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Lot 178

Malcolm Osborne - View of a Castle and Town, monochrome etching, signed in pencil, approx 18cm x 31cm, within an ebonized frame.

Lot 357

Henry Wilkinson (20th century British school), a polychromatic limited edition etching, study of a cock and hen pheasant in woodland setting, 111/150, signed in pencil to margin, H. 25 cm, W. 35 cm.

Lot 437

Marguerite Kirmse (early 20th century British school), 'What is it?', comical study of terriers watching a tortoise, signed lower right in pencil, gallery label to verso, etching on paper, W. 17 cm, H. 23.5 cm.

Lot 134

Leonard Russell Squirrell, an etching titled ‘The Top of the Street, Kersey, Suffolk’. Signed in pencil to the mount.

Lot 735

Geoffrey Clarke (b. 1924) Blue Head, colour etching, signed and dated Jan `6` numbered 10/50, 44cm by 22cm

Lot 752

Salvador Dali (1904-1989) `Thou art all faire`, colour etching, signed, 40cm by 25cm: and a reproduction print `The Kiss`

Lot 551

William Lionel Wyllie RA.,RI.,RE (1851-1931) 'Tower Bridge from the Thames', a signed artists proof, Black and White Drypoint Etching, Unframed 28 x 19cm (pl)

Lot 427

Mark Clark, limited edition monochrome etching, study of a recumbent nude female, 18/50, signed in pencil to margin, together with three other prints.

Lot 756

A pair of watercolours, one showing an estuary scene with beached fishing boats, the other showing a country lane with figure driving cattle, both signed H Callen and one dated 1947, 27 x 37 cm, both framed together with a 19th century coloured etching of a Venetian canal scene with figures, 27 x 38 cm, mounted (displayed on table below)

Lot 759

A coloured print after Vernon Ward showing a still life with vase of anemones together with a further similar coloured print of a vase of dahlias, both 37 x 28 cm in gilt frames together with a pair of 19th century coloured prints after J M W Turner, one of a cottage scene with figures, the other of a classical ruin, 20 x 15 cm in moulded gilt frames and also together with an early 20th century sepia coloured etching of a Dutch pargetted house in Bristol, published by Frost & Reed, in wooden frame with oak mount

Lot 761

A collection of 19th century and other pictures and prints including a pair of miniature coloured engravings of Raphael and Sir Walter Scott, a coloured engraving of JMA Fortenze, topographical prints and etchings including views of Salisbury Cathedral, Truro Cathedral and All Saints Church, Oxford after F Robson, an etching of a little girl seated on a tree trunk besides a church, signed in pencil W V Collitz (?), etc

Lot 773

A humorous coloured print after Harry B Neilson - Mr Foxes Hunt Breakfast on Xmas Day, 31 x 58 cm in wooden and gilt frame, a signed limited edition etching - The Clown, by Charles M Ware, of circular form, 29 cm diameter in simple wooden frame, a set of four sepia coloured photographs showing early 20th century Bristol scenes, a pair of monochrome prints of architectural subjects and two folders of coloured prints - A History of Medicine in Pictures, produced by Parke-Davis,

Lot 495

MORTIMER MENPES Oriental child, signed etching and another (2)

Lot 511

TOM MAXWELL Provands Lordship, Glasgow, signed etching and a photograph (2)

Lot 536

Four various watercolours and an etching (5)

Lot 546

J A BREWER The rose windows, Rheims Cathedral signed etching

Lot 550

Edinburgh Etching Club portfolio, 13 of 75 on Japanese paper, Tam O`Shanter etc

Lot 2014

An etching of Lindisfarne Abbey by L. Sheldon and an engraving by J.B. Allen of a pastoral river scene.

Lot 2060

A Henry Moore Etching 'Square Forms', signed 1963, 27 1/4'' x 20 1/2''.

Lot 2031

EDWARD BOREIN, ETCHING & DRYPOINT, H 5 7/8", L 12 7/8", "WILD CATTLE NO. 2": Edward Borein [AMERICAN, 1872-1945]. Signed lower right, framed and matted under glass. Photos of the watermark [under the matting lower left] are in the consignor file.

