We found 71174 price guide item(s) matching your search

Prints - I Brewer, after, A View of the High Torr, Matlock, plate 1, published by R Mosley & I Brewer, Derby Nov 1808, coloured engraving, 47cm x 61cm; Messonier etching etc

Byron, George Gordon Noel, and Greece Portraits and related engravings Engraving by T. Lupton after T. Phillips, 1824, with presentation inscription from Phillips on verso, c. 38 x 26cm, mounted; Engraving by C. Turner after R. Westall, mezzotint engraving, 1815, 36 x 25cm, mounted; another, 1814, 36 x 25cm, mounted;Engraving by Robert Graves after Thomas Phillips. 1836, 42 x 33cm, trimmed to plate-mark;Lithograph by Miss Knight, mounted;Mezzotint engraving by Bove after Barathier, 54 x 42cm;Mezzotint by C. Turner after W.E. West, 1826, 44 x 32cm, trimmed to within neatline, mounted;3 engravings by Robert Grave after Richard Westall, date not legible, mounted;11 smaller engraved portraits;and related engravings, includingThe Oriental Love-letter, engraving by B.P. Gibbon after H.W. Pickersgill, 1829, 35 x 26cm, mounted; Hand-coloured lithograph of Grecian girl in Greek landscape, 28 x 20cm;2 lithographs, one of Mars Hill Athens after A. Arnst;St. James's Street in an Uproar of the Quack Arts and his Assailants, 1819, hand-coloured etching by Marks, 24 x 34cm;17 19th century engravings of Greece; 3 Byron related lithographed plates; one small 19th century pencil copy of a Byron portrait, 9 x 11cmNote: Provenance: From the library of the late William St Clair, FBA, FRSL.

Herbert Dicksee (1862-1942), "Silent Sympathy", etching, 58.5cm x 49cm, framed and glazed.

TWO GERMAN K98 BAYONETS, scabbards and frogs as follows, both are blade marked Cof- Carl Eichorn, Solingen and both have had the blades etched with 12 SS Panzer Division Hitler jugend and the other one Liebstandarte Adolf Hitler, the etching is post war reproduction although the bayonets are period originals

Box of assorted furnishing pictures, including: E J Maybery watercolour of a bridge, botanical prints, etching by Reginald H Green street scene, watercolour of a canal lock, botanical and still life prints. (B.P. 21% + VAT)

Gilt framed bevelled edge mirror with stage coach scene etching, 102 x 72 cm. Not available for in-house P&P

Luftfahrt - - Pierre Cogell (nach). Premiere Expérience, de la Machine Aerostatique, nommée Le Flesselle. construite à Lyon, sous la direction de M.r Joseph Montgolfier, dessinée dans ses proportions à 1/2 ligne par pied. / Départ de la Machine aérostatique, le 19 Janvier 1784. monté par l'auteur, et par M.rs le Prince Charles de Ligne, le C.te de Laurencin, le C.te Dampiere, le C.te d'Angleffort, Pilastre de Rosier, et Fontaine. Gestochen von St. Aubin. Lyon, Castaud, um 1784. Radierung und Kupferstich auf Papier. Sichtmaße 36 x 50 cm. Unter Passepartout und unter Glas gerahmt (ungeöffnet). Selten. - Mit Widmung und dekorativer Wappenkartusche. - Das Auftauchen des Ballons im Jahr 1783 bot Künstlern, Kupferstechern und Verlegern in England, Frankreich, Deutschland und Italien ein neues Motiv. Als die Welle der Ballonbegeisterung den Kontinent erfasste, florierte die Produktion und der Verkauf von Bildern, die die großen Flüge und die wagemutigen Aeronauten darstellten. - Jacques Flesselle (1721-1789) war Stadtoberhaupt von Lyon und finanzierte den hier abgebildeten und nach ihm benannten Ballon. Als bekennender Monarchist wurde er am 14. Juli 1789 von einem Unbekannten in Lyon erschossen. - Etwas gebräunt und teils (braun-)fleckig. Im oberen weißen Rand mit kurzem Einriss. Insgesamt wohl erhalten. Dabei: Ein Guckkastenblatt. Expérience de l'Aérostat nommé la Montgolfière faite par Mr. Pilatre du Rozier à Versailles le 23 juin 1784. Kol. Kupferstich. Sichtmaß 30 x 40,5 cm. Unter Passepartout und unter Glas gerahmt (ungeöffnet). Bildlegende in zeitgen. Hs. ergänzt. Mit größeren Defekten. Aeronautics - Etching and engraving on paper. Framed under mount and under glass (unopened). - Rare. - With dedication and decorative heraldic cartouche. - The appearance of the balloon in 1783 offered a new motif to artists, engravers and publishers in England, France, Germany and Italy. As the wave of balloon enthusiasm hit the continent, the production and sale of images depicting the great flights and daring aeronauts flourished. - Jacques Flesselle (1721-1789) was head of the city of Lyon and financed the balloon depicted here and named after him. An avowed monarchist, he was shot by an unknown person in Lyon on July 14, 1789. - Somewhat browned and partly (brown) stained. In upper white margin with short tear. Overall well preserved. - Added: one further engraving. With major defects.

