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Lot 42

Norman Lindsay, 'The Argument', a large gathering of figures, etching, signed and numbered indistinctly in pencil, toned and extensively creased, (a/f).

Lot 20

William Lionel Wyllie (1851-1931) British, rounding the headland, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

Lot 27

William Lionel Wyllie (1851-1931) British, Portsmouth Harbour, etching, signed in pencil, plate size 4" x 9.75" (10 x 25cm).

Lot 19

William Lionel Wyllie (1851-1931) British, barges and shipping in a London dock, etching, signed in pencil, plate size 5.75" x 13.75" (15 x 35cm).

Lot 11

George Morland, Circa 1792, figures in a wagon on a country path, soft ground etching, signed and dated in pencil, 14" x 19" (36 x 48cm).

Lot 26

William Lionel Wyllie (1851-1931) British, barges and other craft on the River Thames, etching, signed and dedicated to Henley Cornford in pencil, plate size 6.75" x 12.75" (17 x 32.5cm).

Lot 18

Alasdair Macfarlane (1902-1960), an etching of shipping in a port, signed in pencil and inscribed 'Trial Proof', plate size 6.75" x 13.75" (17 x 35cm).

Lot 24

William Lionel Wyllie (1851-1931) British, boats and barges moored on the Thames with a view of London beyond, etching, signed in pencil, plate size 7.5" x 11" (19 x 28cm).

Lot 28

William Lionel Wyllie (1851-1931) British, barges on the River Thames, etching signed in pencil, plate size, 4.5" x 12.75" (11.5 x 32.5cm).

Lot 30

William Lionel Wyllie (1851-1931) British, Gibraltar, shipping off the coast, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

Lot 23

William Lionel Wyllie (1851-1931) British, moored shipping and figures in rowing boats, etching, signed in pencil, plate size 6.5" x 14.75" (16.5 x 37.5cm), Walker Galleries, Bond Street label verso.

Lot 1

Richard Bawden (b. 1936), 'Chrysanthemums', etching, signed and inscribed and noted Artist's Proof in pencil, plate size 14.5" x 12.75" (37 x 32.5cm).

Lot 48

Henry Wilkinson, A Spaniel on a riverbank, coloured etching, signed and numbered 35/150 in pencil, 8.5" x 12.75", (21.5x32.5cm).

Lot 84

Richard Smythe, A lake scene with mountains beyond, etching, signed in pencil, 8.25" x 11.5", (21x29.5cm).

Lot 96

John Fullwood (1854-1931), 'Loch Lomond', drypoint etching, signed and inscribed in pencil, 12" x 9.75" (30 x 25cm).

Lot 31

William Lionel Wyllie (1851-1931) British, a view of barges moored on the Thames, etching, signed in pencil, plate size 4.75" x 11.75" (12 x 30cm).

Lot 85

Percy Lancaster (b.1878) Old Houses, Barnard Castle, etching, with blind stamp, labels verso, 6.75" x 5.25", (17x13.5cm).

Lot 90

Bernard Eyre-Walker, 'Skiddaw', a mountain in the Lake District, etching, inscribed and signed in pencil, 10.75" x 15.5", (27.5x39.5cm).

Lot 86

Albany E. Howarth, 'Venice', Palazzo Dario, etching, with blind stamp, signed in pencil, 15.5" x 8", (39x20.5cm).

Lot 21

William Lionel Wyllie (1851-1931) British, London Bridge, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm), Walkers Galleries, Bond Street label verso.

