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Lot 8

Adriaen Van Ostade (1610-1685)-graphic, Man at window etching on paper , framed under glass . 20X17 cm

Lot 232

Edmund Weirotter (1733-1771). Hand coloured etching of a castle in Tivoli, Italy. Also, two unsigned watercolours. H.29 W.35 cm (largest).

Lot 252

After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Hasta la Muerle' (Until he dies). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Lot 253

After Francisco Goya (Spanish. 1746 – 1828. Three lithographs from Los Caprichos (The Caprices). Including 'Dónde va mamá?' Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.

Lot 1039

Jan Mankes (1889-1920)Mice, etching 19x14.5 cm

Lot 1040

Jan Mankes (1889-1920)Horse, etching 11.5x16 cm

Lot 1041

Jan Mankes (1889-1920)Mice, etching 5.5x8.5 cm

Lot 2056

Color etching by Ferdinand Jean Luigini, color lithograph by Gerard Vollenbrock from 1980, drawn portrait by v Brams, 4 etchings of Amersfoort in 1 frame, and color etching by Rob Clous born. 1940

Lot 2205

Box with wooden writing box, copper jug in the style of Eissenloeffel, etching of Blaricum by Toon de Jong, silver, plate, color etching and game Bruinte Beer

Lot 6303

(Lubertus Jacobus Swaanswijk) Lucebert (1924-1994)Untitled, etching numbered 21/100, 35x40 cm

Lot 137

Late 19th/early 20th Century English School, 'Study of a figure in a river landscape', oil on canvas, unsigned in gilt frame, 39cm x 29cm; Late 19th/early 20th Century English School, 'Cottage by a River', oil on canvas, signed 'B. Medema' (lower left), unframed, 30 x 40cm; Sir Robert Atkyns and Mr J Kip, Kempsford the seat of the Lord Viscount Weymouth for Ancient and Present State of Glostershire, etching on paper, 41.5 x 48.5cm; Jon Anthony, a watercolour of a garden, 25 x 45cm; together with a Victorian three-fold scrap work screen (5)Loss and damages to the frame. Crazing to the canvas, small hole upper centre of the tree. Overall wear and marks.

Lot 386

After Henry Heath, 'A Long Pull, A Strong Pull and A Pull Altogether', a hand-coloured copper plate etching, published by G. S Tregear24.5cm x 33cmQty: 1In generally good condition. Some warping to the paper and going commensurate with age. Minor foxing in the corners.

Lot 398

Two maps and a print to include Willem Jansz Blaeu (1571-1638), 'Orcadum et Schetlandiae', hand coloured engraved map of the Scottish Islands; a map of the Kingdom of Galicia after an original by Fernando Ojea for Abraham Ortelius; and an etching of the Royal Hospital at Chelseathe 'Orcadum et Schetlandiae' map 38cm x 50cm; The Kingdom of Galicia map 36cm x 41cmQty: 3'Orcadum et Schetlandiae' in generally good condition with some creases where the fold of the page would have been and minor toning. The Kingdom of Galicia map with notable toning throughout, some foxing and some discolouration. The print in generally good condition.

Lot 518

Brenda Scoble, pencil signed etching "The Old Vicarage" 1/25; and a pencil signed etching, continental river scene

Lot 529

A large coloured photographic print of a snow bound woodland scene, entitled "Winter Sunset" after A. Anderson-Lundby; a pencil signed etching "Walberswick"; and two others of "Knaresborough"

Lot 693

Boris O'Klein (French, 1893-1985), colour etching, 'C'est Bien le momente', signed and inscribed in pencil, 26 x 38cm

Lot 598

PICTURES AND PRINTS, a box and loose watercolours, wall mirror, prints, engravings, etc, including a limited edition coloured etching of two setters in a landscape, signed and numbered 27/ 100 in pencil, 27cm x 36.5cm, two aquatints drawn and engraved by William Daniell, titled 'Rowadill in Harris' and 'Duncansby stacks, Caithness', a signed etching of a ploughing team by C. Ackland Hunt, B.H. Sadler watercolour of a cottage, a late 18th century engraving of a 'View of Ashborne', etc (1 box and two loose) (Condition Report: some foxing to the William Daniell prints)

Lot 804

James McGill (19th Century), print of an etching, Title Unknown - A humorous arrangement of monkeys, signed in pencil to the lower right, framed, mounted, and under glass, 19cm x 28cm, & 42.5cm x 57.5cm overall

Lot 4099

Mel Fowler (American 1921-1987): 'Pasiphaë - Ovid Series', woodblock print signed and titled in pencil 31cm x 23cm; 'Tuba Player', coloured etching signed titled and numbered 23/100 in pencil 7cm x 10cm (unframed) (2)