Braque, Georges - - Tristan Tzara. La bonne Heure. Mit einer Aquatinta-Radierung von Georges Braque. Paris o.D. (Presses de Raymond Jacquet) 1955. 1 Bl., 13 S., 1 Bl. Kl.-12° Lose Lagen in OBrosch. Von größter Seltenheit, kein Exemplar im internationalen Handel nachweisbar, nur 4 Exemplare weltweit in Bibliotheken. - Eins von 42 Exemplaren auf Japon Ancien. - Auf dem Vortitel mit Widmung von Tzara an den Herausgeber Jean Aubier. Zusätzlich von George Braque und Tristan Tzara im Impressum signiert. Die Platte der Radierung wurde nach dem Druck zerstört. - Wohlerhalten. With an aquatint etching by Georges Braque Of the greatest rarity, no copy traceable in international trade, only 4 copies in libraries worldwide. - One of 42 copies on Japon Ancien. - On the pre-title with dedication by Tzara to the editor Jean Aubier. Additionally signed by George Braque and Tristan Tzara on the imprint. The plate of the etching was destroyed after printing. - In good condition.

Zoologica Specifica - - Wilhelm Kuhnert. (Büffel). Graphit auf chamoisfarbenem Papier. Blattmaße 31,5 x 49,5 cm. Signiert. Mit gezeichneter Einfassungslinie. - Mit vertikalem Falz. Ecken bestoßen. Kurzer Einriss im unteren weißen Rand. Etwas atelierspurig. - Dabei: Nach Wilhelm Kuhnert. Wildschweine im Wald. Offsetdruck nach einer Radierung von 1928. (Buffalo). Graphite on buff paper. Signed. - With drawn border line. - With vertical fold. Corners bumped. Short tear in lower white margin. A little bit studio-marked. - Added: After Wilhelm Kuhnert. Wild boars in the forest. Offset print after an etching from 1928.

Erotica - - Édouard Chimot. Les belles que voilà. Mes Modèles de Montmartre à Séville. Illustrations de l'auteur. Mit 32 teils in der Platte signierten großformatigen Originallithographien von Chimot und einer Originalradierung. Paris, Le livre du Bibliophile, Claude Briffaut, 1958. 1 Bl. 74 S., 1 S., 4 Bll. Folio. OUmschlag, Lose Lagen in Original Chemise und Schuber (Schuber minimal verfärbt). Monod 2763. - Eins von 35 Exemplaren der Vorzugsausgabe auf Rives mit zwei Druckzuständen der Lithographien und einer Originalradierung. Die Lithographien wurden vom Atelier Berthelot handkoloriert. - Die Textseiten teils noch unaufgeschnitten, weitgehend verlagsfrisch und wohlerhalten. With 32 large format original lithographs by Chimot and one original etching. Folio. OCover, loose layers in original Ochemise and Oslipcase (slipcase minimally discolored). One of 35 copies of the special edition on Rives with two states of printing of the lithographs and an original etching. The lithographs were hand-colored by the Atelier Berthelot. - The text pages partly still uncut, largely fresh from the publisher and well preserved.

