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Click here to subscribeJim Dine (b.1935)From 'Ten Hand-Colored Winter Tools II' (Carpenter 32.6)Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23 3/4 x 17 3/4in) (unframed)
δ Salvador Dali (1904-1989)God, Time, Space, and the Pope (Field 74-8I; M&L 667d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in Roman numerals for the edition of 35 in pencil, on Japan nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Zao Wou-Ki (1921-2013)Untitled (Agerup 161)Etching with aquatint printed in colours, 1965, signed, dated and numbered from the edition of 90 in pencil, on Arches wove paper, printed and published by Atelier Lacouriere et Frelaut, Paris, the full sheet, 560 x 760mm (22 x 30in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Toledo (Field 64-2-B; M&L 94)Etching with aquatint printed in brown, 1964, signed and numbered from the edition of 100 in pencil, on Auvergne wove paper, as included in 'Spain', published by Berggruen, Paris, with full margins, plate 590 x 435mm (23 1/4 x 17 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A Victorian 1827 Pattern Naval Sword, the 77cm single edge fullered steel blade bearing traces of etching, the brass hilt with hinged guard, cast with a crowned fouled anchor and with lion head pommel, with wire bound fishskin grip, lacks scabbard; a Pair of German Fencing Foils, each with blade stamped SOLINGEN, the brass hilt with open double kidney shape guard, ribbed leather grip and ovoid pommel; a Paul Leon Fencing Sabre, with a later blade and aluminium bowl hilt (4). 1 - Black patching to blade, etching very faint. Some fishskin missing from grip with some loose wires, lacks scabbard. 2 - Grey patching to blades, otherwise good. 3 - Deep rust pitting to blade. Rust pitting to wire binding of grip and pommel
A Late George III Light Cavalry Trooper's Sabre, in the style of a 1796 Pattern, with 83 cm, broad, slightly curved and fullered steel blade, retaining traces of gilt-highlighted etching including trophies of war, Royal Coat-of-Arms and possible date, ''178?'', the gilt brass stirrup hilt with ribbed marine ivory grip. Blade with significant pitting and a number of small nicks to edge. Gilding to hilt worn in places. Grip with small area of loss, numerous small natural cracks and two larger cracks.
A German Third Reich Fire Department Officer's Dagger/Sidearm, the 41cm double edge steel blade faintly etched with martial trophies within foliate strapwork, the nickel plated hilt with flat trefoil quillons to the crossguard centred by a helmet and axe, wire bound leather grip and acanthus capped ball pommel, the brown leather scabbard with nickel plated mounts and twin suspender rings, 54.5cm. Blade is very rust pitted making the etching difficult to make out.The nickel plating of the hilt and scabbard is very worn. The scabbard had a crease to the leather just below the locket.
A Georgian Five Ball Spadroon Hilt Sword, the 68cm single edge curved steel blade with a broad and narrow fuller, faintly etched with a crown, diapering, martial trophies and thistles to each side, the gilt brass hilt with five ball guard and knuckle bow, fluted and reeded square section ivory grip set with a band centred by an elliptical panel engraved MLRVA, with cushion shape pommel, 81cm, lacks scabbard. Black patching to most of the blade, with faint etching and nicks to the edge. Slight wear to the gilt on the hilt. Lacks scabbard.
A Victorian 1827 Pattern Rifle Regiment Officer's Sword, the 82cm single edge fullered steel blade etched with a strung bugle and foliate tendrils, with Proof poincon and maker's name Forbes, Camden Town, the steel gothic hilt pierced and engraved with a strung bugle, with partially chequered back strap, wire bound fishskin grip and steel scabbard; a Very Similar Sword, the blade faintly etched with crowned VR cypher, the hilt with smooth back strap, and with associated steel scabbard (2). Both have black patching and rust pitting to the blades, the etching is faint. The latter sword has dents to the scabbard which does not quite fit.
A 19th Century Argentinian Malacca Sword Stick, the 60cm single edge fullered steel blade etched with foliage, dated 1887, the ricasso with maker's mark for J Motta, Buenos-Aires, with foliate engraved brass collar, ebony handle and brass ferrule, 81cm. Etching to blade is quite faint, some pitting. Bruising to handle and dent to ferrule tip.
