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Lot 282

* Piranesi (Giovanni Battista). Veduta estera delle tre Sale sepolcrali credute della Famigla d’Augusto, Tom. II, XLI, Paris edition, c.1810, etching on laid, good margins, 375 x 505mm, mounted. Luigi Ficacci, ‘Piranesi, The Complete Etchings’, no. 255. (1)

Lot 283

* Piranesi (Giovanni Battista). Scenographia Reliquiarum porticus Septorum Juliorum. A Constructio porticui posterior B, C, D Visuntur in oedibus Pamphiliorum E, F, G, H, I, in hypogeis templi Sanctae Mariae in Via Lata, Tab. XXV, c.1760, etching on laid, good margins, 220 x 410mm (1)

Lot 310

* Tegg (Thomas (pubs.)). The Dandy and his Postillion - or the waay to Laugh up Hill, 1819, etching with original hand colouring, 230 x 330mm, mounted, framed and glazed (1)

Lot 402

FRENCH SCHOOL (EARLY 20TH CENTURY) - A built up river landscape with washer women and twin arched bridge, etching in colours, indistinctly signed in the margin in pencil, `Henri....`, 19" x 25".

Lot 405

ALBANY E HOWARTH - `Tom Tower` and `All Souls`, two etchings, each pencil signed in the margin, 10 3/4" x 6" and 9 3/4" x 6"; two etchings by Rissik, each pencil signed in the margin; and Arthur Spencer `St Martin in the Fields`, etching, pencil signed, 8" x 5 1/2" (5).

Lot 57

DAVID CARPININI (WELSH, 20TH CENTURY), "A Word in Your Ear", limited edition artist proof etching, signed in pencil. 10" x 19".

Lot 452

Dorothy Woollard (1886-1986) `Place des Cordeliers, Dinan` Etching Signed in pencil 22.2cm x 16.5cm Framed and glazed; and `Firs` Etching Signed in pencil 28cm x 22.5cm Framed and glazed, (2).

Lot 766

A .177” BSA “Improved Model D” underlever air rifle, 43¼” overall, barrel 19½”, number S73899 (1913-14), retaining faint traces of etching on air chamber, walnut butt with chequered pistol grip. GWO & above average condition

Lot 827

Simone Hudon: a small limited edition etching, "Quebec 1938", and two smaller etchings, Dutch Colonial house and tree lined track

Lot 841

After Wouverman: an engraving, 17th Century figures drinking outside a tent, a set of five Noel Gregory landscape prints, unframed, H Herkomen (by and after): an etching, portrait of the artist and his children, and a number of other pictures

Lot 101

Ferdinand Bol (1660-1680). Bearded old man, profile to right [H.17]. Etching. 8 x 7cm (3 x 3 in). with a copy etching after Rembrandt’s Hay-Barn with a Flock of Sheep. Etching. 8 x 17.5cm (3 x 7 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Lot 102

Jacques Callot (1592-1635). The Martyrs of Japan [L. 594]. Etching, first state of two, early impression on paper with an Interlaced Cs watermark. 17 x 11.5cm (6 3/4 x 4 1/2 in). With the Two Large Views of Paris [L. 667-668], modern impressions (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Lot 106

Daniel Hopfer (1470-1536). The Lovers, [B.70; H.78]. Etching, 2nd state c.1520. 22.5 x 15.5cm (8 7/8 x 6 1/8 in)

Lot 108

José de Ribera (1591-1652). The Lamentation [B.1; BR.17]. Etching with drypoint. 19.5 x 25.5cm (7 3/4 x 10 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Lot 111

Virgil Solis (Nuremberg, 1514-1562). Soldier [B IX.274.253; H.192]. Etching and engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 11.5 x 8.5cm (4 1/2 x 3 1/2 in). Thirteen Soldiers engaged in fencing exercises [B IX.276.261]. Engraving. With ink stamps of the Staatlichen Museen [Lugt, 2398], and Davidsohn [Lugt, 654] on the verso. 4.5 x 7.5cm (1 3/4 x 3 in). Judith’s History. Engraving. With collector’s ink stamps of von Lanna [Lugt, 2773], and Davidsohn [Lugt, 654], on the verso. 6 x 23cm (2 1/2 x 9). (3) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%

