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Lot 337
AFTER KEN HOWARD "Study of Hong Kong looking from the water's edge", limited edition coloured print, signed in pencil bottom right no 137/200, together with another similar, a pair, AFTER ERNEST GEORGE "St John's Gate, Clerkenwell, 1884", an etching, signed bottom left, another "Continental scene", etching and pencil Fashion studies, etc CONDITION REPORTS All pictures have various conditions, fox stained etc. Various general signs of wear and tear to all throughout.
Lot 198
§ Joe Tilson (British, b.1928) The Mask of Poseidon signed lower right "Tilson 1984" and numbered 7/40 soft ground etching and aquatint in colours 114 x 102cm (44 x 40in) Provenance: Waddington Graphics, 34 Cork Street, London, W1, Joe Tilson Exhibition, 1984. Under non-reflective glass. Condition appears fine.
Lot 230
§ Valerie Thornton (British, 1931-1991) Cloister, Santa Domingo de Silos, Northern Spain, signed lower right "Valerie Thornton '78" and numbered 31/50 coloured etching 69 x 40 cm (27.2 x 15.75in); and another, Capitals, Elbe, Czech Republic, signed lower right "Valerie Thornton '80" and numbered 48/70, etching 23 x 15 cm (9 x 5.9in) Fine.
Lot 288
§ Peter Coker, RA (British, 1926-2004) View of Staffin on the Isle of Skye signed on the reverse "Peter Coker" oil on board 20 x 34cm (8 x 13in) Other Notes: Peter Coker was a pre-eminent post-war British artist. Studying at the Royal College of Art at the same time as Coker were Jack Smith, John Bratby, Derek Greaves and Edward Middleditch; they became known as the Kitchen Sink School, a term coined by the critic David Sylvester in response to their unique brand of realism inspired by everyday domestic life in post-war Britain. Coker had discovered the work of Gustave Courbet while visiting Paris in 1950 and also that of Nicolas de Stael. Inspired by Courbet, Coker began to paint landscapes from nature in Normandy and Brittany by the mid-1950s. He continued to use bold colours in his landscapes, using thickly impasto paint to capture the power of natural forces. He also painted in Devon, Cornwall, Essex and, towards the end of his life, in North West Scotland. Coker published a book "Etching Techniques" in 1976. He became an Associate of the Royal College of Art in 1953, was elected a Royal Academician in 1972, and won an Arts Council Award in 1976. Condition is fine.
Lot 352
§ Richard Bawden, RWS, NEAC, RE (British, b. 1936) Sitting room interior, London signed lower right "Richard Bawden" watercolour 55 x 71cm (21 x 28in) Other Notes: Mrs Richard Bawden writes: The interior is in our family house in Balcombe Street, Marylebone, London. We are not sure about date; possibly the early 1990s. The paintings of interest on the wall are Left to Right: Valerie Thornton etching Edward Bawden Albert Bridge top watercolour in France by Stuart Rose (my father) below Student design project done while at the Architectural Association by John Cruikshank Rose (my uncle). We are grateful to Richard and Hattie Bawden for their assistance with the catalogue entry. Condition is fine.
Lot 142
A SMALLSWORD & PARTIAL SHAMSHIR. A Gentlemans smallsword in the 1796 infantry officers style, complete with its brass mounted black leather scabbard. Brass hilt and p[ommel , folding guard with plain finish. The stirrup hilt and pommel partially decorated with swirl designs, wooden grip lacking its wire wrap. 31" tapering blade with light etching and almost full length fuller. Possibly of Continental manufacture, a handsome usable sword. A 19thC Shamshir sword with grips loose and blade shattered in two pieces, with partial scabbard.
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