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Pair of Cocker Spaniels, limited edition hand coloured etching signed and numbered 37/150 by Henry Wilkinson (British 1921-2011) and Labrador Carrying Game, watercolour signed by Trueman max 27cm x 37.5cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
~ Louis Wain (British, 1860-1939) Mrs Tabby's Academy, lithograph in sepia together with a lithographic reproduction entitled "The Pool" by James McBey and a further etching After Frank Paton after Thomas Binks entitled "The Favourite's down!" visible image 200mm by 265mm, image 155mm by 225mm and 160mm by 240mm respectively (3)Provenance for After Frank Paton: Sir Sanderson Temple QC, Yelland Hall
~ James Gillray (British, 1756-1815) ''Destruction of the French Gun-Boats-or Little Boney and his Friend Tally in high glee'', hand-coloured etching with aquatint, plate 250mm by 375mm Provenance: Thomas Agnew & Sons Tennants 15.2.13Not examined out of frame Imprint: 1803, London, H Humphrey
~ George Stubbs (British, 1724-1806) ''The Farmer's Wife and the Raven'', etching with roulette work by Stubbs after his own design, plate approx 520mm by 695mmNot examined out of frame. Scratches, scuffs and filled holes to surface. Very little visible margin Imprint: 1788, London, G Stubbs Siltzer p.271
~ James Seymour (British, 1702-1752) Foxhunting, a set of four ''Unkenneling the Fox Hounds'', ''Going to Cover'', ''Digging for the Fox'' and ''The Death of the Fox'', mezzotints with etching by T Burford, image c.240mm by 350mm (4) Provenance: Christie's 8.7.08, lot 441Not examined out of attractive period frames Imprint: 1787, London, R Sayer Siltzer p.247
~ George Stubbs (British, 1724-1806) ''Sharke'', stipple with etching by G T Stubbs, sheet 410mm by 505mm For ''The Turf Review'' series of racehorse portraits. An early impression. The horse's trainer, Price, appears on the right, with feedNot examined out of frame. Trimmed to plate (with false margin) Imprint: 1794, London, Messrs Stubbs Siltzer p.272
Eileen Alice Soper (1905-1990) ''The Go Cart'' signed, signed and inscribed on a label verso, artist's proof, etching, together with two further examples; A young child and a terrier running into the sea and ''Hop Scotch'' by the same artist 13cm by 18cm, 16cm by 20.5cm and 14cm by 18cm respectively (3)
Percy Robertson ARE (1868-1934) ''Return of the boats'', signed and inscribed, etching, together with two further examples by the same hand including; Fishing boats coming ashore and Sailing vessels off the quay, 13.5cm by 31.5cm, 25.5cm by 38cm and 27cm by 37cm respectively (sh) unframed (3)
~ James Gillray (British, 1756-1815) ''The King of Brobdingnay, and Gulliver'', hand-coloured etching with aquatint, printed border 305mm by 245mm After the design of an amateur, Lt Col Thomas Braddyll of the Coldstream Guards Ex Collection Helperby Hall, North YorkshireNot examined out of frame. Good margins, on three sides Imprint: 1803, London, H Humphrey
Elyse Ashe Lord (1900-1971) Japanese lady wearing a kimono seated under a tree adorned with flowers, signed in pencil, numbered 34/75, etching with hand colouring, together with a further work depicting a Japanese lady in a frozen landscape, signed in pencil numbered 26/75 and another ''Palace of the Ponglai'' signed in pencil, and numbered 79/100, 20cm by 29.5cm, 21cm by 30cm and 39cm by 41cm respectively (3)
~ Francis Sartorius (British, 1734-1804) ''Gimcrack'', mezzotint and etching together with a further mezzotint entitled ''Firetail the Property of Thos Foley Esqr'', plate 250mm by 350mm and 240mm by 355mm respectively (2) Provenance: Tennants 6.1.12, lot 498Not examined out of frame. Rubbed and scuffed surface, with (filled) worn traces. Imprint: 1760, London, R Sayer Siltzer p.242
Percy Robertson ARE (1868-1934) Bathing machines on the beach, Whitby, signed in pencil, etching, together with a further work by the same hand depicting Figures and dogs on a beach at low tide indistinctly inscribed ''Portmadue'', 21cm by 27cm and 20cm by 29cm respectively (sh) unframed (2)
~ John Nost Sartorius (British, 1759-c.1828) ''Hambletonian Preparing to Start'', ''Hambletonian Beating Diamond ... (at Newmarket)'', aquatints with etching by J W Edy, image 350mm by 530mm (2) Provenance: Christie's 17.2.08, lot 12Not examined out of frames. Some soiling and staining Imprint: 1799, London, J Harris Siltzer p.243
William Lionel Wyllie RA (1851-1931) A battleship and other sailing vessels in a busy estuary, signed, a black and white etching, together with an etching of an airship and a fast Naval craft by the same artist and a further etching depicting battleships signed Rowland Langmaid, 19.5cm by 27cm, 21cm by 26.5cm and 10cm by 30.5cm respectively (3)
~ George Stubbs (British, 1724-1806) ''Eclipse'' [open letters], stipple with etching by G T Stubbs, visible image 390mm by 500mm For ''The Turf Review'' series of racehorse portraitsNot examined out of the frame. Some surface scuffs and closed tears to edges of image. No visible margin Imprint: 1817, London, E Orme Siltzer p.272
Fred Lawson (1888 - 1968) Building and tree in a windswept landscape, signed in pencil, a black and white etching, together with three further 1913 watercolours by George Graham depicting cattle grazing in a landscape, a figure droving cattle towards farm buildings and a horse mounted figure crossing a bridge, and an unframed signed black and white reproduction of Runswick Bay by Arthur Friedenson, 12cm by 14.5cm, 21cm by 27cm, 25.5cm by 32cm, 20cm by 25cm respectively (5)
~ Francis Sartorius (British, 1734-1804) ''Carless'' [Careless], mezzotint and etching together with a further mezzotint with gouache colouring After Thomas Spencer, `Miss Doe', a mare of Sir Edward O'Brien, Bart, plate 250mm by 350mm and 235mm by 330mm, respectively (2) Provenance: Tennants 24.11.00, lot 601Not examined out of frame. Evenly browned Imprint: 1768, London, R Sayer Siltzer p.242
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape, 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8)
Henry Wilkinson (British, 1921-2011), Springer spaniels flushing a pheasant, coloured etching, signed in plate and also signed and numbered 47/150 in pencil to margin, 9 7/8 x 13½in. (25 x 34.3cm.). * Condition: Some light foxing to etching and mount. Light mount burn and smaller darker patch of mount burn lower right corner.

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78388 item(s)/page