Jorn, Asger - - Carl Caspari. Friedhof der Maulwürfe. (talpa europaea) oder geländegänge in tagesläufen. Mit acht Original-Radierung von Asger Jorn. München, van de Loo, 1959. 41 S., 1 Bl. 4°. OHLwd. mit RTitel in transparentem Schutzumschlag, in Pp.-Schuber (dieser lichtrandig). Eines von 170 nummerierten Exemplaren (GA 200). Im Druckvermerk vom Autor und vom Künstler signiert. Gedruckt auf vélin Bütten-Kupferdruckpapier von Hahnemühle. Die Radierplatten wurden nach dem Druck der Auflage vernichtet. - Die Galerie van den Loo gab das vorliegende Werk anlässlich der Documenta-Teilnahme Asgers im Jahr 1959 heraus. - Sehr gutes Exemplar. With eight original etchings by Asger Jorn. Orig. half cloth in transparent dustjacket, in paper slipcase (the latter with light margins). - One of 170 numbered copies (total ed. 200). Signed by the author and the artist in the imprint. The etching plates were destroyed after the edition was printed. - Galerie van den Loo published the present work on the occasion of Asger's participation at the documenta in 1959. - Very good copy.

Die Zehn Gebote. 11 Bde. 10 signierte Graphik-Leporellos (6 Holzschnitte, 1 Lithographie, 1 Radierung, 1 Linolschnitt, 1 Serigraphie). Rudolstadt, Edition Burgart Jens Henkel, 2005-2009. 4°. Original-Handeinbände von Ludwig Vater in ROMA-Bütten mit Blindprägung, jeder Band mit andersfarbigem Kordelschließband, zusammen mit Begleitheft im OAcrylglasschuber (Bd. 8 minimal fleckig, Schuber mit Einriss). Eins von 50 Exemplaren (GA 60) - Prachtvolle Pressen-Edition mit signierten Graphiken von Felix Martin Furtwängler, Steffen Volmer, Frank Eißner, Walter Sachs, Helge Leiberg, Uta Zaumseil, Wolfgang Henne, Konrad Schmid, Moritz Götze und Klaus Süß zu jeweils einem der zehn Gebote. - Signiertes Begleitheft mit Text und hs. Widmung von Eugen Drewermann. Bd. 1 mit Widmung von Felix Furtwängler, Bd. 2 mit Widmung und Bleistiftzeichnung von Steffen Volmer. - Die vollständige Folge hier in dem seltenen OAcrylglasschuber, der in zu kleiner Auflage hergestellt wurde. One of 50 copies (complete edition 60) - 11 volumes. 10 signed graphic leporellos (6 woodcuts, 1 lithograph, 1 etching, 1 linocut, 1 silkscreen printing). Original hand-bindings by Ludwig Vater in ROMA laid paper with embossing, each volume with a different coloured cord ribbon, together with accompanying booklet in the original acrylic glass slipcase (vol. 8 minimally spotted, slipcase with tear). - Splendid press edition with signed prints by Felix Martin Furtwängler, Steffen Volmer, Frank Eißner, Walter Sachs, Helge Leiberg, Uta Zaumseil, Wolfgang Henne, Konrad Schmid, Moritz Götze and Klaus Süß, each with one of the ten commandments. - Signed booklet with text and handwritten dedication by Eugen Drewermann. Vol. 1 with dedication by Felix Furtwängler, vol. 2 with dedication and pencil drawing by Steffen Volmer. - The complete set here in the rare original acrylic slipcase, which was produced in a too small edition.