Lot 4094

Frank Martin (British 1921-2005): 'Norma Talmadge' (1894-1957), limited edition sepia etching with highlighted colours signed titled and numbered 33/100 in pencil, with 'Seen Editions London' blindstamp 45cm x 30cmCondition Report:Foxed, no other discolouration or tears

Lot 4112

John Sell Cotman (British 1782-1842): 'South Gate - Yarmouth', etching pub. 1812, 26cm x 37cm; Mary Dawson Turner (British 1774-1850): 'John Sell Cotman, author of Antiquities etc', etching 30cm x 23cm (2)

Lot 51

‡ AUGUSTUS JOHN etching, 1903 - portrait, entitled verso, 'Head of Old Underwood', (also known as 'The Draper'), signed, 13 x 12cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang

Lot 64

EDGAR HOLLOWAY limited edition (12/50) etching, 1994 - entitled verso, 'Self Portrait No.25, Goodbye To All That', signed, 23 x 17cmsProvenance: private collection, consigned via our Mid-Wales officeAuctioneer's Note: this picture had strong overtones to Robert Graves’ autobiography Good-Bye to All That with its themes of saying farewell to both war and the time of youth. For followers of the artist, the image was quite well known, having featured as the cover image for Robert Meyrick’s 1996 catalogue raisonnée The Etchings and Engravings of Edgar Holloway Comments: framed and glazed, ready to hang

Lot 65

EDGAR HOLLOWAY limited edition (27/75) etching - portrait of poet Sir Stephen Harold Spender CBE (1909 - 1995) entitled verso, 'Stephen Spender in 1934', signed, dated verso 1969, 29 x 14cmsProvenance: private collection, consigned via our Mid-Wales officeComments: framed and glazed, ready to hang

Lot 67

‡ GEORGE CHAPMAN artists proof etching - Y Bont / The Bridge, signed fully in pencil, 71 x 60cmsProvenance: private collection GwyneddComments: framed & glazed, ready to hang

Lot 79

‡ LESLIE JONES limited edition (2/3) etching - entitled 'Eryri', signed, 26 x 30cmsProvenance: private collection DenbighshireComments: framed and glazed

Lot 180

Salvador Dali (Spanish, 1904-1989), Rembrandt, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall. Provenance: Templeton and Rawlings Ltd, London, W2.

Lot 185

Rowland Langmaid (British, 1897-1956), St. Pauls, Blackfriars, etching with drypoint, signed in pencil, image size 15cm x 20cm, overmounted and framed, together with another etching, Cyril Flemimg - 'Portsmouth' (2)

Lot 186

Bertrand Dorny (French, 1931-2015), Falaises, Vagues et Oiseaux, abstract study, colour etching, 42cm x 39cm, framed.

Lot 195

Sir William Russell Flint (British, 1880-1969), Allegro, dry point etching, signed and numbered 'LV', signature faded, titled label verso, image size 12cm x 15cm, Provenace: P.& D. Colnaghi & Co. Ltd. Old Bond Street, London, W.1., and Travers Gallery, London, W.8., together with another W.R.F. etching, A dwelling in Aragon, signed and numbered 'V', image size 22cm x 34cm, both overmounted and framed (2)

Lot 219

SIR HENRY RUSHBURY (British, 1889-1968) - Wellington Arch facing Constitution Hill, monochrome etching, circa 1947 (19 x 43 cm). (Glazed parcel-gilt frame 23 x 54 cm.)

Lot 262

Rachel Mooney (British, 20th / 21st century) Pergola and statue etching, signed with initials RM lower right, painted and gilt frame 4 7/8 x 6in. (12.4 x 15.25cm.), frame size 32.7 x 34.2cm; together with another coloured etching, 'Nena', signed indistinctly and dated '92, 11 x 8½in. (27.9 x 21.6cm.), in a blue limed frame, 49 x 36.7cm. (2)

Lot 263

Continental School (early 20th century) Portrait of a cocker spaniel etching, signed indistinctly lower right, gilt frame plate size 27.5 x 21.7cm., sheet size 47.5 x 37.25cm. visible, frame size 51.5 x 41cm.; together with a watercolour of a pair of Mallard ducks by J. Booth, signed and dated 1982, 21 x 30.25cm., the chrome frame 38.75 x 46.25cm. (2)

Lot 186

L.S.Lowry Reproduction Limited Edition print 'The Old Town Hall, Middlesbrough'. [Frame 57.5 x 47cm] E.Herbert Whydale Etching titled ' Cleaning The Plough', signed. Along with a small signed watercolour titled 'Tima Di Jenmo.

Lot 1235

Rona Dyer (New Zealand), fish, signed and numbered 15/25, etching, 20.5 x 15cm.

