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Lot 361

W B: etching, two deerhounds, 9" x 11", in brown and gilt frame

Lot 365

Josef Eidenberger, by, contemporary St. Wolfgang signed and numbered in pencil to margin Limited edition coloured etching, number 12 of 220 36cmx44cm

Lot 555

Rose Batato, by and after (Anglo-Arab school, 20th century), Seated Figure, signed aquatint etching, Artists Proof, 21.5cm x 15cm, framed; others, signed Rose Batato (4)

Lot 214

Tim Bulmer (contemporary) Knack-Aerobics! etching, signed and numbered 194/200 in pencil, Limited Edition, framed

Lot 462A

Pictures and prints - J Pieniazele, by and after, Tropie, signed and titled in pencil, prof etching, framed; an illuminated Indian manuscript page, framed, late 20th century; Frank Sutcliffe, Whitby Abbey, photographic print; others (2); Thai photographs; printed silks; other Victorian prints; maple frame; qty

Lot 313

MISCELLANEOUS PICTURES AND PRINTS, INCLUDING AN ETCHING OF H.M.S AUDACIOUS IN TABLE BAY BY J.W. PILKINGTON, SIGNED IN PENCIL INSCRIBED AND DEDICATED

Lot 317

WILLIAM STEPHEN COLEMAN - ARRANGING FLOWERS, ETCHING IN SEPIA 1882, BLIND STAMPED

Lot 575

After R W Macbeth. Meal Time, an etching, plate size 19.5cm x 27.5cm, together with a colour print of two racoons and a snake, (2).

Lot 544

A Fred Taylor chromolithograph print of a cathedral and horses by a riverside (50 x 65.5cm), an etching of the Houses of Parliament (27.5 x 19.8cm) and a coloured etching of Rue St Jacques, Paris (11.5 x 19cm)

Lot 571

Axel H. Haig etching of a church clock tower and sailing ships, signed in pencil 59x37cm

Lot 587

After Daniel Maclise: An etching of military interest "Wellington and Blucher" 50x128cm

Lot 589

Chris Salmon signed limited edition (29/100) etching of farmer with pig (46 x 36cm)

Lot 652

Ken Currie limited edition 8/10 etching 'New Democracy' signed and dated 91 lower right (45 x 34cm)

Lot 743

A signed limited edition 187/195 etching 'Alice' together with a Guinness advert and two further framed 'Alice in Wonderland' items

Lot 803

James Gillray (1757-1815): Coloured etching 'Bandelures' published by S.W.Fores No.3 Piccadilly, London February 28th 1791 (31x41cm)

Lot 804

James Gillray (1757-1815): Coloured etching 'The Morning after Marriage or A scene on the Continent' published by William Holland No 66 Drury Lane, London March 27 1788 (43x52cm)

Lot 805

James Gillray (1757-1815): Coloured etching 'Wife & no Wife or A trip to the Continent' published by William Holland No 66 Drury Lane, London March 27 1786 and designed by Carlo Khan (38x47cm)

Lot 279

Sparrow (Walter Shaw). Angling in British Art Through Five Centuries: Prints, Pictures, Books, 1923, numerous colour and black and white illustrations, t.e.g., original cream cloth, some faint soiling, 4to Limited edition, 58/125 signed in pencil by the author, with an original signed etching by Norman Wilkinson. (1)

Lot 123

*Bolswert (Schelte Adams, 1576-1659). Johannes Baptista Barbé, after Anthony Van Dyck, circa 1635-40, etching with engraving on laid paper with indistinct watermark, a good strong impression, with wide margins, plate size 245 x 160 mm (9.6 x 6.25 ins), sheet size 355 x 229 mm (14 x 9 ins), together with Margareta Princeps Lotharingia Ducissa Serenissima Aurelianensis, after Anthony Van Dyck, circa 1640, etching with engraving on laid paper, with margins, plate size 245 x 180 mm (9.6 x 7.1 ins), sheet size 285 x 219 mm (11.25 x 8.6 ins), with collector's stamp of Oswald Stein to verso, plus Turner (Edward, 19th century), Rural landscape with ruined archway and figures on a path, pen & brown ink on paper, laid down on backing paper with contemporary ink ruled and wash mount, initialled E.T. to wash border lower left, and inscribed to verso 'May Forbes The gift of E. Turner March 31st and last day', 150 x 225 mm (5.9 x 8.9 ins), plus 14 other various pen & ink or pencil drawings, mostly 19th century, but including a few 18th century, including a pencil portrait on paper of the scriptural geologist Granville Penn (1761-1844), with monogram T.S. (autograph signature of the sitter attached to lower corner), a small pencil study of cherubs on laid paper, numbered in ink to top corner, 134, etc., various sizes Mauquoy-Hendrickx 20 for the first item, a portrait of the Flemish engraver Jean-Baptiste Barbé, published as part of Van Dyck's Iconographie. (17)