Lot 2184

DESMAZIERES [1948-], ETCHING, 1986, 24" X 39", `INTÉRIEUR, RUE PAYENNE`: Pencil signed and dated lower right, numbered lower left, under glass, matted, and framed. Erik Desmazières, French, born 1948.

Lot 387

Unsigned etching "Thatched Barn" in the manner of George Clausen, 6 3/4" x 8 3/4" and one other of a lady carrying wheat

Lot 562

Valerie Thornton coloured etching of Santa Maria Church, Sangusa and a map of Yorkshire North Riding

Lot 402

Artists proof aquatint/etching Tatton Winter Medieval building beside river and bridge and another Colourprint Paris Sainte Chapelle signed E. Sharland and another of Venice signed E. Sharland (3)

Lot 1425

* KATHARINE (KATE) CAMERON RSW RE (SCOTTISH 1874-1965), THE WILD BEE etching, with etched initials and signed in pencil below the plate mark, titled verso 30cm x 10cm Mounted, framed and under glass Label verso: George Davidson Ltd, Fine Art Dealers & Picture Frame Makers, Glasgow

Lot 1427

* KATHARINE (KATE) CAMERON RSW RE (SCOTTISH 1874-1965), LOVE IN THE MISTS AND WASPS etching, with etched initials and signed in pencil below the plate mark, titled verso 30cm x 10cm Mounted, framed and under glass Label verso: George Davidson Ltd, Fine Art Dealers & Picture Frame Makers, Glasgow

Lot 1432

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), THE TYNE etching on paper, signed in pencil below the plate mark, titled verso 13.5cm x 19cm Mounted, framed and under glass Label verso: W. B. Simpson, Glasgow

Lot 1433

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), THE FORTH etching on paper, signed in pencil below the plate mark, titled verso 8.5cm x 25.5cm Mounted, framed and under glass Label verso: W. B. Simpson, Glasgow

Lot 1434

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), THE MERSEY etching on paper, signed in pencil below the plate mark, titled verso 11cm x 32.5cm Mounted, framed and under glass Label verso: W. B. Simpson, Glasgow

Lot 1493

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), THE THAMES etching on paper, signed in pencil below the plate mark, titled verso 10.5cm x 32cm Mounted, framed and under glass Label verso: W. B. Simpson, Glasgow

Lot 1494

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), AVE ST. CARLO, NAPLES etching on paper, signed in pencil below the plate mark, titled verso 17cm x 16cm Mounted, framed and under glass

Lot 1495

WILLIAM WALCOTT (SCOTTISH-RUSSIAN 1874-1943), THE CLYDE etching on paper, signed in pencil below the plate mark, titled verso 9cm x 25.5cm Mounted, framed and under glass

Lot 1006

Alison Neville (1945- ) British. “Sanchi Gate Detail”, Etching, Signed, Inscribed and numbered 1/50, 24.5” x 6”, and a companion piece, ‘Ranakpur Column’. (2). Provenance; Curwen Gallery 2000.

Lot 1031

Jo Barry (20th Century) British. ‘Darkly, deeply, beautifully blue’. Etching, Signed, Inscribed and numbered AP 13/15 in Pencil, 6.5” x 7”, and the companion piece, ‘Mood indigo’, Signed, Inscribed and numbered 144/150, a pair (2).Provenance; J. & G. Gallery, Chichester 2004.

Lot 1033

R… Goff (20th Century) British. A Scene on the Thames, Etching, Signed, 11” x 7.75”, with three other various prints, four (4)

Lot 1036

Cicely Osmond-Smith (20th Century British). ‘The Old Boathouse’, Coloured Etching, Signed, Inscribed and Numbered 3/25 in Pencil, 13” x 14”. Provenance; New Academy Gallery 1997.

