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Lot 56
LEON UNDERWOOD [1890-1975]. Seated Nude, 1922. Drypoint etching, edition of 50 [the first, 1/50]. Signed and dated, 15 x 11 cm. A very rare print and we believe only a few were ever printed. Literature: ‘Leon Underwood’, C. Neve, Thames & Hudson, 1974, p.60, described as ‘a lovely drypoint of a seated life model that retains tremendous spontaneity and attack in drawing despite the mechanics of the medium’. [good condition – unexamined out of frame].
Lot 50
The next 50 lots are by featured artist Leon Underwood [1890-1975]: Underwood is a major UK artist, best known for his innovative sculpture – he was a carver and modeller and taught Henry Moore and Barbara Hepworth. He was also a great print-maker especially in the 1920s and a painter. The Tate Gallery collection includes 8 of his sculptures and paintings. There are currently 2 books on his work. LEON UNDERWOOD [1890-1975]. The Tulip Girl, 1921. Etching, artist’s proof – early state without tulips, only a few were printed [final state prints produced in an edition of 8 in 1922]. Signed, 19 x 14 cm. Literature: ‘Leon Underwood’, C. Neve, Thames & Hudson, 1974, p.60. [good condition – unexamined out of frame].
Lot 139
HUBERT DALWOOD, R.A. [1924-76]. St Ives Harbour, 1949. Etching and aquatint. Signed and dated, 17 x 11 cm. Provenance: Gimpel Fils Gallery, London; Belgrave Gallery, London; Private collection, UK. Another of these prints sold at Bonhams auction, 25 May 2010, lot 26, for over £1100 total. [good condition – unexamined out of frame].
Lot 52
LEON UNDERWOOD [1890-1975]. The Banjoist, 1921. Etching, edition of very few, probably 8. Signed, 22 x 18 cm. Literature: ‘Leon Underwood’, C. Neve, Thames and Hudson, 1974, p.56, pl.51. One of Underwood’s most important early prints. [good condition, tiny foxing spot on banjo – unexamined out of frame].
Lot 23
MICHAEL AYRTON [1921-75]. Minotaur Pent, 1971. Etching, artist’s proof V111/X [the proofs were printed first, prior to the edition of 75 prints]. Signed in pencil, 58 x 77 cm. A rare signed Minotaur etching - the majority of the edition were unsigned, bearing only the studio stamp signature. Literature: ‘Michael Ayrton’, P. Cannon-Brookes, 1978, Birmingham CAG, p.99. [Good condition – unexamined out of frame].
Lot 341
LED ZEPPELIN - III - A great 1st UK pressing. This pressing has 'Produced by Jimmy Page, Executive Producer Peter Grant' credits, 'Do What Thou Wilt' etching and housed in a gatefold cover with rotating wheel. The vinyl is in Ex+ condition with perhaps one or two extremely wispy marks. The laminated sleeve is Ex with minor lamination wear on the reverse.
Lot 903
CHARLES MERYON (1821-1868) French L'Arche du Pont Notre-Dame, Paris Etching Signed and dated 1853 within the plate; and L'Abside du Pont Notre-Dame du Paris; together with HERBERT RAILTON (1857-1910) British, The Interior of the Nave From a Brief Account of Westminster Abbey (1894) by W.J. Loftie, etching, signed in pencil The former 17.5 x 14 cm, all framed and glazed (3) CONDITION REPORTS: Generally in good condition, expected wear, some slight fading/staining.
Lot 125
A fine quality antique dry point etching, with pencil signed monogram, an antique dry point etching depicting a medieval court, a Kyd chromolithograph depicting a Dickensian type character with Mr Punch, a watercolour after Munnings, an antique stipple engraving of Monk Bar, York, published by W Monkhouse, York, together with four other decorative antique pictures and prints (9).
Lot 164
Lin Jammet (British, born 1958)/Figures in a landscape/signed and dated 1973/etching, 46cm x 56.5cm (plate)/Note: Lin was born in London to an artist mother, Elisabeth Frink, and a French father, Michel Jammet. Lin first started printmaking during the 1970s with Julian Trevelyan. Condition Report: Artist's Resale Rights may apply to this Lot.
Lot 132
A PAIR OF ETCHINGS BY ERNST NEIZVESTNY (RUSSIAN B. 1925)comprisinga) Hand, 1976, etching on paper, size of plate: 15.5 x 12.7 cm (6 1/8 x 5 in.), signed and dated lower right, illegibly titled on versob) Scream, 1976, etching on paper, size of plate: 15.5 x 12.7 cm (6 1/8 x 5 in.), signed lower right, signed and dated lower right, illegibly titled on versohttp://www.shapiroauctions.com/media/wysiwyg/Brenner_Essay.pdfPROVENANCECollection of Lili and Michael BrochetainTHIS LOT IS BEING SOLD WITHOUT RESERVE.