Lot 117

Giovanni Battista Piranesi (1720-1778). Veduta di Piazza di Spagna, from Vedute di Roma. Etching with engraving, 4th state of 8, Rome edition with artist’s address and price. [H.18 IV; F.795; W-E.154]. 40.5 x 60cm (16 x 23 1/2 in). Unframed

Lot 118

Giovanni Battista Piranesi (1720-1778). Piramide di C. Cestio, from Vedute di Roma. Etching with engraving, 1st state, Rome edition. [H.36 I; F.745; W-E.190]. 39 x 53.5cm (15 1/4 x 21 in). Provenance: with PColnaghi & Co.

Lot 119

Giovanni Battista Piranesi (1720-1778). Colonna Trajana, from Vedute di Roma. Etching with engraving, 4th state of 7, Rome edition. [H.51 IV; F.798; W-E.150]. 55 x 41cm (21 1/2 x 16 in). Provenance: with PColnaghi & Co.

Lot 120

Giovanni Battista Piranesi (1720-1778). Colonna Antonina, from Vedute di Roma. Etching with engraving, 4th state of 7, Rome edition. [H.52 IV; F.799; W-E.151]. 54.5 x 40cm (21 1/2 x 15 3/4 in). Provenance: with PColnaghi & Co.

Lot 121

Giovanni Battista Piranesi (1720-1778). Veduta dell’Atrio del Portico di Ottavia, from Vedute di Roma. Etching with engraving, 4th state of 7, Rome edition with artist’s address and price. [H.58 IV; F.815; W-E.166]. 39.5 x 60cm (15 1/2 x 23 1/2 in)

Lot 123

Giovanni Battista Piranesi (1720-1778). Veduta interna della Villa di Mecenate, from Vedute di Roma. Etching with engraving, 2nd state of 4, 1st Paris edition. [H.73 II; F.769; W-E.206]. 47.5 x 63cm (18 3/4 x 24 3/4 in)

Lot 124

Giovanni Battista Piranesi (1720-1778). Veduta del Tempio ottangolare di Minerva Medica, from Vedute di Roma. Etching with engraving, 2nd state of 4, 1st Paris edition. [H.74 II; F.778; W-E.207]. 47 x 70.5cm (18 1/2 x 27 3/4 in)

Lot 126

Giovanni Battista Piranesi (1720-1778). Veduta interna del Pronao del Panteon, from Vedute di Roma. Etching with engraving, 1st state of 3, Paris edition. [H.82 I; F.762; W-E.215]. 39 x 53.5cm (15 1/4 x 21 in)

Lot 127

Giovanni Battista Piranesi (1720-1778). Veduta del Palazzo Stopani, from Vedute di Roma. Etching with engraving, 3rd state of 3, Firmin-Didot edition 1835-39. [H.128 III; F.842; W-E.261]. 41.5 x 67cm (16 1/4 x 26 1/4 in)

Lot 128

Giovanni Battista Piranesi (1720-1778). Carceri d’Invenzione, plate VI. Etching with engraving. Paris, Firmin-Didot edition, 1835-39. 54 x 40cm (21 1/4 x 15 3/4 in)

Lot 129

Giovanni Battista Piranesi (1720-1778). Foro di Augusto, from Alcune Vedute di Archi Trionfali. Etching with engraving [F.56; W-E.118]. 13.5 x 26.5cm (5 1/4 x 10 1/2 in)

Lot 130

Giovanni Battista Piranesi (1720-1778). Rovine del Tempio supposto di Ercole, from Antichita di Cora. Etching with engraving [F.544; W-E.678]. 44.5 x 62.5cm (17 1/2 x 24 3/4 in)

