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Pictures and prints - J Pieniazele, by and after, Tropie, signed and titled in pencil, prof etching, framed; an illuminated Indian manuscript page, framed, late 20th century; Frank Sutcliffe, Whitby Abbey, photographic print; others (2); Thai photographs; printed silks; other Victorian prints; maple frame; qty
Sparrow (Walter Shaw). Angling in British Art Through Five Centuries: Prints, Pictures, Books, 1923, numerous colour and black and white illustrations, t.e.g., original cream cloth, some faint soiling, 4to Limited edition, 58/125 signed in pencil by the author, with an original signed etching by Norman Wilkinson. (1)
*Bolswert (Schelte Adams, 1576-1659). Johannes Baptista Barbé, after Anthony Van Dyck, circa 1635-40, etching with engraving on laid paper with indistinct watermark, a good strong impression, with wide margins, plate size 245 x 160 mm (9.6 x 6.25 ins), sheet size 355 x 229 mm (14 x 9 ins), together with Margareta Princeps Lotharingia Ducissa Serenissima Aurelianensis, after Anthony Van Dyck, circa 1640, etching with engraving on laid paper, with margins, plate size 245 x 180 mm (9.6 x 7.1 ins), sheet size 285 x 219 mm (11.25 x 8.6 ins), with collector's stamp of Oswald Stein to verso, plus Turner (Edward, 19th century), Rural landscape with ruined archway and figures on a path, pen & brown ink on paper, laid down on backing paper with contemporary ink ruled and wash mount, initialled E.T. to wash border lower left, and inscribed to verso 'May Forbes The gift of E. Turner March 31st and last day', 150 x 225 mm (5.9 x 8.9 ins), plus 14 other various pen & ink or pencil drawings, mostly 19th century, but including a few 18th century, including a pencil portrait on paper of the scriptural geologist Granville Penn (1761-1844), with monogram T.S. (autograph signature of the sitter attached to lower corner), a small pencil study of cherubs on laid paper, numbered in ink to top corner, 134, etc., various sizes Mauquoy-Hendrickx 20 for the first item, a portrait of the Flemish engraver Jean-Baptiste Barbé, published as part of Van Dyck's Iconographie. (17)
Hamerton (Philip Gilbert). Etching & Etchers, 1st edition, Macmillan, 1868, 32 (of 35) etched plates, (lacking Samuel Palmer, The Early Ploughman, Villevieille, En Picardie & Paul Potter, The Herdsman), the prints present include Daubigny, Jongkind, Hamerton and Delatre, untrimmed, original blue cloth gilt, rubbed, small 4to (1)
*Buchan (Dennis, 1937-). Night Garden III, 1996, acrylic on wood panel, signed & dated to lower edge, signed and captioned to verso, 30 x 25cm (12 x 10 inches), framed and glazed, together with Macgregor (Marigold, 20th century), The Peacocks, hand-coloured etching, signed and captioned to lower margin, 32.3 x 41.7cm (12.75 x 16.5 inches), framed and glazed, Grape Lane Gallery, York artist information sheet to back board, with Duffield (R., 20th century), study of a sparrow hawk on branch, gouache on green paper, signed lower right, 29 x 23.5cm (11.5 x 9.25 inches), plus other original artwork and prints etc. (mostly 20th century), including a late 20th century watercolour of Broughton Castle, Oxfordshire, 34.5 x 47.5cm (13.75 x 18.75 inches), all framed and glazed Provenance: The actor & historian Robert Hardy. (approx. 25)
An unusual large wall hanging pipe/key rack of timber construction in the form of a horseshoe with three hooked tiers, 65 cm tall approx together with two graduating 19th century lined copper saucepans with iron handles, a small coopered oak lidded vessel with tin liner, a large Georgian pierced copper warming pan head with twisted iron handle, a framed and glazed coloured etching of a street scene, etc
An interesting collection of pictures and prints including a black and white print after Samuel Palmer showing a rural scene with shepherd and companion playing a pipe, 24 x 32 cm approx, a late 19th century black and white etching of a musical performance inscribed bottom right - L Balestrieu, Paris, 22 x 46 cm approx, a 19th century watercolour of a continental landscape viewed through a garden, an early 20th century coloured engraving showing a 17th century male character, possibly Izaak Walton, and signed T Hamilton Crawford, a large crocheted panel showing male and female musicians, etc, all framed
An early 20th century gouache study of an Egyptian scene with pyramids, camels and riders, etc together with further pictures and prints including an early 20th century black and white etching by Charles E Cundall, dated 1919 and inscribed - Stone Quarry, North Wales, a watercolour study after Arthur Elsley showing a young servant girl accompanied by a dog and listening at a doorway, an early 20th century watercolour of a landscape with beached fishing boat, indistinctly signed bottom left and inscribed verso - Tiree by Olive Cochrane, an oil painting on board of a landscape, signed bottom right Bevan, a signed black and white etching of a cockerel, indistinctly signed and published by Messrs Dowdeswell 1882, etc
A pair of black and white etchings by Sir David Young Cameron, one showing Perth Bridge, the other a coastal scene at Arran, both with signatures within plate, 19 x 27cm approximately maximum together with a black and white etching signed A Sharland showing the market cross at Chichester, also together with a signed coloured limited edition continental scene type print of a young girl wearing a green dress, indistinctly signed bottom right Guy Eleradoux (?) edition 197/200, 47 x 64cm approximately, an oriental panel showing deities, mythical creature etc, and a further eastern type print
A black and white etching after J A McNeil Whistler showing a Thames scene at Chelsea, 18 x 23 cm approx in gilt frame together with further unframed pictures and prints including a black and white engraving of The Rialto, Venice after Gaulier, an 18th century black and white engraved plan of Old Gate Ward, coloured prints of marine scenes, a volume of In The Holy Land, Paintings by David Roberts 1839, published 1991, etc, also together with three animation cells from the Teenage Mutant Turtles film
A collection of books on antiques and collecting, to include; BENHAM (W), PLAYING CARDS, history of the pack and explanations of its many secrets, 1931, A COLLECTION OF ANCIENT CHINESE BRONZES, Bluett & Sons, 1937, LAVER (J), A HISTORY OF BRITISH AND AMERICAN ETCHING, Eernest Benn Ltd, 1929 (ex-library) and others on ceramics etc
FRANK BRANGWYN (1867-1956), THE WORKS OF FRANK BRANGWYN, a folio of lithographs and an etching, vol 1 of a two volume set, 34 plates including a signed etching of a street scene with dancing bear, and some lithographs which have been hand embellished with pastel or wash, two text pages and part contents page, edited by E. Dalignan & P. Turpin (1)
Helen Allingham (1848-1926) 'Thomas Carlyle with Cat' Etching, signed and dated 1875 in plate and in pencil bottom left, 39 x 29cm (plate) Footnote: Allingham, a friend of Ruskin and Carlyle, lived in Chelsea from 1874-1881 CONDITION REPORT: Lot 315 - signed H Allingham, date should read 1875 (not 1975), paper yellowed, watermarks to edges of paper (but not on etched area).
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71174 item(s)/page