Zoologica Specifica - - Sammlung von ca. 70 OZeichnungen und OGraphiken versch. Künstler. Versch. Techniken, u.a. Kohle, Graphit, Gouache, Aquarell, Feder, Kupferstich, Radierung tls. auf chamoisfarbenem Papier, tls. punktuell unter Passepartout oder auf Karton montiert. Blattmaße von 18 x 12 cm bis 44 x 32 cm. Meist signiert, tls. datiert oder bezeichnet u. lose eingelegt in HLdr. Flügelmappe mit DSchild (diese berieben und bestoßen). Gezeigt werden Motive wie Affen, Antilopen, Giraffen, oder auch Gorilla "Bobby", welcher bis heute das Logo des Berliner Zoos ziert. Vertreten sind Künstler wie Josef Steib, Willy Müller, Otto Wiedemann, Harry Woehleke u.a. - Verso tls. mit gestempeltem Besitzvermerk "Lutz Heck Archiv", einige Bll. etw. fleckig, teils mit kl. Einrissen (Motive jeweils nicht betroffen), insgesamt wohlerhalten. Beigegeben: Aus: Architektonisches Skizzen-Buch. 10 Einzelne Bll. mit Entwürfen zu Bauelementen des Zoologischen Gartens Berlins. Zoology - Collection of 65 orinial-drawings and original-prints by various artists. Various techniques, including charcoal, graphite, gouache, watercolor, pen and ink, copperplate engraving, etching partly on buff paper, partly mounted in spots under passe-partout or on cardboard. Mostly signed, some dated or inscribed. Loosely inserted in half calf wing folder (rubbed and bumped). - Shown are motifs such as monkeys, antelopes, giraffes, or gorilla "Bobby", which until today decorates the logo of the Berlin Zoo. Represented are artists such as Josef Steib, Willy Müller, Otto Wiedemann, Harry Woehleke, etc. - Verso partly with stamped ownership note "Lutz Heck Archiv", some sheets slightly stained, partly with small tears (motifs each not affected), overall in good condition. Added: see above.

Surrealismus - - Camille Bryen. Saint Galligraphie. Mit 1 handsignierten Originalradierung von Bryen und 6 Tafeln nach Zeichnungen. St. Gallen, Erker 1967. 16 S. Gr.-8°. OBrosch. 1 von 45 Exemplaren der Vorzugsausgabe. - Im Druckvermerk von Bryen zusätzlich handsigniert und gewidmet. Die Graphik in einer Auflage von 45 Exemplaren. - Dabei: Gaston Puel. Ce chant entre deux astres. Mit zwei Holzschnitt-Tafeln von Jean Arp. Lyon, Henneuse 1956. 35 S. 2 Bll. OBrosch. (Deckel etwas lichtrandig). Hagenbach 177. - KhZ 205. - Mit Widmung und Originalsignatur von Gaston Puel. - Innen nur minimal papierbedingt gebräunt. Surrealism. - With 1 signed original etching of Bryen and 6 plates after drawings. - 1 of 45 copies of the special edition. - In the printing note additionally signed and dedicated by Bryen. The graphic in an edition of 45 copies. Added: see above.

Pierre Michel Alix. Vue du Pont de Westminster. (Paris), 1799. Kolorierte Aquatinta-Radierung. Sichtmaß ca. 45 x 63 cm. Dekorativ unter Glas gerahmt (ungeöffnet). In der Velegeradresse bezeichnet "d'aprés le Tableau original, qui est dans le Cabinet de M.F. Drouhin 1799." - Teils minimal braunfleckig und etwas knickspurig. Schöner klarer Druck mit zarter Tonalität. Coloured aquatint etching. Decoratively framed (unopened). - Partly minimaly brownstained and with slight crease marks. Fine clear print with gently tonality.

