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ETCHING OF TRON GATE, GLASGOW, LATE 19TH / EARLY 20TH CENTURY initialled JP in plate, signed in pencil (indsitinct), mounted, framed and under glass28.5cm x 37cm

Adriaen Van Ostade (Dutch, 1610-1685), "Angler on a Bridge", original etching c.1670, depicting two figures standing on a wooden bridge fishing the stream beneath them, apparently unsigned, framed. Approximate Dimensions:image h. 4.25", w. 6.25"; frame h. 10.375", w. 12.375", d. 0.75"Condition:Not examined out of frame. Paper is toning with areas of foxing along with a horizontal crease in the top quadrant approx. 4.5". Buckling to paper also visible.

Nicholas Bercham (1620-1683) Animalia, etching. 10cm x 11cm together with bleating sheep, etching by the same artist 10cm x 11cm (2) Both mounted in modern gilded frames.

Wilkinson officer's sword, probably an unofficial Indian Cavalry version of the 1912, the ricasso with maker name etching and stamped with a broad arrow and other inspection marks, wire bound fish skin grip, scrollwork decorated guard with GR monogram in leather bound scabbard.Buyer must be over the age of 18. Age verification ID will be required if this lot is to be posted out. 110cm long

Collection of prints, mainly wood-engravings Joan Hassall (1906-1988). Four bookplate designs, wood-engravings, signed in pencil, separately mounted, three for named owners (Henry & Sybil Birkbeck; A. P. Polack; Lawrence Scholar and H. A. J. Brotherton, dated 1934), one unnamed, Polack bookplate spotted, various dimensions;Mabel Allington Royds (1874-1941). [Flowers], colour woodcut, signed in pencil, remnants of tape to upper corners, 17.5 x 17.5cm;William Strang (1859-1921). Alfresco, etching, signed in pencil, mounted, spotted in margins, 16 x 25.5cm;R. G. Sellar. ‘Barnacle Geese’ and ‘The Lagan at Edenderry’, 2 wood-engravings, both signed and titled by the artist in pencil, 25 x 18.5cm and 18.5 x 25cm;Douglas Percy Bliss (1900-1984). [The voyeurs] and [Succour in the storm], 2 wood-engravings, both signed and addressed by the artist in pencil, on card mounts, second print spotted and with marginal chips, 11.5 x 8cm and 9 x 10.5cm;John Nash (1893-1977). [Grazing horses], wood-engraving, signed in pencil, 16 x 11.5cm, remnants of tape to upper corners verso;Charles Pulsford (1912-1989). [Artist sketching], possibly a self-portrait, pen-and-ink and pencil, signed ‘Pulsford’ lower right, mounted, 37 x 29cm, short closed tear in left hand edge(1 folder) Provenance: William Wilson RSA (1905-1972), Scottish artist; thence by descent.

ALPHONSE LEGROS (1837-1911). LE BAPTEME (THE CHRISTENING/BAPTISM). ETCHING. 28 X 22 cm.

MICHAEL HUNTER (20th CENTURY), THE SEVEN AGES OF MAN (AS YOU LIKE IT), SIGNED, TITLED AND NUMBERED 75/300, ETCHING, 24.5 X 8.5cm (pl), TWO PEN AND INL ILLUSTRATIONS BY A DIFFERENT HAND, AND A PRINT. (4)

ANTHONY GROSS (BRITISH 1905-1984) ARR. SEGOS.2/2 2nd STATE TRIAL ETCHING, SIGNED AND TITLED IN PENCIL. 42.5 X 32 cm.

RICHARD EARLOM AFTER CLAUDE LORRAINE, ANCIENT RUINS AND GOATS IN A LANDSCAPE, MEZZOTINT AND ETCHING, 19 X 25cm.

STEPHEN GOODEN R.A. (1911-1967), THE YOUNG WIDOW, FROM THE FABLES OF JEAN DE LA FONTAINE, ENGRAVING, MOUNTED BUT UNFRAMED, 8 X 8cm (pl)., TOGETHER WITH AN ETCHING OF PLACE BLANCHE, PARIS, BY ANTONIO CARBONATI, SIGNED, DATED 1920 AND NUMBERED 57/100 IN PENCIL, ALSO MOUNTED BUT UNFRAMED. (2)

AFTER GEOFFREY SPARROW (1887-1969), HORSE RACING SCENE, SIGNED IN PENCIL, ETCHING, 15 X 17.5cm (pl).