Lot 142

John Copley (1875-1950). Palma de Mallorca. Etching on Van Gelder Zonen laid paper. 21 x 31cm (8 1/4 x 12 1/4 in). Signed and inscribed, imp, in pencil, lower middle, [Cooke 52], [1932]. With an Ethel Gabain, Pierrot, lithograph on japan paper, 35 x 20.5cm., signed in pencil, lower right, c.1930 (2)

Lot 170

James Abbott McNeill Whistler (1834-1903). Fulham. Etching, (M.179; K.182), 1879. Printed butterfly monogram, lower right. 13 x 21cm (5 x 8 1/4 in)

Lot 171

James Abbott McNeill Whistler (1834-1903). Old Clothes Shop No.1. Etching, 1st state [K.257], c.1886. With blank signature tab below. Unframed. 7 x 10.2cm (2 3/4 x 4 in)

Lot 173

Sir David Muirhead Bone (1876-1953). Montagu Glass, 1923. Etching with drypoint, only state [C.D.394]. Signed in pencil at lower right, and titled at lower left, inscribed below Printed in New York, MB. 13 x 17.5cm (5 1/8 x 7 in). With 4 other etchings, including 3 by W.H. Sweet, including views of Durham and Worcester cathedrals, and Venice. All unframed (5)

Lot 174

Marc Chagall (1887-1985). The Circumcision, 1956. Etching, plate 6 from The Bible suite. Signed in the plate at lower right. 30 x 23.5cm (11 3/4 x 9 1/4 in)

Lot 238

Joseph Pennell. Cranes at Duisberg. Etching. c.24 x 32cm (5 1/2 x 12 1/2 in). 1910. With a Hiroshige woodblock print, a small drawing by Janet Fisher, and others (7)

Lot 250

David Young Cameron. Aquamanile . Etching and Drypoint. 17 x 14cm (6 1/2 x 5 1/2 in). 1913. With a mixed group of portraits, town scenes, and landscape engravings, aquatints, and lithographs, v.s., (qty.)

Lot 255

Felix Bracquemond, after Henri Leys . The Maid-Servant. Etching. 25 x 15cm (10 x 6 in). With a plate of Hogarth’s The Funeral of Chrystom & Marcella vindicating herself, and a large lithograph by Aglio, after Ralston, of Blackfriars Bridge. (3)

Lot 282

Dennis J. Hanceri, RSMA (20th century). Channel Contrasts. Watercolour and gouache. Signed and dated 1974 at lower left, with Guildhall Art Gallery label on the verso. 37 x 58.5cm (14 1/2 x 23 in). With a signed etching of a similar composition of sail boats and steam ship, by W.L. Wyllie

Lot 286

17th century Flemish school. Rustic landscape with family fishing. Etching. 12 x 17.5cm (4 3/4 x 7 in). With a sheet of three chalk studies of the head of a young girl, 20th century

Lot 287

English school (late 19th/early 20th century). Landscape with a mill. Watercolour on silk, laid on board. 11.5 x 30cm (4 1/2 x 11 3/4 in). With an etching of Gresham’s school, Holt (2)

Lot 302

A mixed group of prints and drawings. Including a John Brunsdon etching, v.s. (15)

Lot 310

Elyse Ashe Lord. Oriental women reading under a blossoming bough. Etching with drypoint, with original hand-colouring, on Japan paper. Signed in pencil, lower right, numbered in pencil, 49/75 42.5 x 32.5cm (16 1/2 x 12 1/4 in)

Lot 311

Jean Baptiste Morret. La Bergere des Alpes. Soft-ground etching and mezzotint, with original hand-colouring. 25.5 x 17.5cm (10 x 7 in). Signed and dated in the plate, 1783. With other views of Switzerland by Heisinger, Gruaz and Gabriel Lory, mid 19th century (8)