Molière - Corneille - - J. M. Moreau Le Jeune - nach. Zwei Alben mit 56 Illustrationen zu den Werken von Molière und P. Corneille. Frankreich, 19. Jh. Verschiedene Techniken: u.a. Radierung und Stahlstich. Blattmaße je ca. 27 x 17 cm. Montiert in zwei späteren braunen Lwd. Kl.-4°. Der erste Bd. enthält die Suite der 30 in den Jahren 1812 und 1813 von Renouard in Auftrag gegebenen Illustrationen zu den Oeuvres de Molière, gestochen nach Moreau Le Jeune von Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey und Delvaux, sowie ein weiteres, bei De Villiers fratres erschienenes Bl. Der zweite Bd. umfasst 25 Bll. größtenteils Stahlstiche wohl um 1840 erschienen und ebenfalls Illustrationen u.a. nach Moreau Le Jeune für die Oeuvres de Pierre Corneille. Darunter ein Porträt gezeichnet und gestochen von Augustin de Saint-Aubin nach einer Büste von Caffiery. - Bll. teilweise leicht braunfleckig. Im zweiten Bd. 2 Bll. lose eingelegt. Insgesamt in sauberem Zustand. Two albums with 56 illustrations of the works of Molière and P. Corneille. France, 19th century. Various techniques: etching and steel engraving among others. Mounted in two later brown linen cloths. - The first volume contains the suite of 30 illustrations commissioned by Renouard in 1812 and 1813 for the Oeuvres de Molière, engraved after Moreau Le Jeune by Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey and Delvaux, as well as another sheet published by De Villiers fratres. The second volume contains 25 sheets mostly steel engravings probably published around 1840 and also illustrations a.o. after Moreau Le Jeune for the Oeuvres de Pierre Corneille. Among them a portrait drawn and engraved by Augustin de Saint-Aubin after a bust by Caffiery. - Partly slightly brownspotted. In the second vol. 2 fol. loosely inserted. Overall in clean condition.

Funeral of the Late Marquis of Ormonde "The Procession leaving Kilkenny Castle," a coloured Etching, another "View of the College of Kilkenny" and one other "View of Old Parliament House, Kilkenny." (3)

After James Gillray (British, 1756-1815)Posting the ElectionHand coloured etching 21.5 x 62cm (8 7/16 x 24 7/16in).Together with two further Gillray political prints titled 'Middlesex Election' and 'Pacific Overture' (3)For further information on this lot please visit Bonhams.com

Eric Gill (1882-1940): orginal copper etching plate, depicting a seated female nude, signed and numbered verso 'EG 131', plate 25 x 18cm, with bill of sale from M H Mushlin, 31 New Bond Street, September 25th, 1963. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.

George Cruikshank (1792-1878), hand-coloured etching in glazed Hogarth frame, entitled 'Battle Royal, or Which has it?', 36cm x 21cm

*Sir Alfred Munnings (1878-1959) etching plate - Horse and Groom, 15cm x 21.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Cattle beneath a Tree, 12.5cm x 15.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Horses beneath a Tree, 18.5cm x 25cm

*Sir Alfred Munnings (1878-1959) etching plate - Cattle in Landscape, 14cm x 23cm

*Sir Alfred Munnings (1878-1959) etching plate - Stable Interior, 11cm x 23.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Cattle in Landscape, a Horse verso, 19cm x 23.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Terrier and Puppies, 16.5cm x 18.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Jockey, Horse and Groom, 20cm x 31cm

Elizabeth Morris two signed etchings - East coast boat 22/100, sheet measures 16.5cm x 25.5cm, Shrimp pits - early morning 29/100, sheet measures 18cm x 25.5cm and a Charles Bartlett greetings card signed etching- In Port for Christmas, front sheet measures 13.5cm x 18.5cmProvenance: removed from Salmons, Fingringhoe

*Richard Bawden (b.1936) signed artists proof etching and aquatint - 'Winter Still Life', 67cm x 53cm, unframedProvenance: removed from Salmons, Fingringhoe

Leonard Russell Squirrell (1893-1979) signed etching - The Orwell at Ipswich, with dedication dated 1947, 13cm x 22cm, in glazed frame

*Valerie Thornton (1931-1991) signed limited edition etching and aquatint - Bodleian Quadrangle, Oxford, 13/75, 34cm x 45cm, in glazed frame

*Valerie Thornton (1931-1991) signed limited edition etching and aquatint - St Margaret's, Cley, 37/70, dated '73, 42cm x 54cm, in glazed frame