Lot 103

Man Ray (American, 1890-1976)Symphony (Anselmino 11) Etching and aquatint in colours, 1973, on Arches wove paper, signed with the artist's monogram and numbered 99/99 in pencil, with margins, framedPlate 472 x 319mm (18 5/8 x 12 5/8in)Sheet 746 x 549mm (28 3/8 x 21 5/8in)For further information on this lot please visit Bonhams.com

Lot 130

Robert Motherwell (American, 1915-1991)Untitled (Belknap 105; Engberg & Banach 134) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 36/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist and Dain-Schiff Gallery, New York, with full margins, framedPlate 900 x 604mm (35 3/8 x 23 3/4in)Sheet 1054 x 748mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Lot 43

Ben Nicholson O.M. (British, 1894-1982)Moonshine (Lewinson AC53) Etching, 1966, on wove paper, signed, dated and numbered 9/50 in pencil, published by Galerie Beyeler, Basel, with Lafranca's blindstamp, with full margins, framedPlate 195 x 250mm (7 3/4 x 9 7/8in)Sheet 321 x 375mm (12 1/2 x 14 3/4in)Footnotes:This etching was created using a plate which had previously been used to print the 1948 drypoint 'I.C.I.shed' (Lewinson AC23).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 6

James Gillray (British, 1756-1815)Blowing up the Pic Nic's; -or- Harlequin Quixotte attacking the puppets. Vide Tottenham Street pantomine (BM 9916) Etching with aquatint and hand-colouring, 2nd April 1802, on wove paper, published by Hannah Humphrey, London, with narrow margins, framedPlate 350 x 252mm (13 3/4 x 9 7/8in)Sheet 352 x 270mm (13 7/8 x 10 5/8in)For further information on this lot please visit Bonhams.com

Lot 174

Damien Hirst (British, born 1965)To Belong - Butterfly Etching in colours, 2008, on wove paper, signed and numbered 33/75 in pencil, published by Other Criteria, London, with their ink stamp, with full margins, framedImage 245 x 295mm (9 5/8 x 11 5/8in)Sheet 410 x 445mm (16 1/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 33

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child X, from Mother and Child (Cramer 680) Etching with aquatint, 1983, on Arches wove paper, signed and inscribed 'PL X 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 232 x 382mm (9 1/8 x 15 1/8in)Sheet 521 x 618mm (20 1/2 x 24 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 98

Sonia Delaunay (French, 1885-1979)One Plate, from Avec Moi-Même Etching and aquatint, 1970, on Arches wove paper, signed, dated and numbered 58/75 in pencil (there were also 20 proofs numbered in Roman numerals), published by Société Internationale d'Art XXème Siècle, Paris, with full margins, framedPlate 495 x 397mm (19 1/2 x 15 5/8in)Sheet 660 x 502mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 290

Ai Weiwei (Chinese, born 1957)Bomb Inkjet print, 2020, on Hahnemühle German etching paper, signed in black felt-tip pen, numbered 90/100 in pencil (there were also 25 artist's proofs), published by The Kitchen, New York, the full sheetSheet 1300 x 948mm (51 1/8 x 37 3/8in)For further information on this lot please visit Bonhams.com

Lot 82

Georges Braque (French, 1882-1963)Pichet Noir Et Citrons (Maeght 1004) Etching and aquatint in colours, 1952, on BFK Rives paper, signed and numbered 86/200 in pencil, published by Maeght Éditeur, Paris, the full sheet, framedPlate 375 x 453mm (14 3/4 x 17 7/8in)Sheet 503 x 647mm (19 3/4 x 25 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 69

Pierre-Auguste Renoir (French, 1841-1919)Le Chapeau Épinglé, 3e planche (Delteil 8) Etching and drypoint, circa 1894, on cream laid paper, an impression of the second (final) state, with wide margins, framedPlate 117 x 83mm (4 3/8 x 3 1/4in)Sheet 301 x 246mm (11 7/8 x 9 3/4in)For further information on this lot please visit Bonhams.com

Lot 129

Robert Motherwell (American, 1915-1991)Untitled (Belknap 104; Engberg & Banach 133) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 44/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist, with his blindstamp and Dain-Schiff Gallery, New York, with full margins, framedPlate 902 x 606mm (35 1/2 x 23 3/4in)Sheet 1054 x 749mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Lot 30