A George V 1897 Pattern Infantry Officer's Sword, the 82cm fullered steel blade etched with crowned GVR cypher and foliate tendrils, with Proved poincon, by Pipe & McGill, Bedford, the plated steel hilt pierced and engraved with crowned GVR cypher, with wire bound fishskin grip and leather service scabbard. Etching worn. Leather scabbard is a little shabby
A Victorian 1897 Pattern Infantry Officer's Sword, the 82.5cm single edge fullered steel blade etched with crowned VR cypher and foliate tendrils, with Proof poincon and maker's name W S Carver, King Street, St. James's, the steel hilt pierced and engraved with crowned VR cypher, with partially wire bound fishskin grip and steel scabbard; a Victorian 1897 Pattern Infantry Officer's Sword, the 82cm epee blade etched with crowned VR cypher, the nickel plated steel hilt pierced with crowned VR cypher, partially wire bound fishskin grip and with steel scabbard (2). 1 - Black patching to blade. Deep pitting to hilt. Loss of wire binding a fishskin. Black patching and pitting to scabbard. 2 - Etching to blade is quite crisp. Loss of wire binding a fishskin to grip. Scabbard has deep pitting
Leonard Russell Squirrell (1893-1971) chalk and charcoal - Moonlit scene, inscribed with dedication to Charles Baskett, ‘To my old friend & master Mr C. E. Baskett, Dec. 1921’, in glazed gilt frame, 33cm x 43cm N.B. Charles Baskett was etching Master at Ipswich School of Art and taught Squirrell. Leonard Squirrell later took over the etching class in 1930
JAMES HAMILTON MACKENZIE (1875-1926) 'THE GONDOLA' an etching of a Venetian scene depicting figures and a gondola, signed and titled to the lower margin, label verso, text reads 'Final Proof Etching' dated 9/9/20, framed, approximate size 32cm x 26cm, together with 'Alhambra' by Vaughan Trowbridge, a limited edition etching 17/40, signed to the margin, framed, approximate size 34cm x 25cm (2)
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834 - 1903), ST JAMES'S STREET, (LONDON) 1878 etching and drypoint on ivory laid paper, monogrammed with butterfly in the plate 27.5cm x 15.2cm Mounted, framed and under glass. Note: State 4/4. Known impressions of this plate 36. Catalogues: Kennedy 169; Glasgow 178, Mansfield 165.
Harold F Collinson (1886-1955), sheep under a bridge, etching, housed an ebonised glazed frame, the etching 46.5cm x 33cm, with Nottingham framing label verso (Harold F. Collinson was for many years etching master at Nottingham School of Art and mainly known for his pictures of old Nottingham)
W L Wyllie, two framed and glazed prints, each depicting scenes of London. Condition Report: Etching of Thames bridges has noticeable foxing to top left and bottom right with other light foxing evident in other places. 2nd Etching in overall good condition with limited signs of foxing, though has slightly discoloured with age.
WILLIAM LIONEL WYLLIE RA, RE, RI, RBA, NEA (BRITISH 1851-1931) 'THE SCOUTS' TRAINING VESSEL NORTHAMPTON IN FRONT OF ST PAULS ON THE THAMES; SEA SCOUTS IN PORTSMOUTH HARBOUR Drypoint etching, signed, 30 x 21cm (11 3/4 x 8 1/4"), 15 x 25cm (5 7/8 x 9 3/4") (2) James Connell & Sons (Training Vessel Northampton) label verso Condition Report: THE SCOUTS' TRAINING VESSEL NORTHAMPTON IN FRONT OF ST PAULS ON THE THAMES.
ALLERLEY GLOSSOP S.A.S.A. (1872-1955) "Clinker", study of a horse, oil on board, signed and titled lower right, together with AFTER VERNON STOKES "Labrador retrieving a Duck", limited edition coloured etching No'd. 47/75 and signed in pencil to base and a companion AFTER VERNON STOKES "Ducks on the Water amongst Reeds". limited edition coloured etching No'd. 47/75, signed in pencil lower right
Percival Gaskell (British 1868 - 1934) 'Ploughing in Purbeck', monochrome etching, signed on the mount, 14.5cm x 31.5cm; Robert Yuill (British 1839-1934) rider and companion in wooded landscape, watercolour, signed, 22cm x 30cm, together with a colour print after J.M.W. Turner, 'Traitor's Gate', 14.5cm x 20cm (3).
J RICHARDSON; two watercolours depicting the Lake District, titled 'Buttermere' and 'Friars Crag' respectively, both signed, each 16.7 x 25cm, and an etching depicting two calves in a stable, signed by W. Hunt and James Dobee, 15 x 24.8cm, all framed and glazed (3).Additional InformationSome spotting, foxing, discolouration, etc.
AFTER PAUL SIGNAC; etching, 'Paris: Le Pont des Arts Avec Remorqueurs', plate 12.5 x 18.7cm, sheet 24 x 28cm, also two watercolour sketches of harbour and rural scene respectively, former signed G. Signon (possibly) and latter monogrammed 'GS', and a further watercolour sketch of Northern France coast with erroneous signature of Claude Monet, all loose (4).
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