*Charles Bartlett (1921-2014) signed artists proof etching, 'Summer', 38cm x 48cm, in glazed frame

*Olwen Jones (b.1945) signed limited edition etching and aquatint - White Geraniums, 10/50, 29.5cm x 39.5cm, in glazed frame

*Richard Bawden (b.1936) signed artists proof etching - 'The Garden Seat', 58cm x 45.5cm, in glazed frame

*Sylvia Gosse (1881-1968) etching - Sir Edmund Gosse in his study, signed in pencil 15cm x 18cm, mounted in glazed frame. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.The work has not been stuck down but as you can see from the images has suffered with foxing and staining.

An early 19th century coloured etching after G. Fitz Clarence “Seapoys of the Bombay, Bengal,& Madras Armies”, publ. 1819 b John Murray, 9¼” x 7¼”, in glazed oak frame with presentation plaque (17½” x 15” over-all); together with a group of nine black & white etchings by George Cooke of various important artworks, in matching glazed frames, the larges 13” x 14” over-all).

After JOHN FLAXMAN (1755-1826). Prometheus Visited by Oceanus (From Prometheus Bound), etching, publ. April 15th 1831 by M. Flaxman & M. Denman, 9½” x 11”, framed & glazed. (14¾” x 16” over-all).

KARL WESCHKE (1925-2005). “Fire Eater”, monochrome aquatint etching, signed “Weschke”, dated ’04 & numbered 34/200 in pencil lower margin, 12” x 8?”, framed & glazed (24¼” x 19¾” over-all).

GRAHAM CLARKE (B. 1941). “Timebrden”, coloured etching, artist’s proof, signed &inscribed in pencil lower margin, 19½” x 27”, framed & glazed, (21½” x 29¼” over-all); together with a copy of “Graham Clarke” by Clare Sydney, publ. by Phaidon Press, Oxford.

Henry Wilkinson Curling Limited edition coloured etching, 107/150.

David Wilson Glen Logie Pencil signed etching, and a print after James Kay.  (2)

Elyse Ashe Lord, Chinese, coloured etching, signed titled and numbered in pencil 30/75,plate 25x35cm.

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669)The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etching with engraving plate 53 x 40.5cmCondition ReportThe paper has been loosely attached at the four corners to what appears to be quite a new backing board. The print has been trimmed to the plate mark. The surface is a little cockled and there are some handling creases and time staining. The paper seems sound and there do not appear to be any signs of foxing beyond a small imperfection to the lower left margin. Please see additional close ups on our website.

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669)'The Death of the Virgin', 1639etching, trimmed to plateimage 39.2 x 31.2cmProvenance: With Lilla Bukowski, June 2003.Literature: George Biörklund, 'Rembrandt's Etchings True and False', Esselte Aktiebolag, Stockholm, 1955, cat no.BB 39-A, p.72;Christopher White and Karel G Boon, 'Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts', Vol XVIII, Rembrandt Van Rijn Text, Vangendt & Co., Amsterdam, 1969, cat.B.99, p.54;Erik Hinterding and Jaco Rutgers, 'The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700', Rembrandt Text II 1636-1665, ed. Ger Luijten, Sound and Vision Publishers, Belgium, 2013, cat.no.173, pp.39-41.Condition ReportThere are multiple small tears around the edgoe fo the print, two to the top left, one top right, three bottom left, a repaired tear bottom centre, pin hole lower right corner. There are handling creases and acid discolouration to the paper. The paper is secured by tabs to the top edge. The print appears to be the 4th of 5 states, suggesting it dates from 1639.

Samuel Palmer RWS (1805-1881)'The Early Ploughman, or The Morning Spread Upon the Mountains' (Lister 9)etchingimage 13 x 19.7cmProvenance: With Chris Beetles, London.Condition ReportThere is some time staining to the paper, otherwise in good order. Unexamined out of frame.

