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Lot 306
FOLLOWER OF MONTAGUE DAWSON - Figures in a rowing boat looking out to a ship in full sail, oils on board, 8" x 15", together with a 19th century pencil drawing of a tree; a pair of bisque tablets, each moulded with a Classical scene (one re-stuck); and an album of choco wafer 'Film Star' cards; an etching of an Abbey by Hawksworth and a pen and ink sketch (the latter two items unframed) (7)
Lot 1186
After James Gillray 1757-1815- "Titianus Redivivus; or The Seven Wise Men......."; publ. Nov 2nd 1797, by H Humpherys, St James's Street, hand-coloured etching, 59x43cm: Thomas Girtin 1775-1802- The Water Works at Marli"; published Jan 15th 1803, by J N Girtin, Newport St, London, soft ground etching with aquatint, aquatinted by J B Harraden, with margins, scattered foxing and staining to the entire sheet, otherwise good condition, 33x67cm: William Walker 1729-1793-"The Reverend Joseph Stennett, DD"; engravings, two examples of the same plate, after Andrea Soldi 1703-1771 and two further later examples after James Gillray and other 17/18/19th century etchings and engravings by and after various hands, (unframed)
Lot 1294
C Maxwell, mid 20th century- Portrait of a woman head and shoulders in a blue hat and a black veil; gouache, signed, 35x25cm: together with two other portrait studies, both signed, one dated 1923, 36x26 and 34x24cm: European School mid 20th century- Head study; etching printed in colours, signed with monogram within the plate, 38x55cm., (4), (unframed) (may be subject to Droit de Suite)
Lot 1303
Nigel Lambourne RE 1919-1988- Woman doing her hair; etching, signed, dedicated 'To M & R', numbered R/7 and dated 1962 in pencil, 30x16.5cm: Dorothea Braby 1909-1987- The Hand of God; wood engraving, signed and dated '44 in pencil, 16.5x13.5cm: Rudolf Harold van Rossem, Dutch b.1924- "Solome's Death'; etching, signed with initials within the plate, signed, titled, inscribed and dated '49 in pencil, 15.4x10cm: Marcel Vertes 1895-1961- The Lovers; lithograph printed in colours, signed and inscribed 'Epreuve d'Artiste' in pencil, 20.5x13cm: trogether with one other wood engraving by Dorothea Braby, an etching of lovers in an interior by an unknown hand and a further quantity of small wood engravings, nine of which are mounted in two common mounts and frames, (qty)
Lot 1317
Michael Rothenstein RA RE 1908-1993- "The Drill"; lithograph in colours with silver, signed and numbered twenty-four/twenty-five in pencil, 73.2x59.7cm: Norman Stevens ARA 1937-1988- "Tree-Flower"; etching, signed, titled, numbered 15/15 and dated 71 in pencil, 19.3x28.7cm: William Turnbull b.1922- "Composition"; lithograph in pink, signed, numbered 73/100 and dated 68 in pencil, 53.5x53.5cm: Alan Kaprow, American 1927-2006- "Yard"; lithograph, 41.5x54.5cm: After Ronald Searle b.1920- "Evasion"; reproduction print, signed, numbered 142/200 and dated 1998 in pencil, 48.2x63.5cm., (5)
Lot 502
Vincenzo d' Esposito (Maltese, 1886-1946) View of Malta signed lower left "V D'Esposito" watercolour 11 x 23cm Vincenzo d' Esposito (Maltese, 1886-1946) Street Scene, Malta signed lower right "V D'Esposito" watercolour 23 x 11cm Vincenzo d' Esposito (Maltese, 1886-1946) View of Malta signed lower right "V D'Esposito" watercolour 11 x 23cm Eveline Corbould Ellis (British, exh.1896-1932) Dragonara, Sliema, Malta signed lower left "E Corbould Ellis, Feb. 1928" watercolour 17 x 25cm with two etchings Lafaun Harbour View with Steamship signed lower right "Lafaun" etching 13 x 19cm Galia Mannamusett, Malta signed lower right "Galia" etching 23 x 50cm six (6) Provenance: Captain Rapkin, RN, who was stationed in Malta with the Royal Navy at periods between 1890 and 1930; a gift to his daughter, who grew up in Malta, and by descent with the family
Lot 50
Charles James Spence, Rory Spence, Sadie Spence and others Various sizes A family archive of watercolours, pencil and ink drawings, etchings and other prints by the Spence family of North Shields, including: two albums of theatrical portraits and sketches by Sadie Spence, dated October, 1900 and April, 1894; three bound albums of etchings by C.J. Spence, 1872, 1871 and 1884/86; an original watercolour landscape in the manner of Thomas Miles Richardson, attributed to C.J. Spence; an etching "Duck Reach Power Station", signed proof by Rory Spence, 1987; an album of original drawings and watercolours by C.J. Spence; a scrap album of Victorian engravings; sundry watercolour landscapes; prints; and photographs. (qty) NB: Charles James Spence was born at North Shields, the son of a banker Robert Spence, and later became a partner in his father's firm. Much of his time was taken up with public responsibilities associated with his birth place, including the post of Borough Treasurer of Tynemouth. Spence was keenly interested in antiquarian matters, and in addition to his public commitments served as one of the curators of the Society of Antiquaries, Newcastle. He was also Chairman of the School of Art, Armstrong College (now Newcastle University), and established a considerable reputation locally for his watercolour paintings and etchings. He was a regular exhibitor of the Arts Association and later the Bewick Club. His sons Robert and Philip, together with other members of the family, were also gifted artists. See illustration
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71174 item(s)/page