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Lot 1041
T J Scott (19th century), Landscape with figures, oil on canvas; together with British school (19th century), Landscape with cattle, oil on canvas; a landscape watercolour with distant mill town; an etching after T M Richardson; an oil on board of Tynemouth Priory; and an early 20th century watercolour of a shipyard (6)
Lot 128
Games.- Wallis (John) The New and Favourite Game of Mother Goose and the Golden Egg, showing episodes and characters from the pantomime of the same name, including the Clown and Harlequin as well as Mother Goose herself, with rules printed in three columns below, etching and letterpress with hand-colouring, sheet 535 x 390 mm. (21 x 15 3/8 in), dissected and mounted on linen, some damp-stains and surface dirt, minor areas of loss at folds with cockling to edges, some small nicks and tears, unframed, 1808.
Lot 168
British Surrealism.- Penrose (Roland) Bon Jour Max Ernst, soft-ground etching printed in colours on wove paper, a proof aside from the edition of 100, signed in pencil with dedication note by the artist 'for Jocey/ with Maximum love, Roland', platemark 380 x 250 mm. (15 x 9 3/4 in), under glass, framed, [1976].⁂ 'Jocey' was Joyce Reeves, Penrose's secretary and lover, who was also the editor for some years of the British translation of XXe siècle magazine.
Lot 235
Piranesi (Francesco, 1758-1810) A bound collection of 45 plates, including 'Teatro di Ercolano', 32 double-page plates, with one folding, and 13 single-page, with vedute, architectural details, plans, columns, bound with the title and 4 pp. of text for 'Teatro di Ercolano', engravings with etching on thick laid paper, various sizes, one or two marginal repairs and light spotting, 19th century diced russia, rebacked, edges scuffed, folio, [circa 1780s].
Lot 306
Hardy (Thomas).- Strang (William, painter and printmaker, 1859-1921) Portrait of the author, signed by Hardy in pencil under image, etching with drypoint, presentation inscription in pencil: "Lionel Johnson from Elkin Mathews and John Lane", signed by all three men, framed and glazed, portrait 230 x 152mm., [c. 1900].⁂ [Strang's] "etching of the novelist became in the late twentieth century something of an icon." - Oxford DNB.Lionel Johnson (1867-1902), poet and literary scholar; author of The Art of Thomas Hardy, 1894.
Lot 4
Canada.- Quebec.- Peachey (Attributed to James William, surveyor, draughtsman, army officer, and artist, d. 1797) The Montmorency Falls, with figure drawing in the foreground, watercolour over pencil on J. Whatman laid paper with partial watermark without date, sheet 330 x 505 mm. (13 x 19 7/8 in), faint squaring in pencil for possible transfer, extensive pencil inscription verso by a later hand describing the particulars of the waterfall, noting that the height was taken in 1785, the text initialled 'E.G.G.', minor handling creases with nicks and tears to edges, some surface dirt, unframed, [late 18th century].⁂ The present view closely relates to the etching and aquatint that Peachey produced with John Wells in 1785 [for an example see BL Maps K.Top.119.44.c]. The major difference is that the solo artist sketching in the foreground of the present work is replaced in the aquatint by two men holding fishing rods and looking outwards. Other small alterations in the aquatint can be noted such as removal of the man fishing on the left, yet the figures in the distance on the right are also found in the aquatint. The National Archives of Canada hold another version of the watercolour with slight variations (see MIKAN no.: 2833913).Peachey was a known associate and friend of the young Joseph Bouchette [see subsequent lot], with the two men meeting through the Surveyor General Samuel Johannes Holland (1728-1801); Peachey was assistant to Holland, who was Bouchette's uncle.
![Greece.- War of Independence.- Reinagle (George Philip) [Illustrations of the Battle of Navarin], 12 plates only, etching and](https://cdn.globalauctionplatform.com/9e4f9f33-b24b-4ad2-ac71-aa4200fef8e1/07c24dfd-b3ae-4242-86d9-aa42010db5a1/468x382.jpg)
Lot 70
Greece.- War of Independence.- Reinagle (George Philip) [Illustrations of the Battle of Navarin], 12 plates only, etching and engraving Chine-collé on Whatman wove paper, four sheets with watermark dates of '1827', each sheet approx. 340 x 490 mm. (13 1/2 x 19 1/4 in), some careful restoration to upper left quadrants, mainly in margins, plate 13 appears to have been re-mounted on later paper support, loose and unframed, [Not in Abbey], published by Colngahi, 1828.⁂ Fought off the west coast of the Peloponnese on 20th October 1827, The Battle of Navarino effectively ended Ottoman resistance to Greek independence; it resulted in the destruction of the allied Turkish-Egyptian fleet by a British-French-Russian fleet commanded by Vice Admiral Sir Edward Codrington.
Lot 87
West Indies.- Antigua.- Stobwasser (L., active c.1830s) Ansichten von Missions-Niederlassungen der evangelischen Bruder-Gemeinde, four views of Antigua by Hurlimann and Hegi after Stobwasser, including 'Mission buildings at St. John's in the Spring Garden area', 'Grace Hill, from the northeast side', 'Grace Bay from the West side', and 'Cedar Hall from the northwest side', aquatint and etching with original hand-colouring on cream wove paper, excellent rich impressions, each sheet approx. 320 x 460 mm. (12 1/2 x 18 1/8 in), minor spotting and rough edges, in original green wrappers with engraved pictorial title to upper cover, oblong 4to, issued for the Evangelical Missionary Society, Birman et Fils, Basel, [circa 1830-1835]⁂ Scarce. A particularly fine example of the suite commissioned by the Moravian Church, who intended using it as a way of promoting their work on the island.Saleroom notice: Please note, this copy is without text.
