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After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Hasta la Muerle' (Until he dies). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
After Francisco Goya (Spanish. 1746 – 1828. Three lithographs from Los Caprichos (The Caprices). Including 'Dónde va mamá?' Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Late 19th/early 20th Century English School, 'Study of a figure in a river landscape', oil on canvas, unsigned in gilt frame, 39cm x 29cm; Late 19th/early 20th Century English School, 'Cottage by a River', oil on canvas, signed 'B. Medema' (lower left), unframed, 30 x 40cm; Sir Robert Atkyns and Mr J Kip, Kempsford the seat of the Lord Viscount Weymouth for Ancient and Present State of Glostershire, etching on paper, 41.5 x 48.5cm; Jon Anthony, a watercolour of a garden, 25 x 45cm; together with a Victorian three-fold scrap work screen (5)Loss and damages to the frame. Crazing to the canvas, small hole upper centre of the tree. Overall wear and marks.
Two maps and a print to include Willem Jansz Blaeu (1571-1638), 'Orcadum et Schetlandiae', hand coloured engraved map of the Scottish Islands; a map of the Kingdom of Galicia after an original by Fernando Ojea for Abraham Ortelius; and an etching of the Royal Hospital at Chelseathe 'Orcadum et Schetlandiae' map 38cm x 50cm; The Kingdom of Galicia map 36cm x 41cmQty: 3'Orcadum et Schetlandiae' in generally good condition with some creases where the fold of the page would have been and minor toning. The Kingdom of Galicia map with notable toning throughout, some foxing and some discolouration. The print in generally good condition.
PICTURES AND PRINTS, a box and loose watercolours, wall mirror, prints, engravings, etc, including a limited edition coloured etching of two setters in a landscape, signed and numbered 27/ 100 in pencil, 27cm x 36.5cm, two aquatints drawn and engraved by William Daniell, titled 'Rowadill in Harris' and 'Duncansby stacks, Caithness', a signed etching of a ploughing team by C. Ackland Hunt, B.H. Sadler watercolour of a cottage, a late 18th century engraving of a 'View of Ashborne', etc (1 box and two loose) (Condition Report: some foxing to the William Daniell prints)
EDGAR HOLLOWAY limited edition (12/50) etching, 1994 - entitled verso, 'Self Portrait No.25, Goodbye To All That', signed, 23 x 17cmsProvenance: private collection, consigned via our Mid-Wales officeAuctioneer's Note: this picture had strong overtones to Robert Graves’ autobiography Good-Bye to All That with its themes of saying farewell to both war and the time of youth. For followers of the artist, the image was quite well known, having featured as the cover image for Robert Meyrick’s 1996 catalogue raisonnée The Etchings and Engravings of Edgar Holloway Comments: framed and glazed, ready to hang
EDGAR HOLLOWAY limited edition (27/75) etching - portrait of poet Sir Stephen Harold Spender CBE (1909 - 1995) entitled verso, 'Stephen Spender in 1934', signed, dated verso 1969, 29 x 14cmsProvenance: private collection, consigned via our Mid-Wales officeComments: framed and glazed, ready to hang
Sir William Russell Flint (British, 1880-1969), Allegro, dry point etching, signed and numbered 'LV', signature faded, titled label verso, image size 12cm x 15cm, Provenace: P.& D. Colnaghi & Co. Ltd. Old Bond Street, London, W.1., and Travers Gallery, London, W.8., together with another W.R.F. etching, A dwelling in Aragon, signed and numbered 'V', image size 22cm x 34cm, both overmounted and framed (2)
Rachel Mooney (British, 20th / 21st century) Pergola and statue etching, signed with initials RM lower right, painted and gilt frame 4 7/8 x 6in. (12.4 x 15.25cm.), frame size 32.7 x 34.2cm; together with another coloured etching, 'Nena', signed indistinctly and dated '92, 11 x 8½in. (27.9 x 21.6cm.), in a blue limed frame, 49 x 36.7cm. (2)
Continental School (early 20th century) Portrait of a cocker spaniel etching, signed indistinctly lower right, gilt frame plate size 27.5 x 21.7cm., sheet size 47.5 x 37.25cm. visible, frame size 51.5 x 41cm.; together with a watercolour of a pair of Mallard ducks by J. Booth, signed and dated 1982, 21 x 30.25cm., the chrome frame 38.75 x 46.25cm. (2)
Reproduction brass Spanish foil, eagle and snake handled bowie knife with etching to blade in leather sheath, a small Stiletto dagger with ornate brass handle with sheath, a ornate Stiletto knife with Poseidon handle and leather sheath, a Indian Kukri knife set in leather sheath and a 1938 shell casing with wooden bullet head (6)
Arthur Briscoe (British school, 1873-1943) - A limited edition original etching depicting a scene of fishermen sorting the net by the pier. Signed "A Briscoe" and dated 26 to the bottom. Limited edition numbered 56 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 27cm x 36cm.
Arthur Briscoe (British school, 1873-1943) - The Fore T-Gallant Sail. A limited edition original etching depicting a topgallant sail. Signed "A Briscoe" and dated 27 on the to thee bottom left. Limited edition numbered 70 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 37cm x 24cm.
δ Robyn Denny (1930-2017)Generation 7Etching with aquatint printed in colours, 1978, signed and dated in pencil, inscribed verso, numbered from the edition of 35, printed by JC Editions, published by Bernard Jacobson, London, on wove paper, the full sheet printed to the edges, sheet 522 x 703mm (20 1 /2 x 27 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Behold his bed, which is Solomon's therefore..., from Song of Songs (Field 71-17H; M&L 471)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)The voice of my beloved! Behold!, from Song of Songs (Field 71-17F; M&L 473)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)I am my beloved, my beloved is mine, from Song of Songs (Field 71-17J; M&L 477)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 564 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Visage Surréaliste, from Aurélia (Field 72-5A; M&L 562b)Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Ateliers Rigal, Editions d'Art de Francony, Paris, on Auvergne paper, with full margins, sheet 798 x 585mm (31 1/4 x 23in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Le dos divin de Gala, from After 50 Years of Surrealism (Field 74-8B; M&L 669)Etching with hand-colouring, 1974, signed in pencil, inscribed 'EA', an artist's proof aside from the edition of 195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japon nacré paper, with full margins, sheet 675 x 515mm (26 1/2 x 20 1/4in)This work was authenticated by Dali Trade on 24/09/21 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Paysage Ibérique, from Neuf Paysages (Field 80-2G; M&L 243)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Piano Chevelure dans un Désert, from Neuf Paysages (Field 80-2F; M&L 242)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 504 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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71174 item(s)/page