Lot 332

A mixed group of prints. Including a large etching of a surgeon fighting with Death over a naked woman, a tribute to Andy Warhol titled Cuba’s Soup, a portrait of Nelson and a Turkish street scene. Etchings, screen print, stipple-engraving. Various sizes, largest 73.5 x 53.5cm ( 29 x 21 in), this one unframed (4)

Lot 197

* Claude (Le Lorrain, [i.e. Claude Gelee]). Le Bouvier (The Cowherd), 1636 [but later, 5th state], etching on 18th c. laid paper, close-trimmed to image (with slight loss at edges), 13 x 19.7cm (5 x 7.75ins), mounted, together with Le Troupeau a l’abreuvoir (The herd at the watering-place), 1635, etching on paper, trimmed to image with loss of borders, 10 x 16.5cm (4 x 6.5ins), mounted, and Le Depart pour les champs (Departure for the fields), c.1638-41, etching on paper, trimmed to image with loss, some dampstaining, 12.5 x 17.2cm (5 x 6.75ins), mounted, plus two others. Mannoci (Lino), The Etchings of Claude Lorrain, pub. Yale University Press, 1988, no. 18v (p.146), no. 16 (p.122) and no. 34 (p.204). (5)

Lot 198

* Cort (Cornelis, 1533-1578). St. Francis Penitent in the wilderness, 1575, engraving by Cornelis Cort after Girolamo Muziano, pub. Bonifazio Breggi, Rome, trimmed to ruled border, some surface marks, 510 x 370mm (20 x 14.5ins), together with Galle (Cornelius II, 1615-1678), Landscape with Tobias and The Angel, etching, [pub. Suzanna Verburggen], trimmed to image, 290 x 415mm (11.5 x 16ins), framed and glazed. Hollstein 114. (2)

Lot 200

* Rembrandt (Harmensz van Rijn, 1606-1669). Christ before Pilate: larger plate, etching, with drypoint, 1636 [but later, probably early 18th c.], on wove paper, without watermark, margins trimmed, some light surface soiling and a few small nicks to extreme edges, plate size 56 x 45.5cm (22 x 18ins). Bartsch 77. A good strong impression. (1)

Lot 206

* Abbe (Solomon van, 1883-1955). Barrister at Work, etching with drypoint, signed and numbered 18/50, plate size 26 x 26cm (10.25 x 10.25ins), framed and glazed, together with Short (Sir Frank, 1857-1945), A South Coast Road, etching, signed in pencil, plate size 147 x 267mm (5.75 x 10.5ins), framed and glazed, plus Bradshaw (Brian, 1923-), Revolutionaire, drypoint etching, signed and titled in pencil to lower margin, 24.5 x 36cm (9.5 x 14ins), framed and glazed (3)

Lot 208

* Austen (Winifred Marie Louise, 1876-1964). Whitethroat, etching, signed and titled in pencil, plate size 14 x 19cm (5.5 x 7.5ins), framed and glazed (1)

Lot 209

* Austen (Winifred Marie Louise, 1876-1964). Lesser-spotted Woodpecker, etching, signed and titled in pencil, plate size 12.7 x 15cm (5 x 6ins), framed and glazed (1)

Lot 210

* Austin (Robert Sargent, 1895-1973). [Daisies], etching, signed and limited 66/75 in pencil below image, 10.5 x 13.5cms (4 x 5.25ins), together with, untitled image of a female wood cutter, etching, etched initials of, R S A below image, signed in pencil in lower margin, 16 x 11.5cms (6.25 x 4.5ins). Robert Sargent Austin taught engraving at the Royal College of Art from 1927 to 1944 and was a member of the Royal Watercolour Society, The Royal Society of Etchers and The Royal Academy. (3)

Lot 212

* Brangwyn (Frank, 1867-1956 ). Figures Constructing a Bridge in Paris, large etching on wove, good margins, signed and dedicated by artist in pencil below image, 51 x 60cm (20 x 23.75ins), framed and glazed (1)