Henry Moore O.M., C.H. (British, 1898-1986)Sketchbook 1928 The West Wind Relief (Edition B) (Cramer 573) The complete portfolio comprising one etching and aquatint in colours, 1980, on Arches wove paper, signed and numbered 53/75 in pencil, with full margins, loose (as issued), with the accompanying catalogue and the facsimile, signed in ink and numbered 'B 53/75' in pencil on the artist's label affixed to the inside cover, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, within the original green paper-covered Solander box Plate 225 x 300mm (8 7/8 x 11 7/8in)Folio 415 x 330 x 43mm (16 3/8 x 13 x 1 3/4in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 80

Marc Chagall (Russian/French, 1887-1985)David montant la Colline des Oliviers, from The Bible (Cramer books 30) Etching with hand-colouring in watercolour, 1958, on Arches wove paper, signed with initials and numbered 92/100 in pencil, published by Tériade Éditeur, Paris, with full margins, framedPlate 325 x 250mm (12 3/4 x 9 7/8in)Sheet 535 x 394mm (21 x 15 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 114

David Hockney R.A. (British, born 1937)In the Dull Village, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 54; M.C.A. Tokyo 54) Etching and aquatint, 1966, on Crisbrook handmade paper, signed and numbered 7/75 in pencil (there were also 25 proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 225mm (13 3/4 x 8 7/8in)Sheet 570 x 400mm (22 1/2 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 28

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure 4, from The Reclining Figure (Cramer 475) Etching, 1977-78, on Richard de Bas paper, signed and numbered 'Pl.4 G17/25' in pencil (there were also 15 artist's proofs), printed by Atelier Lacourière et Frélaut, Paris, published by Ganymed Original Editions, London, with margins, framedPlate 225 x 298mm (8 7/8 x 11 3/4in)Sheet 518 x 444mm (20 3/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 113

David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 52; M.C.A. Tokyo 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and inscribed 'A.P.' in pencil, one of 15 artist's proofs aside from the numbered edition of 75, printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 562 x 387mm (22 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 56

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton G10) Etching and aquatint in colours, 1980, on Magnani wove paper, signed with the initials, dated and numbered 14/90 in pencil (there were also 15 artist's proofs in Roman numerals), printed by Vigna Antoniniana Stamperia d'Arte, Rome, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'Arte, Rome, with the 2RC blindstamp, with full margins, framedPlate 725 x 1420mm (28 1/2 x 55 7/8in)Sheet 885 x 1660mm (34 7/8 x 65 3/8in)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 60

Victor Pasmore R.A. (British, 1908-1998)When Reason Dreams III Etching with aquatint in colours, 1997, on Chine collé to wove paper, signed with the initials, dated and numbered 10/35 in pencil, printed by Hope (Sufferance) Press, published by Marlborough Graphics, London, with marginsPlate 585 x 445mm (23 x 17 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 115

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78) Etching and aquatint, 1969, on Hodgkinson handmade paper, watermarked DH/PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, framedSheet 445 x 310mm (17 7/8 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 59

Victor Pasmore R.A. (British, 1908-1998)Magic Eye 5, from Magic Eye Etching with aquatint in colours, 1995, on Chine collé on Somerset wove paper, signed with the initials, dated and numbered 31/35 in pencil, with full margins, framedImage 318 x 370mm (12 1/2 x 14 1/2in)Sheet 515 x 504mm (20 1/4 x 19 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 38

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXX, from Mother and Child (Cramer 700) Etching in sepia, 1983, on Arches wove paper, signed and inscribed 'PL XXX 46/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 246 x 161mm (9 3/4 x 6 3/8in)Sheet 516 x 437mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 35

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XVIII, from Mother and Child (Cramer 688) Etching with aquatint and roulette in colours, 1983, on Arches wove paper, signed and inscribed 'PL XVIII 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 222 x 165mm (8 3/4 x 6 1/2in)Sheet 517 x 438mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 194