Lot 524

Hamerton (Philip Gilbert). Etching & Etchers, 1st edition, Macmillan, 1868, 32 (of 35) etched plates, (lacking Samuel Palmer, The Early Ploughman, Villevieille, En Picardie & Paul Potter, The Herdsman), the prints present include Daubigny, Jongkind, Hamerton and Delatre, untrimmed, original blue cloth gilt, rubbed, small 4to (1)

Lot 130

*Buchan (Dennis, 1937-). Night Garden III, 1996, acrylic on wood panel, signed & dated to lower edge, signed and captioned to verso, 30 x 25cm (12 x 10 inches), framed and glazed, together with Macgregor (Marigold, 20th century), The Peacocks, hand-coloured etching, signed and captioned to lower margin, 32.3 x 41.7cm (12.75 x 16.5 inches), framed and glazed, Grape Lane Gallery, York artist information sheet to back board, with Duffield (R., 20th century), study of a sparrow hawk on branch, gouache on green paper, signed lower right, 29 x 23.5cm (11.5 x 9.25 inches), plus other original artwork and prints etc. (mostly 20th century), including a late 20th century watercolour of Broughton Castle, Oxfordshire, 34.5 x 47.5cm (13.75 x 18.75 inches), all framed and glazed Provenance: The actor & historian Robert Hardy. (approx. 25)

Lot 273

John Brangwyn (20th century) A flock of sheep beneath a tree etching, signed in pencil 15 x 22 cm (6 x 8 1/2 in) together with another 20th century etching of a rural scene, indistinctly signed (2)

Lot 262

After Francoise Debordt 'Concorde' signed colour etching, inscribed 'Epreuve de Recherche', 42 x 52 cm

Lot 294

A collection of four prints, including coastal scenes, an etching, a book plate, two ink silhouettes and other items

Lot 279

John O'Connor (living) 'William Lawes' etching, artist's proof, signed and dated 1974, from the 'In Nomine Domini' suite (early English composers) 36 x 26 cm (14 x10 in)

Lot 377

After Alan Ingham, October Mist, signed and titled, colour print, no. 115/395, 22cm x 56cm, also, Jean Claude Simon, Botanical Study, signed and dated 2004, watercolour, 30cm x 20cm and an etching by Walter Towers, Paisley Abbey, (3).

Lot 332

Albany E Howarth, Entrance to the Shrine, Scottish National War Memorial, signed etching, 34cm x 20cm and another etching, Glasgow University, (2).

Lot 613

An unusual large wall hanging pipe/key rack of timber construction in the form of a horseshoe with three hooked tiers, 65 cm tall approx together with two graduating 19th century lined copper saucepans with iron handles, a small coopered oak lidded vessel with tin liner, a large Georgian pierced copper warming pan head with twisted iron handle, a framed and glazed coloured etching of a street scene, etc

Lot 841

An interesting collection of pictures and prints including a black and white print after Samuel Palmer showing a rural scene with shepherd and companion playing a pipe, 24 x 32 cm approx, a late 19th century black and white etching of a musical performance inscribed bottom right - L Balestrieu, Paris, 22 x 46 cm approx, a 19th century watercolour of a continental landscape viewed through a garden, an early 20th century coloured engraving showing a 17th century male character, possibly Izaak Walton, and signed T Hamilton Crawford, a large crocheted panel showing male and female musicians, etc, all framed

Lot 859

An early 20th century gouache study of an Egyptian scene with pyramids, camels and riders, etc together with further pictures and prints including an early 20th century black and white etching by Charles E Cundall, dated 1919 and inscribed - Stone Quarry, North Wales, a watercolour study after Arthur Elsley showing a young servant girl accompanied by a dog and listening at a doorway, an early 20th century watercolour of a landscape with beached fishing boat, indistinctly signed bottom left and inscribed verso - Tiree by Olive Cochrane, an oil painting on board of a landscape, signed bottom right Bevan, a signed black and white etching of a cockerel, indistinctly signed and published by Messrs Dowdeswell 1882, etc

Lot 859A

A pair of black and white etchings by Sir David Young Cameron, one showing Perth Bridge, the other a coastal scene at Arran, both with signatures within plate, 19 x 27cm approximately maximum together with a black and white etching signed A Sharland showing the market cross at Chichester, also together with a signed coloured limited edition continental scene type print of a young girl wearing a green dress, indistinctly signed bottom right Guy Eleradoux (?) edition 197/200, 47 x 64cm approximately, an oriental panel showing deities, mythical creature etc, and a further eastern type print

Lot 874

A black and white etching after J A McNeil Whistler showing a Thames scene at Chelsea, 18 x 23 cm approx in gilt frame together with further unframed pictures and prints including a black and white engraving of The Rialto, Venice after Gaulier, an 18th century black and white engraved plan of Old Gate Ward, coloured prints of marine scenes, a volume of In The Holy Land, Paintings by David Roberts 1839, published 1991, etc, also together with three animation cells from the Teenage Mutant Turtles film

Lot 877

A coloured etching by Leo Frank showing cattle in a landscape, with Notcutt Gallery label verso - Autumn Meadows 911 Leo Frank, 25 x 37 cm approx in simple wooden frame