PAUL DRURY (1903-1987), ARR, PORTRAIT OF CAREL WEIGHT (1908-1997), SIGNED IN PENCIL, ETCHING 1939, 12 X 17cm (pl), TOGETHER WITH AN ETCHING OF APPLE TREES BY NICHOLAS BARNHAM, (2)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)- THE PANCAKE WOMAN, ETCHING. A STRONG EARLY IMPRESSION (POSSIBLY 2ND STATE?) BEARS COLLECTION STAMP VERSO. NARROW MARGINS. 8 X 11.5 cm.

HENSCHL 1914, ETCHING OF DRAUGHT HORSES DRINKING, 45 X 35cm.

DIANA THORNE (1895-1963) AMERICAN/CANADIAN, YOUNG GIRL ICE SKATING WITH A BORZOI HOUND, SIGNED IN PENCIL, ETCHING, 34 X 20cm (pl).

James Alphege Brewer (1909-1938) - An early 20th century colour etching by James Alphege Brewer. Titled 'Antwerp', signed in pencil and bearing blind stamp. Measure 83cm x 61cm

African possibly Sudanese sword with skin covered crosspiece and grip, crudely etched to length of 56cm doubled edged blade, wooden scabbard covered in crocodile / alligator skin which incorporated two additional holders for small antler horn handled knives with similar etching to blades, longest blade 56cm. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Alfred T Bastien (Belgian 1873-1955) North African town on market day, signed, inscribed and dated '48, watercolour, 9.5 x 13 cm, frame 26.5 x 32 cm, together with further watercolours of a rider on horseback, Boats in a harbour in rough weather and an etching of farm buildings by the same hand (total 4)

William Lionel Wyllie RA RWS (1851-1931) Fishing Luggers off Dover, signed lower right, 1905, etching, 31 x 46 cm, frame 55 x 70 cmProvenance: Collection of Mr Magdi Obeid, purchased Bonhams 14/09/2004 lot 64. Label verso for Robert Dunthorne print publisher

John Crome (1768-1821) At Hackford, etching, 17.5 x 22.5 cm (PL), frame 42 x 45 cmProvenance: Collection of Mr Magdi Obeid, purchased at Bonhams 05/10/2005 lot 14

William Lionel Wyllie RA RWS (1851-1931) Portsmouth Fishing Boats, trial proof, etching, 18.5 x 23 cm (PL), 37.5 x 53 cmProvenance: Collection of Mr Magdi Obeid, purchased Dominic Winter 02/03/2017 lot 474, label verso for Chris Beetles Gallery, ex. collection W.L. Wyllie

WILLIAM LIONEL WYLLIE (1851-1931); black and white etching, seascape with various vessels and figures on the shoreline, signed in pencil lower left, 22 x 27cm, framed and glazed (af).Condition Report: - Notable areas of foxing visible throughout.

HERBERT THOMAS DICKSEE; coloured etching, 'The Closed Door', depicting a recumbent dog, etched by Herbert Dicksee for Frost & Reed Ltd, United States of America, titled to the margin, 38 x 56cm, framed and glazed.

Sheila Horton, 'Mrs Morris's Bedroom', limited edition coloured etching No. 7/75, signed in pencil by the Artist. Together with a coloured print of a smiling cat. 33x46cm approx. (2) (B.P. 21% + VAT)

After Stephen Doyle, Cottage in Kerry', screen print signed in pencil by the artist. Together with Henry G Walker, Fishing smacks being launched from a beach, coloured etching. Framed (2) (B.P. 21% + VAT)

Fred Richards (British, 1887-1932), 'The High, Oxford (from the top of Magdalen Tower)', etching, plate mark 18cm x 24cm, signed and titled to margin, framed and glazed 40cm x 58cm, label to verso from Frank Roscoe to Lord Gorell, 1927.

A mixed lot comprising map of Surrey, 'Out First Ball' print after E P Kinsella, a naive painting on glass and a signed etching.

William Walcott (British 1847-1943), etching, 'House of Sallust', plate mark 20cm x 15cm, signed in pencil to margin, framed and glazed, 53cm x 42cm.

PENCIL SIGNED ETCHING OF A BUSY COASTAL HARBOUR, 16 X 24”

Kurt Meyer-Eberhardt (German, 1895-1977). Running hare in a winter landscape, etching, signed, 38cm x 46cm.