Tracey Emin (British, born 1963)Love Is What You Want Polymer-gravure etching, 2011, on Somerset wove paper, signed, dated and numbered 26/100 in pencil, with full margins, framedPlate 171 x 214mm (6 3/4 x 8 3/4in)Sheet 292 x 320mm (11 1/2 x 12 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 192

Tracey Emin (British, born 1963)But Yea Polymer-gravure etching, 2008, on wove paper, signed, titled, dated and numbered 122/200 in pencil, with full margins, framedPlate 297 x 205mm (11 3/4 x 8 1/4in)Sheet 425 x 330mm (16 3/4 x 13in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 112

David Hockney R.A. (British, born 1937)According to Prescriptions of Ancient Magicians, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 51; M.C.A. Tokyo 51) Etching, 1966, on Crisbrook handmade paper, signed, dated and numbered 46/75 in pencil (there were also 25 artist's proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 568 x 398mm (22 3/8 x 15 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 167

Leon Kossoff (British, 1926-2019)Father Asleep (small version); Untitled Etching, 1983, signed, titled, dated and inscribed 'A/P', an artist's proof, printed by Studio Prints, London, with their blindstamp, with margins, framed; together with 'Untitled', an etching, dedicated 'for Nicki from Leon' in pencil, with margins, framed; together with the artist's letter attached to the reverse of the frame Plate 68 x 98mm (2 5/8 x 3 7/8in)(and smaller) Sheet 206 x 225mm (8 1/8 x 8 7/8in)(2)Footnotes:ProvenanceNicky Haslam – The Contents of the Hunting Lodge, Bonhams, London, 20th November 2019, whereby acquired by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 13

John Piper C.H. (British, 1903-1992)Locmariaquer, Brittany (Levinson 426) Etching and aquatint in colours, 1990, on Arches wove paper, signed and numbered 47/70 in pencil (there were also 15 artist's proofs), printed by Kelpra Studio, with their blindstamp, published by Marlborough Fine Art, London, with full margins, framedPlate 407 x 615mm (16 x 24 1/4in)Sheet 575 x 770mm (22 5/8 x 30 3/8in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 74

Childe Hassam (American, 1859-1935)The Writing Desk (Cortissoz and Clayton 54) Etching, 1915, on wove paper, signed with the artist's cypher and inscribed 'imp' in pencil, a proof printed by the artist, with full margins, framedPlate 251 x 176mm (9 7/8 x 7in)Sheet 316 x 234mm (12 1/2 x 9 1/4in)For further information on this lot please visit Bonhams.com

Lot 29

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Mother and Child II (Cramer 515) Etching and drypoint, 1979, on Barcham Green Penshurst paper, signed and numbered 37/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Michael Rand, London, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, with full margins, framedPlate 224 x 280mm (9 1/4 x 11in)Sheet 419 x 470mm (16 1/2 x 18 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 195

Tracey Emin (British, born 1963)Closed Etching in blue ink, 2013, on Somerset Soft white paper, signed, titled, dated and numbered 186/200 (there were also 30 artist's proofs), published by Emin International, London, with full margins, framedPlate 200 x 227mm (7 7/8 x 9in)Sheet 365 x 383mm (14 3/8 x 15 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 116

David Hockney R.A. (British, born 1937)Old Rinkrank Threatens the Princess, from Six Fairy Tales (Scottish Arts Council 99; M.C.A Tokyo 96) Etching with aquatint, 1969, on Hodgkinson paper, signed and inscribed 'A.P. XII' in pencil, one of 20 artist's proofs aside from the edition of 100, printed by Print Shop, Amsterdam, published by Petersburg Press, London, with marginsPlate 238 x 273mm (9 3/8 x 10 3/4in)Sheet 434 x 400mm (17 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 37

