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A pair of watercolours, one showing an estuary scene with beached fishing boats, the other showing a country lane with figure driving cattle, both signed H Callen and one dated 1947, 27 x 37 cm, both framed together with a 19th century coloured etching of a Venetian canal scene with figures, 27 x 38 cm, mounted (displayed on table below)
A coloured print after Vernon Ward showing a still life with vase of anemones together with a further similar coloured print of a vase of dahlias, both 37 x 28 cm in gilt frames together with a pair of 19th century coloured prints after J M W Turner, one of a cottage scene with figures, the other of a classical ruin, 20 x 15 cm in moulded gilt frames and also together with an early 20th century sepia coloured etching of a Dutch pargetted house in Bristol, published by Frost & Reed, in wooden frame with oak mount
A collection of 19th century and other pictures and prints including a pair of miniature coloured engravings of Raphael and Sir Walter Scott, a coloured engraving of JMA Fortenze, topographical prints and etchings including views of Salisbury Cathedral, Truro Cathedral and All Saints Church, Oxford after F Robson, an etching of a little girl seated on a tree trunk besides a church, signed in pencil W V Collitz (?), etc
A humorous coloured print after Harry B Neilson - Mr Foxes Hunt Breakfast on Xmas Day, 31 x 58 cm in wooden and gilt frame, a signed limited edition etching - The Clown, by Charles M Ware, of circular form, 29 cm diameter in simple wooden frame, a set of four sepia coloured photographs showing early 20th century Bristol scenes, a pair of monochrome prints of architectural subjects and two folders of coloured prints - A History of Medicine in Pictures, produced by Parke-Davis,
* KATHARINE (KATE) CAMERON RSW RE (SCOTTISH 1874-1965), LOVE IN THE MISTS AND WASPS etching, with etched initials and signed in pencil below the plate mark, titled verso 30cm x 10cm Mounted, framed and under glass Label verso: George Davidson Ltd, Fine Art Dealers & Picture Frame Makers, Glasgow
Henry Wilkinson (British, b.1921) Springer Spaniel and Partridge; Red Setter at the bank coloured etching, signed to the plate, signed and numbered in pencil 40/150 and 50/150 10 x 13¼in. (25.5 x 33.5cm.); together with a signed aquatint `Brought to Bank` by Ward Binks, 11¼ x 14in. (28.5 x 35.5cm.). (3) See Illustration
John Brunsdon (British, b.1933) `Coastal Scene on the Lleyn Peninsula` limited edition hand coloured etching, signed, inscribed and numbered 134/350 in pencil 24½ x 18in. (62.25 x 45.75cm.) * Provenance: Original invoice from Change of Seen, Dorchester dated 1991 included with lot. See Illustration
A late 18th / early 19th century mother of pearl fan coloured etching on foil paper, a large central vignette depicting ladies being spied upon by concealed gentlemen, flanked by two smaller figural vignettes, pierced mother of pearl sticks with gilt foliate pique work, the guards of tapering form decorated with applied gilt emblems - floral, peacock, flower basket - within a shaped glazed frame, the frame 25in. (63.6cm.) wide. See Illustration
William Douglas MacLeod 'A Fresh Morning, Kintyre' signed and dated 1922 in pencil, etching, 15 x 34 cm, together with two other etchings CONDITION REPORT: Two other etchings - not by Douglas MacLeod, etching with trees isn foreground signed (?)Johnstone Baird, Shore scene signed (?)Hank Short - please see images, MacLeod heavily discoloured but with no other damage

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78391 item(s)/page