Lot 1622

William Lional Wyllie, 'The Clyde at Govan', 'Dumbarton Rock', two works, each signed in pencil, etching, pl.20 x 50cm. (2)

Lot 58

Reproduction brass Spanish foil, eagle and snake handled bowie knife with etching to blade in leather sheath, a small Stiletto dagger with ornate brass handle with sheath, a ornate Stiletto knife with Poseidon handle and leather sheath, a Indian Kukri knife set in leather sheath and a 1938 shell casing with wooden bullet head (6)

Lot 586

Arthur Briscoe (British school, 1873-1943) - A limited edition original etching depicting a scene of fishermen sorting the net by the pier. Signed "A Briscoe" and dated 26 to the bottom. Limited edition numbered 56 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 27cm x 36cm.

Lot 587

Arthur Briscoe (British school, 1873-1943) - The Fore T-Gallant Sail. A limited edition original etching depicting a topgallant sail. Signed "A Briscoe" and dated 27 on the to thee bottom left. Limited edition numbered 70 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 37cm x 24cm.

Lot 1036

After Axel Herman Haig (1835-1921) Swedish Cathedral Interior Signed in pencil, etching, 68cm by 48cm, together with a small group of further prints to include Keneth Holmes etc... (qty)

Lot 1044

Bernard Cohen (b.1933)"Things Seen"Signed and dated 1981, inscibed and numbered 7/60, etching, together with two further etchings by the same hand one titled "The Trace" and a small etching by Derek Hyatt titled "Riva Cross" (4)

Lot 1060

Harold Whaley (1896-1976) Isle of Man""Moonlight" Ballafurt"Signed, inscribed, numbered 4/25 and dated 1933, etching, 24cm by 31.5cm

Lot 139

δ Robyn Denny (1930-2017)Generation 7Etching with aquatint printed in colours, 1978, signed and dated in pencil, inscribed verso, numbered from the edition of 35, printed by JC Editions, published by Bernard Jacobson, London, on wove paper, the full sheet printed to the edges, sheet 522 x 703mm (20 1 /2 x 27 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 156

NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 157

NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 158

NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 159

NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 254

δ Salvador Dalí (1904-1989)Behold his bed, which is Solomon's therefore..., from Song of Songs (Field 71-17H; M&L 471)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 255

δ Salvador Dalí (1904-1989)The voice of my beloved! Behold!, from Song of Songs (Field 71-17F; M&L 473)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 256

δ Salvador Dalí (1904-1989)I am my beloved, my beloved is mine, from Song of Songs (Field 71-17J; M&L 477)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 564 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 257

δ Salvador Dalí (1904-1989)Visage Surréaliste, from Aurélia (Field 72-5A; M&L 562b)Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Ateliers Rigal, Editions d'Art de Francony, Paris, on Auvergne paper, with full margins, sheet 798 x 585mm (31 1/4 x 23in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 262

δ Salvador Dalí (1904-1989)Le dos divin de Gala, from After 50 Years of Surrealism (Field 74-8B; M&L 669)Etching with hand-colouring, 1974, signed in pencil, inscribed 'EA', an artist's proof aside from the edition of 195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japon nacré paper, with full margins, sheet 675 x 515mm (26 1/2 x 20 1/4in)This work was authenticated by Dali Trade on 24/09/21 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 264

δ Salvador Dalí (1904-1989)Paysage Ibérique, from Neuf Paysages (Field 80-2G; M&L 243)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 265

δ Salvador Dalí (1904-1989)Piano Chevelure dans un Désert, from Neuf Paysages (Field 80-2F; M&L 242)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 504 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 50

Shara Hughes (b.1981)Night OpeningEtching printed in colours, 2022, signed and dated in pencil, numbered from the edition of 100, published by Texte Zur Kunst, Berlin, on BFK Rives paper, the full sheet, sheet 300 x 239mm (11 3/4 x 9 3/8in)

Lot 440

Gladys Anderson, abstract landscape, etching, plate 22cm x 30cm, framedVery slight even paper discolouration, mount has several fox marks and slightly discoloured

Lot 443

Kevin Connor (Australian, born 1932), the Art Gallery Of New South Wales, etching, signed in pencil 1994, no. 59/60, plate 15cm x 12cm, framedVery good condition

Lot 459

E Vuillard, Le Square Vintimille, etching, signed in the plate, plate size 33cm x 25cm, framedSlight even paper discolouration

Lot 462

Thomas Rowlandson, miseries of the country, hand coloured etching, 1807, plate 13cm x 19cm, mountedGood condition

Lot 541

Marie Laurencin, La Perreuque, the new keepsake, 1921 issue, original etching, Marchessau ref. no. 31, plate 11cm x 7cm, framedSlight even paper discolouration

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