Silver William Aitken Chester 1899 lidded box, 1.79ozt - 1903 weighted posy vase, 2.16ozt- Chester 1889 boot hook - Birmingham 1907 boot hook - Birmingham 1938 boot hook and shoe horn, also silver plated Mappin and Webb bread board, spoon and salad fork, glass cigarette box with lady smoking etching and a Viners 'Chased' cigarette box

Framed Adair Peck 'Ladies Locker Room' limited edition hand painted etching 3/30 - approx. 63cm x 49.5cm

Boris O Klein (French 1887 - 1903) "Dirty Dogs of Paris" hand coloured etching, signed in pencil, numbered 7,  52cm x 23.5cm

Surrey. Frans Hogenberg (1539/40-1590) after Joris Hoefnagel (1542-1600) - [Nonesuch Palace] Palatium Regium in Angliæ Regno apellatum Nonciutz; double-page book illustration from G. Braun's and Franz Hogenberg's 'Civitates Orbis Terrarum', letterpress to verso, s.l. [Cologne], n.d. [1582], etching, the hand-colouring contemporaneous or slightly later, 39.5 x 52cm, and idem, [Richmond Palace, with named birds-eye views of York, Shrewsbury and Lancaster], s.l., n.d. [1618 or later], engraving, later hand-colouring, 36cm 48cm, (2) The first sheet good, a clean impression - if slightly askew, some foxing.

Folio Society. Grahame (Kenneth) & Sandwyk (Charles van, illustrator), The Wind in the Willows, copy no. 598/1000, 2008, printed in Founder's Calson type on Cordier Wove paper by T.J. International of Padstow, with the copperplate etching signed and numbered by the artist as called for, further illustrated with tipped-in colour plates and b/w in-text illustrations, original vellum over papered boards by The Fine Book Bindery of Wellingborough, blocked in 22ct gold, vellum tips, top edge gilt, pictorial endpapers, somewhat worn green cloth Solander box en suite, folio (33cm x 25cm)

Italian Grand Tour. Giovanni Battista Piranesi (1720-1778) - Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine, later 20th c impression of the 1751 original, blind-stamped lower-right margin, etching, 41 x 55.5cm, Giovanni Battista Falda (1643-1678) - Fontana su la piazza della Madonna dei Monti, Roma: published by Giovanni Giacomo de' Rossi, n.d. [1665-1691], etching, 22 x 29cm, [&] [Mantua] Jean de Beaurain (1696-1771) - Plan de la ville de Mantoue [...], map, Paris: s.n., n.d. [c. 1735-40], copperplate engraving, 47 x 57.5cm, (3) Unexamined out of frames. Piranesi good, the other two mixed, but OK-good.

Art. Specimens of the Old Masters, n.d. [c. 1865], an album of 60 numbered albumen prints, two MS contents leaves to verso, contemporary cloth gilt, marbled endpapers, 4to, Harrison (J.E.) & MacColl (D.S.), Greek Vase Paintings, London: T. Fisher Unwin, 1894, full-page plates, the preliminary text margin stained, ex-Kensington and Chelsea library, their label and blind-stamps in places, disbound, folio (45 x 35cm), Hamerton (Philip Gilbert), Landscape, With Original Etching and many Illustrations from Pictures and Drawings, London: Seeley & Co., 1885, original publisher's calf over cloth boards, chipped and worn, uncut, 4to The Magazine of Art, 1884, 1890, 1891 & 1899, plates and in-text illustrations, three volumes in original publisher's cloth, 4to, The Art Journal, 1889, illustrated, contemporary morocco over cloth, worn, folio, an Edwardian collection of Birket Foster colour prints, loosely-inserted Christmas card dated 1906-7, contemporary red cloth, folio (28 x 21.4cm), etc., (10) Sold as a collection of plates and as such not liable to return.