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXII, from Mother and Child (Cramer 692) Etching, 1983, on Arches wove paper, signed and inscribed 'PL XII 26/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 225 x 179mm (8 7/8 x 7in)Sheet 517 x 438mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 118

David Hockney R.A. (British, born 1937)Marguerites (Scottish Arts Council 157; M.C.A. Tokyo 141) Etching and aquatint in colours, 1973, on Arches mould made paper, signed, dated and numbered 61/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with full margins, framedPlate 235 x 180mm (9 1/4 x 7 1/8in)Sheet 412 x 318mm (16 1/4 x 12 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 4

Antonio Canal, known as il Canaletto (Italian, 1697-1768)La Libreria. V. (Bromberg 18; De Vesme 15) Etching, circa 1740, on laid paper, with a partial three-crescent watermark, Bromberg's second state of three, with trimmed margins, framedPlate 144 x 208mm (5 3/4 x 8 1/4in)Sheet 177 x 257mm (6 7/8 x 10 1/8in)For further information on this lot please visit Bonhams.com

Lot 105

Antoni Tàpies (Spanish, 1923-2012)Matière Etching in colours with carborundum, 1972, on Chiffon de Mandeure wove paper, signed and numbered 75/75 in pencil, inscribed with the title verso, published by Maeght Éditeur, Paris, the full sheetSheet 640 x 890mm (25 1/4 x 35in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 57

Victor Pasmore R.A. (British, 1908-1998)Green Darkness (Lynton G44) Etching and aquatint in colours, 1986, on Fabriano wove paper, signed with the initials, dated and numbered 9/90 in pencil (there were also 15 artist's proofs), printed by Vigna Antoniniana Stamperia d'Arte, Rome, with their blindstamp, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'arte, Rome, with the 2RC blindstamp, with marginsPlate 340 x 558mm (13 3/8 x 22in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 67

Sir Sidney Nolan C.B.E., O.M., R.A. (Australian, 1917-1992)Township, from Dust Etching in reddish brown ink with hand-colouring, 1971, on J. Green mould-made paper, signed with the initial 'N' in brown crayon, a unique proof aside from the numbered edition of 60, printed by White Ink Studio, London, with their and the artist's blindstamps, with full margins, framedSheet 630 x 510mm (24 3/4 x 20 1/8in)Footnotes:ProvenanceWhitford Fine Art, London, whereby acquired by the present owner.For further information on this lot please visit Bonhams.com

Lot 15

'Marguerite' colour plate/etching after Louis Leloir, framed and glazed

Lot 36

Francis St Clair Miller 'Summer at Bredwardine' artists proof etching, signed bottom right, framed and glazed 68cm x 83cm approx 

Lot 246

Churchill family interest, Sarah Churchill (British, 1914-1982) Profile of the artist's father, Sir Winston Churchill (1874-1965), etching, signed in pencil lower right, probably a proof in addition to the limited edition of three hundred, framed, 13 7/8 x 10 1/2in. (35.2 x 26.7cm.), together with a framed certificate awarded to Randolph Churchill MBE (1911-1968), the only son of Sir Winston and Lady Churchill, conferring upon him a Fellowship of the Incorporated Society of Auctioneers and Landed Property Agents, dated 7th May 1940. Also an Ezra Brooks novelty ceramic bourbon whiskey bottle in the form of Churchill delivering a speech inscribed "The Iron Curtain Speech March 5 1946 Fulton, Mo", marked beneath "First edition of the Winston Churchill commemorative bottle. As presented to the honored guests at the dedication of the Winston Churchill Memorial and Library in the United States May 7, 1969". Also the steel company seal of Randolph Churchill's company, Hurst Investments Limited. * Sarah Churchill was an actress and dancer, the third child of Sir Winston Churchill (1874-1965) and Clementine Ogilvy Hozier, Lady Churchill (1885-1977). **Creases in the paper commensurate with a proof etching, otherwise good.

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