Lot 207

E.Valet, etching of a Berber tribesman, signed lower right. Dim: 23.5 x 17.5cm

Lot 52

PATRICK HICKEY Dublin Zoo Orangutan Etching Limited Edition 3/20 Signed in the Margin 60cm x 45cm

Lot 229

A collection of books on antiques and collecting, to include; BENHAM (W), PLAYING CARDS, history of the pack and explanations of its many secrets, 1931, A COLLECTION OF ANCIENT CHINESE BRONZES, Bluett & Sons, 1937, LAVER (J), A HISTORY OF BRITISH AND AMERICAN ETCHING, Eernest Benn Ltd, 1929 (ex-library) and others on ceramics etc

Lot 254

FRANK BRANGWYN (1867-1956), THE WORKS OF FRANK BRANGWYN, a folio of lithographs and an etching, vol 1 of a two volume set, 34 plates including a signed etching of a street scene with dancing bear, and some lithographs which have been hand embellished with pastel or wash, two text pages and part contents page, edited by E. Dalignan & P. Turpin (1)

Lot 187

Ernest Lumsden, R.E. The Reader, Etching, Signed in pencil, Framed, 22 x 16cm

Lot 440

Robert Eadie RSW (1877-1954) ARR Framed original etching, signed in the margin 22cm x 28cm

Lot 581

Harold Wilfred Yates - Freddie, oil on canvas; Constance Stubbs - Sleeping, etching, etc

Lot 539

Marjorie C Bales - market scene, possibly Nottingham, pastel, 24x31cm; one other etching by the artist; and Ernie Paterson - etching (3)

Lot 296

Unknown Artist 'River Bank' Etching, signed in pencil lower right, 14 x 19cm, including a brass mirror and a print of Beethoven (3)

Lot 280

Helen Allingham (1848-1926) 'Thomas Carlyle with Cat' Etching, signed and dated 1875 in plate and in pencil bottom left, 39 x 29cm (plate) Footnote: Allingham, a friend of Ruskin and Carlyle, lived in Chelsea from 1874-1881 CONDITION REPORT: Lot 315 - signed H Allingham, date should read 1875 (not 1975), paper yellowed, watermarks to edges of paper (but not on etched area).

Lot 292

Sue Lewington (Contemporary) 'Roys Window Boxes' Coloured etching, signed in pencil '87, 60/100, 26 x 33cm

Lot 274

William Strang RE RA (1859-1921) 'Normandy Church' Etching, signed in pencil, 20 x 18cm

Lot 313

Guido Colucci (Italian 1877-1949) 'A Pair of Mediterranean Scenes' Coloured etching, signed in pencil, 36 x 28cm (2)

Lot 266

Robert Eadie RSW (1877-1954) 'Renfield Street, Glasgow' Etching, signed lower right, numbered lower left, 29.5 x 24cm, together with an etching by S Tushingham 'Continental Scene' and a coloured etching by W Grany (3)

Lot 275

George Kirk 'Prentice Pillar, Roslin Chapel' Etching, signed in pencil, 25 x 16cm

Lot 167

A William IV officers sword, with brass turned pommel, floral backstrap, shagreen and wire work grip, Gothic hilt with Royal cypher, fold-up guard, pipe back blade, and worn acid etching, with leather and brass scabbard, 96cm long

Lot 640

Alfred East signed etching entitled - The White Mill - 33cm x 40cm

Lot 70

A Spanish El Cid Colada Sword with double-edged steel blade, etching to its upper part, the hilt of nickel plated cast metal with twisted quillons and knuckle-guard, grip wrapped in a metal string with a spheric pommel, overall length 100 cm, blade length 84 cm - Est £40 - £60

Lot 1236

Bury Grammar School, etching, artist's proof, signed in pencil lower left

Lot 365

ROBERT WEIR ALLAN RSW RWS NEAC (SCOTTISH 1852 - 1942), PORTRAIT OF A WOMAN etching, signed in pencil 21cm x 15.5cm Mounted, framed and under glass

Lot 305

WILLIAM L WYLLIE etching mounted, framed and under glass

Lot 213

* WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), LOCHEARNHEAD etching, signed and titled in pencil 23cm x 33cm Mounted, framed and under glass

Lot 227

ETCHING BY JACKSON SIMPSON OF A MALLARD together with one other (2)

Lot 223

ETCHING BY TOM MAXWELL together with one other (2)

Lot 1025

RUSSIA - N. BORT - A SECOND WORLD WAR SOVIET ETCHING depicting Russian soldiers bayonetting Hun invaders, signed (in cyrillic) N. Bort, with cyrillic dedication in pencil below, framed.

Lot 1024

RUSSIA - AN ORIGINAL ETCHING DEPICTING THE GERMAN INVASION OF THE SOVIET UNION (OPERATION BARBAROSSA 1941) depicting civilians being rounded up at gunpoint, 35cm x 25cm.

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