Bibliography, Illustrated Books & their Illustrators. Robins (W.P., RE), Etching Craft, no. 29/65 large paper copies, London: from the Office of The Bookman's Journal & Print Collector, 1922, drypoint etching frontispiece 'Summer Storm' by W.P. Robins, RE, signed proof state, original publisher's parchment gilt over cloth, chipped and worn, top-edge gilt, others uncut, 8vo, The Schmoller Collection of Decorated Papers, one of 250 copies, Manchester Metropolitan University, 2008, original cloth over papered boards, folio (35 x 25cm), Skelton (Christopher, editor), Eric Gill: The Engravings, The Herbert Press, 1990, dj, hb, 4to, The Engraved Work of Eric Gill, second impression, V&A, 1969, original wrappers, 4to, Peace (David), Eric Gill: The Inscriptions, Boston: David R. Godine, 1994, dj, hb, 8vo, Piper's Places, Chatto & Windus, 1983, dj, hb, 4to, Salaman (Malcom C.), Modern Woodcuts and Lithographs by British and French Artists, "The Studio", 1919, plates and in-text illustrations, Chelmsford Public Library's copy, their binding and some stamps, 4to, Jackson (Holbrook), A Sanctuary of Printing, n.d., original wrappers, 4to, David Jones, Clare Leighton, Edward Bawden, Eric Ravilious, etc., (24) 

Binding. A remboîtage notebook, the binding Italian, late 18th/early 19th c, the 20th c text block possibly used as a visitors' book, bearing dates and three signatures only, some preliminary leaves now lacking, the earlier binding of red morocco gilt, the covers with a supralibros of a crowned monogram, all edges gilt, marbled endpapers, 8vo, a commonplace book, dated 1998-2001, [20]pp only of original prose and verse, evidence of some removed leaves, 20th c purple moiré silk, all edges gilt, 8vo, & an early 19th c English caricature, presumably Napoleonic Wars period, An Obstruction to Peace, s.l., s.n., n.d., but presumably London, c. 1810, hand-coloured etching, the upper-margin numbered 576.5 in pencil, 11 x 9cm, (3)  Provenance: 1st & 2nd: the Brett family, formerly of Watlington Park, Oxfordshire. The first inscribed, Lionel from Daddy/July 18th 1928, i.e. Oliver Brett, 3rd Viscount Esher (1881-1963), to his son Lionel, later 4th Viscount Esher (1913-2004); later presentation inscription from the former recipient, dated 1938.

John Overton (1640-1713) - A new mpp (sic) of ye Rodes of England, Showing the Townes (sic) you pass through with the reputed distance between Town & Town; road map, [London]: Printed & Sold by John Overton at the White Horse Against S:e Sepulchers Church, n.d. [c.1685], etching and engraving, 52 x 46cm, with five unassociated letterpress distance charts/tables, (6)

Henry IV of France (1553-1610), an album of approx. 60 Old Master and other prints, 17th c and later, including two copies of Pierre-Etienne Moitte (1722-1780) after Nicolas Bernard Lépicié (1735-1784), Henri IV, the portrait in two states, one unlettered and presumably proof, etching and engraving, 26.5 x 18.5cm and 26.5 x 19cm, Pierre Duflos (1742-1816) after Jacques Louis Touzé (1747-1807), Henri IV, Roi de France et de Navare; Tiré du Ceremonial de l'Ordre du St. Esprit, s.l., s.n., n.d. [1780], copperplate engraving, contemporaneous watercolour and gouache hand-colouring, picked-out in gilt, 28 x 20.5cm, other portraits and profiles of the monarch, some medallic, three or four with images of other contemporary Bourbons, mixed medium and sizes, all mounted on wove paper leaves, 20th c limp calf wrapper, worn and stained, uncut edges, folio (34 x 25cm) The prints are in mixed condition, but generally good. The album binding worn.

After Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait etching at a Windowetching and drypoint, trimmed16cm x 12.75cm Generally good condition overall, with some limited foxing. The etching has been trimmed around the margins. The etching does not appear to be very old – it appears to be late nineteenth-century at the earliest.

DAVID HOCKNEY; a lithograph, 'An Etching and a Lithograph for Editionz Alecto, 1973', signed in print and dated 1973, 83 x 48cm.

SIR FRANK WILLIAM BRANGWYN (1867-1956); etching, 'The Valentre Bridge at Cahors', signed in pencil, 57 x 83cm, framed and glazed.

SIR FRANK WILLIAM BRANGWYN (1867-1956); etching, a crowd scene including people carrying plate of food whilst watched by people on crutches, signed in pencil, 50 x 71.5cm, framed and glazed.

SIR FRANK WILLIAM BRANGWYN (1867-1956); etching, 'A Gate, Assisi', signed and with Fine Art Society label verso, 39 x 47cm.

