart'' signed, signed and inscribed on a label verso, artist's proof, etching, together with two further examples; A young child and a terrier running into the sea and ''Hop Scotch'' by the same artist 13cm by 18cm, 16cm by 20.5cm and 14cm by 18cm respectively (3)
Lot 1099
Percy Robertson ARE (1868-1934) ''Return of the boats'', signed and inscribed, etching, together with two further examples by the same hand including; Fishing boats coming ashore and Sailing vessels off the quay, 13.5cm by 31.5cm, 25.5cm by 38cm and 27cm by 37cm respectively (sh) unframed (3)
Lot 1087
~ James Gillray (British, 1756-1815) ''The King of Brobdingnay, and Gulliver'', hand-coloured etching with aquatint, printed border 305mm by 245mm After the design of an amateur, Lt Col Thomas Braddyll of the Coldstream Guards Ex Collection Helperby Hall, North YorkshireNot examined out of frame. Good margins, on three sides Imprint: 1803, London, H Humphrey
Lot 1217
Elyse Ashe Lord (1900-1971) Japanese lady wearing a kimono seated under a tree adorned with flowers, signed in pencil, numbered 34/75, etching with hand colouring, together with a further work depicting a Japanese lady in a frozen landscape, signed in pencil numbered 26/75 and another ''Palace of the Ponglai'' signed in pencil, and numbered 79/100, 20cm by 29.5cm, 21cm by 30cm and 39cm by 41cm respectively (3)
Lot 1050
~ Francis Sartorius (British, 1734-1804) ''Gimcrack'', mezzotint and etching together with a further mezzotint entitled ''Firetail the Property of Thos Foley Esqr'', plate 250mm by 350mm and 240mm by 355mm respectively (2) Provenance: Tennants 6.1.12, lot 498Not examined out of frame. Rubbed and scuffed surface, with (filled) worn traces. Imprint: 1760, London, R Sayer Siltzer p.242
Lot 1100
Percy Robertson ARE (1868-1934) Bathing machines on the beach, Whitby, signed in pencil, etching, together with a further work by the same hand depicting Figures and dogs on a beach at low tide indistinctly inscribed ''Portmadue'', 21cm by 27cm and 20cm by 29cm respectively (sh) unframed (2)
Lot 1053
~ John Nost Sartorius (British, 1759-c.1828) ''Hambletonian Preparing to Start'', ''Hambletonian Beating Diamond ... (at Newmarket)'', aquatints with etching by J W Edy, image 350mm by 530mm (2) Provenance: Christie's 17.2.08, lot 12Not examined out of frames. Some soiling and staining Imprint: 1799, London, J Harris Siltzer p.243
Lot 1216
William Lionel Wyllie RA (1851-1931) A battleship and other sailing vessels in a busy estuary, signed, a black and white etching, together with an etching of an airship and a fast Naval craft by the same artist and a further etching depicting battleships signed Rowland Langmaid, 19.5cm by 27cm, 21cm by 26.5cm and 10cm by 30.5cm respectively (3)
![~ George Stubbs (British, 1724-1806) ''Eclipse'' [open letters], stipple with etching by G T Stubbs, visible image 390mm by 5](https://cdn.globalauctionplatform.com/10a2305c-7359-4658-b7fa-a7da00ea3cd4/5a1b358c-75e0-4349-f5e8-0549c723d651/468x382.jpg)
Lot 1067
~ George Stubbs (British, 1724-1806) ''Eclipse'' [open letters], stipple with etching by G T Stubbs, visible image 390mm by 500mm For ''The Turf Review'' series of racehorse portraitsNot examined out of the frame. Some surface scuffs and closed tears to edges of image. No visible margin Imprint: 1817, London, E Orme Siltzer p.272
Lot 1161
Fred Lawson (1888 - 1968) Building and tree in a windswept landscape, signed in pencil, a black and white etching, together with three further 1913 watercolours by George Graham depicting cattle grazing in a landscape, a figure droving cattle towards farm buildings and a horse mounted figure crossing a bridge, and an unframed signed black and white reproduction of Runswick Bay by Arthur Friedenson, 12cm by 14.5cm, 21cm by 27cm, 25.5cm by 32cm, 20cm by 25cm respectively (5)
![~ Francis Sartorius (British, 1734-1804) ''Carless'' [Careless], mezzotint and etching together with a further mezzotint with](https://cdn.globalauctionplatform.com/10a2305c-7359-4658-b7fa-a7da00ea3cd4/60466838-f24a-4c68-84ce-d04e464c2ff8/468x382.jpg)
Lot 1049
~ Francis Sartorius (British, 1734-1804) ''Carless'' [Careless], mezzotint and etching together with a further mezzotint with gouache colouring After Thomas Spencer, `Miss Doe', a mare of Sir Edward O'Brien, Bart, plate 250mm by 350mm and 235mm by 330mm, respectively (2) Provenance: Tennants 24.11.00, lot 601Not examined out of frame. Evenly browned Imprint: 1768, London, R Sayer Siltzer p.242
Lot 1097
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape, 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8)
Lot 126
Henry Wilkinson (British, 1921-2011), Springer spaniels flushing a pheasant, coloured etching, signed in plate and also signed and numbered 47/150 in pencil to margin, 9 7/8 x 13½in. (25 x 34.3cm.). * Condition: Some light foxing to etching and mount. Light mount burn and smaller darker patch of mount burn lower right corner.