Lot 579
EVGENY ABEZGAUZ (RUSSIAN-ISRAELI B. 1939)Little Israel Wandered and Wandered throughout Russia in Search of Happiness, 1977watercolor over etching on paperplate size: 33.5 x 48.5 cm (13 1/8 x 19 1/8 in.)signed and dated lower right, numbered 6/21 lower leftPROVENANCEAcquired directly from the rtistsPrivate Collection, U.S.LOT NOTESEvgeny Abezgauz, a legendary figure of the Russian underground, hand-painted this series of etchings with watercolor. A similar work from the same series was on loan from the collection of Norton and Nancy Dodge to the Zimmerli Museum of Russian and Soviet Nonconformist Art in New Brunswick, New Jersey.THIS LOT IS BEING SOLD WITHOUT RESERVE.
Lot 525
An Edwardian chromolithograph stipple print of riders in 17th Century dress, an etching with aquatint of a Venetian canal 40/70 signed Vgo Baracco watercolour landscape indistinctly signed, dated October 85, The School Cloister Oundle, limited edition colour print 774/1000, signed in pencil Jane Carpanini and a framed Ordnance Survey map of Tudeley Kent (5).
Lot 479
William Ashton (1853-1927), Egyptian Scene, etching, signed in pencil to the margin, lower right, 30.5cm x 20cm, framed and glazed *Subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Lot 489
Edward Julius Detmold (1883-1957), Peacocks with sun setting over hills in the distance, etching, signed in pencil to lower right, 32cm x 41cm, framed and glazed *Subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Lot 349
After Graham Culverd, St Bartholomew's Church London, an etching, signed by the artist in pencil to the margin (27cm x 20cm) glazed in ebonised frame, together with a signed wood cut after Alison McKenzie, entitled 'The Four Friends' from Aesop's Fables, 7/50 (12cm x 12cm) glazed in an ebonised frame.
Lot 2252
WILL BARNET (AMERICAN, 1911-2012) ETCHING, C. 1936, H 9 3/4", W 11 3/4", "THE TAILOR"Edition 10. Approximately 9.8" x 11.8". Pencil signed. Associated American Artists. Also called "The Jew". From the estate of Dr. John M. Rainey, Jr. Grosse Pointe Park, Mich.Good condition jw- For High Resolution Photos visit Dumouchelles website.
Lot 300
PERCY ROBERTSON (1869-1934); black and white etching, Dutch river landscape with mills and boats, signed in pencil lower right, initialled to plate, 14 x 18cm, RUBEN WARD BINKS (1880-1950); black and white etching "Pennine Primadonna Winner at Crufts 1935", signed in pencil lower right, 16 x 25cm and a further etching, landscape with bridge, 22 x 32cm, all framed and glazed (3).
Lot 301
ELYSE LORD (1900-1977); a pair of drypoint etchings "The Philosopher" and "Cymbals", each signed in pencil lower right and numbered lower left 33/100 and 43/100 respectively, titled and signed on Horner Galleries label verso, 19 x 17cm and 24 x 19cm, in chinoiserie frames and glazed. (D) CONDITION REPORT: Etchings are not mounted. They are in good condition but one corner of the backing card on one etching has water damage. Appear to be on paper, stuck to card. Quite a few small scuffs and nicks to both frames, especially to top of Philosopher. Water damage to backing card , bottom right on Philosopher. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 448
PAUL NASH (1889-1946); signed and inscribed black and white etching, "Rocks, Zennor", inscribed "To Dorothy" and signed lower right, the image 24.5 x 31.5cm, framed and glazed. It is believed that the inscription to Dorothy is for John Nash's wife, Dorothy. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 452
HELEN BRADLEY (1900-1979); signed limited edition coloured print "September", signed in pencil lower right, bearing blind stamp lower left and inscribed on Renoir Galleries Ltd label verso, 38 x 56cm, framed and glazed and a decorative coloured etching by A. ARNOLD; coastal landscape, framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
![Nicholson (William) 'London Types' [Quatorzains by W.E.Henley] London: William Heinemann 1898, 12 colour plates (af) and 'Mod](https://cdn.globalauctionplatform.com/33126220-38a9-43d4-8e04-a604010d34c2/92854d59-5eac-4955-fb09-66a5c6c4960b/468x382.jpg)
Lot 528
Julian Trevelyan (British, 1910-1988) Villa Gamberia, 1965-66 (Turner 185) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 47.5cm x 35cm, unframed. Provenance: From the collection of the publishers.
Lot 529
Julian Trevelyan (British, 1910-1988) The Procession to the Temple, Puri, Orissa, 1968 signed and dated (lower left), inscribed (to reverse) oils on canvas 49.4cm x 59.3cm. This art work was also made into a etching and aquatint for the India Suite in 1968 in an edition of 75 with 14 artist's proofs.
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