A folder of etchings and prints, and two French coastal oil paintings (19th century), oil on board, indistinctly signed 'Sharpe'? with inscriptions and framers stamps verso, approx. 23.5 x 15.5 cm each, matching frames, together with; Emile Leroi (1887-1944) 'Bayeux Facade De La Cathedrale' signed in pencil lower right; 12 x 15 cm; together with one other unsigned etching, three prints and folder containing thirteen lithographic prints and fifteen photos of the cast (some signed) for 1922 production of 'Passionsspiele Oberammergau'; including seven early 20th century photos of marble sculptures and a cathedral; and one watercolour of cows in a field, unsigned, 20 x 29 cm

John Nicolson (1891-1951), drypoint etching of a dog leaping after a butterfly, signed in pencil below and in print, 16 x 11 cm, framed and glazed

Giovanni Battista Piranesi (1720-1778) - 'Veduta deli Arco di Settinio Severo', etching on paper, 44cm x 65cm (no margins), framed and glazed

Peter Partington (b.1941) - limited edition etching in colours, signed, titled Lapwing and numbered (145/150) in pencil below, 10.5 x 18 cm, framed and glazed

Four framed artworks and a box of paintings, pictures and frames to include: Study of Greek bust, pencil on paper, indistinctly signed lower right, dated 1959-1960; Embroidery of peacock (Chinese school), glazed in carved wooden frame; two limited edition etchings in colours, both indistinctly signed in pencil lower right, 38 x 47.5 cm, 155/350) and 48 x 58 cm (286/350) both with blindstamps inscribed '...Artiste Bruxelles'; BOX: G. A. Gichey?, watercolour landscape on paper, signed and dated '1909', , 22 x 28 cm; Irises, watercolour on paper, unsigned, 29 x 55 cm; W. Van Hove, street scene, oil on canvas, 29 x 39 cm; boat on the river, etching in colours, indistinctly signed in pencil below, 27 x 35 cm; mother and child, print on paper, signed G. Hermans? below, 22 x 22 cm; print of street scene below Edinburgh Castle, monogrammed E.D. in print, 28 x 42 cm; together with eight frames, some with glazing

Mortimer Luddington Menpes (1855-1938) - Bridge scene, etching, signed in pencil lower right, 27.5 x 20 cm, mounted, framed and glazed

Mortimer Luddington Menpes (1855-1938) - Three Horsemen Crossing Bridge, etching, signed in pencil lower right, 20 x 25 cm, mounted, framed and glazed

Frederick Marriott (1860-1941) - 'Carcassonne', etching in colours, titled and signed in pencil below, inscribed 'Copyright in the United States of America by F.Marriott, London, England, July 1st 1923' in print below, 19.5 x 25 cm, framed and glazed

George Soper (1870-1942) - Plough Horses, drypoint etching, 15 x 27.5 cm, mounted, framed and glazed

A mixed collection of art related books to include Augustus John by Michael Holroyd, in two volumes, Modern Masters Of Etching - James McNeill Whistler (second volume), Leaves Of Grass by Walt Whitman illustrated by Margaret Cook (16)

ALFRED LEYMAN - watercolour of street scene together with an etching by Felix Buhot

Frederick Landseer Griggs (1876-1938) Owlpen Manor, 1930etchingsigned in pencil in the second state (of three) (Ref Comstock 46)19 x 25.5cm**CONDITION REPORT**Some paper discolouration particularly across the top where a previous mount covered it, otherwise in very good order, gentle undulation of the paper so not laid down, plain card mount and slim ebonised frame with Fine Art Society label verso dated November 2000.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Dame Elizabeth Blackadder, OBE RA RSA RSW RGI DLitt (b.1931) Sienese Cat, from Cats Portfolioetching and aquatint in colours, 2003, on wove papersigned in pencil, numbered 12/80, published by the Glasgow Print Studio,30 x 36cm, sheet overall 49 x 53cm**CONDITION REPORT**Possibly one or two small dirt specks on the works but no signs of specking looks to be in the print itself, there are some dirt marks on the glass, but essentially good order, floating mount and stained wood frame with Glasgow Print Studio verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.