Lot 199

19th century dry point etching, titled `The Town`, indistinctly signed in pencil, two others, a mirror

Lot 228

Birket Foster- signed etching `Goose Girl`

Lot 229

Wyllie unsigned etching of ships at sea

Lot 230

M. M. Rudge signed etching and eleven others including C. Harley and Antoine Gaymard

Lot 241

John Brunsdon (British, b.1933) `Country Walk` limited edition hand coloured etching, signed, dated 1977, inscribed and numbered 109//150 in pencil. 23½ x 17¾in. (59.5 x 45cm.) See Illustration

Lot 250

Henry Wilkinson (British, b.1921) Springer Spaniel and Partridge; Red Setter at the bank coloured etching, signed to the plate, signed and numbered in pencil 40/150 and 50/150 10 x 13¼in. (25.5 x 33.5cm.); together with a signed aquatint `Brought to Bank` by Ward Binks, 11¼ x 14in. (28.5 x 35.5cm.). (3) See Illustration

Lot 252

John Brunsdon (British, b.1933) `Coastal Scene on the Lleyn Peninsula` limited edition hand coloured etching, signed, inscribed and numbered 134/350 in pencil 24½ x 18in. (62.25 x 45.75cm.) * Provenance: Original invoice from Change of Seen, Dorchester dated 1991 included with lot. See Illustration

Lot 256

Graham Clarke (British, b.1941) `Old Manor`, coloured etching, signed, inscribed and numbered 129/150 in pencil, blind stamped, 13½ x 21in. (34.25 x 53.25cm.). See Illustration

Lot 934

A late 18th / early 19th century mother of pearl fan coloured etching on foil paper, a large central vignette depicting ladies being spied upon by concealed gentlemen, flanked by two smaller figural vignettes, pierced mother of pearl sticks with gilt foliate pique work, the guards of tapering form decorated with applied gilt emblems - floral, peacock, flower basket - within a shaped glazed frame, the frame 25in. (63.6cm.) wide. See Illustration

Lot 430

Violet Harrison etching of industrial scene with cranes etching signed in pencil 26 x 20cm

Lot 442

After Malcolm Osbourne signed etching 'The Veil of Spring, Windermere, 22 x 40 cm.

Lot 372

A French 1874 Gras sword bayonet of typical form with a metal scabbard, etching to the blade, and a wooden and brass handle, 66cm long.

Lot 373

A French 1874 Gras sword bayonet of typical form with metal scabbard, and etching to the blade, with a wooden and brass handle, 65cm long.

Lot 374

A French 1874 model bayonet with metal scabbard, wooden and brass handle and etching to the blade, 66cm long.

Lot 375

An 1876 French bayonet and metal scabbard, with wooden and brass handle and etching to the blade, 71cm long.

Lot 654

W. Bloueu. A 19thC dry point etching, trees before castle, numbered 55/1005, mounted and framed, 19cm x 28cm high.

Lot 263

[CIRCLE PRESS] untitled trial proof by RON KING of gentleman with hat, etching, 11.75 x 9.75 inches [P.]; & 4 other proofs before titles, various. (5)

Lot 475

Marcel Augis: A coloured etching of the ruined `Abbaye de Mont Eloi, pas de Calais, 1915`, and another of the similarly shell damaged `Basilique D`Albert` .

Lot 502

Richard Bawden: `Old Boat`, artist`s proof etching.

Lot 452

Victorian rosewood framed woolwork and framed etching 'An April Day in Kent' (2)

Lot 41

Glynn Thomas, pencil signed limited edition etching of Sole Bay, No. 59 /200, 37cm x 28cm

Lot 263

William Douglas MacLeod 'A Fresh Morning, Kintyre' signed and dated 1922 in pencil, etching, 15 x 34 cm, together with two other etchings CONDITION REPORT: Two other etchings - not by Douglas MacLeod, etching with trees isn foreground signed (?)Johnstone Baird, Shore scene signed (?)Hank Short - please see images, MacLeod heavily discoloured but with no other damage

Lot 267

Sidney H.. Paviere, A view of Lincoln College Oxford, signed in pencil, etching, 13.4 x 18 cm, and another by the same hand, larger CONDITION REPORT: Overall discolouration, foxing

Lot 687

AFTER FRANK PATON `The Good Old Days` Etching Signed in pencil lower left 19.5cm x 24.5cm

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