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Ferdinand Bol (1660-1680). Bearded old man, profile to right [H.17]. Etching. 8 x 7cm (3 x 3 in). with a copy etching after Rembrandt’s Hay-Barn with a Flock of Sheep. Etching. 8 x 17.5cm (3 x 7 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%
Jacques Callot (1592-1635). The Martyrs of Japan [L. 594]. Etching, first state of two, early impression on paper with an Interlaced Cs watermark. 17 x 11.5cm (6 3/4 x 4 1/2 in). With the Two Large Views of Paris [L. 667-668], modern impressions (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%
Virgil Solis (Nuremberg, 1514-1562). Soldier [B IX.274.253; H.192]. Etching and engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 11.5 x 8.5cm (4 1/2 x 3 1/2 in). Thirteen Soldiers engaged in fencing exercises [B IX.276.261]. Engraving. With ink stamps of the Staatlichen Museen [Lugt, 2398], and Davidsohn [Lugt, 654] on the verso. 4.5 x 7.5cm (1 3/4 x 3 in). Judith’s History. Engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 6 x 23cm (2 1/2 x 9). (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%
John Copley (1875-1950). Palma de Mallorca. Etching on Van Gelder Zonen laid paper. 21 x 31cm (8 1/4 x 12 1/4 in). Signed and inscribed, imp, in pencil, lower middle, [Cooke 52], [1932]. With an Ethel Gabain, Pierrot, lithograph on japan paper, 35 x 20.5cm., signed in pencil, lower right, c.1930 (2)
Sir David Muirhead Bone (1876-1953). Montagu Glass, 1923. Etching with drypoint, only state [C.D.394]. Signed in pencil at lower right, and titled at lower left, inscribed below Printed in New York, MB. 13 x 17.5cm (5 1/8 x 7 in). With 4 other etchings, including 3 by W.H. Sweet, including views of Durham and Worcester cathedrals, and Venice. All unframed (5)
A mixed group of prints. Including a large etching of a surgeon fighting with Death over a naked woman, a tribute to Andy Warhol titled Cuba’s Soup, a portrait of Nelson and a Turkish street scene. Etchings, screen print, stipple-engraving. Various sizes, largest 73.5 x 53.5cm ( 29 x 21 in), this one unframed (4)
* Claude (Le Lorrain, [i.e. Claude Gelee]). Le Bouvier (The Cowherd), 1636 [but later, 5th state], etching on 18th c. laid paper, close-trimmed to image (with slight loss at edges), 13 x 19.7cm (5 x 7.75ins), mounted, together with Le Troupeau a l’abreuvoir (The herd at the watering-place), 1635, etching on paper, trimmed to image with loss of borders, 10 x 16.5cm (4 x 6.5ins), mounted, and Le Depart pour les champs (Departure for the fields), c.1638-41, etching on paper, trimmed to image with loss, some dampstaining, 12.5 x 17.2cm (5 x 6.75ins), mounted, plus two others. Mannoci (Lino), The Etchings of Claude Lorrain, pub. Yale University Press, 1988, no. 18v (p.146), no. 16 (p.122) and no. 34 (p.204). (5)
* Cort (Cornelis, 1533-1578). St. Francis Penitent in the wilderness, 1575, engraving by Cornelis Cort after Girolamo Muziano, pub. Bonifazio Breggi, Rome, trimmed to ruled border, some surface marks, 510 x 370mm (20 x 14.5ins), together with Galle (Cornelius II, 1615-1678), Landscape with Tobias and The Angel, etching, [pub. Suzanna Verburggen], trimmed to image, 290 x 415mm (11.5 x 16ins), framed and glazed. Hollstein 114. (2)
* Rembrandt (Harmensz van Rijn, 1606-1669). Christ before Pilate: larger plate, etching, with drypoint, 1636 [but later, probably early 18th c.], on wove paper, without watermark, margins trimmed, some light surface soiling and a few small nicks to extreme edges, plate size 56 x 45.5cm (22 x 18ins). Bartsch 77. A good strong impression. (1)
* Abbe (Solomon van, 1883-1955). Barrister at Work, etching with drypoint, signed and numbered 18/50, plate size 26 x 26cm (10.25 x 10.25ins), framed and glazed, together with Short (Sir Frank, 1857-1945), A South Coast Road, etching, signed in pencil, plate size 147 x 267mm (5.75 x 10.5ins), framed and glazed, plus Bradshaw (Brian, 1923-), Revolutionaire, drypoint etching, signed and titled in pencil to lower margin, 24.5 x 36cm (9.5 x 14ins), framed and glazed (3)
* Austin (Robert Sargent, 1895-1973). [Daisies], etching, signed and limited 66/75 in pencil below image, 10.5 x 13.5cms (4 x 5.25ins), together with, untitled image of a female wood cutter, etching, etched initials of, R S A below image, signed in pencil in lower margin, 16 x 11.5cms (6.25 x 4.5ins). Robert Sargent Austin taught engraving at the Royal College of Art from 1927 to 1944 and was a member of the Royal Watercolour Society, The Royal Society of Etchers and The Royal Academy. (3)
* Hubbard (Eric Hesketh, 1892-1957). The Fair Gound, etching, signed , titled and numbered 57/100 below image, 20 x 29.5cm (8 x 11.5ins), together with a signed woodcut by the same artist, plus The Mower, etching, signed, titled and numbered 33/50 below image, 20 x 15cm (8 x 6ins), and Short (Frank), The New Inn, Poole, etching, signed in pencil below image, 25 x 17.5cm (9.75 x 7ins), plus Osborne (Malcolm), Female portrait, etching, signed below image by artist, 23 x 17.5cm (9 x 7ins), and Blaylock (Thomas Todd), The Ebbing Tide, woodcut printed in colours, signed and titled below image, 17 x 25cm (6.75 x 9.75ins), and, Woollard (Dorothy C.)Ye Old Lattice Inn, etching, signed in pencil below artist, 19.5 x 27cm (7.75 x 10.75ins) (7)
* McBey (James, 1883-1959). The Passing Gondola, 1926, etching, signed and numbered LVI in ink to lower margin, (from the British edition of 60 numbered in Roman numerals), 21.4 x 26.6cm (8.5 x 10.5ins), framed and glazed. Wofsy, Etchings & Dry-points of James McBey (1997) 230. A further twenty prints were published for America, numbered AI-AXX. (1)
* Rosenberg (Louis Conrad, 1890-1983). Greek cafe, etching, signed below image in pencil, 13.5 x 19cms (5.5 x 7.5ins), mounted, framed and glazed, together with, Hallward (Reginald, 1858-1948), Angel and Old man, 1939, soft ground etching, signed, dated and limited 1/25 below image, 21.5 x 27.5cms (8.5 x 10.75ins), mounted, framed and glazed, with, Buchanan (Birtram), Seascape from the cliffs, late 20th. century, etching, signed in pencil below image, 11 x 22cms (4.25 x 8.75ins), mounted, framed and glazed, with another two similar, plus a folder containing twenty-two etchings, engravings and gravures, various sizes and condition (27)
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71174 item(s)/page