Lot 216

* Brockhurst (Gerald Leslie, 1890-1978). Una [also called ‘The Young Creole’], 1929, etching, signed in pencil below image, plate size 21.5 x 15.5cm (8.5 x 6ins), mounted framed and glazed. The sixth state of ten. (1)

Lot 217

* Brockhurst (Gerald Leslie, 1890-1978). Fabian [1921], etching, signed in pencil below image, plate size 17.5 x 12.5cm (7 x 5ins), mounted, framed and glazed (1)

Lot 220

* Hubbard (Eric Hesketh, 1892-1957). The Fair Gound, etching, signed , titled and numbered 57/100 below image, 20 x 29.5cm (8 x 11.5ins), together with a signed woodcut by the same artist, plus The Mower, etching, signed, titled and numbered 33/50 below image, 20 x 15cm (8 x 6ins), and Short (Frank), The New Inn, Poole, etching, signed in pencil below image, 25 x 17.5cm (9.75 x 7ins), plus Osborne (Malcolm), Female portrait, etching, signed below image by artist, 23 x 17.5cm (9 x 7ins), and Blaylock (Thomas Todd), The Ebbing Tide, woodcut printed in colours, signed and titled below image, 17 x 25cm (6.75 x 9.75ins), and, Woollard (Dorothy C.)Ye Old Lattice Inn, etching, signed in pencil below artist, 19.5 x 27cm (7.75 x 10.75ins) (7)

Lot 225

* Langmaid (Rowland, 1897-1956). Hay’s Wharf, looking towards London Bridge, drypoint etching, signed in pencil, plate size 12.7 x 25.3cm (5 x 10ins), framed and glazed (1)

Lot 228

* McBey (James, 1883-1959). The Passing Gondola, 1926, etching, signed and numbered LVI in ink to lower margin, (from the British edition of 60 numbered in Roman numerals), 21.4 x 26.6cm (8.5 x 10.5ins), framed and glazed. Wofsy, Etchings & Dry-points of James McBey (1997) 230. A further twenty prints were published for America, numbered AI-AXX. (1)

Lot 236

* Rosenberg (Louis Conrad, 1890-1983). Greek cafe, etching, signed below image in pencil, 13.5 x 19cms (5.5 x 7.5ins), mounted, framed and glazed, together with, Hallward (Reginald, 1858-1948), Angel and Old man, 1939, soft ground etching, signed, dated and limited 1/25 below image, 21.5 x 27.5cms (8.5 x 10.75ins), mounted, framed and glazed, with, Buchanan (Birtram), Seascape from the cliffs, late 20th. century, etching, signed in pencil below image, 11 x 22cms (4.25 x 8.75ins), mounted, framed and glazed, with another two similar, plus a folder containing twenty-two etchings, engravings and gravures, various sizes and condition (27)

Lot 238

* Soper (Eileen Alice, 1905-1990). Piano practice, drypoint etching, signed, plate size 9 x 17cm (3.5 x 6.75ins), framed and glazed (1)

Lot 239

* Soper (Eileen Alice, 1905-1990). Prisoners, etching, signed in pencil, plate size 19 x 13.8cm (7.5 x 5.5ins), framed and glazed. Wootton 124. From the Estate of Eileen Soper (see label to verso). Illustrated on page 61 of the Art of George and Eileen Soper, by David Wootton (1995). (1)

Lot 240

* Soper (Eileen Alice, 1905-1990). November 5th (Bonfire Night), etching, signed in pencil, plate size 15 x 20cm (6 x 8ins), framed and glazed. Wootton, Catalogue Raisonne of the Etchings of George & Eileen Soper (1995) 121. (1)

Lot 241

* Soper (Eileen Alice, 1905-1990). The Scooter, 1922, etching, signed in pencil, plate size 12.3 x 18.5cm (4.75 x 7.5ins), framed and glazed (1)

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