Lot 88
West Indies.- Granada.- Daniell (William) A View of the Town of St George in the Island of Granada; A View of the Town of St George and Richmond Heights, two views after Lieutenant-Colonel J. Wilson, aquatints with etching and hand-colouring, each approx. 410 x 570 mm. (16 1/8 x 22 1/2 in), some expert restoration visible, mainly to extremities, with sheets laid onto thin paper support, some spotting and surface dirt, unframed, W.H. Timms, 1819 (2)
Lot 3856
The Studio - Modern Etching and Engraving, edited by Charles Holme, 1902; The Royal Academy, from Reynolds to Millais, edited by Charles Holme, 1904; Nash (Joseph), The Mansions of England in the Olden Time, 1906; Royal Scottish Academy, edited by Charles Holme, 1907; Vallance (Aymer), Art in England During the Elizabethan and Stuart Periods, 1908; Rawlinson (W.G.), The Water-Colours of J.M.W. Turner, 1909; Williamson (Dr George C.), Portrait Miniatures, 1910; Peasant Art in Sweden, Lapland and Iceland, edited by Charles Holme, 1910; Pen, Pencil and Chalk: A Series of Drawings by Contemporary European Artists, edited by Charles Holme, 1911; Peasant Art in Russia, edited by Charles Holme, 1912; Salaman (Malcolm C.), The Great Painter-Etchers, from Rembrandt to Whistler, 1914, each uniformly bound by J. Dratwa of Vienna, stamped, in contemporary tan half-morocco and marbled boards, raised bands gilt with meander, lettered in the second and fourth compartments, Art Nouveau endpapers, 4to, [11]
Lot 3762
Binding - Burton (John Hill, D.C.L., LL.D.), The Book-Hunter etc., A New Edition with a Memoir of the Author, numbered limited edition 87/1000, William Blackwood and Sons, Edinburgh and London 1882, pp: [vi], x, civ, 427, [i], portrait frontispiece etching of the author by William Brassey Hole RSA (1846 - 1917), further full-page lithographic plate of a library, woodcut borders, vignettes, head and tail pieces and initials, full contemporary red crushed morocco gilt, by Zaehnsdorf, stamped, the covers with a triple-fillet and flowerhead bosses to angles, the spine with six compartments tooled with Pliny's doves in scrolling foliate compartments, titled in the second and dated in the seventh compartments with gilt-lettered green morocco labels, further gilt scroll cross dentelles, marbled endpapers, top edge gilt, contemporaneous ink MS gift inscription to front free endpaper dated 1889, thick 8vo
Lot 708
R Simkin (20th century British) - Grenadier Guards, Officers, Service and Review Orders, c.1914, watercolour and bodycolour on paper, signed and inscribed to mount, 19.5 x 14cm, together with an early 20th century signed coloured etching of horse guards, signed Edward King, 28 x 39cm and a coloured print of First or Grenadier Regiment Foot Guards, 1925, in various dress uniform, 49 x 59cm, all framed
Lot 722
A collection of four 18th century coloured county maps by Robert Morden comprising Norfolk (2) Middlesex and Worcestershire, max approx size 39 x 57cm, all framed, together with an early 20th century black and white etching of a Thames scene with Tower Bridge, signed W Edwin Law, 16 x 20.5cm visible sheet size, framed
Lot 782
A collection of pictures and prints to include a signed limited edition coloured etching after Michael Blaker of sailing barges at low water, signed sepia coloured limited edition etching of sweet chestnuts, signed and inscribed Marco Ricer? a miniature watercolour landscape by Anni Washington, a 1911 Christmas edition of The Art Journal - dedicated to the art of Stanhope Forbes, various unframed prints, etc
Lot 809
Eugene Bejot (French 1867-1931) - Thames view with sailing barge, monochrome etching, signed, 14 x 20cm visible sheet size, mounted, together with Hy Woods (early 20th century) - Shipping in the Pool of London, watercolour on card, signed, 26.5 x 38.5cm, unframed JN Duchesne, View of the Castello De Sant' Angelo, Rome, monochrome ink and body colour, signed to mount, 20 x 29.5cm, framed
Lot 828
After JF Herring - Pair of coloured hunting engravings, 40.5 x 72cm, together with a 19th century black and white engraving of a stylish young woman walking amongst horse chestnut trees, with indistinct signature upper right, G Gilfest? 58 x 28.5cm, a 19th century school watercolour of a river scene with single arched bridge, a chromolithograph of a winter scene and a signed coloured etching of Derwent Water after Claude H Rowbotham, various sizes, all framed
Lot 440
Augustus Edward John (1878-1961) OM and RA. A self-portrait dry-point etching by the Welsh artist is simply signed John lower right and dated 1920, approx 12 x 17 cms, framed and glazed. Note: Label to verso for The Chenil Gallery reads as follows: Etched in 1919 and published in 1920 in the Edition de Lux of Campbell Dodgson's Catalogue. This impression was removed by the original purchaser and sold apart from the volume that sold at Sotheby's. It was later purchased by the Chenil Gallery Chelsea. This etching is from the estate of the Late Henry Chapman-Pincher author, journalist and historian.
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71174 item(s)/page