Chris Orr (b. 1943) Pets Out of Control- 1981 Hand Coloured Etching. Edition 9/50. Numbered and signed by the artist. Measures 67cm x 54cm. Framed and glazed. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Sixty Six Lost Pets and Their Problems - Artists Proof 1980 Pets out of Control - 25/50 - 1981 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 66cm x 55cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) The Envious Bell Boy - 1979 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Artist Proof. Measures 52cm x 76cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Never Listen to the Deaf Janitor 15/25 - 1979 The Bitter Tears of the Envious Bell Boy 4/20 - 1979 They Made England - 3/30 - 1989 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 58cm x 46cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Christmas on the Arm 1/40 - 1981 Freaks Museum - 1/50 - 1981 Rupert at the Nutwood Ritz - 2nd Edition 1980 6/10. Original 1967 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Largest measures 58cm x 46cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Bleak House - 1978 Hand Coloured Etching Edition 3/30 Signed, dated, titled and numbered in pencil by the artist. Largest measures 105cm x 75cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Hotel Splendid AP I/II - 1979 Hand Coloured Etching Signed, dated, titled and numbered in pencil by the artist. Artist Proof. Measures 52cm x 76cm. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Marie-Fred Dupré -  Diana and Dodi - 1997  Artist Proof Print Hand Coloured etching.  Signed and titled by the artist. Measures 39cm x 34cm. The work being produced during a residency at Spike Island, Bristol, and bought from there. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Marie-Fred Dupré -  Evolution Artist Proof Print Hand Coloured etching.  Signed and titled by the artist. Measures 125cm x 21cm. The work being produced during a residency at Spike Island, Bristol, and bought from there.  This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Eileen Cooper (British, b.1953) Loves Lost - First Edition 3/60 Etching on Paper Signed by the artist. Dated 1988. Flowers Gallery. Measures 80cm x 60cm. Framed and glazed. Eileen Cooper is an artist known for her strong and passionate commitment to figuration. Originally from the Peak District, Cooper has exhibited widely in the UK and internationally. Her work is held in many public and private collections including the Tate Gallery; the Arts Council Collection; the British Museum; Manchester Art Gallery; Mima, Middlesborough; New Hall Art Collection, University of Cambridge; the Royal Collection; Victoria & Albert Museum; Dallas Museum of Art, Texas; Kunsthalle, Nuremberg; Walpole Library, Yale University. Studying first at Goldsmiths College (1971-74) and then at the Royal College of Art (1974-77) she went on to teach at a wide range of art schools including St Martin’s, the Royal College of Art, City & Guilds in London and latterly at the Royal Academy of Arts. In 2000 she was elected a Royal Academician. From 2010-17 Cooper served as Keeper of the Royal Academy, one of only 4 officers selected from the 80 Royal Academicians, and with primary responsibility for the Royal Academy Schools, thereby becoming the first woman to be elected to this role since the RA began in 1768. This lot may be sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Chris Orr (b. 1943) Freaks Museum, 1981 Hand Coloured Etching Signed, dated, titled and numbered 4/50 in pencil Measures 52cm x 76cm. With Christies Invoice. Framed and glazed. Chris Orr was born in Islington London 1943. A Student at the Royal College of Art 1964-1967 he subsequently taught in many Art Schools. He was elected a Royal Academician in 1995 and made Professor of Printmaking at the Royal College of Art 1998-2008. He was awarded an MBE and made Professor Emeritus in 2008. As Treasurer of the Royal Academy 2014-18 he was involved in the Burlington project. Chris Orr has had numerous exhibitions throughout the world which include: ‘The Complete Chris Orr’ (touring show), 1976; ‘Many Mansions’ (touring show), 1990; Six Royal Academicians in China’, shown in Beijing, Shanghai, and London,  2005; ‘LithORRgraphy’, Royal Academy, Fine Rooms 2012. ‘The Miserable Lives of Fabulous Artists’ Royal Academy Keeper’s House 2018. He has had regular solo shows with the Jill George Gallery and the Brook Gallery. He exhibits annually at the Royal Academy Summer Exhibition and the London Original Print Fair. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

An assorted collection of silver and white metal rings. The lot to include band rings, 925 silver, hallmarks, pierced design, knots, belt buckle rings, rose flower, braiding, granulation, etching, hearts, Egyptian marks and more. All marked as or test as silver. Total weight approx 72.7g. Approx sizes I.5 - X.5.

A small hand coloured etching marked 'A.P' (artist's proof) and signed indistinctly by the artist in pencil. In a carved frame. H.33 W.38cm.

Etching. 'Market Place Bastia Corsica. Signed 'William Gwen'. Framed and glazed. H.53 W.55cm.