Lot 633
Six watercolours and prints to include J MacKay; a watercolour of river scene with children fishing, church in the distance, signed and dated lower-left, 23 x 34cm and an etching of a cathedral, signed in pencil Fridrich Gocht, an antique hand-coloured print of Chester, first published c1770, an engraving 'Genova. Parte Della Riviera Presa Dal La Xxaretto' and Greshan; a pair of watercolours of Highland moorland scenes, 21 x 12cm, all framed and glazed (6).
Lot 676
An etching, portrait of William Hill Knight, architect of Pates Grammar School, Cheltenham, initialled 'AG', possibly by his granddaughter Ada Grudelach, the original drawing hung in the school, a book 'Malvern Chase: An Episode of the Wars of the Roses and the Battle of Tewkesbury', 1881, belonging to William Hill Knight, also a print of an architectural drawing for Pates Grammar School, Cheltenham taken from the original drawing by William Hill Knight, mid-1895 (3). CONDITION REPORT The portrait is an etching of an original pencil sketch.
Lot 464
Palmer (Samuel, 1805-1888). An English Version of the Eclogues of Virgil, with illustrations by the author, 2nd edition, Seeley & Company, 1884, half-title and title printed in red and black, 9 (of 14) plates, (lacking all 5 original etchings), contemporary vellum gilt, rubbed and some soiling, folio, together with Haden (Seymour), About Etching, Fine Art Society, 1879, lacking the etched frontispiece by Haden, etched reproduction plates, top edge gilt, remainder untrimmed, original morocco-backed cloth gilt, rubbed and scuffed, large 4to, plus a bound folio volume of lithographed caricatures by John Doyle (somewhat worn), an 1808 edition of Allan Ramsay's The Gentle Shepherd, Edinburgh, A Memoir of the Printer and Publisher Richard Bentley, reprinted from Le Livre of October 1885, privately printed in July 1886, with autograph presentation inscription to S.M. Ellis from Michael Bentley, dated November 1907, plus a handwritten letter from Michael Bentley to S.M. Ellis dated June 1932, loosely inserted, and The Ghosts of the Slain by R.L. Outhwaite, M.P., with drawings by Joseph E. Southall, Manchester, National Labour Press, 1915, bound in original printed wrappers (6)
Lot 235
*Lifesaving. An exact representation of Mr F. C. Daniels Life Preserver, as exhibited on 21st July 1806, passing through London Bridge to Gun Dock Wapping, circa 1806, etching with contemporary hand colouring, trimmed to image, 250 x 355 mm, framed and glazed Scarce image depicting the use of early life jackets. (1)
![* Frank Brangwyn [1867-1956]- Bridge, Barnard Castle:- etching, 1907, signed in pencil in the margin bottom right image size](https://cdn.globalauctionplatform.com/900120ab-d83e-4191-8aa0-a7bc00d11bae/48cc3b8e-ea8d-4954-a4e8-a7d100cdecaf/468x382.jpg)
![After Rembrandt van Rijn [1606-1669]- Bildnis des Goldschmieds Jan Lutma:- etching image 19.2 x 14.4cm, sheet size 20.6 x 15.](https://cdn.globalauctionplatform.com/900120ab-d83e-4191-8aa0-a7bc00d11bae/fd4bfaa9-cc23-4d07-bf53-1904f962ab82/468x382.jpg)
Lot 351
DAVID HOCKNEY, Grimm's Fairy Tales, Exhibition Catalogue WITH unsigned Hockney etching: 'Riding around on a Cooking Spoon' labelled 'AP' - artist's proof - in pencil, bottom left. Etching tipped into a display folder. WITH Hockney's Itineraire d'un Regard, Chene, No 907/ 1000 copies, a pair of fine books contained within worn slipcase (3) (Est. plus 18% premium inc. VAT)
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71174 item(s)/page